$27,500
Aegean XI
By Jacob Kainen
Located in San Francisco, CA
Artist: Jacob Kainen– American (1909 - 2001) Title: Aegean XI Year: 1981 Medium: Oil on Canvas Size: 48 x 60 inches Framed size: 49 x 61 inches Signature: Signed, dated lower right. ...
Canvas, Oil
$48,000
Argo
By Jacob Kainen
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right; signed, dated, titled verso (underneath foamcore backing). 49.75 x 59.75...
Canvas, Oil
$3,250
H 8.75 in W 10.75 in
"Untitled" Edward Zutrau, 1963 Post-Painterly Abstract Expressionist Painting
By Edward Zutrau
Located in New York, NY
Edward Zutrau Untitled, 1963 Signed and dated on stretcher verso "5/63" Oil on canvas 8 3/4 x 10 3/4 inches Edward Zutrau is among the American artists who worked within the whirlw...
Canvas, Oil
$8,500
H 25 in W 30 in
"Untitled" Taro Yamamoto, New York School, Gestural, Thick Impasto Composition
By Taro Yamamoto
Located in New York, NY
Taro Yamamoto Untitled, 1954 Signed lower right; signed and dated on the reverse Oil on canvas 25 x 30 inches Taro Yamamoto was involved in the Abstract Expressionist movement in N...
Canvas, Oil
$6,500
H 37 in W 49 in
Large Rigoberto Mena Contemporary Cuban Abstract Expressionist Oil Painting
By Rigoberto Mena
Located in Surfside, FL
"Yellow/Green" 2004. Oil/Acrylic on Canvas. Signed lower right Image: 34.5" x 47". Framed: 49" x 37". Rigoberto Mena Santana (Cuban, born 1961) was born in Artemisia, Havana in 1961, where he currently lives and works. He attended the Instituto Politecnico de Diseno Industrial, La Habana, and continued his studies at San Alejandro Fine Art Academy, Havana. He traveled extensively throughout Europe to study the great masters. Mena has had Solo Exhibitions in China, Germany, Netherlands, Mexico, Cuba, Spain, France, and Holland, and in the U.S. in Miami, Massachusetts, Washington, D.C, and California. Following the inauguration of his exhibition “Hablando en Lenguas”. In 2011, Rigoberto’s work was chosen to be a part of the permanent collection of the National Museum of Fine Art in Havana, Cuba. Through the eyes of an abstract expressionist, he draws inspiration from his home’s urban landscapes and the spirit of the people and the city. The start of the Cuban Abstract movement was through a group called Los Once or The eleven. Though Mena was not an original member the influence by this new outlet began to spread ideals that put his own practice into fashion. Rigoberto is considered an important painter of his generation. He is one of the few artists in Cuba who has to have a private art gallery. Mena's private gallery at the Plaza de Armas is adjacent to the neighboring government art gallery. His work has been exhibited in Mexico, Belgium, Germany, France, Spain, and Holland. Contemporaneous with the controversial, "La Generacion de los 80s" - The 80s Generation of Contemporary Cuban Art also referred to as New Cuban Art. This new Cuban plastic arts movement, with an expression of conceptual and non specific conscience manifestation, addressed many burning issues of the time and unveiled what these artists felt was the true reality of Cuba. It was more than a moment of artistic inspiration; it was a reflection of critical self-awareness and the new social role of art - the fundamental essence of the movement. They included Rubén Torres Llorca, Jose Bedia Valdes, Ricardo Rodriguez Brey, Juan Francisco Elso, Rogelio López Marín (Gory), Gustavo Pérez Monzón, José Manuel Fors, Leandro Soto Ortiz, Israel León, Tomás Sánchez and Carlos Alfonzo. In the second half of the decade, other artistic groups were formed, including 4 x 4, Grupo Hexágono, Arte Calle, Grupo Provisional, the duet René Francisco Rodríguez and Eduardo Ponjuán González and ABTV. Grupo Puré, another new wave of young artists, graduates of the Instituto Superior de Arte (ISA) included Ana Albertina Delgado Álvarez, Adriano Buergo, Ciro Quintana, Ermi Taño and Lázaro Saavedra, all greatly influenced by the German Kitsch art movement. Additionally, a large number of talented creators excelled independently, such as Florencio Gelabert (sculptor), Arturo Cuenca Sigarreta, Rigoberto Mena, Humberto Castro, Gustavo Acosta, Kcho, Antonio Eligio Fernandez (Tonel), Adriano Buergo, Flavio Garciandía, Tania Bruguera, Juan Francisco Elso, Carlos Rodríguez Cárdenas, Quisqueya Henríquez, Glexis Novoa, José Toirac, Carlos García, Heriberto Mora, Segundo Planes and Pedro Vizcaíno, among others. Select Personal Exhibitions 2015 RBK 4200 ,La Cabaña,fortress. Bienal de La Habana, 2014 The shape without shape. Visual Arts Development Center, Bayamo, Cuba 2013 Allegro Ma Non Troppo. Lloyd’s Register, Havana. 