Horizontal Landscape Paintings

Signed lower right, 'Marda' (French, 20th century) and inscribed verso 'Street Scene by Marda #4'. A substantial, mid-century oil cityscape showing a view of a rainy Parisian boulev...

Title: Olive Trees, Sóller, Mallorca Artist: José Ventosa Domènech (1897-1982) Technique: Oil on panel Unframed dimensions: 15 x 18 in Framed dimensions: 23.6 x 26.7 in Signature: Si...

Lewis Teel (1883-1960) El Paso Artist Image Size: 27 x 36 Frame Size: 33 x 43 Medium: Oil on Board Circa Late 1930s Signed Lower left and on original price tag on verso. "Ocotillos"...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

This vibrant impressionist-style cityscape captures a bustling Parisian street scene, likely from the late 19th or early 20th century. Tall, historic buildings with warmly glowing sh...

French Mid Century Post Impressionist view of Montmartre, Paris in the snow, oil on board by Louis Peyrat. The painting is signed bottom right and is presented in a distressed custom...

Mid Century Monterey Foothill Pond in Summer Original Oil Landscape Painting by Louise Cunningham Bright summer scene of pond in Monterey foothills by Santa Cruz, California artist ...

Mid Century French Landscape by Josine Vignon (French 1922-2022) Medium: Watercolour on artists paper Size: 5.5 height) x 6.5 (width) Stamped Verso Condition: Good Provenance: All th...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Carl Skånberg (1850-1883) Sweden A Barbizon Garden (1879) oil on wood panel signed C. Skånberg, dated 1879 (lower front) unframed: 19 × 24 cm (7.5 × 9.4 inches) framed: 40 × 45 cm ...

Signed divisionist style oil on panel landscape circa 1906-1907 by French Neo-Impressionist painter Henri Edmond Cross. This brightly painted piece depicts a view Saint Tropez. This...

Title: Snows Mountain Medium: Oil on canvas Size: 19.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

➡️ Beautiful study Landscape⬅️ Title: Sur les bords du Loing (Seine et Marne France) Jean Baptiste Camille Corot Medium: Oil on canvas Period: Likely mid-19th century Framing: A wid...

6040 Antique American realist landscape Impressionist landscape .Set in a period frame. Signed Horlstone Fairchild 1947. Ready to hang and enjoy, Image size 11.5x15/5"

Sailing headfirst into the heart of a storm, this powerful vintage oil painting captures a lone clipper ship slicing through towering waves beneath turbulent skies. The sails billow ...

A beautiful large signed and dated 1943 English impressionsit oil on board depicting horses in a landscape at sunset, by William Ongley Miller. Excellent quality and condition atmos...

Charming Winter Village Scene titled verso by Henri Stenn (French 1903-1993) signed oil on canvas, unframed canvas : 15 x 18 inches Provenance: private collection, France Condition: ...

'Luncheon of the Boat Party' After Pierre - Auguste Renoir's earlier painting signed oil on canvas, framed framed: 32 x 43.5 inches canvas: 24 x 36 i...

Series: Between light and silence An ancient aqueduct bridges past and present in this expansive landscape. Lines echo history, while light fractures across the surface with quiet dr...

ARTIST: John Roy Eldershaw (1892-1973) Australian TITLE: "Cattle At A Watering Hole NSW" SIGNED: lower right MEDIUM: watercolour on paper SIZE: 68cm x 58cm incl frame CONDITION: ...

In this painting, the artist celebrates the idyll of an alpine summer in the small Swiss village of Grabs. The canvas is filled with light and transparency of the air: a field strewn...

CHAUNCEY FOSTER RYDER (American, 1868-1949), landscape with figures on a bridge, oil on canvas, signed lower left. Framed under glass. Minor craquelure, dirt and grime. Possible label remnant from William Macbeth Gallery attached. Ryder's NYC Gallery/Dealer. See bio below. Canvas 12-1/4''h, 16''w. unframed and 16 x 20 framed as pictured. Provenance: Estate of Joseph ''Jay'' St. Mark, PhD, of Newtown, Connecticut, historian, appraiser, and collector of fine Americana. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

A large Mid-20th Century oil painting landscape depicting sail boats by the Port de Plaisance in France with homes and a tree lined path to the left. This piece has a strong presence...

