Women Interior Paintings

Interior of a Dacha is an original painting in tempera on paper realized by Leonid and Rimma Brailowsky. Hand-signed on the lower right. The state of preservation of the artwork i...

Laura M. GREENWOOD (1897-1951). Nude Woman with Tropical Plant Interior, ca. 1930's Oil on artist panel, 16 x 20 inches. Signed lower right. Would benefit from a cleaning. Origi...

Early American super realist trompe l'oeil still life oil painting. Framed. Oil on canvas, lain to board. Signed. Image size, 14H by 10L.

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Cover of The Saturday Evening Post, February 5, 1949 Label on back is Falter’s handwriting, his daughter said Curtis Publishing probably titled it “meeting the Date”. The Episcopal ...

Make an offer on the fabulous Figure Multiple painting by Giancarlo Impiglia, Italian/American (1940). Date: 1989 Oil on Canvas, signed, dated, and title...

"Collage" by Bernard Herzog (French, b.1935). Signed lower corner. Signed and stamped verso with catalogue number. Photo collage cut outs on paper, unframed. Overall paper: 25.5 x 2...

"Collage" by Bernard Herzog (French, b.1935) signed lower corner signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 in...

"Collage" by Bernard Herzog (French, b.1935) signed lower corner signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 in...

"Collage" by Bernard Herzog (French, b.1935) signed lower corner signed and stamped verso with catalogue number photo collage cut outs on paper, unframed overall paper: 25.5 x 20 in...

A Tavern Interior - 18th Century Old Master, Figurative Oil Painting by Schaak Little is known about the artist J.S.C. Schaak. He was active in England as a portraitist between 1760-1770. His name indicates his German or Dutch origin. Especially portraits of generals...

Jan Baptist Lambrechts (Antwerp, 1680 - after 1731) In the kitchen (2) Oil on panel, 26 X 22 cm Framed, 42 x 38 cm Signed at the bottom Published in RKD Jan Baptist Lambrechts,...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...

Artist Adelie Bischoff sits in a chair while William Rushton looks on. The two artists met at an opening reception at the launch of an art exhibition both were participating in. Rush...

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

This contemporary still-life depicts a ripe artichoke and lemon wedge on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready to be hung ...

Nordic school of the 18th century Oil on panel on wood 27 cm x 33 cm (42 x 51 cm with the frame) Old frame in carved and gilded wood Good condition even ...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

Medium: Oil on Canvas Signature: Signed Lower Left: Hughes Sight Size 25.00" x 23.00;" Framed 31.25" x 29.25" Original cover illustration for The Saturday Evening Post, November 11,...

Ernest Crichlow Portrait of a Woman, 1968 Signed and dated lower right Oil on canvas 55 x 40 inches Provenance Private Collection, Hempstead, New York Estate of the above A Harlem...

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...

Flowers. Canvas, cardboard, oil, 69x50 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Sa...

A striking Mid Century oil on board showing a darkened bar room interior with gestural figures sitting around the room on a checkered floor. The artist h...

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

A Little Taste of Luxury by Julia Adams. 30x30cm deep edge canvas, unframed. Oil acrylic and ink. ADDITIONAL INFORMATION: Acrylic, Collage, Mixed Media, Spray Paint 30 H x 30 W x 3 ...

Stately still life of terra cotta pottery by A. Peterson. Five pieces of pottery sit atop a table with a tablecloth. Each piece of pottery is decorated with ornate patterns, mostly i...

This fascinating pair of paintings by 19th-century English artist embodies a unique atmosphere that mixes the grotesque and the goliardic. This pair of paintings stand out for their ...

Story illustration for "The Valley of the Giants," by Peter B. Kyne, published in The Red Book Magazine, June 1918, vol. 31, issue 2, pages 30-39 Kyne's tale was first serialized in...

Bernard Blommers 1845 – The Hague – 1914 Dutch Painter 'First Steps' Signature: signed lower right 'B/Blommers' Medium: oil on canvas, ca. 1865 Dimensions: image size 56,5 x 76,5 c...

Signed middle right with monogram, 'P.T.'; additionally signed verso, dated 1974 and titled 'UCLA Dance Class'; accompanied by artist's business card. Born in England, Pearl Took fi...

Samir Sarkar - Untitled - 36 x 72 inches (unframed size) Acrylic on Canvas Inclusive of shipment in roll form. Style : He says, “All my paintings have people wearing some headgear...

