Men Figurative Paintings

Cheerful winter landscape with children playing and sledding. Signed lower left. Age-related condition. Dimensions with frame: 48 cm x 58.5 c...

This is an original lithograph by Chicago/New York artist and illustrator Joseph Webster Golinkin (1896-1977). This print is no. 12 of the edition of 50. The print depicts the Joe Lo...

John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotions of the story come alive. This Golden Age of illustration artist depicts fathers and children watching...

Alfred Weber 1859-1922 I Swiss The Musician Signed “Alfred Weber” (lower left) Oil on panel This work by Swiss ecclesiastical genre painter Alfred Weber, best known for his humorous and meticulously detailed paintings, features a cardinal enjoying his leisure time. Weber's talent for rendering opulent interiors and his keen sense of comic narrative are evident in this painting. The cardinal, looking blissfully content, sits in his lavish living space playing the violin, accompanied by a flutist. Alfred Charles Weber...

Ted Williams was an American professional baseball player and manager. He played his entire 19-year Major League Baseball career, primarily as a left fielder for the Boston Red Sox...

Jean Gabriel Domergue (French, 1889 – 1962) ‘Scene Gallante’ Oil on canvas 25 x 29in. (63.5 x 74cm.) (Octagonal shape) Executed circa 1925 Provenance: Gallerie du Carlton, Cannes Th...

Ernie Banks, aka "Mr. Cub" and "Mr. Sunshine", was a professional baseball player who starred in Major League Baseball as a shortstop and first baseman for...

Anxiety is a natural emotion that humans experience. we worry so much about lots of things including life, financial life, what to eat and what to wear and so on. But neither this wo...

Fine huge 17th Century Italian/French Old Master Battle Scene of the Crusades, oil on canvas. Grand scale extensive landscape view of a battle from the 1670-80 period, with cavalry f...

This artwork throws three impeccably dressed figures into the middle of a vast, sun-drenched desert—because nothing says "existential crisis" like wearing all black under the scorchi...

Oil on Canvas. Signed lower right. The god is depicted standing to fill the scene, clad only in a cloth that encircles his loins and by ivy leaves, placed on the hips and on his hea...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adewuyi Theophi...

'Tribal Swag' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 10 1/4 x 8 1/2 inches and it is professionally framed in a museum quality white maple hardw...

She Was in the Captain's Cabin, magazine story illustration for "Captain's Boy," by Paul Deresco Augsburg, published in American Magazine, October 1938 The full caption reads: "She ...

Diptych - signed on bottom right Helen Uter is an established Franco-American painter with international exposure. Heavily influenced by Edward Hopper, she creates works that explo...

OIL PAINTING By ? Beautiful lady of Nobility in a Neoclassical Frame FINE Portrait OIL PAINTING Old Master Early 19th Century French artist ...

Bruce Adams is best known as a conceptually based figurative painter who references various (often historical) painting styles. In exploring the act of painting, Adams peels back the layers of meaning inherent in making and viewing art. Artist Statement: Though we don’t generally think about it, thirteenth-century religious art actually reflects medieval European perceptions of events that occurred in the ancient Middle East. In the Divine Beauty project I filter sacred iconography through the secular lens of today’s societal perceptions by placing found commercial fashion imagery (from magazines and other sources) in the context of painted religious narratives, producing a clash of ideas that throw both sources into question. Like many Western New Yorkers, I was raised Catholic. I attended a Catholic elementary school, went to church every day. While the indoctrination didn’t last beyond childhood, it did instill a lifelong affinity for the visual traditions of sacred art. But, as the recent economic meltdown has made apparent, conspicuous global consumption has replaced western religion today as the favored path to personal fulfillment. Fashion models serve as the new icons...

Francisque POULBOT (Saint-Denis, 1879 - Paris, 1946) Poster project for the Bal de la Mode - February 25, 1922 Charcoal and oil on canvas H. 99 cm; W. 91 cm Signed lower right In th...

Signed 'ORPEN' (upper left) Sitter is bathed in warm window light that creates subtle patter of light and shadow in the background. Artists depicts Mr. Glass in a beige and brown ...

"Te Quiero (Marilyn)" is an original mixed media acrylic and oil pastel on canvas by Dara Piken. Marilyn Monroe and her signature gaze look out at the viewer, with tequila bottles...

