Abstract Interior Paintings

This original artwork by Alex Senchenko is an abstract, contemporary acrylic on canvas piece. Perfect for a room that needs a burst of color. Comes with a certificate of authenticity...

Blue Red Yellow Abstract Oil Painting 72H X 48"W, Vivid Dreams, Irena Orlov Oil on Stretched Canvas SPECIFICATIONS: - Artist-grade canvas. - 1" deep wooden support bars - Gallery Str...

This is a large semi-abstract beautiful structured mixed-media painting with painted edges, so it can be hung immediately without framing. This painting has a lot of structures and ...

Large Abstract, Colourful Stylised Oil Painting, Original By Spanish artist ENRIC CROUS-VIDAL (1908-1987) Signed on the top corner, Oil painting on board, unframed Board size: 18 x 2...

The transparency of the blue gives depth to this tray which, depending on its orientation, gives a rather warm or rather cold atmosphere. The greys turn into purple by iridescence to...

A very beautiful large colorful vivid abstract painting with many neon nuances, vibrant and emotional. READY TO HANG with the edges painted, the artwork will have on the back two met...

ARTIST : Alex Senchenko © Title : Abstract 2344 Technique: Acrylic & structure on canvas 55cm. x 45cm. Original Painting on a 4cm Deep Canvas Ready to hang 2023 --------...

Painting Description: I provide all kinds of beautiful acrylic paintings, I feature a paintings gallery with a great number of decorative paintings for sale from a multitude periods ...

Abstract textured acrylic painting on canvas 60x60x2 cm (23,6 x 23,6 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

Artist : Alex Senchenko © 2023 Title: Abstract 2317 47" x 39" ( 120cm. x 100cm. ) Professional Gallery Canvas, Acrylic Paints Original Painting on...

Abstract 2251 - painting is a powerful vision of Love’s vibration, Compassion’s strength, and Hope’s vitality. Woosh away your worries! Feel the exhilarating and mighty presence of W...

Abstract 2355 ( 120 x 100cm. ) - painting is a powerful vision of Love’s vibration, Compassion’s strength, and Hope’s vitality. Woosh away your worries! Feel the exhilarating and mig...

This original artwork by Alex Senchenko is an abstract, contemporary acrylic on canvas piece. Perfect for a room that needs a burst of color. Comes with a certificate of authenticity...

"Enchanted Blooms" is a beautiful composition within my collection of colorfully abstract floral artworks. This collection shows how much I love and appreciate the incredible power o...

Abstract flower paintings with bouquets of lilacs contain a lot of positive energy, the bright pictures are a beautiful wall decor for interior and wonderful gift for your loved ones...

Stacker CL [2018] original acrylic on box-mounted MDF panels Image size: H:27 cm x W:22.5 cm Complete Size of Unframed Work: H:27 cm x W:22.5 cm x D:6cm Sold Unframed Please note th...

I would like to present my new painting "The Beginning" to you. It is a semi-abstract seascape that I created with a lot of love and passion. The painting conveys a harmonious and c...

This is a one of a kind painting, an absolutely spontaneous, vibrant and unique creation by me, Alex Senchenko This high quality acrylic painting is done on gallery wrapped canvas, ...

Large Abstract Oil Painting, Mythical Style, Signed. British schooled, indistinctly signed. Oil painting on canvas, unframed Signed on the ...

There’s something ethereal, almost magical, about contemporary paintings. The incredible Expressionism bleeds through the canvas, transforming any room into an entirely new experienc...

What inspired the creation of this work of art: The first blooms of summer. Here white flowers in the evening light. “If the Peony flower is not number one in your heart…I’m sure it’...

⭐ ARTIST : Alex Senchenko © Title : Abstract 2393 . (Available for immediate shipping) ⭐ 7 in 1 7 Paintings- one painting is 31" x 12" x 1.5" ( 80 cm x 30 cm x 4 cm ) Total hang ...

Dark Structure, Abstract Surrealist Original Oil Painting, Signed By French artist Herve Carrier, Mid 20th Century Signed by the artist on the lower left...

The color palette is intense and overflowing, with brushstrokes intertwining in a chaotic dance of vibrant tones. Fiery reds, electric blues, and effervescent yellows merge into a vi...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...

abstract acrylic marble oxidation linen canvas 81x60cm send in wood crate at cost Emmanuelle Vroelant has, at one point in her life, practiced art ...

Color can have a huge impact on our lives. Flower fields, sunsets, the city skyline; all of the most beautiful things in the world have bright, vibrant color in common. Give your ho...

