Horizontal Landscape Paintings

The painting was painted from life. The composition of the motif is stretched horizontally. In the foreground we see the near bank, which is in the shadow, and tree trunks on the sid...

Lowell Herrero (American, 1921-2015) Untitled, c. Late 20th-Early 21st Century Oil on canvas 16 x 20 in. Framed: 19 3/4 x 23 5/8 in. Signed lower right:...

Rafael Duran Benet (1931-2015) - Landscape - Oil on canvas Oil measurements 60x73 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter...

Title: Peach Blossom in Spring Medium: Oil on canvas Size: 31 x 39.5 inches Frame: Framing options available! Condition: The painting appears to be in fair condition. Year: 2...

Signed and dated oil on canvas landscape by French impressionist painter Victor Alfred Paul Vignon. The piece depicts a view of scenery in Oise, a department in the north of France, ...

Jon Rowland – contemporary abstract expressionism Paxos – Untitled Green One of a series of paintings based on my response to the landscape of the island of Paxos. Each of these refl...

Dutch School, late 19th century oil on canvas, framed 22 x 31 inches framed 15 x 24 inches. canvas the painting is in overall very good and sound condition - top left corner slightly...

William M. Hart American 1823 - 1894 Outside Frame Size: 36 x 49" (90 x 122cm) Canvas Size: 28 x 41" (70 x 102) Provenance: H.V. Allison Galleries, New York Born in 1823 in Paisley...

Study For Cole Porter Paintings (Oil Painting of City Skyline w/ Sailboat) by Bill Sullivan 12 x 20 inches oil on canvas, framed with thin blonde ...

Selling for restoration – this superb 19th-century oil depicting an impressive alpine view with a snow-capped mountain to the background. The artist has also captured two figures and...

Painting of Lake & Mountains in England by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage...

Dennis Alter's layered and textured oil on canvas paintings abstract expressionist drip paintings in the style of Jackson Pollock are rich with painterly activity. Gestural brushwork...

"The Wave" Abstracted Seascape in Oil on Canvas Bold and textured abstracted seascape by Robert Frame (American, 1924-1999). This piece has a high horizon, with a thin strip of sky ...

A horse drinks from a river outside a thatched Tudor cottage on a serene summer eve. Well presented in a substantial light wood frame. Signed. On Board.

49 x 79 inches framed, thin black painted wood frame 48.5 x 77.5 inches unframed oil on canvas $9,000 Modern, horizontal landscape oil painting of a large volcano, Cotopaxi, in...

This superb French Old Master oil painting with excellent provenance is by Jean Francois I Millet. It was painted circa 1675 and is a figurative landscape depicting Diana hunting in ...

Landscape by Maurice Georges Poncelet (French, 1897-1978) oil painting on board, signed verso 9.5 x 13 inches condition: overall good and sound though a little shabby from previous s...

A beautiful 1930's French expressionist oil on canvas depicting a river landscape with a bridge and houses under a dramatic sky. Excellent quality work, with lovely impasto brush wo...

Farm Landscape, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower left hand corner, Oil painting on canvas, unframed canvas size: 31...

Summer House by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, framed frame measures: 10.5 high by 14 inches wide board measure...

English School, early 20th century signed oil painting on canvas, unframed canvas: 17 x 24 inches provenance: private collection, Eng;and condition: good and sound condition, minor ...

"Incoming Weather" (2022) by Lorenzo Chavez is an original, handmade oil painting that depicts a stormy autumn midwestern landscape, looking out onto the base of small mountain footh...

Arch Rock, Oregon - Seascape in Oil on Masonite This dramatic coastal landscape by Edith Dawson (American, 20th century) captures the raw majesty of Arch Rock, rendered in a richly ...

Initialed lower right, 'R. S.' for Richard Schloss (American, born 1953) and dated 1982; additionally signed and dated, verso. A substantial and luminous landscape by this well-lis...

Title: French Impressionist Oil Painting of Horses and Caravans in Pastoral Scene By Fanch Lel (French b. 1930) Size: 10.75 x 13.25 inches (height x width) Oil painting on board, unf...

Antique Victorian English 19th Century, three Spaniel dogs in an Interior. George Armfield was a mid-Victorian painter of mostly dog scenes but also painted other animal subjects su...

Summer Woodland by Josine Vignon (French 1922-2022) signed verso, dated 1954 oil painting on canvas, unframed canvas: 21 x 29 inches Very good condition Provenance: from the artis...

Chuck Mauldin Born 1949 Fredericksburg Artist Image Size: 8 x 10 Frame Size: 12 x 14 Medium: Oil "Momma Likes Shade" A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles...

This superb British Old Master marine oil painting is attributed to Peter Monamy. Painted circa 1730 it depicts Morning Gun - A morning gun is a gun fired at the first note of revei...

This captivating artwork by Carl Gunne, dated July 10, 1945, portrays a serene archipelago landscape. The painting, executed with a delicate blend of pastel hues, captures the essenc...

Title: Original Watercolour Moored Sailboats and Riverside Buildings with Reflections By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 11.25 x 14.75 inches Condi...

