Women Interior Paintings

ABOUT THE ARTWORK In "Archive of Happiness: Unlived Chronicles," I craft a visual counter-narrative to my family's untold joy. This painting, "Posing in the Garden," is a heartfelt ...

Tavern Interior Flemish School, 17th century oil on canvas, framed framed: 13.5 x 18 canvas: 11 x 16 inches provenance: private collection, France condition: very good and sound cond...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

ABOUT THE ARTWORK "Our Strange Paradise" from the "Perichoresis" series explores the nature of paradise—not as a promised future or a distant memory, but as a complex, contradictory ...

Thomas Bossard was born in 1971 in Poitiers, France, to a large and creative family. His mother fostered his interest in art since an early age, bringing Thomas to various museums wh...

Charming Still Life Simone Forge 1930's French Impressionist oil on board unframed board: 10.75 x 8.75 inches Provenance: private collection Condition: great condition For more an...

Fedor Encke (1851-1926) – German Full length Portrait of Jeannie Netter, standing in an interior, wearing a Burgundy Velvet Dress holding a Pink Rose Oil on canvas :85 ¾ x 50 ¼ in. Frame :103 x 67 ¼ in. Signed & inscribed ‘New York’. Circa 1910 Jeannie Netter was an American born musician and song-writer but was mostly merited for her sculpture having been taught by the Russian artist Bernstamm. Fedor Encke was born in Berlin, Germany in 1851. Younger brother of Erdmann Encke who was a sculptor, Encke was the illegitimate grandson of King Frederick Wilhelm II of Prussia and Mistress Wilhelmine Encke, Countess of Lichtenau. Fedor studied under Karl Gussow in Berlin and then went on to study in Rome and Paris. Although he set up a studio in Berlin during the 1880’s, he seems to have travelled regularly between Paris and New York painting many American Society sitters, including President Theodore Roosevelt. Encke’s portrait of Roosevelt dressed in Rough Rider uniform, originally hung in the dining room of the White House and is now at the Presidents place of birth, Segamore Hill, New York. This portrait was also published as the frontispiece of ‘The Rough Riders’ by C. Scribners&Sons, 1899. Encke was in Paris in 1902 and painted the two banking giants, John H. Harjes and J.P. Morgan both having their portraits painted at the same time. To try and finish Morgan’s painting Encke hired a young photographer named Edward Steichen to take Morgan’s picture as a kind of aid memoir to minimize the sitting time. This photograph and the painting that resulted from it caused a considerable stir because of the uncompromising pose of Morgan. The portrait became synonymous with the new capitalism. Encke seems to have been very well connected socially and painted for many members of the European nobility as a result. Encke died in 1926. Works in Museums: Segamore Hill, New York (Portrait of Theodore Roosevelt) National Portrait Gallery America; Smithsonian; Brooklyn Museum of Art; Philadelphia Museum of Art. Bibl: Book on Moses Ezekiel...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s San Pedro Post Office: History of Writing Mural South, Preliminary Mural Maquette right panel...

"The Luminous Moment #3 Green and Purple" is a painting from a new series exploring the relationships between human and animal forms and two predominant complementary colors: Green a...

Hans Buchner (German, 1856 - 1941) Signed: Hans Buchner (Lower, Left) Location: Müchen (Lower, Left) " The Love Letter ", circa 1880s Oil on Mahogany Panel 19 1/2" x 11 1/2" Hou...

Jordi Curós Ventura (1930-2007) - Woman - Oil on board. Work measurements 46x38 cm. Frame size 64x56 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He ...

Vincenzo Colleoni (Active in Venice in the second half of the 19th century) - Interior scene with masked characters. 110 x 160 cm without frame, 145 x 194 cm with frame. Antique oi...

The Artist at her Easel by Jean Dulac (French 1902-1968) signed oil on canvas, unframed canvas: 22 x 13 inches provenance: private collection, Lyon, France condition: very good and s...

The Country House Interior British School, 19th century oil painting on canvas, framed canvas: 21 x 17 inches framed: 24 x 20 inches conditon: very sound, presentable and good. Frame...

In this contemporary interior painting in acrylic on canvas, a black cat sits on the bed in a room with an air conditioner in the window, trees outside the window, and patterned wall...

ABOUT THE ARTWORK "I Structure My Thoughts" from the "Perichoresis" series explores the process of organizing the inner world, where the body becomes a reflection of thoughts, sensat...

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

DANIEL HERNÁNDEZ Peruvian, 1856 - 1932 LADY LYING DOWN signed "Daniel Hernandez." (lower right) oil on wood panel 10-5/8 x 14 inches (27 x 36 cm.) framed: 18-1/2 x 22 inches (47 x 55...

Girl In The Armachair is an artwork realized in the 1950s by Anonymous artist. Original oil painting on canvas applied to cardboard. Includes wooden frame:60 x 7 x 50.5 cm Good co...

Finely painted American modernist portrait painting by Louis George Bouche (1896 - 1969) . Framed. Oil on canvas. Signed verso. Image s...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

G. Howard Hilder 1866-1935 Beautiful watercolor with many still life moments. A young family takes time for a quiet moment. The light in the painting is pleasant and calming. A yo...

Well painted and very interesting French or Belgium still life of flowers. Signed and inscribed, Jane Herbo, 1906, Ste Louise! / á Marraine. The ...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. The "Spring" series c...

ABOUT THE ARTWORK "Ukrainian Christmas" is a vibrant portrayal of the traditional celebrations and rich folklore that characterize a Ukrainian Christmas. The painting is alive with ...

