Landscape Paintings

View of Venice is an original oil on canvas realized in the late 19th Century by a Master of Italian School. On the reverse: label with inscribed “E. Mareis” The painting represent...

Transport yourself to the heart of Paris during the enchanting 1940s with this exquisite original painting by the renowned artist Moura Chabor (1905 - 199...

Antique American modernist signed original oil painting. Oil on canvas, circa 1930. Signed illegibly. Image size 20L x 16H. Housed in a period giltwood frame.

Summer in Town, 1943, oil on board, signed and dated lower right, 13 ¾ x 22 inches, titled and dated verso, exhibited: 1) 139th Annual Exhibition, Pennsylvania Academy of Fine Arts, ...

Colorful landscape painting on canvas "Orchard Sky" 28x42 by artist H.M. Saffer II. Painted in the style of pointillism, a series of tiny painted brushstrokes , this oil landscape d...

James Hardy (British contemporary, 21st century) signed oil painting on board, unframed board: 8 x 16 inches provenance: private collection condition: overall very good

This large painting is a ca. 1960 copy of a famous Rockwell Kent painting that was executed in Vermont in 1921. The work is oil on canvas and well represents the original image, tho...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Neuquelman Lucien Paris 1909 – 1988 French Painter 'Old Harbor of Honfleur - Normandy' Signature: Signed bottom right Medium: Oil on board Dimensions: Image size 50 x 65 cm, frame s...

Yvonne Canu 1921 – 2008 Canvas Size: 18 x 21.5 (46 x 55cm) Outside Frame Size: 25.5 x 29" (65 x 74cm) Yvonne Canu is currently one of the most sought after contemporary pointillis...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper mounted in a card frame size: 25.5 x 21 inches condition: very good and ready to be enjoyed - wi...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Artist/ School: French Pointillist School, contemporary, signed Title: Notre Dame, River Seine, Paris Medium: oil painting on canvas, unframed. Ca...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

Vintage American modernist landscape oil painting. Signed and Exhibited. Oil on canvas. Measuring 17 by 31 inches overall and 16 x 30 painting alone. In excellent original condition,...

"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...

The Beach Mid 20th century, Scandinavian School, indistinctly signed oil on canvas, framed framed: 16 x 19 inches canvas: 15 x 18 inches provenance...

The recent paintings of Atlanta artist David Kidd continue an evolving series of images inspired by and based upon natural forms, specifically the shadows cast by trees and other veg...

Abstract landscape painting of a white cloud in a light blue sky over a dark country field "Hayfield Two Thirty," painted by David Konigsberg in 2019 oil o...

Oil on canvas sold with frame Total size with frame 58x67 cm Signed A. Zosso (artist unknown from the gallery) Dated 1951

HILLSIDE HOUSES Size: 66.5 x 82 cm (including frame) Oil on canvas A mid-century modernist painting presents a vibrant yet soothing interpretation of houses by a hillside, depicted ...

"Showers Today" San Francisco's Chinatown on an Overcast Day Original Watercolor A two sided watercolor on Arches paper by San Francisco and Maryland artist Harolod Gretzner (America...

The Grand Canal, Venice French artist, mid 20th century oil on board, unframed board: 16.5 x 10.75 inches Provenance: private collection, France Condition: good condition For more ...

Mane-Katz (1894-1962) Landscape with palm tree. Gouache on paper, signed lower right. Dimensions: (Frame) H 37.5" x W 31", (Sight) H 24.5" x W 18" Emmanuel Mané-Katz (Hebrew:מאנה כ...

Artist/ School: French School, indistinctly signed and dated Title: Nice (Cote d' Azur, France) Medium: oil painting on board, framed. frame: 28.75 x 32.75 inches board: 21.25 x 2...

Artwork sold with frame (80.5 x 109.5 cm)

Georgina Klitgaard (1893 – 1976) The Ledge, by 1931, oil on canvas, signed lower right, 32 1/8 x 50 1/8 inches, exhibited: 1) 44th Annual Exhibition of American Paintings & Sculptur...

Bring the Ooh-la la to your home! A charming 1950s representation of a Paris Street scene by artist Marcel Godin. Artwork size: 19 1/2" x 23 1/2". Framed size: 25" x 29". Frame...

Rafael de Soto - Village street - Oil on canvas Oil measurements 41x33 cm. Without frame.

Georgina Klitgaard Bearsville, New York Signed lower right Oil on canvas 26 1/4 x 32 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign ...

Jean-Jacques RENÉ Garden Under the Snow Original oil painting on canvas Hansigned 61 x 50 cm (c. 24 x 20 inch) Excellent condition

Ruslan Perekucha was born in 1967. Since childhood, he was interested in the history of art, and he loved modernism most of all. This prompted him to collect antiques and art in the ...

Sally Michel Avery (1902 - 2003) Bucolic Landscape with Cows, 1963 Oil on canvasboard 9 x 12 inches Signed and dated lower left Provenance: The art...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Walter Anderson ( American, 1903 - 1965) Hydrangeas, circa 1950 Mixed media on paper 11 x 8 1/2 inches Provenance: Luise Ross Gallery, New York Private Collection, New Jersey Acquired from the estate of the above, 2021 Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art. The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot. But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience. But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed. In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...

