Landscape Paintings

Work on canvas

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed illegibly.

Mountain Lake - Mid Century Modern Landscape with Heavy Impasto in Oil Idyllic landscape by L. Hutchings (20th Century). Dramatic mountains rise over a blue lake, partially reflecte...

Edge - an original oil painting by Charlie Baird depicting a West Country landscape beneath a vast blue sky with ascending darkness. Multi-layered, detailed oil painting. Charlie Bai...

Inspired by local Dorset landscape. Discover original paintings by Charlie Baird online with Wychwood Art and in our Deddington Art Gallery. Born in Nairn, Scotland in 1955, Charlie ...

Boats at Sea, Pointillist School British School, mid, 20th Century The artist signed the lower right hand corner, and signed it verso Oil painting on board...

Oil on board. Framed. Signed. Exhibited at the Butler Art Institute.

Green landscape Huguette Ginet-Lasnier (French 1927-2020) inscribed verso framed signed oil painting on canvas framed: 13 x 11 inches canvas: 11 x 9 inches. All the paintings we have...

NATURE DWELLINGS Size: 42.5 x 68 cm (including frame) Oil on Canvas A brilliantly executed semi-abstract composition, painted in oil onto canvas and dated 1967. In this abstract nature landscape...

On the River Huguette Ginet-Lasnier (French 1927-2020) signed and inscribed verso in a wooden frame oil painting on canvas framed: 29 x 37 inches All the paintings we have for sale b...

A lovely summer day in a ca. 1950s Lake Michigan harbor, perhaps in Saugatuck, Douglas or at Oxbow! This is a large oil on Masonite painting by notable artist Francis Chapin that is...

Ermenegildo Carlo Giovanni Donadini war ein österreichisch-deutscher Maler und Restaurator, bekannt für seine detailreichen Landschaftsdarstellungen. Nach seiner Ausbildung an der Ku...

Orange Grove Landscape, 1941, gouache on illustration board, 14 inches x 18 inches (image), 22 x 26 inches (framed) signed and dated lower right, newly framed with museum glazing ...

Landscape with Trees is an original modern artwork realized by the Italian painter Alberto Zardo in the first decades of the XX Century. Original oil on cardboard. Hand-signed by ...

A beautiful pointillist oil painting dated 1900 and signed Ford. Housed in a very unique and oddly complementary frame this work stands out in a crowd.

Work on canvas Gilded wooden frame 60 x 71 x 4,5 cm

Pair of Views of Villa Medici Vascello are an old master artwork realized by Artist of 17th Century. Mixed colored oil painting on canvas. The View of Villa Medici Vascello toward...

A scenic September, Vermont summer landscape by artist Harold Haydon. The oil on Masonite painting is dated 1964. Image size: 18" x 23". Framed size: 22" x 27". Estate stamped ...

Rome is a modern artwork realized by Artist of 19th century. Mixed colored oil painting on canvas. The artwork depicts a delicate play of light on the horizon line. It cannot be r...

Woman and Child in the Woods - Midcentury Abstracted Landscape in Oil on Canvas Dramatic abstracted painting of a woman holding a child in the woods by Maley (20th Century). This pi...

Pair of romantic Bavarian paintings is an old master artwork realized in 1889 by the master Karl Adolf Wilhelm Chelius (1856-1923). Mixed colored oil panting on...

Signed lower left, 'Swinson' for Marjorie E.G. Swinson (American, born circa 1904) and painted circa 1955; additionally signed, verso, 'Marjorie E. G. Swinson'. Marjorie Swinson...

Work on canvas Unsigned work

Alison Bolton studied fine art at Salisbury School of Art and Hornsey College of Art with Maurice de Sausmarez. After leaving college, Alison resumed painting once her children were ...

Charles Alston Landscape with Hills Signed lower right Watercolor on paper 13 1/2 x 18 1/4 inches Charles Henry Alston was an influential painter during the Harlem Renaissance and ...

Genevieve Hamel Soft & Fluffy Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided Ref.: 924802-2096 Soft & fluffy are the perfect words to describe...

"Summer Sunflower" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mila...

Cove (45) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 12 in. x 14 in. (30.48 cm x 35.56 cm)

"Boats Amongst the Mangroves" is an original watercolor and gouache painting on paper by Doris Lee. The artist signed the piece lower right. It depicts boats and other objects on a f...

Georgina Klitgaard Johnny Walker’s Place, circa 1929 Signed lower right Oil on canvas 34 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity t...

Impressive early American modernist beach scene oil painting by Brooks Kelly (1935 - 2012). Framed. Oil on canvas, lain to board. Signed. Image size, 12H by 16L.

