Photography Figurative Paintings

Al Saralis 'Vivienne I' Ø 30 cm oil on canvas on wood Artist Al Saralis lives and works in Hampshire (United Kingdom) and, as he says, does not paint reality, but what he perceives ...

Original Oil Painting by Gary Ruddell Gary Ruddell (b. 1951, San Mateo, CA) received his BFA from the California College of Arts and Crafts in 1975 and began his art career by illu...

"Reflections" signed by W.Maas oil on board, framed Framed: 16 x 13.75 inches Board: 9.5 x 7.5 inches Inscribed verso Provenance: Private collection Condition: The painting appears t...

Frame size 70x61 cm. José Muntané Balaguer (1889 - 1963) Immerse yourself in the spiritual beauty of "Woman Praying," a sublime work by the acclaimed Spanish artist José Muntané Balaguer. This oil on canvas captures the serenity and introspection of faith, showcasing a masterful use of light and shadow reminiscent of great masters such as Joaquín Sorolla, Ignacio Zuloaga, and even the emotional restraint of Diego Velázquez in his most intimate portraits. The painting depicts the purity of a devotional moment, where the female figure seems to transcend the canvas, inviting the viewer to reflect on spirituality and human connection. The meticulous attention to detail and subtlety in expressions place Muntané Balaguer in the tradition of artists who immortalized scenes of everyday life with unique sensitivity, much like Julio Romero de Torres...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

This artwork captures a solitary figure standing beside a sleek, vintage black car against a muted, ethereal background. The figure, viewed from behi...

Marina Dieul's "Petite Souris 700", 2024" is an exquisite handmade original oil on panel artwork, measuring 4 x 4 x 1 inches, that comes directly from the artist's studio. This piece is a primary market offering that showcases Dieul's impeccable talent and her mastery of the trompe l'oeil technique. The painting features the captivating face of an adorable mouse with a an orange knitted cap and mittens peering from a green shuttered...

Portrait of a Lady in Pink French School, indistinctly signed upper right corner dated 1893 oil painting on canvas, unframed canvas: 24 x 19.75 inches condition: very good, a few light age related scuffs around the edges which would cover with a frame. provenance: private collection, France. Straight out of the Belle Epoque...

Portrait of an Aristocrat European artist, 20th century oil on canvas, unframed canvas : 30 x 24 inches provenance: private collection, Wiltshire condition: very good and sound condi...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M...

Bataglia Aerea Oil Painting on Canvas Rome Mythology Architecture In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, si...

Original cover for Liberty magazine, published August 2, 1930. Lil has given birth to a new blonde-haired blue-eyed baby boy weighing eight pounds and Ma Morse couldn’t be more exci...

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

This piece titled "The Lovers" is an original artwork made from oil on double vintage portrait paintings on wood by André Schulze. This piece...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

This figurative painting titled "Baby" is an original artwork by André Schulze made of oil paint on a vintage found photograph. The piece measures 8"h x ...

This is a partial homage to David Hockney's art. In this painting, I explored the interplay of realism and symbolism through the figurative use of acrylic. The central figure, clad i...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Alfred Fontville De Breanski (1877–1957) “English Cottage Garden”, circa 1920 Oil on canvas Signed lower right This richly coloured and romantic vision of rural England by Alfred F...

English Impressionist scene of a marine scene with yachts off the Nantucket coast. Charles Bertie Hall painted scenes all over England, Europe, and America in a traditional Impressionist manner. He exhibited in London and many of his paintings are held in private collections. He was influenced by the work of Edward Seago, Edward Wesson...

Burlesque Clown Bert Lahr is dipicted in a bowler hat with a wry grin. Lahr shined in the role of The Cowardly Lion in the Wizard of OZ. Here he is de...

Kazuya Ushioda’s The Sound of Prayer (2021) is a striking figurative oil on panel that captures a moment of quiet reflection. Measuring 44.12 x 11.87 x 0.70 inches, this tall and slender composition features a single figure clothed in a white kimono adorned with delicate blue floral motifs and cinched by a vivid red sash. The woman’s eyes are closed, and her hands are gently positioned near her head, suggesting an intimate state of concentration or contemplation. Painted in oil on a carefully prepared panel, this original, handmade work showcases Ushioda’s meticulous technique, evident in the rendering of subtle skin tones and nuanced folds of fabric. The vertical format accentuates the graceful poise of the figure, drawing the viewer’s gaze downward from her serene expression to the richly detailed kimono patterns. The neutral background highlights the subject’s form, creating a harmonious interplay of color and space. Executed in 2021, The Sound of Prayer stands...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has be...

Land Battle - Antonio Savisio Italia 2006 - Oil on canvas diam. cm. 30 Gold leaf gilded and laquered wooden frame cm. 47x47 Maestro Antonio Savisio drew inspiration from the masterp...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...

Meticulously rendered account of three prospectors trying to rustle up some water before they can dig up some gold. Magazine Illustration of the Old West, American West, Cowboys Casein on board, Western / Frontier Art...

Dutch Female Artist Liseth Visser is no stranger to the world of portraiture. In the past she was nominated for the 'BP portrait award' from 'Th National...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Oil on canvas

Adrienne Stein's (US based) "Veil of Night" is an original, handmade oil painting that depicts a female figure with a blue veil with a star lit background. About the artist: Adrie...

"Mother of Cajamarca" is an original oil painting on jute by Ernesto Gutierrez. The artist signed the piece lower right. It depicts a mother in a white hat embracing her child. 48"...

