Face Figurative Paintings

This still-life is painted by Dutch Painter Ingrid Smuling. The now 77-year-old artist is still most in her element when she is painting in her beautiful studio in the middle of The...

A striking scene depicting workers who appeared to have downed tools, leaving an industrial site. The artist captures the scene in rich, earthy tones and an impressionist style. Sign...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper inscribed verso stamped to the reverse Image : 19.5 x 25.5 inches Superbly decorative 196...

Nicolas LOIR (Paris, 1624 – 1679) Penitent Saint Mary Magdalene Oil on canvas, 58 x 71 cm Unsigned Circa 1665–1675 Trained under Simon Vouet and later Sébastien Bourdon, Nicolas ...

Rooted in introspection and emotional nuance, Xenia Gray’s figurative mixed media works capture the quiet tension between solitude and connection. Her paintings often depict the huma...

This painting by Henryk was done in 2018. It will ship from the artists studio in Poland. More about Henryk Laskowska: Henryk Laskowski has been worki...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...

Circle of Jean-Baptiste Oudry. Good condition overall. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the...

Everett Spruce (1908 - 2002) Austin Artist Image Size: 18 x 15 Frame Size: 28 x 25 Medium: Oil on paper / Mixed Exhibited at a University of Texas Faculty art show in 1947 Unsigned Biography Everett Spruce (1908 - 2002) The following, submitted by a researcher of the Ashworth Collection of Native American and Western Art, is from the artist's obituary in the Fort Smith, Arkansas "Times Record" newspaper, October 20, 2002. Everett F. Spruce, well-known artist, teacher, professor emeritus, died Friday, Oct. 18, 2002, at age 94. Everett Spruce was born on a farm in Conway to William E. and Fannie McCarty Spruce. He came to Dallas, at age 17, on a scholarship to study at the Dallas Art Institute, under Olin Travis and Thomas M. Stell Jr. In 1931, he became gallery assistant at the Dallas Museum of Fine Arts and in 1934 married Alice V. Kramer, a fellow art student. He was one of the "Dallas Nine" group of Southwest artists...

This original framed figurative painting by Natasha Lelenco blends surreal portraiture with botanical elements, capturing the essence of nature, transf...

Signed by Artist Signed Lower Center The Saturday Evening Post cover, June 13, 1914 LITERATURE: L.S. Cutler and J.G. Cutler, J.C. Leyendecker, American Imagist, New York, 2008, p. ...

Charming mid-century naive painting of small figures and chickens in a rural landscape by an unknown artist (American, 20th Century). Signed with the monogram "I. M. H." on lower lef...

"Le Pattiwork" Stylish Woman, Portrait By French artist, N.Dosser, 20th Century Signed by the artist on lower right hand corner, also titled "Le Pattiwiork" and signed verso. Oil pai...

Primitive Folk Art Painting After Jefferson Gauntt "Two Children" Oil on canvas 19.75" x 24.75" 23.75" x 28.75" Framed

