Abstract Interior Paintings

"Abstract textured acrylic painting on canvas 80x160x2 cm (31 x 63 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of ...

Experience the boundless creativity of 'Abstract 23100,' a modern abstract painting that beckons you to explore a world of depth and dimension. This captivating artwork is crafted wi...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...

"""Caramel Roses"" encapsulates a distinctive quality that distinguishes it within the realm of art. This piece, measuring 100x40x4 cm (39.4 x 15.7 x 1.7 inches), is not only a stand...

Ready to hang with the edges painted A beautiful modern abstract, 100% handmade painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy c...

Inspired by the captivating power of nature, I sought to create a painting that would evoke a deeply spiritual atmosphere, emphasizing the significance of being fully present at the ...

Blooming Abstraction is a vibrant symphony of colours and shapes that brings vitality and energy to any space. This extra-large canvas awakens the senses with an abundance of blooms ...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Dans cette peinture abstraite, Emmanuelle Vroelant nous invite à un voyage onirique. Les couleurs vives et chatoyantes, les formes fluides et ondulantes, évoquent une nature luxurian...

Diptych (2 paintings together) - «Meeting in the Night» & «The Night of Love», The diptych is dedicated to the love of people who are forced to...

"Blossoms of Midnight Passion" is a vibrant abstract floral painting that emerges like a nocturnal symphony on a black canvas. Bold red and delicate white blossoms intertwine in an e...

Year: 2025 Media: oil on canvas The composition, reminiscent of a twilight ocean's surface, captivates viewers with its fluid, wave-like patterns that draw the eye across the canvas....

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Step into the world of abstract art like never before with "Abstract 23104," a stunning painting that spans across seven separate panels of canvases. This intricate masterpiece is an...

'Blue' glows with serene aqua blue. The abstract meditative painting is inspired by Taoist teachings and meditations, with a focus on color, rhythm and flow. Matuszewski creates medi...

Amit Kalla - Untitled - 60 x 36 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

Vertical allure graces this 100x50x2 cm (39,4 х 19,7 х 0,8 inches) canvas, a harmonious fusion of my contemporary flair with a touch of Impressionism. The subtle texture beneath, cra...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

"Blossoming Metamorphosis" embodies a unique characteristic that sets it apart from other paintings – it can be experienced both individually and in conjunction with another piece fr...

This artwork is shipping UNMOUNTED and ROLLED UP in a tube with FREE SHIPPING. A very beautiful large colorful abstract painting with many neon nuances, havy textured, vibrant and e...

"Composition Intérieure" is an exceptional piece by contemporary artist Sophie Dumont, created with oil on a 60 x 60 cm (23.62 x 23.62 in) canvas using a palette knife technique. Thi...

Color can have a huge impact on our lives. Flower fields, sunsets, the city skyline; all of the most beautiful things in the world have bright, vibrant color in common. Give your ho...

Abstract interior. Oil on panel. 2022.

Introducing a stunning floral masterpiece in the Pantone Color of the Year for 2023 - Viva Magenta. This acrylic textured artwork on canvas measures 90x90x2 cm and features a captiva...

Artist : Alex Senchenko © Title : Abstract 23110 5 in 1 5 Paintings- one painting is 31" x 12" x 1.5" ( 80 cm x 30 cm x 4 cm ) Total hang on your wall is 31" x 59" ( 80 cm x 15...

Triptych Sea Blue Oil Paintings By British artist 'KD', 20th Century Signed by the artist on the left hand corner of the first of three triptychs Oil painting on canvas, unframed Canvas size (individual sizes) 16x16 inches Wonderful opportunity to buy a triptych (a set of three paintings...

This is a one of a kind painting, an absolutely spontaneous, vibrant and unique creation by me, Alex Senchenko This high quality acrylic painting is done on gallery wrapped canvas, ...

Abstract textured acrylic painting on canvas 165x80x2 cm (65x31x0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of the work are painted. The artwork is signed, dated and titled. Original artwork with signed Certificate of Authenticity. My artworks are a result of years of studying spiritual books written by Eckhart Tolle. Eckhart Tolle, a spiritual teacher and author, often uses flowers as a metaphor for living in the present moment, which is a central concept in his philosophy. He notes that a flower doesn't think about the past or the future; it simply exists in the present moment, fully expressing its beauty and essence. By observing and appreciating a flower, we can learn to live more fully in the present moment and experience the beauty of life around us. In Tolle's view, flowers can also remind us of the interconnectedness of all things. A flower is not separate from its environment; it relies on the sun, the soil, and other elements to grow and thrive. Similarly, we are not separate from the world around us; we are part of a larger interconnected web of life. By recognizing this interconnectedness, we can develop a greater sense of empathy and compassion for all living beings. International Exhibitions: 2024, January - International Art Fair, Paris Art Salon, Paris, France 2023, December - "Woman: Balancing Our World" at the Mora Museum, New York, USA 2023, October - International Art Exhibition “Rebirth”, Contemporary Art Gallery, Starnberg, Germany 2023, October - International Art Fair “Art Innsbruck”, Austria 2023, August - International Art Fair, "Art Monaco", Monte-Carlo, Monaco 2023, Mai - EOS Laboratorio delle Arti, "Emozioni in Mostra", La Galleria Sant'Andrea, Parma, Italy 2023, Mai - Collins Avenue in Miami, "Just Summer On My Mind", Miami, USA 2023, March - VERNICE Art Fair, BIANCOSCURO Art Exhibition, Forli, Italy  2023, January - International Art Fair, Paris Art Salon, Paris, France
2022, Dezember - "Golden Duck" Gallery, Budapest, Hungary 2022, November - EOS Laboratorio delle Arti, Parma, Italy 2022, November -ARTBOX.PROJECT Miami 3.0 , Miami, USA 2022, October - ARTBOX.PROJECT Palma 1.0, Palma de Mallorca, Spain - Semi-Finalist 2022, August - ARTBOX.PROJECT Zürich 4.0, Zug, Switzerland 2022, May - The State Darwin Museum, "Why does Android need nature?" Moscow, Russia 2022, May - BIENNALE ART EXPO / ARTBOX.PROJECT World 1.0, Venice, Italy 2022, February - ARTBOX.PROJECT World 2.0, URBANSIDE Gallery Zurich, Switzerland 2021, December - The largest project in the history of NFT art, Nikas Safronov...

