Head Figurative Paintings

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

LOOKING AT STRANGERS TO FIND MYSELF Over the past year—while searching for my next project—I’ve spent at least one day a week painting observationally from a live model as a way to ...

"Pharaoh Group" Oil Painting 13" x 17" inch (1955) by Shaaban Zaki Shaaban Zaki came from a lower-middle-class family who was mostly government employees, but he was distinguished f...

Sandro Botticelli’s The Birth of Venus, 1484-86 We desire attention, but no one likes a show-off. So, we’ve sharpened our ability to practice false modesty. We pretend to cover ours...

Cover of Newsweek, Kruschev, March 16th 1959 Works on Paper (Drawings, Watercolors etc.), Gouache on board 12 x 12 in. (30.5 x 30.5 cm.) Signed Lower left Powerful study of Russian ...

Graciela Genovés was born on October 24th, 1962. She graduated from the University of La Plata (Argentina) as a Professor and Licentiate in Fine Arts and subsequently worked at the U...

Framed: 11h x 16w in ABOUT THE ARTIST Adam Mysock was born in Cincinnati, Ohio in 1983 - the son of an elementary school English teacher and a lab technician who specializes in the...

9.5" x 7.5" Unframed Mixed Media on Paper Hand Signed by Rachel Isadora

Title: Fetishist Date 2018 Technique: Graphite, coloured pencil, collage on paper DImensions : 29.7 x 21 cms Signed by the artist on the front Selling price: 490 euros Titre : Feti...

Title: Golosina Date 2017 Technique: Graphite, coloured pencil, collage on paper DImensions : 29.7 x 21 cms Signed by the artist on the front Selling price: 490 euros Titre : Golos...

Reclining Woman by Laurie Adams Original Oil on Board

YOU CAN ALWAYS SCRATCH YOURSELF 002 In the Collection "You can always scratch yourself" The staging of the character of the French Games launcher for delirious works. Here it say...

Here is a novelty of our artist Shadee K in collaboration with the street artist Paella. What a beautiful creative and artistic explosion! Passion E 2013 Technique: Silkscreen, pos...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series "I See Heroes Everywhere." Addressing the theme of h...

“Pássaro Azul” by Ritchelly Oliveira, 2025 Charcoal and Acrylic on Canvas 80 x 60 cm (31.5 x 23.6 in) A poetic exploration of harmony and transformation, “Pássaro Azul” by Ritchelly...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang. From 1983 onwards, Taulé worked for the theater, with The Three Sisters by Anton Chekhov...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has be...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series "I See Heroes Everywhere." Addressing the theme of h...

48” x 36” Oil, Acrylic and Spray on Canvas Signed by Billy Morrison

In this charcoal drawing, the artist wanted to explore a composition that juxtaposes the familiar hyper-masculine figurative sculpture with a playful counter on the “bro” mentality. Sometimes humans don’t have to be taken so seriously. Samantha Van Heest...

Original Acrylic on Panel Hand Signed by James Gordaneer

Signed and dated. «O Donald, where aren't thou?» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...

Pintura

Original story illustration for “Judge Abbey and the Four Elves” By Cecily Teague Crowe for the Ladies’ Home Journal, published October 1948 The full caption reads: "'You'd think,' ...