Wonderful mid century portrait of woman named Charlotte by Irinia Belotelkin Roublon (Russian/American, 1913 - 2009), circa 1960. Signed lower right corner and on verso. Unframed. Image size: 14"H x 11"W. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Framed 29 X 23 Image 18 X 24 The sweetness that characterizes the work of Mexican painter Jose Maria de Servin (1917-83) is a melancholy and placid one. While he worked in the most modern of styles, he adapted it to an anecdotal folk-art approach distinctly his own. When he was an infant, de Servin's family moved with him to Guadalajara. A city of history and culture, Guadalajara had a thriving artistic community with strong connections to Europe. His brothers Antonio and Miguel became artists as well, and in later years they worked collaboratively. As a teenager, de Servin studied at one of Mexico's Schools of Open-Air Painting, free art-teaching institutions sponsored by the government. Later de Servin became a pupil of the painter Chucho Reyes, known for his improvisational watercolor variations on traditional Mexican themes. This interest in imagery particular to Mexico would be of great significance to de Servin. De Servin also studied under the more traditional painter Jose Vizcarra. In the early 1930s de Servin joined the Pintores Jovenes de Jalisco, or Young Painters of Jalisco. An influence of critical importance to de Servin was Pablo Picasso. One of the originators of Cubism, the Spanish painter soon departed from its quasi-scientific and optical basis to create lively and humorous geometrical abstractions. It was this Cubism, personal and decorative, that de Servin adopted. His earliest Cubist works mimic Picasso, while during the second stage of his career, his works become smooth and polished, with an emphasis on gentle surface textures. After these cautious years, however, a rough boldness enters along with dominating colors of earth and sand. Modernists like de Servin were interested in exploring what they considered primitive artmaking styles. The adoption of a native manner and native themes is in keeping with Modernist tenets, as is the use of nontraditional materials. De Servin's portraits of peasants, large-eyed and simply rendered, recall children's drawings. The rough burlap ground contrasts with the playful imagery and delicate range of color. The figures, all children or child-like adults, are all curves and simple shapes arranged harmoniously. De Servin's cubism is free from grotesquerie as it celebrates the simplicity of its subjects. De Servin worked with the social-realist Jose Orozco on several large mural commissions in Guadalajara, including one at the Legislative Palace. While their styles were dissimilar, both made use of Mexican imagery to glorify the common people. A sought-after muralist in his own right, de Servin brought the rich colors and endearing characters of his panels to his larger-scale work. For 15 years, de Servin taught summer art classes at the University of Arizona. His career was marked by many one-man shows, both in North America and Europe. In recent years, his striking style has attracted increased notice from critics and the public. His style is a unique conglomerate of tradition, history, legends, heroes, old customs and folklore. It is a self-standing style, recognizable, cheerful, whimsical and a happy creation. Naïve art is any form of visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). Unlike folk art, naïve art does not necessarily evince a distinct cultural context or tradition. Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by Pablo Picasso. Naïve art is often seen as outsider art that is by someone without formal (or little) training or degree. While this was true before the twentieth century, there are now academies for naïve art. Naïve art is now a fully recognized art genre, represented in art galleries worldwide. Museums devoted to naïve art now exist in Kecskemét, Hungary; Riga, Latvia; Jaen, Spain; Rio de Janeiro, Brasil; Vicq France and Paris. "Primitive art" is another term often applied to art by those without formal training, but is historically more often applied to work from certain cultures that have been judged socially or technologically "primitive" by Western academia, such as Native American, sub saharan African or Pacific Island art (see Tribal art). This is distinguished from the self-conscious, "primitive" inspired movement primitivism. Another term related to (but not completely synonymous with) naïve art is folk art. There also exist the terms "naïvism" and "primitivism" which are usually applied to professional painters working in the style of naïve art (like Paul Gauguin, Mikhail Larionov, Paul Klee). At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac, presented 6 reproductions of paintings by le Douanier' Rousseau (Henri Rousseau), comparing them with other pictorial examples. However, most experts agree that the year that naive art was "discovered" was 1885, when the painter Paul Signac became aware of the talents of Henri Rousseau and set about organizing exhibitions of his work in a number of prestigious galleries. The Earth Group (Grupa Zemlja) were Croatian artists, architects and intellectuals active in Zagreb from 1929 to 1935. The group included the painters Krsto Hegedušić, Edo Kovačević, Omer Mujadžić, Kamilo Ružička, Ivan Tabaković, and Oton Postružnik, the sculptors Antun Augustinčić, Frano Kršinić, and the architect Drago Ibler. A term applied to Yugoslav (Croatian) naive painters working in or around the village of Hlebine, near the Hungarian border, from about 1930. Some of the best known naive artists are Dragan Gaži, Ivan Generalić, Josip Generalić, Krsto Hegedušić, Mijo Kovačić, Ivan Lacković-Croata, Franjo Mraz, Ivan Večenaj and Mirko Virius. Camille Bombois (1883–1970) Ferdinand Cheval, known as 'le facteur Cheval' (1836–1924) Henry Darger (1892–1973) L. S. Lowry (1887–1976) Grandma Moses, Anna Mary Robertson (1860–1961) Nikifor (1895–1968) Poland, Horace Pippin (1888–1946) Jon Serl (1894-1993) United States Alfred Wallis (1855–1942) Scottie Wilson (1890–1972) Gesner Abelard...

Joyful figurative scene with two smiling cyclists, connected with a series of colorful, swirling dots, by P. Gren Hayes (American, b. 1932). Signed and dated "© Gren Hayes 1980" at the right edge. Presented in a simple wood frame. Image size: 19.5"H x 23.5"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative / Bay Area Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...

From the estate of Jerry Opper & Ruth Friedmann Opper Slit c. 1940-1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing...