Buoyant 1 by Marilyn Simler [2021] original acrylic on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:2cm Sold Unframed Please note that ...

A large semi-abstract beautiful structured mixed media painting with painted edges, so it can be hung immediately without framing. This painting has a lot of structures and layers. ...

Abstract Oil Painting, Red, Cream, Blue and Black, Cubism Style, Signed French School, 1974 Signed indistinctly by the artist on the lower left hand corner and dated '74 Oil painting...

"Euphorie II" is a beautiful composition within my collection of colorfully abstract floral artworks. This collection shows how much I love and appreciate the incredible power of col...

This is an extra large semi-abstract beautiful structured mixed media painting with painted edges, so it can be hung immediately without framing. This painting has a lot of structur...

Sheryl Roberts Passing Light Original Seascape Painting Oil and Acrylic Paint on Canvas Artwork Size: H 73cm x W 73cm x D 5cm Sold Framed in a Black Float Frame Please note that in s...

ARTIST : Alex Senchenko © Title : Abstract 2156 . Technique: Acrylic & structure on canvas 150cm. x 100cm. Original Painting on a 4cm Deep Canvas Ready to hang 2021 ----...

Fill your home with what inspires you. This original artwork by Alex Senchenko is an abstract, contemporary acrylic on canvas piece. Perfect for a room that needs a burst of color. C...

ARTIST - Alex Senchenko © Title : Abstract 22122 . Technique: Acrylic & structure on canvas 50cm. x 100cm. 4 cm. Deep Professional Gallery Stretched Canvas, Acrylic Paints "GA...

Abstract 2262 - painting is a powerful vision of Love’s vibration, Compassion’s strength, and Hope’s vitality. Woosh away your worries! Feel the exhilarating and mighty presence of W...

Artist : Alex Senchenko © Title : Abstract 2358 Size : 120cm x 100cm x 4cm - thickness canvas screen MEDIUM: Professional Acrylic Paints . Professional Gallery Canvas. Ready ...

Abstract textured acrylic painting on canvas 90x90x2 cm (35,4 x 35,4 x0,8inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of ...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Abstract 2305 - is original, authentic, and personally signed by the artist. Created using acrylic on canvas, a clear, gloss coating protects your cherished fine art investment from ...

Abstract Mountains, Stylised Scene, Colourful Oil Painting, Signed By French artist Sophie Danielle Rubinstain 1922-2018 Signed by the artist on the lower right hand corner Oil paint...

ARTIST : Alex Senchenko © Title : Abstract 2301 . Technique: Acrylic & structure on canvas 100cm. x 100cm. Original Painting on a 4cm Deep Canvas Ready to hang 2023 ----...

Artist : Alex Senchenko © 2023 Title: Abstract 2306 47" x 39" ( 120cm. x 100cm. ) Professional Gallery Canvas, Acrylic Paints Original Painting on...

Artist : Alex Senchenko ©2026 Title: Abstract 2366 . 91cm. x 61cm. Professional Gallery Canvas, Acrylic Paints Original Painting on a 1,5cm. Deep ...

Abstract 21101 - is original, authentic, and personally signed by the artist. Created using acrylic on canvas, a clear, gloss coating protects your cherished fine art investment from...

This original artwork by Alex Senchenko is an abstract, contemporary acrylic on canvas piece. Perfect for a room that needs a burst of color. Comes with a certificate of authenticity...

Abstract textured acrylic painting on canvas 96x96x2 cm (37,8 x 37,8 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

There’s something ethereal, almost magical, about contemporary paintings. The incredible Expressionism bleeds through the canvas, transforming any room into an entirely new experienc...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...

Color can have a huge impact on our lives. Flower fields, sunsets, the city skyline; all of the most beautiful things in the world have bright, vibrant color in common. Give your ho...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

This is a large semi-abstract beautiful structured mixed-media painting with painted edges, so it can be hung immediately without framing. This painting has a lot of structures and layers. Acrylic mixed media. The structure aspect and metallic colors come alive with directional lighting...

The picture is consisting from an acrylic painting, which will be sticked to a transparent plastic glass and framed in a heavy wooden frame covered with gold. It will be of course s...

"Desert Sunset I" Abstract Painting 14" x 20" inch by Salah Boutros Salah Boutros was born in 1964 in Cairo where he still lives and works. He gained a BA degree from the Faculty of...

Cubist Sea Blue Oil Painting, British Artist By British artist 'KD', 20th Century Signed by the artist on the left hand corner of the painting Oil painting on canvas, unframed Canva...