River Landscape with Boat and two Figures, realized by an artist active in italy in the mid-17th Century. In very good condition, it includes a gilded coeval wooden frame.

Work on canvas with frame in good statement. Total size with frame: 70 x 121 x 7 cm Signed F.F

Impressive early American modernist cityscape oil painting. Framed. Oil on canvas. Image size, 30H by 26L.

The River Huguette Ginet-Lasnier (French 1927-2020) signed oil painting on canvas 18 x 21 inches. All the paintings we have for sale by this artist have come from the artists estate ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

A lovely scene adeptly painted by listed American artist and illustrator Jan Nosek (1876 - 1966) who was active in the late 19th and early 20th Century. This scene created in the ea...

PASTORAL HORIZON Size: 48 x 57 cm (including frame) Oil on Canvas A serene and atmospheric mid-century landscape composition, executed in oil onto canvas. The painting features an ...

Charles Levier French, 1920-2004 La Plage a Girolato Oil on Canvas 30 by 40 in, w/ frame 38 ⅝ by 49 in Signed lower left, titled verso Charles Levier was born in 1920 from a French...

Georgina Klitgaard Fodder Stacks, Bearsville Signed lower right Oil on canvas 24 x 30 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign...

Oil on canvas. Framed. Signed.

Artist/ School: Jill Jackson (British, contemporary) Title: Golden Fields Medium: oil on artist paper, unframed Painting : 16 x 20 inches Provenance: all the paintings we have b...

Jersey Shore III Casein on Masonite, 1967 Signed lower right (see photo) Initialed, dated and titled verso Provenance: Estate of the artist Virginia Dehn (the artist's widow) Dehn Quests Created on location on the Jersey Shore. The Jersey Shore was the main playground for thousand to escape the summer heat of New York. This small painting shows Dehn's mastery of patterning color to depict movement and recreation. Part of a suite of paintings done on this theme. Within a year of it's creation, Dehn dies from a heart attack. Casein on Masonite Condition: Excellent Image: 6 x 11" Frame: 9 3/8 x 14 1/2" Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer, the publisher of the most notable modernist art and poetry magazine...

Changing Everything Forever: River #7 Exuberant brushwork, bright colorful abstract landscape Acrylic, w some dirt, some grass, on canvas. Painted at the Blackstone-Seekonk River.

Introducing "Scandinavian Winter Landscape, 1907" a mesmerizing painting by the artist Arthur Percy Carlsson, later known as Arthur C:son Percy (1886-1976). Born in Vickleby, Öland, Percy's artistic journey was one defined by unwavering determination and exceptional talent. This landscape painting presents a winter landscape, likely set during the early spring season. The canvas portrays a vast, snow-filled meadow, blanketed in pristine white. Above, the sky comes alive in a captivating pointillist style, with hues of blue, turquoise, and yellow forming delicate, scattered dots, while small clouds grace the horizon. The scene unfolds with an enchanting backdrop of a distant forest, its trees adorned with a touch of winter's charm. Between the enchanting forest and the expansive meadow, a few humble houses...

André Cottavoz (1922-2012) Paris : Seine River and Notre Dame Church Original oil painting Signed in the right corner On panel 18 x 33 cm (c. 9 x 13 inch) Very good condition, lig...

Work on canvas

Work on wood

An original modernist oil painting by American female artist Esther Rollick.

A large, dynamic Mid-Century Modern summer landscape painting with female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely expressive figur...

French Landscape signed by Bernard Labbe (French mid 20th century) original oil on artist paper size: 26 x 20 inches condition: very good and ready to be enjoyed provenance: the ar...

The Pathway by Andre Guillou (French 1925-2017) signed and dated 1970 oil on canvas, unframed canvas: 23.5 x 29 inches provenance: private collection, Fr...

Make it yours! A fabulous painting titled "47th & Woodlawn Ave in Chicago, ILL" by EC Nieman and dated 1950. It depicts a Walgreen's Drug Store, a horse pulling a milk truck, a new...

Filastro Mottola (American, 1915 - 2008) Signed: Mottola (Lower, Right) " Arch Rock " Pacific Grove, Calif., circa 1970s-1980s (Titled on Verso) Acrylic on Illustration Board 21"...

Camille Hilaire Seascape : Waves on the Coast Rocks Original oil on canvas Signed bottom left Signed and Titled on the back On canvas 33 x 46 cm (c . 13 x 18 in) Presented in golden...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

A Brightly-colored, Mid-Century painting of a red barn & mill scene by notable Illinois artist Stan Dudek. After years of driving from his home in the far west suburbs to his job as...

The Provencal Landscape French School, mid 20th century oil on board, unframed board: 15 x 18 inches provenance: private collection, France condition: very good and sound condition