Italian artist Daniela Astone lives and works in Florence. She enjoys working with live models and paints her works from observation, the classical appr...

Subrata Das - Krishna - 30 x 30 inches, 2019 (unframed size) Acrylic on canvas. Can be sent framed or unframed as per requirement Style : Subrata Das's works are a poetic represent...

Nude Model is an original modern artwork realied by Artist of the mid-20th Century. Mixed colored oil painting. Signature of the artist on the lower margin. Fair conditions due to...

Blue is painted in the style of American Realism. The painting is Representational Figurative art which is a time consuming process especially with portraits and figurative art. T...

This work is offered by CLAMP in New York City.

A 1960's Frida Kahlo study oil painting on laid paper by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her work. Unframed. Ima...

Antique French Portrait Miniature oil Painting, Jenny Savy, circa 1860. The painting being larger than most portrait miniatures and painted by Jenny Savy, a renowned French portrait...

In this latest addition to the "Gardens of Resilience" series, the canvas comes alive with the vibrant presence of three women immersed in dialogue amidst a blossoming meadow. Throug...

The artwork "Bored" is a stunning creation that weaves a delicate tapestry of dreams and reality. The artist has skillfully captured the essence of a young girl's imagination, allowing the viewer to peer into the depths of her thoughts and aspirations. The lady's posture exudes an air of calm contemplation, but her eyes tell a different story. They glimmer with a hint of mischief and wonder, hinting at the magical world she has conjured up in her mind. In the background of the painting, the artist has masterfully depicted a vision of northern horsemen, galloping majestically across vast, snow-covered plains. These horsemen, clad in traditional attire, symbolize strength, courage, and freedom - qualities that the young girl may yearn for or admire. The contrast between the girl's stillness and the dynamic scene she envisions creates a captivating juxtaposition, emphasizing the power of imagination and the allure of the unknown. As the viewer gazes at the artwork, they are drawn into a narrative of the young girl's daydream. Perhaps she is longing for adventure, yearning to explore the far-off lands of the North, or maybe she seeks to break free from the mundane routine of everyday life. The painting stirs the imagination, leaving room for personal interpretations and connections. The title "Bored" takes on a deeper meaning in light of the young girl's reverie. It hints at the idea that boredom can be a catalyst for creativity and imagination. In moments of monotony, the mind often seeks escape, finding solace in the realm of daydreams and fantasies. This painting serves as a reminder that boredom is not necessarily a negative emotion, but a gateway to exploration and self-discovery. The artist's technique in "Bored" is nothing short of mesmerizing. The use of vibrant colors and soft brushstrokes adds a touch of surrealism, enhancing the dreamlike quality of the artwork. The girl's expression is a masterpiece in itself, evoking empathy and inviting the viewer to empathize with her world of dreams. In a world where we are constantly surrounded by distractions and technology, "Bored" reminds us of the power of introspection and the beauty of allowing our minds to wander freely. It encourages us to embrace moments of stillness and delve into the depths of our imagination, just like the young girl in the painting. Art has the incredible ability to transport us to different realities, and "Bored" achieves just that. It invites us to envision our own northern horsemen or any other fantastic tales that lie within our hearts. It celebrates the essence of childhood wonder, where even the simplest of moments can become the foundation for extraordinary journeys. In conclusion, "Bored" is an exquisite artwork that captures the essence of a young girl's daydream about northern horsemen. It stands as a testament to the power of imagination and the art of storytelling through visual means. As we gaze upon this masterpiece, let us also be reminded of the beauty of introspection, the allure of dreams, and the magic that lies within every one of us. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) Muideen Abdulkadir...

In the painting "Mother's Embrace," the artist captures a serene and reassuring moment between a mother and her child amidst a lush garden of vibrant malva flowers, a traditional sym...

The ageless beauty of a black woman is a testament to the strength, resilience, and grace that radiates from within her. It transcends societal standards and embraces the unique features and rich heritage that make her truly captivating. Her skin, like the midnight sky, possesses an enchanting depth and a velvety smoothness that seems untouched by time. It carries the echoes of countless generations, telling stories of endurance and triumph. With every smile and laugh line that dances upon her face, she embodies the wisdom and joy accumulated through a life well-lived. Her eyes, like pools of wisdom, sparkle with an unwavering confidence and a profound understanding of self. They hold the secrets of her ancestors, revealing a strength that has weathered storms and preserved traditions. They reflect the beauty of her soul, which shines brightly through the hardships she has overcome. Her hair, a crown of...

