Face Figurative Paintings

Artist: Irving Amen, American (1918 - 2011) Title: Reading Girl Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 24 x 20 in. (60.96 x 50.8 cm)

Women in Motion (The Three Graces) - Nude Figurative in Oil on Canvas A wonderful abstract expressionist take on the Three Graces by California artist Lora Sprague (American, 20th ...

This charming original painting on canvas by Joyce Roybal features a whimsical group of musicians joyfully playing instruments in Roybal’s signature naïve style. With bold colors, pl...

Hercules and Omphale is an original painting realized in France between the end of the 18th and the beginning of the 19th Century. Original oil painting on canvas. Dimensions: 73 x...

Portrait of Woman is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative artwork of a female...

PS 230 Starwoman Queen Portrait of the Queen Elizabeth II with AC/DC earrings Technique: oil, acrylic, and ink on old book pages on wooden frame...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

America Martin "The Striped Orange Cat" Oil & Acrylic on Canvas 62.5 x 33.5 in. 64 x 35 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin ...

A naive yet charming 19th-century study of a small family gathered around a baby. The mother cradles the infant in a chair while a small white cat watches quietly in the background, ...

Original oil on canvas painting titled “Seaside” by the well known German born artist, Suzanne Eisendieck. Signed by the artist lower right. Condition is excellent. Circa 1965. Don...

Stop explaining yourself and telling people everything. You owe no one any explanation of What you do. Your life is yours, not theirs. Shipping Procedure Ships in a well-protected t...

Robert Azensky Fine Art is proud to offer this evocative figurative in Edvard Munch's German Expressionist style by Jackie Kirk (American, b. 1929- 2021), c. 1980. This painting is unique in artist's oeuvre in that she fully embraces a darker, grittier German expressionism style...

"Mrs Helene Kernel, Paris 1964" by Jacques Falcou (French 1912-1975) signed, titled and dated verso oil on canvas, framed in original period French frame framed: 30.5 x 25 inches can...

Pastel on silk by Elizabeth O'Neill Verner. Verner (December 21, 1883 – April 17, 1979) was an artist, author, lecturer, and preservationist who was one of the leaders of the Charle...

Charleston native and celebrated native, Anne Darby Parker, has spent her life creating. As a young child she learned to knit from her mother and grandmother and later, developed a passion for photography. After a successful career as a photographer her artistic interests evolved into painting. She recently earned her MFA at Academy of Art University. Anne paints daily in her Sullivan’s Island studio surrounded by the natural elements of the island. Several of her paintings have been featured in juried exhibitions, including Xavier University...

'India' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches con...

A classical anatomical figure in an artist's studio, surrounded by brushes and a palette, with muted tones creating a contemplative and intimate atmosphere. Contemporary figurative painting by Mark Beard [Bruce Sargeant (1898-1938)] Artist’s Studio n.d. Signed in red, u.r. Oil on canvas 36 x 18 inches $4,000 + $300 framing The pure and brilliant world of Bruce Sargeant’s art seems terribly removed from our own, unhampered by the prevalent inconsistencies of today’s world. Peopled with comely thoroughbreds, his paintings project a world vision unchanged from the models cherished by idealist writers like E. M. Forster and Rupert Brooke in that golden decade that led up to the Great War. Neither buff nor narcissistic, his fair-haired young athletes pose, somewhat uncomfortably, before the painter’s gaze, not wanting the attention yet feeling their duty to submit. Though tantalized by the New World dabbings of Robert Henri and John Sloan, Sargeant found his true inspiration in the art and ethos of fifth-century Athens, where the achievement of the kaloi kagathoi, young men who were “beautiful to look at and worthy of admiration,” were the perfect models for artistic rendering and public adulation. At base, Sargeant’s models, like the sculptures of Lysippus and Praxiteles, are idealized heroes whose achievements on the playing field earn them their renown. However, unlike his precursors, the painter requires no civic responsibility from his ephebes, only physical stamina, gymnastic prowess, and good looks. His work bespeaks a class that existed briefly, but was prolonged and attenuated in the languorous novels of writers such as Denton Welch...

Title: Mid Century French Study Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper Size: 19 (height) x 12.5 (width) Stamped: Verso Condition: Goo...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

5-2620 Vintage original colored pastel on paper displayed in a gilt wood frame under glass.Arist unknown

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mes...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "My Brave Princess" from the "PERICHORESIS SERIES...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Sun Bath, Size: 20" x 26" x 0.8'' i...

"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker. Signed “Otis Oldfield” lower left. 14 x 12 inches. Exhibited: Galerie des Beaux Arts, San Francisco, CA, 1925 Provenance: Estate of the Artist Born in Sacramento, CA on July 3, 1890, Otis Oldfield left high school at age 16 to work in a local print shop. In 1909 he arrived in San Francisco and enrolled at the Best Art School. After working for two years as a bellhop at the Argonaut Hotel and as a hat check boy at the Cliff House, he had saved enough money for further studies in Paris. In 1911 he sailed for France and enrolled at Académie Julian. Caught up in the activities of wartime Paris, he was an apprentice for a book...