Pastoral Scene with Figures Dutch Old Master, 17th century oil on canvas, framed Framed: 16.5 x 24 inches Canvas : 13 x 21 inches Provenance: private collection, UK Condition: very g...

ARTIST: Indistinctly Signed Late 20th Century Spanish School TITLE: "Trigal" (wheat field) SIGNED: lower left MEDIUM: oil on canvas SIZE: 89cm x 70cm incl. frame CONDITION: excell...

Artist: Joseph Barber Title: Margaree Valley, Nova Scotia Year: 1976 Medium: Oil on Masonite, signed l.r. Size: 30 x 48 inches [76.2 x 121.92 cm] Frame: 35 x 54 inches [88.9 x 137.16...

A unique 3-D painting by Patrick Hughes. Artist: Patrick Hughes, British (1939 - ) Title: Pleasure Island Year: 1999 Medium: Oil on Board 3-D Constr...

19th century English Antique Horse racing scene in a landscape with Jockey up. Wonderful and very well painted English Horse Racing scene. Simil...

Peaceful pastoral landscape by Abraham Hulk, the Younger (1844-1922), renowned for his landscape paintings with Dutch and English training. With his Dutch father as an artist, Hulk l...

Loch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signed by F. E. Jamieson (British 1895-1950) signed, lower corner left hand corner oil painting on canvas, fram...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: Serene Emerald, Size: 30" x 56"...

The Close of Day Italian School, early 18th century oil on canvas, unframed canvas: 17 x 22.5 inches provenance: private collection, France condition: very good and sound condition

Signed and titled oil on canvas circa 1990 by French painter Hugues Claude Pissarro. The piece depicts a woman in a red dress collecting apples in an orchard. Signature: Signed lowe...

Title: French Watercolor of a Sunlit Mont Saint-Michel at Low Tide by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11.25 x 13.5 ...

An oil painting of two trees basking in the summer's golden sun. The sea can be seen in the distance, just beneath the horizon. The sky is a soft blue with a streak of grey clouds. ...

Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon Hillier (or Hillyer) Parker. His parents were Thomas, a draughtsman and lithog...

Oil on canvas, 28 x 31 inches overall, 25 x 30 inches image size. A dynamic abstract expressionist composition with an energetic interplay of saturated primaries and gestural impasto...

Idyllic Cottage by River with Sheep in the English Countryside by 20th Century British Artist, Jason Threlfall Art measures 14 x 10 inches Frame measures 22 x 18 inches Signed Vin...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of w...

Frank Nelson Wilcox (American, 1887-1964) Cliffs at Paramé, France, c. 1926 Watercolor on paper Signed lower right 14 x 17.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17...

Rolling hills near Banbury by Georgie Dowling [2021] original and hand signed by the artist Oil paint on canvas Image size: H:40 cm x W:50 cm Complete Size of Unframed Work: H:40 cm...

Samuel Alken Jnr (1784-1825) Snipe Shooting Pheasant Shooting Both signed 'S. Alken' A pair, Oil on canvas Painting Size - 12 x 16 1/2 in Framed Size - 17 x 21 1/2 in Samuel Alken J...

Title: French Mid-Century Ink and Wash Drawing of Parisian Boulevard and Rooftops by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed pap...

Unknown Artist Untitled (Geometric Abstraction, Cityscape, Feyninger) Medium: Oil on Canvas Year: Circa 1970s Size: 39 x 48 inches Framed Size: 39.75 x 48.5 x 1 inches Unsigned Frame...

Figures in a Classical Landscape French School, 18th/ 19th century oil painting on copper, unframed copper: 4 x 5 inches provenance: private collection condition: the work has paint ...

The wooden church on the site of the present was founded no earlier than 1593, probably simultaneously with the establishment of the Streletsky settlement. In the second half of the ...

Le Marche by Regine David (female French artist, 1910-2018) signed verso oil on board, unframed board : 15 x 18 inches inscribed verso Provenance: the artists estate, France Conditio...

Summer Trees, French Original Oil Painting French schooled artist, 20th Century Oil painting on thin card/paper, unframed Card size: 15 x 18 inches Delightful French Impressionist o...

A beautiful impressionistic German landscape with the red roofs of a provincial town in the distance. The artist has signed to the lower left. On canvas.

