Head Figurative Paintings

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Awofadeju Solom...

The Beauty Within Us" is a compelling narrative series of paintings that celebrates the unique and diverse beauty of Black hair, serving as a powerful symbol of identity, heritage, a...

Jean-Gabriel DOMERGUE "Lida" Oil on panel Signed lower left and titled 'Lida' on the reverse Dimensions: 24 x 19 cm / 9 1/2 x 7 1/2 in. (painting) 45 x 40 cm / 17 3/4 x 16 3/4 in; (...

This Unique painting is made with mixed media. Alkyd paint, Acrylic paint and layers Epoxy Resin. The painting is made in multiple layers you can see through. With a marvelous effect...

In a closely cropped self-portrait, with snowy beard and hair awry, Dan Hughes explores the theme of observational realism. A moment of emotional tension is amplified by blurred feat...

BLK JHN is an emerging artist who has started to make a name for himself with his disney pop art characters hand painted with what seems years of experi...

"Girl with Sheep and Car" is a captivating mid-20th century oil on board painting by self-taught folk artist Martin Saldaña (1874-1965). This vibrant landscape features a whimsical F...

Portrait of a Lady French School, 19th century circle of Henri Rousseau, French 1844 - 1910 oil on canvas, unframed canvas: 24 x 23.5 inches provenance: private collection, France co...

In crafting this piece, I channeled raw emotion through impressionistic strokes, using oil to blend reality with a brush of whimsy. It captures a fleeting moment—a dance of light, sh...

Johnny Banks (1912-1988) San Antonio Artist Image Size: 11.25 x 20 Frame Size: 17 x 28 Medium: Pen, Pencil, Crayon, Marker "The First Time on Telephone" Biography Johnny Banks (1912-1988) In my opinion one of the greatest Texas folk artists of all time. The following information was compiled and submitted by Stephanie Reeves: John Willard Banks, San Antonio, Texas, African American Folk...

45x45cm + 5cm of white edge Acrylic on canvas Shipped rolled in a tube I can do commissioned works

This John Stephens original acrylic on panel painting measures 24x30 in and is available for $27,500. "Our Lady of the Foam" features a woman inside a greek mythology dome covered in...

At first glance, "The Goddess" invites viewers into a world of grace and poise. The central figure, the young woman, serves as the focal point of the artwork. Her refined and intrica...

A beautiful painting I acquired when I was buying things from Russia and Ukraine maybe 7 or 8 years ago. It's painted on very heavy cardboard, as I'd say the majority from the Soviet...

Claude WEISBUCH Two Women with Traditional Brittany Dress Original Oil on canvas Signed upper right Signed and Dated (19)54 on the back On canvas 46 x 55 cm at view (c. 18 x 22 in) ...

Mirror 47" x 40" Oil on Canvas Cuban Artist Figurative Art A young girl hides her gaze from us, the white sheet covers her anatomy, it is an eroticism translated into coldness, the d...

Frame size 52x44 Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper stuck on card size: 18 x 25 inches condition: very good and ready t...

signed on the lower left The painting can be categorised in the tradition of New Objectivity. The picture shows a real scene, the woman depicted stares into space with a serious and...

"Popeye" Painting 20" x 20" inch by Antonio Pelayo Medium: Acrylic Ink & Paint on Animation Acetate Image size: 13" x 13" inch Size framed: 20" x 20" inch Artist Antonio Pelayo, born in Glendale, California, and yet raised for most of his childhood in the Mexican countryside, has never had his own country. Moving from an American suburb to a tiny village has kept his world unstable, yet that very instability has made him an artist. Antonio was born in 1973 in a comfortable, quintessentially American suburb: close neighbors, picket fences, movie theatres, malls, and English all around. At nine, his family sent him back to his father’s village in Mexico, where the environment radically changed: old broken down adobe churches replaced galleries and the trappings of suburbia. Some adjustments were difficult, like dealing with outdoor plumbing and the transition to a Spanish-speaking environment. Teased and ostracized by other kids, and unable to communicate with the adults, Antonio looked elsewhere for, if not companionship, at least solace. He found it with a pencil and in the pews. He snuck into the village church and stared up at the murals of martyrdom. He hid in the dark corners and sketched the artwork that covered the walls and altars. Antonio sought out the work of other Mexican artists, making them his mentors; his friends. Diego Rivera, Frida Kahlo, and Orozco, all revealed to Antonio the depth of Mexican art and its movement from the shadows of the Catholic Church into the modern world. He learned Spanish. He strove to master it, hoping to communicate with the folks of the village. Still, there was a gap; the language barrier between poor farmers and the middle class kept him from meeting people on an intimate level. Nevertheless, he now had three languages: English, Spanish, and his drawings. Years later his family brought him back to Glendale, which he now saw through the lens of Mexico. It looked unreal; it did not look like home. Nothing looked like home anymore; not Mexico, not Southern California. The one home he had was his art. Though his mastery of pencil and paper began in the nave of an old country church in Mexico...