The Angelic Visitation Italian School, 17th Century oil on canvas, framed Framed: 30 x 36 inches Canvas: 24 x 29 inches Provenance: private collection, Europe Condition: the antique...

A superb example of a Barbizon inspired landscape painted by George Boyle, "the Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute ...

Title: Provence Watercolor of Château des Baux & Sunlit Limestone Cliffs by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 12.25 x...

The landscape painting of Isola del Garda is painted in the impressionism style en plein air on Lake Garda in Italy. "That day, my friends and I were painting at a private villa, w...

Spring Farm Study oil/panel 8x12 image unframed, 13.38 x 17.8 framed, Spring Farm is a beautiful impressionistic landscape oil painting that I did on location near my studio in 2016....

#5-2751 California seascape oil on masonite displayed in an 19 century antique gitl -black wood frame,signed lower left by Mellin. Image size 11 H x 17 W

Sailing Ships at Sea English School, late 20th century oil on board, unframed board : 12 x 16 inches provenance: private collection, UK condition: very good and sound condition

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Ocean Side Size: 16" x 21" x 0.8'' i...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Known for his winter scenes, here is an exquisite example of Cochran's talent and artistic vision with this summer piece. The application of paint is just beautiful to view in perso...

A truly masterful depiction of several colorful sail boats in Gloucester Harbor, scene on the reflective water with a glowing sun shimmering through the puffed clouds. An oil on boar...

#5-3333 A white tulips still life ,oil on canvas applied on board, set in a vintage curved white painted wood frame .Signed lower left by P.Russo Neapolitan artist

5090 Italian large costal scene painting set in a walnut frame Signed lower left and rear

Title: The Petrified Origin Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on canvas Dimensions: 25.6 x 31.9 in (65 x 81 cm) Date: 1967 Condition: Unframed Signature: Signed lower right: Pitxot Provenance: Private collection Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity. 📝 Work Description In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time. Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate. 👤 About the Artist Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe. His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time. 🎭 Connection with Salvador Dalí Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death...

Title: Landscape with Farmhouse and Figure Author: Vicente Rincón Garrido (Fuentes de Ebro, 1892 – Barcelona, 1958) Technique: Oil on canvas Dimensions: 60 x 73 cm (23.6 x 28.7 in) S...

Title: French Impressionist Oil Painting of Two Women at the Beach By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Oil painting on board, unframed Condition:...

Title: Resting Boats Artist: Enric Beltrán Messa (1940–2006) Technique: Oil on canvas Dimensions: 15 x 18.1 in Support: Canvas, unframed Signature: Signed in the lower right corner P...

English School, circa 1845, The Children of Isaac Hillier (1797-1884) *see notes below in a woodland setting with Newmarket Court and Bunting hill beyond oil painting on canvas, 8...

“A powerful contemporary abstract painting defined by dynamic motion, bold color accents, and refined compositional balance—perfect for collectors seeking a distinctive, investment-worthy piece.” Original contemporary abstract painting for sale—large canvas artwork featuring expressive brushstrokes in burgundy, blue, green, and red on a neutral beige and grey background. This modern abstract expressionist piece highlights dynamic movement, layered texture, and high-contrast color fields. Perfect for luxury home décor, contemporary interior design, upscale office spaces, and serious art collectors seeking unique investment-worthy abstract art available to buy online. DESCRIPTION: “Kinetic Awakening” is a striking contemporary abstract painting that captures the sensation of motion at the edge of perception. Sweeping, gestural strokes in deep burgundy, ultramarine, emerald, and scarlet surge upward from a subtly toned backdrop of blush and soft grey. These vibrant marks appear to vibrate, scatter, and converge—giving the composition a sense of dynamic lift, as though the forms have just broken into flight. The interplay of deliberate color accents against the serene neutral field creates a powerful visual tension: energetic yet harmonious, spontaneous yet intentional. The work evokes themes of emergence, evolution, transformation, and the charged moment between chaos and order. This piece is ideal for collectors who appreciate contemporary abstraction with a bold but refined voice—art that commands space in a luxury interior, private collection, or curated corporate environment. The painting’s balance of elegance and energy makes it a compelling statement piece in modern architectural spaces. KEYWORDS: large abstract painting original abstract art for sale...