This painting by Henryk was done in 2018. It will ship from the artists studio in Poland. More about Henryk Laskowska: Henryk Laskowski has been worki...

A dramatic, one of a kind oil study. Certainly not your run of the mill 19th Century portait! Depicted is a young man, whose face is brightly lit from what is likely is an open fire....

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet II" explores the sexuality in both innate objects and the human form. The female figure is off to the ...

Felix Campean's artwork presents a scene of a human body emerging with astonishing anatomical precision, capturing every detail of musculature and skin with hyper-realistic fidelity....

Charles Blauvelt The Doubtful Bill, 1868 Signed and dated lower left Oil on canvas 12 1/4 x 9 1/2 inches Provenance: Private Collection, Connecticut...

Merry Makers in the Tavern French School, 18th century oil on canvas canvas: 8 x 11 inches provenance: private collection, France condition: good and sound condition

This is more than a cover illustration depicting the legendary Charlie Parker playing the saxophone. It's an inventive graphic design concept from trailblazing illustrator Robert Weaver. By showing the subject in two parts. The artwork's visual idea is as radical as Parker's music. A wide shot and a close-up butted together dynamically communicates an energetic motion and movement in a still image. Signed lower right. Record album cover illustration for Charlie Parker: Bird with Strings Live at the Apollo, Carnegie Hall and Birdland (Columbia Records, 1976). From Wikipedia: Robert Weaver (July 5, 1924 – September 4, 1994) was an American illustrator who was considered a pioneer of a contemporary approach to the field that began in the 1950s. Biography Beginning in 1952, he embarked on a mission to combine the visual ideas found in fine art with the responsibility of journalist. At the time, many practitioners of illustration were expected to paint and draw for advertising and magazine assignments with artwork that was conservative, idealized and saccharine, while other illustrators such as Ronald Searle, Arthur Szyk, George Grosz, Kathe Kollwitz and later Ralph Steadman and Tomi Ungerer injected their own opinion into the matter. Weaver joined this latter tradition by moving his role of an illustrator from a page decorator to a journalist. He ventured from the typical haven of an illustrator's studio into the world and used a pencil to observe, record facts, and draw real life based visual essays, the way that illustrators such as Burt Silverman and Franklin McMahon did. This approach would later be termed "visual journalism" and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from the School of Visual Arts in New York. He died at his home in Manhattan on September 4, 1994.[1] Career and legacy In an article for the AIGA in 1990, noted graphic art historian Steve Heller categorized Weaver as a journalistic illustrator. Other artists included Bob Gill, Jack Beck, Robert Andrew Parker, Thomas B. Allen and Philip Hays. They received crucial assignments from a group of visionary art directors that included Cipe Pineles...

Gray, black, and white abstract contemporary figurative painting by Houston, TX artist Scott Woodard. The painting depicts a silhouette of a man wearing a cop hat and smoking a tobac...

Teofimo was painted over several days in the artist studio in Florence, Italy. The painting measures 16 x 12 with a handmade frame from Italy. This is oil on a linen panel which mos...

Ceravolo's oil and acrylic "Racing Queen" original painting on canvas measures a large 48"x62". There are no silkscreens or stencils used in creating this painting, it is all hand painted in oil and acrylic in Ceravolo's instantly recognizable style. Ceravolo's Urban Pop paintings are in the collections of Elton John, Rod Stewart, Pete Davidson...

Hand signed by artist "The Party (Study)". Figurative, Human figure, Realism, oil on panel

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

"Les Lavandieres" French School, mid 20th century signed by the artist, M. Jantet oil on canvas, framed in original period frame framed: 29.5 x 34.5 inches canvas: 24 x 28.5 inches p...

Richard Gibbons Movement (#172) oil on panel 43h x 22w in 109.22h x 55.88w cm Richard Gibbons 1972–1973 American Academy in Rome Archaeological Study Grant 1950 Born in Toledo, OH ...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Inscribed on back #174 House of Kuppeneheimer 1927 fashion advertisement, catalog cover.

Shana Wilson (Canadian, born 1966) "Young Man Seated" 2016 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. This stunning oi...

Exhibited in Almach Art Gallery Milano during 2023 Hand-signed by artist, Certificate of authenticity Included (issued by authorized authenticating body) Image rights Luca Temolo ...