2012 Spirit. Dennis Rosenthal Gallery, Chicago, U.S.A. 2011 Speaking in languages. Fine Arts National Museum, Havana. 2010 The places of time (with Alan Kleinmann). Orígenes Gallery, Havana’s Great Theater. 2009 The writing and the limit. 23 y 12 Gallery, Havana. 2007 The pleasure of absorb yourself. RAC Gallery, Veracruzan University, Xalapa, México. 2006 Coexistence. Public space, during the Ninth Havana’s Biennale. 2005 Ball change. La Casona Gallery, Havana, Cuba Das Unbestimmbare Selbst. Refugium Gallery, Berlin. 2004 From the nothing to the infinite. La Casona Gallery, Havana, Cuba 2003 The visual poetry of life. Refugium Gallery, Berlin. Rigoberto Mena. Recent Work. Habana Gallery, México DF. Recent graphic work (with Jo Ann Rothschild). Graphic workshop, Havana. Rigoberto Mena. Recent Work, Boston Art Institute, Lesley Boston University, 2001 Two plus one doesn’t make three (with Julio Girona and Angel Rivero), L Gallery, 2000 Cuba I, Space 12 Gallery, Boston, Massachusetts, United States. Three abstract painters (with Jo Ann Rothschild and Julia Valdes...
Canvas, Oil, Acrylic
$255
H 10 in W 14 in
Still Life 7 - Original Bold Abstract Colorful Home Inspired Art on Paper
By Valerie Etitinwo
Located in Los Angeles, CA
Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...
Canvas, Paper, Oil Pastel, Mixed Media, Oil
$255
H 14 in W 10 in
Still Life 5 - Original Bold Abstract Color Drenched Oil Pastel Artwork on Paper
By Valerie Etitinwo
Located in Los Angeles, CA
Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...
Canvas, Paper, Oil Pastel, Mixed Media, Oil
$10,000
H 11 in W 15 in
"Untitled" Albert Eugene Gallatin, Mid-Century Abstract, Red and Blue, Geometric
By Albert Eugene Gallatin
Located in New York, NY
Albert Eugene Gallatin Untitled, 1947 Signed and dated on the reverse Oil on canvas 10 1/4 x 14 inches Private Collection Private Collection, Mount Vernon, New York (gift from the a...
Canvas, Oil
$20,000
H 80 in W 92 in D 1.75 in
Ciel de Nuit (Night Sky) / diptych 80 x 92 inches / 6.5 x 7.6 feet
By Frédéric Choisel
Located in Burlingame, CA
Ciel de Nuit ( Night Sky) is a magnificent diptych of abstract golden clouds in a sky full of rich blues. Elegant and atmospheric. Ciel de Nuit is 80" X 92" OVERALL. Each of the two ...
Canvas, Oil
Looking Down the Chasm - after Pat Klein
Located in Soquel, CA
Dynamic figurative abstract of nude figure looking down chasm in the style of Pat Klein (American, b. 1951). Unsigned. Unframed. Image size: 24"H x 36"W. P...
Canvas, Oil
$55,000
H 33.5 in W 25.75 in
"Twilight Imagery" Lynne Drexler, Abstract Expressionist, Dark Composition
By Lynne Drexler
Located in New York, NY
Lynne Drexler Twilight Imagery, 1976 Signed and dated on the reverse Oil on canvas 29 x 24 inches Provenance The artist Jerry Vis Collection (acquired d...
Canvas, Oil
$1,080Sale Price|20% Off
H 30 in W 24 in D 0.75 in
Abstract Expressionist Red Floral Still Life
By Allie William Skelton
Located in Soquel, CA
Bold floral abstract expressionist still life by Allie Bill Skelton (American, 1942-1986). Unsigned but was acquired with a collection of other Skelton pieces. Unframed. 30"H x 24"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art scene of the 1960s and 1970s. "Transition" Bronze sculpture, 1984, on permanent display at Grower's Square, Downtown, Walnut Creek...
Canvas, Oil
$255
H 10 in W 14 in
Still Life 3 - Original Bold Abstract Color Drenched Fish on Table Art on Paper
By Valerie Etitinwo
Located in Los Angeles, CA
Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...
Canvas, Paper, Oil Pastel, Mixed Media, Oil
$255
H 14 in W 10 in
Still Life 4 - Original Bold Abstract Color Drenched Oil Pastel Artwork on Paper
By Valerie Etitinwo
Located in Los Angeles, CA
Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...