Playing for her Father by William Maw Egley (British, 1827-1916) inscribed verso oil on board, framed framed: 13 x 16 inches board: 9 x 12.5 inches provenance: private collection, En...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 51x43 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

Title: Modern French Oil Painting Reclining Nude Woman in Stockings and Shoes by Bernadette Kelly (French b. 1933) Unsigned Medium: oil pai...

I would always seek validation on every little thing. Validation to take the simplest action and most times the response breaks me even more. I realized to be confident in one’s body I had to work on my mind because the mind controls...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 35x27 cm. Frame size 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "You Keep My Heart and My Secrets" in the "PERICH...

Title: French Winter Cathedral Scene with Snow and Figures in Thick Impasto by Fanch Lel Size: 10.75 inches (height) x 8.5 inches (width) Medium: Oil on board, unframed Condition: T...

‘The Golden Egg’ by Richard Morton Paye F.S.A. (1750-1820). The painting – which depicts the moment the young lovers in Thomas Dibdin’s Georgian pantomime discover the solid gold eg...

Algerian women in an interior. Oil on panel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck w...

George Luks An Actor Signed lower left Oil on canvas 18 x 24 inches Provenance Coe Kerr Gallery, New York, 1985 Manoogian Collection, Michigan Artist George Luks was one of a group...

Ernest Crichlow Portrait of a Woman, 1968 Signed and dated lower right Oil on canvas 55 x 40 inches Provenance Private Collection, Hempstead, New York Estate of the above A Harlem...

The Artist's Apartment Mid-Century Fauvist Interior Scene Original Oil on Canvas Vibrant interior scene by Santa Cruz California artist Frances Rinaldo (American, b. 1943). A bright...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Charming turn-of-20th Century interior painting that takes the viewer back to simpler times with grandmother, grandfather, mother sewing and a young girl playing with her greyhound a...

Eliseo SALA, attributed to (Milan, 1813 – Triuggio, 1879) Dream of freedom Oil on canvas 46 x 38 cm without frame 66x 57 with frame Around 1846 Related work: La toeletta del matti...

Mickey Finn Youth Club, 1951, oil on Masonite, signed and dated lower right, signed, titled and dated verso, 20 x 24 inches, presented in an older frame Edgar Kiechle was a Los Ange...

This painting is made by Flip Gaasendam. An important member of the 'Dutch Northern Figurative Painters' . His paintings are called 'Poems in paint' . The place where he painted this work is at Schiermonnikoog, one of the Islands in the north of the Netherlands. He likes to stay and work on the island and pains he typical sphere of the old Dutch sphere in that famous Hotel. Flip Gaasendam tells with his paintings where he likes, there, in those places, he paints. His recognizable loose touch, carefully chosen colors, spherical landscapes, interiors and portraits have been part of the permanent collection of Galerie Bonnard for years. We read somewhere that Flip Gaasendam has a 'Flip Gaasendam veil' on his subjects. That is, we believe, a good description of the works of this highly esteemed artist. "Poetry in paintings" is also a statement that fits with the work and can be read in the numerous descriptions that can be found about the artist. The artist himself says that he wants to put life to a halt in his work. He says the following about his way of working: 'Because I am an aquarellist from home, I learned how to paint transparently in tone and tone. I also use that in my oil paints. My work is classified as post-impressionistic. When I paint, however, I forget everything about art history. I like a lot of things, from Alma Tadema to Andrew Wyeth, but I am a painter of today. It therefore goes too far to say that I consciously go back to the past. I work unorthodox. I do not apply the paint with a fixed method. I brush with wipes, use the palette knife, work with my hands, etc. That my palette is heavily controlled by the color green, is because I often make a painting blond with cobalt and ocher. My themes are often nostalgic and romantic. as a child, I thought the morning mist was beautiful, and with the light effect in the Groninger station restoration it is just as well. ' The modest artist can rightly be called one of the forerunners of the new impressionism...

A fine oil painting by the artist Pamela Chard, depicting a church interior with figures. Unsigned. On canvas board.

Make an offer on the fabulous Figure Multiple painting by Giancarlo Impiglia, Italian/American (1940). Date: 1989 Oil on Canvas, signed, dated, and title...

Robert Alexander Hillingford British, (1828-1904) The Duke’s Musicians – A Reminiscence of Hardwick Hall, Derbyshire Oil on canvas, signed Image size: 40 inches x 59 inches Size including frame: 47.5 inches x 66.5 inches Exhibited at the Royal Academy in 1883, no. 844 Exhibited at the Yorkshire Institute A large-scale Royal Academy painting...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

Luis Giner Bueno - Interior with woman - Oil on canvas Oil measurements 27x41 cm. Frame measurements 50x64 cm. Giner Bueno (1935-2000) Painter from Alicante, son of the painter L...

Board Games by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 19.75 x 24 inches stamped verso provenance: artists estate, France condition: very good and sou...

A pair of beautiful oil paintings by Fritz Zuber-Buhler, titled "The New Arrival" and "After Bath," exemplify his dedication to academic traditions in the ...

'The New Arrival' A Mother with her Children A first class example of Pothast's work. The faces are beautifully done with fantastic light cascading into the room. The mother is shar...

An auction at Drouot's in Paris. Oil on canvas. Signed lower right. Around 1900-1910. René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society. He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family. Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

Antique American school modernist portrait painting. Housed in a period frame. Measuring 29 by 33 inches overall and 20 by 24 painting alone.

Oil on canvas Canvas size: 32 x 45 inches Framed size: 35.5 x 50 inches Signed lower right

"Feelings" is a visual exploration of complex human emotions, relationships, and resilience. The layered figures, abstracted and partially overlapping, reflect the intertwined ident...