En esta obra, he vertido mi energía creativa en un lienzo que respira dinamismo y pasión. Usando acrílicos, he fusionado minimalismo con expresionismo abstracto, donde cada pincelada...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

The picture is framed (wooden frame) and the idea behind is recycling of used objects of everyday life. Signed on the back by the author. Need to be adjusted to hang it on the wall a...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

A very beautiful large colorful abstract painting with many neon nuances, havy textured, vibrant and emotional. READY TO HANG - GALLERY QUALITY It's all about colors happiness and fr...

Abstract Still Life, Muted Colours, Original Oil Painting By British artist, Beryl Darton, Mid 20th Century Signed by the artist on the lower left hand corner Oil painting on board, ...

This is an extra large semi-abstract beautiful structured mixed media painting with painted edges, so it can be hung immediately without framing. This painting has a lot of structur...

A painting in abstract enamel is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creati...

The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of textures, washes, the finest glazing, volumetric contours...

What inspired the creation of this floral abstraction: The flowers in the rain. Wonderful intensive pink and red colours on the grey-silver background. Dimension in inches: 39 x 29 D...

ARTIST : Alex Senchenko © Title : Abstract 2345 Technique: Acrylic & structure on canvas 55cm. x 45cm. Original Painting on a 4cm Deep Canvas Ready to hang 2023 --------...

This is an impulsive abstraction of cherry blossoms' kiss. The artist designedly has created an expressive painting that`s both chaotic abstraction and breathtakingly floral beauty...

This high quality acrylic painting is done on gallery wrapped canvas, with no need for framing, as the edges are painted. You will receive it "ready to hang", with a hook on the back...

Artist : Alex Senchenko © 2023 Title: Abstract 2317 47" x 39" ( 120cm. x 100cm. ) Professional Gallery Canvas, Acrylic Paints Original Painting on...

This is a large semi-abstract beautiful structured mixed-media painting with painted edges, so it can be hung immediately without framing. This painting has a lot of structures and ...

Abstract 2355 ( 120 x 100cm. ) - painting is a powerful vision of Love’s vibration, Compassion’s strength, and Hope’s vitality. Woosh away your worries! Feel the exhilarating and mig...

ARTIST : Alex Senchenko © Title : Abstract 2233 . Technique: Acrylic & structure on canvas 150cm. x 100cm. Original Painting on a 4cm Deep Canvas Ready to hang 2022 ----...

"Sex Wars" Painting 16 x 20 in by Tetiana Kalivoshko Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art installations. Graduat...

abstract acrylic marble canvas 120x120cm send in wood crate at cost Emmanuelle Vroelant describes her painting as a winter without sadness, the clouds loaded and free to transform, i...

'Nocturne with Red' from Irene Zweig, where intellect, science, mathematics and order are at play in shades of calm blue, silver, grey and white, in the abstract mixed media painting...

"Enchanted Blooms" is a beautiful composition within my collection of colorfully abstract floral artworks. This collection shows how much I love and appreciate the incredible power o...

Underwater painting is a new very unique fast growing direction in contemporary art. Artwork was created underwater during scuba diving at the depth of 5,3 meters, session 42 minutes. By influence of underwater environment, feeling of no gravity, colorful impression, another reality - It feels different, brain works different, colors and shapes just blows your mind and you feel kind of explosion. Title: Ocean Music Size: 8x8 inches 20x20cm Style: underwater impressionism Technique: palette knife oil painting Underwater art...

"Blossoming Metamorphosis" embodies a unique characteristic that sets it apart from other paintings – it can be experienced both individually and in conjunction with another piece fr...

ARTIST : Alex Senchenko © Title : Abstract 2343 Technique: Acrylic & structure on canvas 55cm. x 45cm. Original Painting on a 4cm Deep Canvas Ready to hang 2023 --------...

At the crossroads, in the middle of the maze of boulevards of this tangle of buildings with various forms emerges an evidence that catches your attention. You let yourself be taken i...

Dark Structure, Abstract Surrealist Original Oil Painting, Signed By French artist Herve Carrier, Mid 20th Century Signed by the artist on the lower left...

Abstract flower paintings with bouquets of lilacs contain a lot of positive energy, the bright pictures are a beautiful wall decor for interior and wonderful gift for your loved ones...

ARTIST : Alex Senchenko © Title : Abstract 2382 Technique: Acrylic & structure on canvas 100cm. x 100cm. Original Painting on a 1.5cm Deep Canvas Ready to hang 2023 -------...

This is a one of a kind painting, an absolutely spontaneous, vibrant and unique creation by me, Alex Senchenko This high quality acrylic painting is done on gallery wrapped canvas, ...

"Euphorie II" is a beautiful composition within my collection of colorfully abstract floral artworks. This collection shows how much I love and appreciate the incredible power of col...