Horizontal Landscape Paintings

English Farmhouse in Countryside Miniature Oil Painting by 20th Century Artist Art measures 6 x 2.5 inches Frame measures 12 x 8 inches Framed, Mounted, Signed, Unique Original ...

Sunset at Grand Teton National Park - Plein Aire Landscape in Oil on Board Vibrant plein aire landscape by Thomas Bradshaw (American, b. 1972). This landscape was complete on site, ...

Wonderfully painted sunset coastal beach scene. Framed. Oil on canvas. Image size, 20"H by 24"L.

Medieval Castle on a Cliff by the Sea on North Coast of Ireland by 20th Century Irish Artist, John Wright. An impressionistic impasto original oil painting of Dunce Castle, used in Game of Thrones. Art measures 24 x 18 inches Frame measures 34 x 28 inches This vibrant painting captures the dramatic beauty of a rugged coastal scene, dominated by an ancient castle perched atop a rocky cliff. The artist's dynamic brushwork and bold use of color bring the landscape to life, with the turquoise and blue hues of the sea contrasting against the warm, sunlit rocks and castle walls. The swirling water and textured rocks in the foreground add depth and movement, making the scene both captivating and lively. Encased in a classic gold-trimmed frame, this artwork is a striking piece that will add a touch of historical grandeur and natural beauty to any space. Dunluce Castle is a now-ruined medieval castle in Northern Ireland, the seat of Clan MacDonnell. It is located on the edge of a basalt outcropping in County Antrim and is accessible via a bridge connecting it to the mainland. The castle is surrounded by extremely steep drops on either side, which may have been an important factor to the early Christians and Vikings who were drawn to this place where an early Irish fort once stood. Dunluce is one of the most picturesque and romantic of Irish Castles. With evidence of settlement from the first millennium, the present castle ruins date mainly from the 16th and 17th Centuries. It was inhabited by both the feuding McQuillan and MacDonnell clans. Richard Óg de Burgh, 2nd Earl of Ulster, built the first castle at Dunluce, In the 13th century. The earliest features of the castle are two large drum towers about 9 metres (30 ft) in diameter on the eastern side, both relics of a stronghold built here by the McQuillans after they became lords of the "an Rúta" (territory) in the early 1500s. Later Dunluce Castle became the home of the chief of the Clan MacDonnell of Antrim and later John Mor MacDonald the 6th chief Clan Donald of Scotland. In 1584 with the passing off John Mor MacDonald, the Antrim Glens and Castle were seized by Sorley Boy MacDonnell, making it the seat again solely of the MacDonnell Clan. Sorley Boy took the castle, keeping it for himself and improving it in the Scottish style. Sorley Boy swore allegiance to the crown and his son Randal was made 1st Earl of Antrim by King James I. The Girona, a galleass (Ship) from the Spanish Armada, was wrecked in a storm on the rocks at Lacada Point on the night of 26 October 1588. Cannons from the ship were installed in the gatehouses and the rest of the cargo sold, funding restoration of the castle. Dunluce Castle served as the seat of the Earl of Antrim until the impoverishment of the MacDonnells in 1690, following the Battle of the Boyne...

Californian Coastline Seascape Landscape Impasto Oil Painting by 20th Century Artist, Constance Lee Art measures 19 x 15 inches Frame measures 21 x 17 ...

In my creation, I infused the canvas with the serenity of a twilight embrace. The lavender field breathes a tranquil symphony, inviting viewers to inhale the painted essence of natur...

This painting depicts a city scene at the Montmartre Hill in Paris France, a popular subject of the times painted by many important Post-Impressionists 20th Century painters. This pi...

A Perfect Evening oil/canvas 11 x 14 unframed, 14.25 x 17.25 framed A Perfect Evening is a beautiful impressionistic landscape scene that was painted en plein air, on site, near my s...

Tranquil River Landscape French Impressionist School, antique signed with monogram lower corner oil on canvas, framed in antique Gil frame framed: 16.5 x 19 inches canvas : 11.5 x 14...

Vintage post impressionist landscape oil painting. Oil on canvas. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, read...

Farm Lane at Winter in Suffolk in the English Countryside by British Artist, Kevin Curtis (1958-2009) Art measures 30 x 20 inches Frame measures 35 x 25 ...

Work : Original Oil Painting, Handmade artwork, Unique Work. Framed in Solid wood floater frame with light finish. Ready to Hang. Medium : Oil painting on stretched Linen. Artist : ...