Provence Landscape by Huguette Ginet-Lasnier (French, 1927–2020) This stunning oil on canvas diptych presents an expansive and vibrant Provence landscape by renowned French artist H...

A peaceful early 20th-century landscape by J.M. Livens, signed and dated 1924 on the reverse. The painting depicts a wide meadow under soft afternoon light, bordered by trees and pun...

Oil on canvas. Framed. Signed.

Katrina Revenaugh Piccolo Giardino Numero 8 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 8 x 8 x 1.75 inches Signed: On Verso COA provided...

Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA TILL THE COULDS ROLL BY (Film Set), oil on canvas, 20 x 24 inches signed “Richard Whorf” lower right and signed and dated on the verso “R. Whorf/ Dec. 21, 1945. Frame by Hendenryk. ABOUT THE PAINTING This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple. Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting. PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles. An image of the Dalzell Hatfield label and the back of the original frame (which we replaced with a stunning Heydenrk frame) are attached. Nancy Sinatra was Fran's first wife. Nancy Rose Barbato was 17 years old when she met Frank Sinatra, an 18-year-old singer from Hoboken, on the Jersey Shore in the summer of 1934. They married in 1939 at Our Lady of Sorrows Church in Jersey City where Frank gave Nancy a recording of a song dedicated to her titled "Our Love" as a wedding present. The young newlyweds lived and worked in New Jersey, where Frank worked as an unknown singing waiter and master of ceremonies at the Rustic Cabin while Nancy worked as a secretary at the American Type Founders. His musical career took off after singing with big band leaders Harry James and Tommy Dorsey...

Antique American modernist signed abstract tropical oil painting. Oil on board. Framed.

Highway Derelict, May, 1939, oil on canvas board, signed upper right, 18 x 20 inches, exhibited 1) Society of Independent Artists, American Society of Fine Arts (Art Students League), New York, NY, April 19 – May 12, 1940, no. 535 (noted verso, listed in catalog, and see Kantner, Dorothy, Palette Palaver, Pittsburgh Sun Telegraph, April 19, 1940 – “Helen F. Price and Ethel M. Dean, the former of Johnstown, the latter of this city, are two members of the Associated Artists of Pittsburgh who are represented in the Independent Artist’s Exhibition which opens today in New York. Miss Price is represented by . . . ‘Highway Derelict’ . . . .”), 2) Solo Exhibition of Log Cabin Paintings...

Artist/ School: French School, mid 20th century, follower of Henri Matisse Title: The Pink House. Medium: oil on board, framed Framed: 22.5 x 25.5 inches Painting: 15 x 18 inches...

A colorful harbor scene of Martha's Vineyard by noted Chicago Modern artist, Francis Chapin (Am. 1899-1965). A vibrant, blustery dockside view, with fishing and sailboats in the har...

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

A large & delightful oil on Masonite, ca. 1950s, Martha's Vineyard street scene painting by artist Francis Chapin. Image size: 24" x 36". Framed size: 27" x 37". In a painted woo...

Antique French impressionist opera scene oil painting. Oil on canvas, lain to board. Framed. No signature found

Signed figures in a landscape oil on canvas circa 1980 by French modernist painter Andre Hambourg. This beautiful piece depicts families enjoying a day out at the seaside - bathers r...

A large, dynamic Mid-Century Modern summer landscape painting with female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely expressive figur...

RIVERBEND Size: 41 x 36 cm (including frame) Oil on canvas A vivid mid-century modernist abstract landscape, executed in oil onto canvas. The composition captures the dynamic energ...

Contemporary American modernist Washington Square Park street scene oil painting. Oil on canvas. Signed. In excellent original condition. Excellent condition, ready to hang and en...

French School, 20th century "St Tropez, France" oil on board, framed framed: 10 x 12 inches board: 7.5 x 9.5 inches provenance: private collection condition: very good and sound cond...

Ernest Fiene Tugboat in New York Harbor Signed lower right Oil on canvas 24 1/2 x 34 1/2 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated...

William Robin Jennings (1927-2005) 'Copper & Blue' - Horses in a landscape Oil on canvas Signed lower right Canvas Size - 14 x 18 in Walter Robin Jennings was a distinguished Briti...

Oil on canvas 52 x 36 inches (132.1 x 91.4 cm) Framed dimensions: 53 1/4 x 37 1/4 in Dated and inscribed on verso: 2009/42 Provenance Morrison Gallery, Kent, CT; Private collection,...

"Bklyn Transfer, East River Crossing" by Frederick Reimers (1911–1994) This unique, captivating cityscape painting by Frederick Reimers (USA, 1911–1994) offers a dynamic view of the ...

A Colorful, Panoramic Mid-Century Modern View of the famed fishing village (and renowned surfing locale) of Nazaré, Portugal by Rudolph Pen. Painted in the 1960s, this vivid waterco...

Artist/ School: French School, late 20th century, signed Title: Provencal Landscape Medium: oil on canvas, framed Framed: 28.5 x 22.5 Canvas : 24 x 19 inches Provenance: privat...

Artwork sold with frame (46 x 65 x 5 cm) René Durey (1890–1959) was a French painter known for his landscapes and still lifes. Born and deceased in Paris, he was largely self-taught...