Buwa Shete - Couple - 30 x 60 inches (unframed size) Oil on Canvas, 2005 ( ROLLED AND DOOR DELIVERED ) Buwa Shete, born in 1960 in Maharashtra, India, is o...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 8 (height) x 7 (width) Stamped Verso Condition: Good Prov...

'Place Privee' by Danie Gruau ( 20th Century French School) signed oil on canvas, unframed dated 76' canvas: 15 x 24 inches Provenance: private collection, France Condition: very goo...

Portrait of a Blonde Lady by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 18 high by 15 inches wide condit...

Early 20th Century Likeness of Jack London Wonderful portrait of a gentleman with a striking likeness to Jack London by Robert Alexander Graham (American, ...

Energy is the essence of life. Every day you decide how you are going to use it by knowing what you want and what it takes to reach that goal. Spend your energies on moving forward t...

Working Sketch by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper stuck on board, unframed measures: 10.5 high by 12 inche...

Double sided portrait Josine Vignon (French 1922-2022) ...

This acrylic painting on canvas presents two mirrored female busts rendered in vivid green tones, their identical facial structures and stylized hair buns evoking a reflection on sam...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Title: Woman in Hat, Size: 29.5 x 3...

Edouard Dumoulin (1898 - 1973) Creole woman 1938 Oil on canvas 89 x 74 cm (97 x 85 cm with frame) 35.04 x 29.13 in (38.19 x 33.46 in with frame) Signed and dated top right Online ca...

I observed that her beauty comes from embracing herself. Her flexibility to switch from night to day and her open alms of embracing the two seasons. Therefore, embrace yourself like...

Contemporary painting of a nude man reclining by Mark Beard. Double-sided oil on panel Signed in red, u.r. “Bruce Sargeant is a mythic figure in...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Cardboard Year: 2025 Style: Portrait art Title: Silvia Size: 16" x 12" x 0.1'' ...

Portrait of a Young Girl by Anna de Banguy (French circa 1960's) signed oil painting on board, framed framed: 17.5 x 14 inches board: 14 x 10.5 inches provenance: private collection ...

Oil on board realized by Sirio Pellegrini in 1974. Hand signed on top left side. It includes a beautiful wooden frame cm. 55x45 Very good condition. Sirio Pellegrini, born in Rom...

MONICA ZERINGUE received her Masters of Fine Arts from the University of New Orleans in 2006 and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Inte...

An unapologetic woman plays her ace card with the assured confidence of someone who takes her coffee strong and knows exactly what to do when life gives her lemons. ADDITIONAL INFOR...

"The Dead Bird" After Jean-Baptiste Greuze (1725-1805) oil painting on canvas, late 20th century from the studio of Dagher, Paris (read notes below), stampe...

Artist/ School: French School, EARLY 20TH CENTURY Title: Sur la Plage Medium: watercolour on artists paper Size: painting: 8 x 10 inches Provenance: private collection, ...

[Bruce Sargeant (1898-1938)] Man with Red Fez n.d. Signed in red, u.r. Double-sided oil painting on panel 30 x 24 inches

Original painting by Daria Kusto. This piece is all about those forest vibes mixed with my love for Art Brut and Pop Art, with a big dose of Basquiat inspiration. You've got cats, th...

Self-portrait 1 2009, canvas, acrylic, 140x98 cm. Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially active and political art. Juris ...

Matt Talbert's "Anticipation" (2024) is an original, handmade oil painting on panel that depicts a portrait of a brunette in a dark slip. Artist bio/statement: Matt Talbert is a co...

This painting depict a young girl trying on her mother’s bright red high heels. With lipstick on and striking black dress, she sits with childlike seriousness - a moment of innocence...

An Exceptional Mid-Century Modern Oil Painting of a Reclining Nude Female Model by Noted Chicago Artist, Rudolph Pen. Painted in the 1960s, the painting exemplifies the stylized, ab...

Garden Spirit No. 2 by Agnese Negriba [2022] Please note that insitu images are purely an indication of how a piece may look This painting on handmade p...

Oil on canvas in textured mixed technique. This piece is part of a series where I explore our connection with animals through the human and magical. It represents a man-animal lookin...

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 10 (height) x 6.5 (width) Stamped Verso Condition: Good P...

Visual Description: This contemporary painting painted in oil on linen is a portrait of a red-headed woman in an impressionistic style. Provenance Acquired by the gallery directly ...

Bernard GAILLOT (Versailles 1780 – Paris, 1847) Portraits of two sisters Pair of oil on canvas H. 92 cm; L. 73 cm One signed Student of David, he presented his first works at the Sa...

Frédéric Adolphe YVON (Eschviller, 1817 – Paris, 1893) Portrait of Madame Hermann-Joseph REINACH, born Julie BÜDING (1828-1870) Oil on canvas Signed and dated on the left 65 x 54 ...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Female Portrait is an original artwork realized in 1931 by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

Brad Davis’s Business District is a luminous oil painting on wood panel, framed and ready to hang, measuring 36 x 36 inches (framed to 38 x 38 inches). Executed in 2025, this work ca...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...