Blue, Navy, calm, reflection, nature, mountains 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on can...

Step into the charm of historic Paris with this impressive large-format oil painting depicting a snowy street scene near the Sacré-Cœur Basilica. The romantic Parisian setting featur...

Outstanding English late 18th / early 19th century marine scene by one of Britain's best known and sought after painters. William (or Wiliam) Anderson (1757 – 27 May 1837) was a Scottish artist specializing in maritime and patriotic themes. He was well-regarded for his detailed and accurate portraits of ships under sail, exhibiting his works annually in London between 1787 and 1811 and then occasionally until 1834. Anderson influenced other artists, notably John Ward and others of the Hull school. Anderson's early life is obscure, but he is known to have trained as a shipwright before moving to London to become a maritime painter when he was about 30. His training served him well as a painter, providing "a practical nautical knowledge" of his subjects. He earned a reputation for "accuracy and refinement of detail" and was admired for his bright, clear colours. He worked in both oils and watercolours. He based his style on that of well-known Dutch maritime...

Seascape Moonlight with Crashing Waves Vintage British Oil Painting Signed to lower left Art measures 20 x 16 inches Frame measures 24 x 20 inches This painting depicts a serene an...

Manner of Abraham Hulk Junior (1851-1922). An idyllic alpine landscape with rustic wooden chalets nestled among lush woodland trees. The composition draws the viewer's eye along a wi...

The ocean is a mystery, full of secrets and deep emotions. Its power can be frightening, yet it beckons and offers freedom. In every wave lies a story of fear and love, intertwined i...

Texture from the Masonite board and loose brushwork capture this vibrant cottage garden full of flowers in bloom. Colourful perennials fill the foreground, framing a glimpse of rural buildings beyond the garden gate. The oil bears the signature 'C. Ginner' to the lower left. However, we do not believe the oil has been painted by Charles Ginner...

Blue, Navy, calm, reflection, nature, mountains, sky. 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil ...

Verdant Hills by Bernard Labbe (French mid 20th century) original oil on artist paper size: 19 x 26 inches condition: very good and ready to be enjoyed Description: This expressive ...

Fisherton by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled and dated 'Oct 1984' *FREE SHIPPING ON THIS PAINTING...

2024, Shizico Yi takes on an innovative project she named it "The Weaver," inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

‘The River Thames at Leigh by Moonlight’ by Henry Pether (1800-1880). The painting is signed by the artist and dated 1851 and is presented in a bespoke gold metal leaf frame. • Vi...

French impressionist landscape, Barbizon forest, with river and cows at Sunset George Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. ...

Vintage Post-Impressionist beachscape. A lively and colourful impressionist painting of a woman taking a child for walk on the beach. The woman and her child walk past another woma...

Sheltering under a red parasol from sunny afternoon skies while passing through this lovely waterfront park, a woman could easily find renewal. She strolls along the Mediterranean sh...

C. Andronis French River Landscape, signed and dated 1959 Oil on board Original carved French frame This luminous and expressive painting by C. Andronis captures the vibrant spirit...

Contemporary realistic Texas landscape nature painting by Houston based artist Jerry Greenberg. The work features a path winding through a stand of lush trees. Signed in the front lo...

An incredibly captivating image of a leopard basking on a rock by a river. Not only is this a very striking study of a magnificent feline but there is also a narrative here with a py...

In this vibrant oil painting, I've captured the essence of spring's awakening. The lush greens and soft whites dance across the canvas, as light filters through the delicate blooms. ...

The Catalan Mountain Range by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 27 x 33 inches canvas: 25 x 23 inches Colors: Green colors, beige, brow...

Signed, titled and dated oil on canvas landscape by Danish realist painter Peder Mork Monsted. This stunning piece depicts a beautiful view of the Sandvig Stand, the beach and coastl...

A City of Lights II is a popular Thomas Kinkade's series. This large painting titled "Paris, Eiffel Tower, 27” x 18” edition size is limited in Standard Numbered to 2750 S/N on c...

Remember back to late April when the fields of Tuscan poppies throughout the Italian countryside were simply sumptuous and abundant! These red wild flowers seemed to be competing fo...

ARTIST: Ernest Burnett Hood RGI (1932-1988) Scottish TITLE: "Bamburgh Castle, Northumberland" SIGNED: lower right MEDIUM: oil on canvas SIZE: 103cm x 73cm incl. frame CONDITION...