Mid century oil on canvas portrait of a young girl in period dress, in fine gilt frame. Signed in full, dated 1944 and with artist's monogram. Emile Patoux (Belgian 1893-1985) studi...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

A finely detailed oil painting on canvas portrait of an unidentified Russian officer, dating to the 18th or 19th century, unsigned, and housed in a spe...

Elegant Victorian original oil portrait of Mrs. Rogerson by John Charlton Robert Azensky Fine Art is pleased to offer this fine example of Victorian portraiture of Mrs. Frances Mary...

Ryan Morses's "Lilies" is an original, handmade oil painting depicting the back of a female model.

Artist Zack Zdrale takes a traditional approach to his work although his subjects and compositions place his work in the present. His paintings are imbued with stillness and silence ...

"Madam Suburbia #III - Doing Dishes" Figurative in Oil on Canvas African-American woman at her kitchen sink by Patricia Gren Hayes (Canadian/American, b....

In this oil painting, I've captured a whimsical winter moment filled with joy and serenity. The snowman, graced with a cheerful smile, stands as a symbol of the simple pleasures and ...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...

Act. 1978. Canvas, oil, 66x86 cm In this painting viewer can see beautiful young woman depicted nude. Woman is lying on soft orange surface and smiling. There is few sun rays on her knee. Painting nude figure artist wanted this work to feel timeless. Information about artist...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "White Transparent Apples" presents a scene suffu...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and resting by a river bank, holding a bird's nest and one of the tiny eggs. Her bonnet resting to her side and a wicker basket full of hand-picked flowers by her feet; within a later giltwood carved frame. Signed: ChChaplin (lower left). Circa: 1870-1880. Canvas Height: 31 1/2 inches (80 cm) Canvas Width: 17 15/16 inches (45.5 cm) Frame Height: 38 5/8 inches (98 cm) Frame Width: 24 3/4 inches (63 cm) Frame Depth: 2 3/8 inches (6 cm) Charles Joshua Chaplin (8 June 1825 – 30 January 1891) was a French painter and printmaker who painted both landscapes and portraits. He worked in techniques such as pastels, lithography, watercolor, chalk, oil painting and etching. He was best known for his elegant portraits of young women. Chaplin was born on 8 June 1825 in Les Andelys, Eure, France. His mother, Olympia Adelle Moisy, was French, whereas his father, John Chaplin, was an art broker from England. Charles Chaplin spent his whole life in France, becoming a naturalized citizen in 1886. He studied at the École des Beaux-Arts in Paris from 1840, and he took private lessons in the studio of Michel Martin Drolling, whose apprentices included Paul Baudry, Jules Breton and Jean-Jacques Henner. Later he also taught at the École des Beaux-Arts. In 1845, he entered the Paris Salon, the official art exhibition of the Académie des Beaux-Arts, as a portrait and landscape painter with the painting Portrait of the Artist's Mother. Chaplin conducted art classes specifically for women at his studio, including Marie Joséphine Nicolas. The American artist Mary Cassatt, the French artist Louise Abbéma and the English artist Louise Jopling were among Chaplin's students. His son Arthur Chaplin was also a painter. Early Work: Chaplin made his debut at the Salon with portraits, but he also painted landscapes, particularly the countryside of Auvergne. His early works, from 1848 to 1851, were painted in a manner characterized by an interest in realism, a style established in the French Second Republic, that had the motto Liberté, égalité, fraternité, and was ruled for three years by the republican government of France from the 1848 Revolution until the 1851 coup by Louis-Napoléon Bonaparte. Realism was an artistic movement that began in France in the 1850s, after the 1848 Revolution. From the late 18th century Romanticism dominated French art and literature but was spurned by Realists, who revolted against the display of the emotions of the Romantic movement, seeking to depict real and characteristic contemporary individuals and situations with truth and accuracy. Chaplin painted many works in his early days, including