Acrylic on canvas Carlos Gamez de Francisco is an American artitst with Cuban origins born in 1987 who lives and works in Fort Myers, FL, and Louisville, KY. He has received numerou...

Work on canvas Golden wooden frame 91.5 x 71 x 6 cm

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

Abel Warshawsky (American 1883-1962) Spring Fantasy, 1948 Oil on artist's board Signed lower right and verso 16 x 13 inches 20 x 17 inches, framed Impressionist painter A.G. Warshaw...

Smith studied at the School of Industrial Art in Philadelphia under Edward Warwick. In 1935 she was asked by the Art Institute of Chicago to loan her painting, "Repose" to the forty...

Ganymede was a Trojan prince in Greek mythology, known for his compelling beauty. Because of his alluring good looks, Ganymede was abducted by Zeus to serve as cup-bearer in Olympus....

A truly masterful early 19th Century copy of the original Italian Renaissance masterpiece, "La Zingarella" by Correggio. The scene shows the Virgin Mary, cradling her son in a forest glade on their journey into Egypt. Several putti gather overhead and a blackbird and white rabbit (symbolising both Mary's virginity and fertility) can be seen at the lower left. This beautiful copy has exquisite form, true to the original, and a masterful delicacy in the folds of the Virgin's clothes. This painting has been dated circa 1820, due to the style of nail and stretcher used to stretch the canvas, as well as stylistic and condition features. In addition, the Madonna’s features lack the saccharine sweetness of High Victoriana and posses a style closer to that of late Georgian painters...

Oil on canvas Signed in red, u.r. 14 x 11 inches, canvas size 14.5 x 11.5 inches in distressed gold leaf frame This artwork is offered by ClampArt, located in New York City. “Bruc...

Bernardino Detti (Pistoia, Italy, 1498 - 1572) Title: Face of Christ Medium: Oil on canvas Dimensions: without frame 41 x 32 cm - with frame 47 x 55.5 cm Antique box frame made of solid wood and walnut burl. Publications: unpublished The painting by Bernardino Detti (1498 - 1572) depicts the face of Jesus...

A modern realist painting by American artist Will Barnet from the artist series of works created to accompany the poetry of Emily Dickinson. rom Bever...

In this captivating piece titled "Union: Woman and Swan," the artist delves into the theme of symbiotic relationships between nature and humanity within...

Young Girl with her Pet Dog By Hans Fieldler, German, 1933 Oil painting on board, framed Signed and dated '33' (1933) on the top left corner Painting size: 18 x 15 inches Endearing impressionist oil painting of a little German girl...

Jay Patel MADHUBANI STYLE 02 (DECORATED ELEPHANTS) Acrylic on Board Year: 2022 Size: 10x12x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1111 "Inspired by the age-old Madhubani style, these paintings celebrate the beauty within the beasts. Elephants are revered animals in the Indian sub-continent and symbolize lord “Gajendra”! To ascertain justice to the inspiration, every element in the painting is worked upon significantly- the tree denotes long life, the flowers stand for happiness, and the elephant denotes power. Embellished by detailed motifs, the composition undoubtedly spurs a moment of joy in the eyes. The captivating intricacies of the saddle cloth tied with heavy jewelry...

original Oil Painting on board by Yvette Dubois Habasque (1929-2016) signed and inscribed verso drawing on back dated: 1964 board: 15 x 11 inches Fine original painting by the Fre...

An oil painting on paper - framed and matted. Optional Plexiglass included. 17 x 13 inches, framed Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions ...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he disp...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

America Martin "Wreath of Flowers in Hair" (Diptych) Ink on Cotton Paper 25 x 45 Inches Diptych Size Left piece comes framed: 25 x 22.5 Inches Unframed 31.5 x 28.5 Inches Framed ...

This painting entitled "The Prophet Returns" is semi nude male. His hard chiseled body contrasts with the soft flower crown and halo he wears. It is beautifully balanced on the de...

Michael Vonbank is an Austrian artist known for his experimental and colorful art. This special work shows a surreal and expressive pictorial world. Invented creatures, fantasy and ...

Photorealist Figurative Painting. Woman walking on beach in bathing suit Sexy & Seductive About The Artist: Cindy Press is a visual artist living a...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Marcel COSSON (1878-1956) Vue du Casino de Juan les Pins, les régates Oil on panel Size : 46 x 61 cm Signed lower left Painting in perfect condition Beautiful carved and gilded fram...