Figurative work

Figurative work of a man that symbolizes the passage of time

Contemporary figurative painting

Contemporary figurative painting

The painting is being offered with a work and authenticity certificate

A masterfully painted scene originating from the artist's studio In this painting, Langaskens brings together several motifs that were also the subject of his graphic work: the blind man, the priest, the nun and the farm that also appears in the famous etching "les toits rouges" (the red roofs). These elements are brought together in a dynamic and colourful composition, where the similarities to that other Belgian painter, Anto Carte, are striking. Combining these elements in this way creates a certain tension. Is the work about mercy (helping a blind man), or are we spectators of a scene where a poor wretch's purse is stolen? Striking is the use of impasto, in which the painter emphasises the texture of fabrics and skin via flowing lines. Maurice Langaskens 1884 - 1946 Biography A Belgian painter and printmaker, Maurice (Maurits) Langaskens enrolled in the Académie Royale des Beaux-Arts in Brussels in 1901, and was trained as a decorative painter by the leading Belgian muralist and sculptor Constant Montald. From early on, Langaskens was recognized as a fine draughtsman, and won several prizes at the Académie. After living and studying for a few months in France in 1906, mainly in Dijon, the young Langaskens settled in Schaerbeek, outside Brussels. He began his independent career in 1907, when he exhibited three decorative paintings at the Salon in Brussels for the first time and also had an exhibition of his work shown at the Salle Boute in the city. The following year he contributed six paintings to the 16th annual exhibition of the Belgian artist’s association ‘Pour l’Art’ in Brussels, where he was to exhibit frequently over the course of his later career, until 1941. (Langaskens also designed the poster for the 17th ‘Pour l’Art’ exhibition in 1909.) Also in 1908, one of his paintings was selected for an exhibition of modern Belgian art in Berlin. Much of Langaskens’s early work was in a vibrant and visually arresting Art Nouveau or Symbolist style. This bold and colourful manner also translated well into large-scale mural commissions, and he soon became one of the leading painter-decorators of the early 20th century in Belgium. His decoration of the town hall of the city of Zoutleeuw in 1912 earned the artist considerable fame and the praise of his teacher and mentor Montald: ‘He was one of the best students in the class; today he is the most outstanding artist among the decorators of our time.’ The same year the first of several exhibitions of Langasken’s work was mounted at the Cercle Artistique et Littéraire in Brussels. The outbreak of the First World War, however, brutally interrupted the rise of the artist’s successful career. Drafted into the Belgian army at the beginning of August 1914, Langaskens was captured by the Germans after less than a fortnight. He spent the next three and half years as a prisoner of war, at internment camps at Sennelager, Münsterlager and Göttingen. He produced numerous, mostly small-scale paintings and watercolours of portraits and depictions of many of his fellow prisoners, as well as scenes of daily camp life, that are today regarded as among his finest and most personal works. It was also during this period that he painted two of his best-known pictures, the large canvas In Memoriam, painted in 1916 and depicting the burial of a Belgian soldier by his comrades, and the monumental triptych Repose en Paix, painted between 1915 and 1918. After his liberation and return to Belgium, Langaskens exhibited over eighty of the paintings and drawings that he had produced as a prisoner of war at the Galerie Sneyers in Brussels in 1918. After the Armistice, Langaskens - suffering from aphasia and nervous disorders brought about by his long confinement - painted mainly easel pictures of winter landscapes, rustic genre scenes and floral subjects, and also produced a number of designs for tapestries, book illustrations and stained-glass windows. Within a few years, however, his health had recovered and he returned to undertaking large-scale decorative mural commissions. In 1920 Langaskens was one of the founders, alongside Montald, Jean Delville, Emile Fabry...

Ralph, Sam, and Beyonce as Foxy Cleopatra The intention of this work is to generate conversations about values and identity by assembling unlikely pairs, Hollywood film icons and nos...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 34.50" x 28.00;" Framed 39.50" x 32.50" Eyes of Love: Bachelor Party, Pictorial Review, October 1921

Medium: Oil on Paper Signature: Signed Lower Right

Medium: Oil on Board Signature: Signed Lower Right "The Most Eminent Baby Specialists..." Cream of Wheat Advertisement

Oil on Canvas 46cm × 37cm (57cm × 49cm framed) Until the 1930s, this painting was considered to be by Théodore Géricault. Indeed, since its creation c.1810, it has been sold twice a...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen. Rose. Unframed dimensions 62 x 48 inches, 2025, from the ser...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen, unframed dimensions 28 x 21 inches, 2024, from the series "D...

Original and unique artwork by Russell Young. Acrylic, oil based ink and diamond dust hand pulled screen print on linen, unframed dimensions 36 x 28 inches, 2023, from the series "Fa...

JD Raenbeau Logan After Cadmus 2024 Signed, verso Oil on panel 12 x 16 inches

Original and unique painting in acrylic and mixed media. Signed, dated and titled at the back of the canvas. Sold with the Certificate of Authenticity.

Juliette Lemontey (b. 1975, Metz, France) is a French artist based in Arles. Her work is an intimate exploration of the human presence, capturing both the weight and fragility of the...

Juliette Lemontey (b. 1975, Metz, France) is a French artist based in Arles. Her work is an intimate exploration of the human presence, capturing both the weight and fragility of the...

Mary Cassatt 1844–1926 American Girl with a Banjo Signed (lower right) Pastel on board This important pastel entitled Girl with a Banjo by Mary Cassatt is a true masterwork from ...

Raphael Soyer (1899–1987) is celebrated as a masterful chronicler of everyday life, capturing the quiet dignity of ordinary people with a humanistic touch that defined much of 20th-c...

[Bruce Sargeant (1898-1938)] Untitled Study of a Young Man, contemporary painting by Mark Beard n.d. Signed in red, u.l. Oil on canvas 20 x 16 inches Mark Beard, born in 1956 i...

[Bruce Sargeant (1898-1938)] Untitled (Two Men Drying Off) n.d. Signed in red, u.l. Oil on canvas 92 x 58.25 inches

Signed & dated: lower right 1954 Diego Rivera (Mexican, (1886 - 1957) Mexican Girl Returning from the Market Watercolor on paper, behind glass 11 x 16” Signed and dated lower right,...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

This artwork is part of Ger Doornink's latest collection, where his mastery in portrait painting is reflected and makes evident his role as a craftsman who embraces new materials and...

This artwork is part of Ger Doornink's latest collection, where his mastery in portrait painting is reflected and makes evident his role as a craftsman who embraces new materials and...

Homage portrait painting of Salvador Dali on canvas. About the artist: Russo approaches her subject as if she was traveling through them and on them, just barely touching their s...

Melike Kılıç (b. 1982) is a Turkish artist who tells stories through drawings and delicate paper cutouts. She grew up in a small village in Sebinkarahisar, and currently works in Ist...

"Cloud" Figurative Nude Oil Painting 47" x 24" inch by Sergey Dolmatov Year: 2010