floral studies that were displayed at the Salon de las Flores. Later, in the late 1850s, he abandoned naturalism, his earlier style, exchanging it for a more graceful, elegant and supple technique that brought him a certain notoriety in France during his time as a portrait painter; as such he embraced the idyllic and voluptuous and fashionable style of the prominent French painter, François Boucher (1703–1770). He also embraced the tradition of the great English portraitists and developed his very own style of painting but was inspired by the British painters Joshua Reynolds and Thomas Gainsborough. He used to engrave the works of the Dutch artist Pieter Paul Rubens and gained further influence from his work. Later Work: Gradually the muddy colours used by Chaplin transformed into white, grey and pink, depicting his models with an opalescent, mother-of-pearl complexion by applying a subtle palette of rosy flesh tones and light greys. After painting portraits and trying his skills on ornamental painting, Chaplin took up genre painting in the 1850s. His favourite subjects are the feminine grace of a young woman's everyday life. He portrays women in several poses: resting; grooming; singing; and reading. He captures them with lightness and carelessness and accentuates the decorative elements of the composition. Empress Eugénie, the wife of Napoleon III and an admirer of the "Pompadour style", rapidly fell under the enchantment of the painter's neo-Rococo works. Chaplin was among Napoleon III and Empress Eugénie's favourite court artists. In 1859, when his portrait of Aurora was banned by the judges of the Salon as "too erotically suggestive", Napoléon III defended Chaplin and overturned the disqualification order. He was similarly valued as an interior decorator and was appointed to remodel the decor of Empress Eugénie's rooms. His sensual portraits of women and young girls, often with models posed erotically in hazy surroundings and frequently wearing transparent clothing, attracted the interest of the high society and aristocracy of Paris during the French Third Republic (1870–1940) guaranteeing his success and wealth. He was one of the most popular painters of his time, but nowadays his work is almost unknown, in spite of the fact that his works hang in many major museums around the world. He employed his Rococo style for his mythological scenes and genre scenes paintings. His genre pictures formed a significant part of his work. In 1861, working as a decorative painter. Chaplin painted the doors and several glass panels above them of the Salon des Fleurs in the Tuileries Palace. The Palace was gutted by fire in 1871 and its ruins swiftly demolished.[9] He also undertook decorating work in the Salon de l’Hémicycle of the Palais de l’Elysée. Honours and awards: As a member of the Académie royale de peinture et de sculpture, Chaplin exhibited his paintings at the Paris Salon, the official exhibition venue of members' work. He began exhibiting his paintings at the French Artists' Salon in 1845 and was represented there habitually each year. These exhibitions made him one of France's most famous portrait artists. Commencing in 1847, his work was exhibited regularly at the Royal Academy in London. During his lifetime, he received acclamation for his artistic talents by the award of several medals: a third class medal in 1851; a second class medal the following year; and an Honour Medal...

African Boy is a series of paintings by talented artist Faith Gbadero. This series of Artworks captures the response and attitudes of African young adult...

This spellbinding late 19th-century oil painting by Scottish artist Robert Walker Macbeth RA ROI RWS (1848-1910) depicts a young woman wearing...

Pair of Antique Paintings With Cherubs After Francois Boucher (1703-1770) Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. Pair of charming late 18th or early 19th Century oil paintings with Putti playing with bow and arrow...

French School, 1960’s signed pair oil on board, framed framed: 5 x 4 inches board: 4 x 3 inches private collection, France overall very good and sound condition

Why do we carry hatred in our hearts like a pregnancy of agelong years? Why do we fellowship in the cabals of backbiters when our friends find themselves at the peak of their worlds?...