Acquired by the gallery directly from the artist UNFRAMED: 16" x 12" FRAMED: 23" x 19" x 2.25" Description This is a painting of a rugged California gold miner as I envision him t...

Gigino Falconi was born in Giulianova (Teramo) in 1933. He began painting at the age of sixteen, and in 1954 he obtained a Liceo Artistico of Pescara. During the early years of his c...

The grand ballroom was ablaze with sparkling casting a kaleidoscope of colors across the dance floor. The orchestra's enchanting melody wafted through the air, enticing couples to sw...

Lady in Red by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, framed framed: 20 x 23 inches canvas size: 13 x 16 inches condition: overall very good, mino...

Tanvi Pathare Luna Contemporary Florence Portrait painting Ø 80 cm oil on linen (frame included in price) size with frame: Ø 100 cm Tanvi Pathare from India attended the Florence A...

Pittore Attivo a Roma Nel XVII Secolo “Genre Scene” Oil on Canvas Framed: 68 x 88 cm Flat: 66 x 74 cm No signatured This exquisite 17th-century Italian genre painting, attributed to...

A late Victorian period painting by British artist, David W. Haddon, active (1884-1914). The canvas measures 20 x 14 inches and is signed low...

Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day. As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings. The present work depicts three angels...

signed by Geo.R. Cobcett oil on canvas, unframed canvas: 17 x 12.5 inches provenance: private collection condition: the painting has some damage and is sold as a restoration project

Canal Scene, Amsterdam signed by W.Maas oil on board, framed Framed: 16 x 13.75 inches Board: 9.5 x 7.5 inches Inscribed verso Provenance: Private collection This painting, likely by...

"Spectre" (2024) by Andrew Cadima is an original handmade oil painting that depicts a portrait of a distorted woman with contrasting blue and red. This piece measures 11 x 9 inches a...

This is a hand cut and hand painted artwork by Italian artist Riffblast. It’s signed on the back as an original work of art ready to hang with frame.

Acquiescence, 2012 Oil on canvas (Signed on the reverse) 80.76 H x 80.76 W in 180 H x 180 W cm Radu Rodideal is interested in the atmosphere of his work...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Poen de Wijs died a few years ago after a sickbed. His oeuvre lives on. He achieved international fame in the second half of the last century in which abstract, experimental painting...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Sylwester Stabryla (b. 1975) Graduated from artistic studies in Radom in 2002. The main focus in his art is human. He finds inspiration in everyday life. Participated in many individ...

"Ojulari" is a series of three (3) paintings which does have a similarity of a big eyeball. Ojulari simply means "Exterior Appearance" of a person. There is one Yoruba adage that s...

Mubaraq Yusuf is a rising star in the contemporary art scene, known for his ability to blend traditional techniques with modern themes. "Blue Sky" is a testament to his unique vision...

The canvas comes alive with "African Princess," a painting that serves as a tribute to the elegance and allure of the African woman. The portrayal of ...

"Freedom" is a mesmerizing composition that commands attention with its compelling portrayal of a woman's portrait. Theophilus masterfully captures the essence of liberation through the subject's confident and defiant gaze, radiating a sense of empowerment. The woman's facial expression and body language exude a combination of strength, self-assurance, and a resolute determination to be true to oneself. The artist employs a nuanced and skillful technique, bringing depth and dimension to the portrait. Each brushstroke seems to convey the emotions and experiences that have shaped the subject's journey toward freedom. Theophilus pays meticulous attention to the smallest details, rendering the textures of the woman's features with precision, giving her a palpable presence within the artwork. "Freedom" encapsulates the triumph of breaking free from societal expectations and norms. The woman's portrait serves as a symbolic representation of individuals who have found the strength to embrace their true selves and live authentically. Her expression reflects the liberation that comes with shedding external pressures, embracing personal identity, and embracing the inherent right to be free. The artwork's moniker, "Freedom," amplifies its central theme. It serves as a powerful reminder that true freedom lies not only in external circumstances but also within one's mind and spirit. Theophilus encourages viewers to explore the boundless possibilities that arise when individuals break free from societal constraints and allow their true selves to shine. "Freedom" by Adewuyi Theophilus...

Artist: Wai Ming, Chinese/American (1938 - ) Title: I Want to Swim Year: 1985 Medium: Oil on Canvas, signed and titled verso Size: 30 x 22 inches (76.2 x 55.88 cm) Frame Size: 35 x 2...

Tempera mixed with gum arabic and alcohol on Renaissance Panel Robert Riggs was a gay man. Being gay in American during the 1940's time was something not to flaunt in public. Rigg's had to communicate his underlying feelings in more symbolic ways. Throughout Riggs oeuvre, one sees continuous references to strong hunked out manly men and vulnerable boys. It is a core element of is iconography and is described in a powerful graphic style. In “Prospector firing Rifle” is a Dick Pic. Riggs is clearly making a sexual statement about the moment of climax. The long, straight rifle explodes and is captured at the peak moment of climax. Meanwhile, the bag two bags of gold clearly resemble the other part of the male anatomy. Riggs was a thoughtful and meticulous visual thinker and nothing in any of Riggs’s compositions were haphazardly placed. In tribute to the artist’s suppressed feelings, I have given this work a second title “Happiness is a Warm Gun...

Hubert AICARDI (1922-1991) Red Tulips, circa 1960 Oil on isorel panel Signed lower left 46 x 27 cm Hubert Aicardi is a painter of the Provençal school born in Marseille in 1922. He ...

The English Vicar early/ mid Victorian English artist, circa 1850's oil on canvas, unframed canvas: 14.5 x 12 inches provenance: private collection, England condition: overall good a...