Oil on canvas Canvas size: 29 x 38.5 inches Framed size: 36.5 x 46.25 inches Signed lower right

Shuvaprasanna Bhattacharya - The Bird Oil Acrylic & Charcoal on Canvas 45 x 45 inches (unframed size) 2004 One of the most popular series of the Master Artist, The Golden Flute is...

Measures Painting 13.75 x 18 inches Framed 19.5 x 23.25 inches Edward Sylvester Hynes (1897–1982) was an Irish artist renowned for his work as a joke and political cartoonist, cari...

Interior Still Life by Harry Bloomfield (British, 1883-1940) *see notes below signed verso oil on canvas, framed framed: 28 x 24 inches canvas: 22 x 18 inches Provenance: private co...

Charles Edouard Edmond Delort (French, 1841-1895) oil on canvas "Game for the Cardinal", depicting a seated cardinal behind an ornate French Louis XV roll-top Bureau du Roi, after th...

Anil Kumar Yadav - Aradhana-27 - 30 x 30 inches (unframed size) Acrylic on Canvas. STYLE : Anil Kumar Yadav is an Artist from Kolkata who was born in 1984 a village in Uttar Pradesh...

Vase de Fleur French Impressionist, c. 1925 signed oil on board, unframed Board : 9 x 7 inches Provenance: private collection, France Condition: very good condition Description: Thi...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

While the painting may be signed on the lower right side "Sorolla" it is not by the famed artist Joaquín Sorolla y Bastida. It is most likel...

Oil on cardboard realized by Pietro Michis (1836-1903) in the late 19th Century. Includes a coeval gilded wooden frame cm. 28.5x30. Hand signed lower right. Very good condition.

Signed lower right 'Di Gesu' for Victor di Gesu (American, 1914-1988) and painted circa 1958. A substantial oil a young woman, (possibly Victor's wife, the artist, Janet Ament), sho...

Mid century portrait of two children, a young boy and girl in traditional dress, set in a rustic interior by M. Ray Stancliff (American, b. 1925). Si...

Marcel Dyf French, 1899-1985 A Look at the Menu Oil on Canvas 21 ¼ by 25 ½ in, w/ frame 27 ¾ by 32 ¼ in Signed lower right Marcel Dyf (Marcel Dreyfus) was born in Paris on October ...

Look for Free Shipping at Checkout Kit is an American Impressionist figurative painting by Stuart Fullerton. The artist is known for his landscape, still-life, portraits and citys...

Contemporary realistic still life painting by Houston based artist Jerry Greenberg. The work features a group of apples arranged next to a bouquet of light pink flowers. Signed in th...

Still life 1974. Oil on canvas, 92x100 cm Painting features stylized composition of flowers in a vase with oranges on a white tablecloth. The artwork showcases the artist's unique ...

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

Vintage still life in earthy hues of a wine bottle with two golden apples and a copper mug by California artist Friedel Riise (American, 20th century). Sign...

Antique American school museum interior oil painting by Nathaniel E. Reich. Oil on board, circa 1940. Signed. Image size, 32L x 24H. Housed in a period wood frame.

Description: Antonio Maria Fabres (1854-1936) was a Spanish painter known for his exquisite artworks depicting historical and Orientalist themes. Born in Barcelona, Fabres displayed ...

Sever Frentiu (Săcuieni 1931 - Bucharest 1997) - Male portrait. 65.5 x 39.5 cm without frame, 76.5 x 50.5 cm with frame. Mixed media on paper, in a wooden frame. - Work signed low...

Henri Lucien Joseph BURON This is potentially Henri Buron's premier work of art. It was exhibited in the Salon des Artistes Française in 1934 having been painted in 1933. The revers...

Circle of Maratta, Maria and Child, in a Roman 18th century hand carved and gilded wooden frame, uncut Images of the Virgin and Child were for centuries the most common subject for Christian religious...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

Hand signed by artist "The Party (Study)". Figurative, Human figure, Realism, oil on panel

Antique Italian painting from the second half of the 17th century. Artwork oil on canvas depicting the mythological subject Rape of Europa of excellent pictorial quality. Painting of...

Title: Modern French Oil Painting Woman Reading in a Chair Figurative Interior Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil p...

Beautiful floral still life in arts & craft style with a colorful stained glass window background by California artist Peggy Krusee (American, 20th century). Signed "Peggy Krusee" lo...