Vintage American modernist abstract landscape oil painting. Oil on board. Framed. Measuring: 4 by 5 inches overall, and 3.5 by 4.5 painting alone.. In excellent original condition. ...

Alfred Fontville de Breanski (British, 1877–1957) Scottish Loch Scene, oil on canvas, circa early 20th century This luminous Highland landscape by Alfred Fontville de Breanski captu...

Rocky Coast, oil on panel Milton James Burns 1853-1933, Founding Salmagundi Artist member in ready to hang condition. The image measures 10 x 14 signed lower left. Minor craquelure in white impasto areas of the surf. Frame abrasion in upper and lower edges of canvas. A few pinpoints of in-paint show up under UV. This scene looks to me to be Black Head on Monhegan perhaps as Burns visited the island to draw, etc. as listed below. The following is from "The Jean and Graham Devoe Williford Charitable Trust" Milton Burns...

This stunning winter landscape by Mauritz Lindström captures the serene yet striking beauty of a snow-laden scene illuminated by the warm glow of twilight. The interplay between the soft, colorful hues of the evening sky and the intricate, frost-covered branches creates an almost three-dimensional effect, drawing the viewer into the composition. The detailed rendering of the snow and the trees evokes a profound sense of coldness, making the atmosphere almost palpable. Measuring an impressive 101 x 152 cm (39 3/4 x 59 7/8 in) with the frame, this large-scale work is a testament to Lindström's mastery of light and texture. Arvid Mauritz Lindström...

This pastoral landscape painting captures a sweeping view of rolling countryside dotted with autumn trees in brilliant yellows, oranges, and greens, while a red barn sits prominently...

A Cheerful, 1930s American Scene Landscape Painting of Country Road by Notable Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A gem of a painting, exemplifying Chapin's stea...

In creating this piece, I melded the fluidity of acrylics with the richness of oils to give life to a scene where the vibrancy of expressionism, the elegance of fine art, and the sof...

Vintage American modernist abstract landscape oil painting. Oil on board. Framed. Measuring: 4 by 5 inches overall, and 3.5 by 4.5 painting alone.. In excellent original condition. ...

Paul Emile Pissarro (1884-1972) Normandy: Mountain Landscape with a River, 1955 Oil on canvas Signed lower left Countersigned on the back Title and dated on the back On canvas 20F o...

Title: Mediterranean Village, Catalonia Artist: José María Vilà Cañellas (Vic, 1914 – Barcelona, 2001) Date: 1941 Technique: Oil on canvas Support: Canvas on stretcher Dimensions (un...

Using an impasto, painterly technique Dana Cowie creates cubist-inspired farm and rural landscapes. Working within controlled color schemes, her artworks appear abstract up close and...

'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

Jan KOBELL the elder Delfshaven (Rotterdam), 1756 – 1833 Landscape with ruins, bridge and river Oil on cardboard 35 x 44 cm (49.5 x 60.5 cm with frame) Signed lower left “JK f.” Very...

Antique American impressionist landscape oil painting by Cecil Chichester (1891 - 1963). Oil on canvas. Framed. Signed. Measuring: 19 by 23 inches overall, and 16 by 20 painting alo...

'Boats on a Pond', oil on canvas, by Charles Kvapil (circa 1930s). This tranquil artwork depicts people fishing from their small boats. The motionless pond is surrounded by lush foliage with some homes as backdrop. The painting is spattered with light. With hardly any air moving in the scene, the still water plays...

The Highland Loch (Loch Lomond) signed by Prudence Turner, British b. 1930, signed. oil painting on canvas, framed. framed: 29.5 x 41 inches canvas: 24 x 36 inches Provenance: pri...

Impressionist view of a river landscape, oil on canvas board. A charming Impressionist scene of people enjoying the delights of the riverbank. Some strolling, others enjoying a picn...