Graciela GENOVES Art

Walking Home [2023] original Oil on Canvas Image size: H:8.5 cm x W:10 cm Complete Size of Unframed Work: H:46 cm x W:55 cm x D:1.5cm Frame Size: H:60 cm x W:79 cm x D:5cm Sold Fram...

The Witch of Endor conjures up the specter of Samuel in front of King Saul is an old master artwork realized by a follower of Georg Andreas Wolfgang I between 18th and 19th century. Mixed colored oil painting on canvas. On the back probable signature of the author traced by brush "P. So [mita] rt [...] Fac. ". The subject of this painting, the witch of Endor, a necromancer mentioned in the Bible whose power was to evoke the spirit of the dead, is a very rare theme in painting and there are few artists who represented it. In Italy it was especially Salvator Rosa (1615-1673) who had a deep interest in necromantic subjects and, in particular, he produced many paintings of this kind when he stayed in Florence in the 1840s. Rosa's inventions were exported throughout Europe and, in particular, in the German cities of Stuttgart, Nuremberg and Augusta through the works of Johann Heinnrich Schonfeld (Stuttgart, 1627 - Habsburg, 1684), an artist who worked in Naples and who remained sensitive to figure of Salvator Rosa. In this context, in addition to Schonfeld, the Swiss Joseph Werner II (Berne, 1637-1710) was also responsible for the diffusion of this pictorial genre, introducing Rosa's works on witchcraft among his knowledge of Augsburg. He was also the inventor of the scene represented here from whose drawing (Bern, Kunstmuseum, inv. A1196), executed in 1677, the engraving made immediately after by Georg Andreas Wolfgang the Elder (1631–1716) and by which derives precisely the work examined here. The engraving, which was part of a series of biblical images, was dedicated by Wolfgang to Leonhard Weiss, probably a municipal employee of Augsburg or tis mayor. Reference bibliography: - Susan Broomhall, Gender and emotions in medieval and early modern Europe...

The Deposition of Christ French School, mid 20th century oil on canvas, unframed canvas: 28.5 x 42 inches Provenance: private collection Condition: very good condition For more any...

Male Portrait oil on canvas, unframed Canvas: 9 x 6.25 inches Provenance: private collection, Paris Condition: very good condition Description: A striking and atmospheric male portr...

The Gentleman’s Park Bench Modernist Figurative Landscape by Laure Noetzin-Azam (French, 1929–2024) pupil of André Lhote oil on canvas, unframed Canvas: 13 x 18 inches Provenance: a...

Nude Portrait In Blue Sun Lit Interior by Jacqueline Boisselot, French late 20th century size : 7 x 6 inches oil on canvas, unframed condition: very good and ready to enjoy provenan...

The Park Booth by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 18 x 22 inches Provenance: all the paintings we have by this artist have ...

Wrestlers by the Swimming Pool French Modernist Figurative Oil Painting French School, mid 20th century unsigned oil on board, unframed Board: 13 x 9.5 inches Provenance: private col...

The Garden Room by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 20 x 20 inches Provenance: all the paintings we have by this artist have...

"Concert" Early 20th Century WPA Modernism American City Landscape Scene Ashcan The size of the canvas 28 3/4 x 43 1/4 inches. The painting comes directly from the artist's estate. It is signed lower right as well as signed, titled and dated verso. We have available more than two dozen paintings and works on paper from the 1930s - 80s that come directly from the Loew estate. BIO Michael Loew (1907 – 1985) was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Students League. In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists. When he returned to New York City in 1931, the Great Depression hit Loew unexpectedly, and for the next two years he paid his apartment rent with his paintings. In 1935, he found work with the WPA where he painted murals and partnered up with longtime friend Willem de Kooning in 1939 on a mural for the Hall of Pharmacy at the New York World’s Fair. Their friendship lasted for the rest of their lives. In the mid-30’s he painted in Mexico and the Yucatán documenting the construction of a U.S. Naval airbase on Tinian Island. It was from this airbase that the Enola...

The Park Bench by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE signed oil on canvas, framed framed: 19 x 23 inches canvas: 18 x 22 inches Provenance: all the paintings ...

Nude Female Figure by Jacqueline Boisselot (French, late 20th century) oil on canvas, unframed Canvas: 9.5 x 7.5 inches Provenance: private collection, Paris Condition: very good co...