This painting features two children with big brown eyes peeking behind red-slatted shutters. The innocence on their faces contrasts with some sense of embarrassment, like if they had...

The first serious painting I bought as a collector, when I was around 30, was by William Anzalone of Texas. I saw it at the venerable Meredith Long Galle...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

Samantha Millington’s unique style of figurative art pops and zings from the canvas. Both thoughtful and thought provoking Millington’s paintings are a joy to hang and enjoy. Oil an...

Girl in blue oil/cardboard, 80x44 cm

Marie Madeleine Amélie LOISEAU, born DUMONT (Paris, 1860 - ?) Portrait of a worldly woman Oil on canvas Signed and dated lower left 117 x 89 cm 1881 Exhibition: Salon de Pontoise of 1881 or 1882 under number 292 Marie Madeleine Amélie Dumont was born in Paris on January 23, 1860. She married on June 10, 1883 in Paris Mr. François Paul Raoul Loiseau, lawyer at the Paris Court of Appeal. Three children were born from this union, two girls and a boy. Marie Loiseau was a student of Mademoiselle Espérance Langlois (active between 1860 and 1890) and Pierre Dupuis...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers Antonio Petruccelli (1907 - 1994) Brick Layers House Beautiful cover proposal, c. 1939 ...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 25.5 x 19.5 inches (frame not included in purchase) Superbly decorative 1960's Fre...

A charming scene depicting two figures by candlelight. One sleeps on the table while the other uses the light of the candle to light his cigar. The artist uses a chiaroscuro techniqu...

The artwork titled "Influence" depicts a lady who appears to be lost in thought. She is portrayed with a blue and yellow color around her neck, which stands out against the grey background. The artwork is captivating, and it seems to tell a story of its own. The lady's posture suggests that she is deep in thought, perhaps reflecting on something significant. The blue and yellow colors around her neck add to the intrigue, leaving the viewer to wonder about their meaning. The colors are bold and bright, almost as if they are trying to break through the grey background. The title of the artwork, "Influence," adds another layer to the piece's meaning. It could be interpreted as the lady being influenced by something or someone, or perhaps she is the one who exerts influence on others. Either way, the title makes the artwork more thought-provoking and leaves the viewer with questions. The use of color in the artwork is striking. The blue and yellow around the lady's neck create a sense of vibrancy and life. The grey background, while muted, provides a subtle contrast that emphasizes the colors around her neck. The color choices are deliberate, each color has its own symbolic meaning. Blue is often associated with calmness, trust, and communication, while yellow is associated with optimism, happiness, and energy. The overall composition of the artwork is simple yet powerful. The lady is the focal point of the piece, and her posture and expression convey a sense of introspection. The blue and yellow colors around her neck draw the viewer's attention, and the grey background provides a sense of stillness and calmness. The artwork is open to interpretation, and the viewer may interpret it in different ways. Some may see it as a representation of someone deep in thought, while others may see it as a symbol of inner strength and influence. Whatever the interpretation, the artwork is visually striking and thought-provoking. In conclusion, "Influence" is a beautiful and thought-provoking artwork that portrays a lady lost in thought with blue and yellow colors around her neck on a grey background. The artwork's title and use of color add to its complexity, leaving the viewer with questions and interpretations. It is a testament to the power of art and its ability to evoke emotions and stimulate the mind. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Aba Linus...

Few artists have mastered the use of pigments in the way that Sax Berlin has and his delicate touch with them imbues this painting with warmth and love. The dark inked lines surround...

Signed center right N Diaz. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the purc...

Portrait Woman, Original oil Painting, Ready to Hang Artist: Tigran Hovumyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil o...

Figurative oil on board painting in brass frame placed under plexiglass by Polish artist living in the USA, Monika Rossa. Frame is an integral part of the painting. Artwork depicts s...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

A charming study depicting a boy with a basket full of eggs. One lays discarded on the floor and his charming, slightly mischievous expression leads us to believe he is hiding from a...

Shipping Procedure Ships in a well-protected tube from Africa This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gall...

Peter Keil's textured painting on canvas. Signed and dated 1997. This one is stunning in person. Background paint is textured on the canvas. Amazing gilt frame with a textured fabric...