Canvas, Paper, Oil Pastel, Mixed Media, Oil
Sold
H 22 in W 28 in
1970's American Abstract Expressionist Color Stain Aquatint Etching WPA Artist
By Jacob Kainen
Located in Surfside, FL
Jacob Kainen (American 1909-2001) color softground etching and aquatint on Rives BFK paper, 1977, hand signed in pencil, limited edition. (image is 16 X 20 inches) The Print Club of Cleveland 1978 Jacob Kainen (December 7, 1909 – March 19, 2001) was an American painter and printmaker. He is also known as an art historian, writing books on John Baptist Jackson (US Government Printing Office, Washington, DC, 1962) and the etchings of Canaletto (Smithsonian Press, Washington, DC, 1967). In addition, Kainen was a collector of German Expressionist art, and he and his second wife, Ruth, donated a collection of this work to the National Gallery of Art in 1985. Jacob Kainen was born in Waterbury, Connecticut, in 1909. As the second of three sons born to Russian immigrants, Kainen grew up in a family that appreciated culture and talent. His father's artistry as an inventor and his mother's love for music and literature undoubtedly fostered in Kainen an insatiable interest in art. Even at age ten, Kainen was eager to study master works, including clippings of art reproductions from The Jewish Daily Forward in his scrapbooks. In 1918 the family moved to New York City, where Kainen's budding passion would further advance with trips to The Metropolitan Museum of Art and the New York Public Library. Poetry and literature became major components of his artistic study during high school. When Kainen graduated from DeWitt Clinton High School at sixteen, he was too young to be admitted to the Pratt Institute. In the meantime he took drawing classes at the Art Students League, where Kimon Nicolaides taught him to "trust in the freedom and sureness of his hand." It was during this period that Kainen made his first prints, drypoint etchings. Kainen used this time to further exercise his interests by working in the classics department of Brentano's bookstore, as well as developing his skills as a boxer. Kainen would go on to become an expert in the classics and quite a skilled amateur prizefighter. Kainen was finally granted admittance to Pratt in the fall of 1927. Though Kainen had a deep interest and appreciation for the old masters during this period of his life, he quickly found the Pratt curriculum backward, too anti-modernist, and dogmatic. Upon entering school his portraits and color choices remain warm in tone, but as he progressed they became brighter and more reminiscent of Cézanne's palette. In Kainen's final year of school, Pratt instituted a curriculum that focused more on commercial art and commercialized drawing styles. This catalyzed Kainen into a rebellion that resulted in his expulsion from the institute three weeks before graduation, and subjected him to further scorn from many of those associated with Pratt. This event proved monumental in Kainen's conceptual and artistic development. After his expulsion, Kainen sought out other avant-garde artists in the city, especially those who shared his institutional disdain. It led him to begin to engage with the emotive palette and gestures of German Expressionism and the social awareness and ferocity of social realism during the 1930s. In 1934 he rents a studio in Greenwich Village, meets Stuart Davis, Willem De Kooning, Adolf Dehn, John Graham, and Arshile Gorky, who paints Kainen’s portrait.He became a part of the New York Group, "interested in those aspects of contemporary life which reflect the deepest feelings of the people; their poverty, their surroundings, their desire for peace, their fight for life." His expressionist and social leanings began to definitively merge in the mid-1930s in works such as Tenement Fire (1934) and The Flood (1936). Kainen also frequented cafeterias that had become the places where urban artists met to debate and develop ideas, both social and aesthetic. Kainen and Arshile Gorky became acquainted during a particular exchange in which they both defended the importance of copying master works and admitted to lurking in museums. The friendship with Gorky and his influence that resulted from their meeting would prove to be a lifelong one. Kainen was an active participant in the WPA's graphic arts program during the second half of the decade, but he eventually parted with the aesthetics of social realism in favor of abstraction. Yet his work would never lose its humanism or its concern for history: "However abstract the forms and colors seem, they should somehow give off an aura of human experience." In the late 1930's he organizes the New York Group with Jules Halfant and Herbert Kruckman; they invite Alice Neel, Louis Nisonoff, Herman Rose, Max Schnitzler...
Etching, Aquatint
Rampant
By Jacob Kainen
Located in Long Island City, NY
Artist: Jacob Kainen, American (1909 - 2001) Title: Rampant Year: 1973 Medium: Lithograph, signed and numbered in pencil Edition: 17/50 Image Size: 28 x 20 inches Size: 30 x 23 in. (...
Lithograph
Tblisi Rose
By Jacob Kainen
Located in Long Island City, NY
Artist: Jacob Kainen, American (1909 - 2001) Title: Tblisi Rose Year: 1973 Medium: Lithograph, signed and numbered in pencil Edition: 15/50 Image Size: 28 x 20 inches Size: 32 x 24 i...
Lithograph