C. Monon, French cubist artist, 20th century signed & dated 1977 oil on canvas, unframed canvas: 18 x 21.5 inches Inscribed verso dated 1977 Provenance: private collection, Paris Co...

This pastoral landscape painting captures a serene rural scene, with cattle gathered near a wooden gate in the foreground and rolling hills stretching into the misty distance. The ar...

Original oil on academy board by the well known American marine artist, Franklin Dullen Briscoe. Signed lower right. (Under gold liner) Circa 1885. C...

Beautiful example of the Hudson River School romantic bucolic New York autumn landscape with cows foraging. Illegible artist signature on stretcher bar (See enhanced images). Condition: very good; professionally cleaned and minor restoration upper right hand corner where paint was missing. Unframed. Image size: 14"H x 24"W x .75"D Hudson River School was an informal association was America's first so-called school of painting and the dominant landscape style until the Civil War. The name derives from a group of 19th-century landscape painters working in New York state. With realistic composition, they depicted romantic views of unsettled areas of the Hudson River Valley especially lakes, rocky gorges, and forests in the Catskill Mountains. About a fourth of these artists utilized luminism or effects with special lighting techniques to convey lofty emotions through contrasts of light and dark. Included in this Hudson River luminist category were Washington Allston, Albert Bierstadt, William Hart, and Frederic Edwin Church...

Set in the luxurious Italian lake region of northern Italy, Lake Como is famously popular for it's exclusive resorts and private hideaways, frequented by jet setting crowds. It's ha...

Mediterranean Coastal Scene with Rural Property & Trees in French Countryside, by 20th Century French Artist, Jean-Pierre Vignat (Born 1913) Art measures 21 x 14.5 inches Frame me...

Canal with Houses. by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 14.75 x 22 inches *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUR...

Elena Degenhardt's "Ocean III" is a poignant representation of the relentless and eternal spirit of the sea. Crafted in 2022, this exquisite original artwork measures 4 x 6 inches, rendered in soft pastel on paper, and comes elegantly framed in a custom 8 x 10-inch frame that complements the hues of the ocean's waters. Degenhardt's mastery in pastel techniques...

The French Coastline and Beach by Michel Kritz (French 1925-1994) signed / dated 65' signed oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France cond...

Attributed to Ludolf Backhuysen Dutch Coastal Vessels and a Merchantman Off a Harbour Mouth Oil on canvas Canvas Size 22 1/4 x 30 in Framed Size 29 x...

Roger Eliot Fry (British, 1866 – 1934) Sous bois oil on canvas 23.1/2 x 28.5/8 in. (59.7 x 72.8 cm.) Provenace: Magdalene Street Gallery, Cambridge The collection of Oliver Carey A ...

A very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...

Morning Sky oil/panel 9 x 12 unframed, 15.5 x 18.5 framed Morning Sky is a new oil on panel painting just completed in the studio. The painting exudes the rich qualities of oil pain...

Work on canvas Molded frame in plaster and gilded wood 36 x 40 x 4 cm

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Embark on a visual journey with Juan del Pozo's captivating ma...

Paris, France: A City Street Scene by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed sheet 9.75 x 12.25 inches Very nicely execu...

'View of Mont Ventoux Under the Provence Sky', oil on canvas, by Michel Margueray (circa 2000). Mont Ventoux is the highest peak in Provence, not far from...

ARTIST: Lionel Aggett PS (1938-2009) British TITLE: "Sunrise Sully Sur Loire' SIGNED: lower left and gallery labelled verso MEDIUM: pastel on paper SIZE: 67cm x 63cm incl frame CO...

This lovely British Edwardian Impressionist oil painting is by noted artist Tom Mostyn. Painted circa 1910, the composition is a view looking out over a pond with fountain, across gr...

After a tour of duty in the US Navy, Miles Cleveland Goodwin earned a BFA from Pacific Northwest College of Art in Portland, Oregon, in 2007, and eventually returned to coastal Missi...

Mid 20th Century painting on ceramic of two circus acrobats by Italian artist Giovanni Lombardi. The work is painted on 14 ceramic tiles which have been mounted on board, signed bottom left, in original period oak frame. A wonderful energetic and vibrant work very much in the 1940s 'Modern' style showing a scene of two acrobats practising with a circus tent, carousel, Punch and Judy Show...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023, Style: Impressionism, Subject: Summer Hill...

Charles Harold Davis Autumn on the Farm, circa 1930s Signed lower left Oil on canvas 20 x 27 1/4 inches Provenance Private Collection, Florida Charles Harold Davis was born in Ame...