Philip Campbell Curtis American 1907 - 2000 Reflections Oil on board, signed and dated 1960 Image size: 12 ½ x 5 ½ inches Original frame

Artist: Marshall Goodman, American (1916 - 2003) Title: Children Playing Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 30 x 25 in. (76.2 x 63.5 cm)

BRITISH SCHOOL (circa 1890) The Farmer Oil over a photographic base, on card and mounted onto original canvas Framed in original frame and behind glas...

Agostino Beltrano (Naples, Italy, 1607 - 1665) Title: The Procession to Calvary Medium: Oil on canvas Dimensions: without frame 98 x 122.5 cm - with frame 118 x 142.5 cm Beautiful or...

Artist Statement—Motion Capture Studio Series. Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his direct interaction...

Charles Spencelayh British, (1865-1958) The Lantern Oil on canvas, signed Image size: 13.5 inches x 9.75 inches Size including frame: 20.25 inches ...

Rose Freymuth-Frazier Come In Peace oil on linen 50h x 70w in 127h x 177.80w cm RFF056 Rose Freymuth-Frazier Employing the techniques of the past in the service of contemporary expl...

Bernardus van Schendel (1647-1707) Engaved Oil on canvas, 29 x 29 cm The item is in good condition

Circle of Ridolfo Ghirlandaio 1483 - 1561 Oil on panel Image size: 20 ½ x 16 ½ inches (52 x 42 cm) Handmade contemporary style gilt frame The lamentation of Christ was one of the most popular scenes depicted in European art from the 11th to the 18th century. Depicting the lamentation or pieta from the Italian word for ‘Pity’ of Christ with Jesus’s mother Mary cradling his body. Christ is depicted nude, wearing only a blueish loincloth around his waist, a horizontal scar marking his rib cage. His head and torso are held upright, and his eyes are closed, his right arm lays to his side as does his left. Standing behind him, is the Virgin Mary, outfitted in her traditional dress of a robe with a white veil. She stands behind Christ and bends slightly, looking looking away from Christ to something that has caught her attention, her right hand holding his shoulder. Her left-hand carefully holds his arm. This work is quite unusual with Mary . This stunning work jumps out with its dark background and strong flesh colours. Ridolfo Ghirlandaio was the son of the eminent painter Domenico Ghirlandaio. Following his father’s death in 1494, when he was just eleven years old, Ridolfo is thought to have continued his training with his uncle Davide, who had taken over the Ghirlandaio workshop. Vasari noted that Ridolfo also studied with Fra Bartolommeo...

Joseph Lorusso was born in Chicago, Illinois, in 1966, and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Art Institute. While in school, Lorusso majored in watercolor and considers himself self-taught as an oil painter. He learned to paint by studying the works of master painters, often losing himself in the halls of the Chicago Art Institute during lunch hours...

Rudolf Kosow’s Magic is a striking contemporary surrealistic painting that intertwines the mystical with the unsettling. A man, dressed in formal attire, stands upon a rocky terrain,...

Brian Keith Stephens’ "Butterfly Kisses for You #2" (2018) is an original oil on linen painting that captures the gentle charm of a sheep rendered in expressive brushwork and a harmo...

“War and Peace” is an original oil painting on linen by Andrée Bars. In warm sandstone tones, ranging from ochre beige to dusty brown, this powerful composition stages a moment of t...

Medium: Oil on Pencil on Paper Sight Size 22.00" x 17.50;" Framed 30.00" x 25.50" Signature: Unsigned Study for Cover of Saturday Evening Post Magazine, December 18, 1937 Exhibitio...

Collectible Piece. Dance Me To The End Of Love The painting is oil on canvas and painted with a pallet knife. Gallery Stretching & Wrap SIZE: 12 x 12" Maya Green, is a Ukrainian-Jewish contemporary...

Title: French Village Gathering Scene with Breton Figures and Slate Rooftops By F.T. Roussel Signed: yes Size: 10.75 x 8.75 inches (height x width) Oil painting on board, unframed Co...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

This is an oil painting done from life with the artist's young son''s life-size poster of Boba Fett behind her. Known for painting fantastical, sometimes self-reflective narrative s...

Conversation with the Delivery man was painted onsite in Lucca, Italy. The artists frequently travels to Lucca to paint.Look for shipping discount. Other available paintings shown below. After a long career as a concept illustrator in the advertising and motion-picture industry, James Crandall...