Up at Bat, The Saturday Evening Post Cover, August 10, 1940
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Price on Request. The Saturday Evening Post cover, August 10, 1940
Masonite, Oil
“Hi’ya Skipper.” Naval Officer Saluting Newborn Baby. WWII War Bond Ad
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Original World War II-era advertisement commissioned by Republic Steel to promote War Bonds and Stamps, published 1943. Medium: Oil on board Artwork: 2...
Oil, Board
The Family Gathering, Beer Belongs Advertisment
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Beer Belongs advertisement. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...
Board, Oil
Boy with Molotov Cocktail, Soviet troops on Hungarian Revolution
By Spencer Douglass Crockwell
Located in Miami, FL
This work sells itself. Just look at it, and an elaborate explanation is not required. There is virtually no one alive who can paint a picture like Crockwell. Crockwell offers the viewer a complex and inventive composition by showing two wonderful portraits in the foreground and, beyond a broken wall...
Oil, Masonite
Grand Mother and Grand Son Read Emotional Letter
By Spencer Douglass Crockwell
Located in Miami, FL
Crockwell is as good as Rockwell. Many would agree with that statement including the editors of the Saturday Evening Post in which both artists were frequent contributors. In fact, ...
Mixed Media, Oil
Red & White Food Stores Calendar Illustration
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Signature: Initialed Lower Left
Canvas, Oil
Three Boys, Woman's Day Magazine Cover
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Three young boys talking. One of the boys is playing with a military jacket on the chair. Signed lower center. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...
Board, Oil
Father and Son, Women's Day Magazine Cover, January 1945
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed Lower Right Father and Son, Women's Day Magazine Cover, January 1945 The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...
Oil, Board
$850
H 17.75 in W 16.75 in D 1 in
A Captivating 1930s Modern Portrait of a Young Woman by Francis Chapin
By Francis Chapin
Located in Chicago, IL
A captivating, 1930s portrait painting of a young woman by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female model, most likely h...
Oil, Masonite
$1,600
H 21 in W 8.5 in
"Don't Cry Long" Abstracted and Distorted Self-Portrait, One Crying Eye
Located in Detroit, MI
"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...
Oil, Masonite
$2,400
H 49 in W 33 in D 1 in
A Large, Compelling 1950s Mid-Century Modern Portrait of a Standing Male Model
Located in Chicago, IL
A Large, Compelling 1950s Mid-Century Modern Portrait of a Standing Male Nude Model by John Warren Ekstrom (Am. 1929-2020). A unique and well executed studio figurative painting by ...
Masonite, Oil
$6,500
H 17.5 in W 20 in
"Seascape" Henry Ward Ranger, Impressionist Coastal Scene, Atmospheric Sky
By Henry Ward Ranger
Located in New York, NY
Henry Ward Ranger Seascape, circa 1905 Estate stamp lower right Oil on academy board 11 1/4 x 13 7/8 inches A key person in the establishment of the Old Lyme, Connecticut art colon...
Oil, Board
$3,950
H 20 in W 18 in D 2 in
"Georgia Moonshiner, c. 1935" by Athos Menaboni (1895-1990) American WPA Era Oil
Located in Yardley, PA
A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...
Masonite, Oil
$4,450
H 15 in W 11.88 in
“View of Gardanne, 1925" Louis Gautier (French, 1855-1947)
Located in SANTA FE, NM
“View of Gardanne, 1925" Louis Gautier (French, 1855-1947) Oil on cardboard Signed and dated 1925 lower left, Dedicated lower right: "à Monsieur Angeli, Bien cordially" Titled, dated...
Oil, Cardboard
Impressionist French River town landscape
Located in Woodbury, CT
C. Andronis French River Landscape, signed and dated 1959 Oil on board Original carved French frame This luminous and expressive painting by C. Andronis captures the vibrant spirit...
Oil, Board
Sold|$850
H 28 in W 22.25 in D 1 in
Dorothy Vail Seated Male Figure Oil, ca. 1924
Located in Astoria, NY
Dorothy Vail (American, XX), Seated Male Figure, Oil on Canvas, circa 1924, depicting man in green jacket leaning against stool, signed, marked "Art Students League" and "Dorothy Vai...
Oil, Canvas
Portrait of a Young Boy Seen from Behind
By Emma Ekwall
Located in Stockholm, SE
This intimate oil painting presents a young boy viewed from a three-quarter rear angle, caught in a quiet, reflective moment. The child’s back is turned gently toward the viewer, ren...
Canvas, Oil, Board
$3,522
H 35.83 in W 30.32 in
The Seated Man – An Intimate Glimpse into Daily Life
Located in Stockholm, SE
This masterfully executed painting by Emerik Stenberg (1873–1927) captures an intimate and atmospheric moment. The composition features a seated man, engrossed in his daily chores, b...
Canvas, Oil
$1,200
H 26.5 in W 18.5 in D 1 in
A Fabulous 1950s Mid-Century Modern Portrait of a Seated Woman, "Southern Belle"
By Francis Chapin
Located in Chicago, IL
A Fabulous 1950s Mid-Century Modern Portrait of a Seated Woman, "Southern Belle" by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A colorful Southern painting depicting a ...
Oil, Masonite
$14,500
H 36 in W 28 in D 1 in
'The Artist's Daughters' Jump Rope, PAFA, Saturday Evening Post
By Frederick Sands Brunner
Located in Santa Cruz, CA
Signed lower right 'F. Sands Brunner' for Frederick Sands Brunner (American, 1886 - 1954) and painted circa 1930. A painting showing the artist's two daughters, Sibyl and Janet, fa...
Canvas, Masonite, Oil
After a Day on the Slopes, Beer Advertisement
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Signature: Signed Lower Left Following World War II, the United States Brewers Foundation (USBF) wanted beer to be seen in a more positive light, as an integral part of the American...
Masonite, Oil
Sold
H 23.75 in W 18.5 in
Hanging Upside Down, Saturday Evening Post Cover
By Spencer Douglass Crockwell
Located in Fort Washington, PA
Saturday Evening Post Cover, April 20th 1940 Young boy hanging upside down. Signed lower left. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...
Oil, Wood