Mid century figurative of romantic adventures by Duleich (American, 20th Century). Presented in a wooden frame. Signed "Duleich '59" lower left. Image size, 30.25"H x 24"W. Framed si...

SALE ONE WEEK ONLY “Untitled” painted in India Ink of two heads was done during what has been call Lester Johnson’s Dark Paintings of the 1960s. In 2013 John Yau wrote with much insight about that period of Johnson’s work - “Lester Johnson (1919-2010) was an innovative figurative painter who has never quite fit into any of the accepted narratives of postwar American art, and that alone makes his work worthy of a longer look. The 1960s was an explosively turbulent era marked by assassinations, race riots, space flights, the Cuban Missile Crisis, the Beatles’ and Rolling Stones’ first American tours, and the rapidly escalating Vietnam War. Everyone was wary and on edge. Meanwhile, in the New York art world, all eyes were fixated on the rise and triumph of Pop Art, Minimalism and Color Field painting. Johnson was one of the few artists that attuned to the dismay that everyone was feeling during the violent and schizophrenic time, the sense that it could all come crashing down. However, his work was never overtly political or didactic. While his dark, brooding, monochromatic paintings of anonymous men gained a small and loyal following, they also became part of that largely invisible history of a time when New York was a tough scary and exciting place to be. More than fifty years after they were made, Johnson’s Dark Paintings continue to retain a coarseness that we associate with gestural Abstract Expressionism and Jean Dubuffet’s anti-psychological, anti-personal portraits incorporating sand and gravel. One sees in them the antecedents of Joyce Pensato’s gestural exaggerations of Groucho Marx, Homer Simpson and Minnie Mouse. While Pensato brings an infectious humor to her work, Johnson was more somber. I cannot help but think that both these artists chose their bedraggled subjects out of empathy and a trace of identification.” Lester Johnson, was born in 1919 in Minneapolis, Minnesota. He attended Minneapolis School of Art, where he studied under Alexander Masley who was a former student of Hans Hofmann. Johnson continued his artistic career in New York City where he opened his first studio on 6th and Avenue A. His neighbor there was fellow painter Wolf Kahn. During his time there he would share a loft with Larry Rivers and married the art historian Josephine Valenti. In 1961 he briefly taught at Ohio State University before returning to New York City to share a studio with Philip Pearlstein. Jack Tworkov would invite Johnson to teach at Yale, an offer that Lester Johnson would accept and spend the rest of his life in Connecticut. Johnson passed away in 2010. Johnson's work has been exhibited in the Baltimore Museum of Art, the Albright-Knox Art Gallery, the Fogg Art Museum, Harvard University, the Art Institute of Chicago, the Detroit Institute of Arts, the Kalamazoo Institute of Arts, the Modern Art Museum of Fort Worth, the Wadsworth Atheneum, the Minneapolis Institute of Arts, The Walker Art Center, the Yale University Art Gallery, the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Chrysler Museum of Art, the Carnegie Museum of Art, the Museum of Art, the Rhode Island School of Design, the Aldrich Contemporary Art Museum, the Rose Art Museum, Brandeis University, the Hirshhorn Museum and Sculpture Garden, and the Smithsonian American Art Museum. This work has been framed inside of a custom frame with museum glass...

The bond between brothers, whether by blood or through the strong connection forged by friendship, is truly special. It's amazing how we can find support and solace in those who may not be family but have chosen to be there for us. Martin Luther rightly said, "We have flown the air like birds and swum the sea like fishes, but we have yet to learn the simple act of walking the earth like brothers". In a collective society, it's crucial for us to embrace the concept of being our brother's keeper. By nurturing a sense of empathy and compassion, we can make a positive difference in each other's lives. Whether it's lending a helping hand, offering a listening ear, or providing support during challenging times, being there for one another creates a stronger and more supportive community. Let us always cherish and celebrate the unbreakable bond we share with our brothers, both by blood and through the deep connections we form along life's journey. Together, we can create a world where everyone feels loved, supported, and appreciated. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Daniel Oguche...

Vladimir was born in the city of Khabarovsk, on December 19, 1957. When he was two years old, his mother abandoned his father, took her son and moved to Sverdlovsk (formerly, Yekater...