Signed watercolour on paper landscape by American post impressionist painter Maurice Brazil Prendergast. The work depicts children playing on the beach in Saint Malo, France as boats sail in the blue sea and white clouds role through the sky overhead. This work has remained in the Prendergast family for 3 generations and depicts a rare view of Saint-Malo executed during Prendergast's visit to the french coastal town in 1907 Signature: Signed lower left Dimensions: Framed: 21"x22" Unframed: 13'x14" Proveance: The collection of Charles Prendergast (1863-1948) The collection of Eugénie Prendergast-Van Kemmel (1895-1994) -wife and inheritor of the estate of Charles Prendergast The collection of Henri Van Kemmel (Lille, 1903-1963) - cousin of Eugenie Prendergast
- Madame Henri Van Kemmel Maurice Prendergast came with his family to Boston in 1861. Working in a textile store, Maurice Prendergast was at first self-taught in painting, making souvenir cards and shop signs. He went to Britain in 1886, then to Paris in 1891 and registered at the Académie Julian with Jean-Paul Laurens, Benjamin-Constant, and Charles Blanc as teachers, working also with Gustave Courtois at the Académie Colarossi. More importantly he saw the Impressionists’ paintings and the Nabis at the Galerie Durand-Ruel. He returned to the United States in 1895, settling in Winchester (Massachusetts) and went frequently to New York. In 1898 he again went to Europe where he stayed until 1900, visiting Paris, Florence, Siena, Rome, Capri, and Venice, where he spent six months. Between 1907 and the beginning of World War I he went again four times to Europe but never returned there after the war. In New York where he finally settled, with William Glackens, Robert Henri, and John Sloan among others, Prendergast was one of the members ofThe Eight, gathered by Robert Henri to counter the pervading academicism. The group exhibited in 1908 at the Macbeth Galleries and took part in the Armory Show of 1913. After that Prendergast did not exhibit again with the group. In 1914 he left Boston definitively for New York. Prendergast was in his thirties before he began to devote himself to painting. In his late beginnings he painted in the open air as the Impressionists did, mainly in watercolours with clear brushstrokes and an elegant virtuosity recalling his then admiration for James Whistler and Claude Monet. Between 1892 and 1905 he carried out two hundred monotypes, a technique of which he was the undisputed master in America at that time and which expressed the influence of Japanisme. During his stays in France he painted views of Paris, but also Brittany and Normandy. In this period, in 1896, he was chosen to illustrate My Lady Nicotine by Matthew Barrie. During his third stay in Europe, from 1898 to 1900, he painted in Paris, at Saint-Malo, and mainly in Venice, where, influenced by Vittore Carpaccio he introduced brightly coloured banners into his animated compositions. In oils he painted slowly, touching up his paintings by superimposed brushstrokes, sometimes over several years. He chose to use the divided stroke in an early period, a technique which had similarities with Post-Impressionism. After his travels in Europe and his discovery of Paul Cézanne, he evolved in the direction of the neo-Impressionism of Georges Seurat, placing little dots of colours with a knife, then of the Nabis and even later Fauvism, painting large brushed surfaces in bright colours. After 1899, his Ponte della Paglia in Venice freed itself from strict divisionism, adopting the dense composition in vertically superimposed planes of the Nabis. Like the members of the group of eight, he took his subjects from the daily life of ordinary people, in scenes in the parks or on the beaches of New England, picnics or sometimes circuses. Nevertheless the happy vision that he had of the world separated him strongly from the evolution that led his companions to paint the most miserable and populous milieus, which gave them the name of The Ashcan School. His compositions are arranged in surfaces superimposed vertically, without depth; while the Impressionists and Post-Impressionists were influenced by the layout of Japanese prints, Prendergast was inspired more by Persian miniatures. The decorative elements and the build-up of characters in crowds are placed frontally, like garlands on a tapestry, particularly as he seeks a texture effect, covered entirely by the subject without any empty spaces. His attraction to colours caused him to research all the motifs that he introduced into these compositions: umbrellas, parasols, balloons, draperies. In 1911–1912, he experimented with pastel and treated new subjects, nudes and still-lifes. After 1913, in sympathy with the Symbolists, he put nude figures and everyday characters side by side in the same composition. In his last years, and above all in the watercolours, he discarded the divided stroke and applied larger brushstrokes, similar to the technique of Henri Matisse. Fidelity to the leisurely settings and elegant grooming of the period gave his works, apart from their artistic value, a charming sociological aspect. Singular, almost marginal in his time, his paintings stand out by the density of their composition, in form and colouring, characterised by the accumulation of detail, minutiae of scenery, the serried ranks of people that animate them, the chromatic polyphony of elegance, umbrellas, parasols, and flags. He is a complete painter, particularly generous, who would never be happy to provide only samples of his art. Following Whistler and Mary Cassatt, Maurice Prendergast is one of the most interesting and original Post-Impressionist American painters, and perhaps marks exactly the boundary between the 19th and the 20th centuries. He was considered to be an ‘old master’ from 1920 on, and his works appeared in very many exhibitions of modern American painting. He had his first solo exhibition in 1897 at the Chase Gallery of Boston, where his works were noticed by Madame Montgomery Sears, who made a collection, taking the advice of Mary Cassatt. In 1915 six paintings and watercolours exhibited at the Carroll Gallery of New York established his success and drew the great collectors to him, among whom were Albert Barnes and John Quinn. Group Exhibitions 1974, Ten Americans, Andrew Crispo Gallery, New York 1976, Art of Impulse and Color, University of Maryland Art Gallery, College Park (Maryland) 1982, American Impressionists, Smithsonian Institution, Washington, DC (also presented at the Musée du Petit Palais, Paris) 1999, Town and Country: American Artists, 1870–1920 (Ville et campagne: les artistes américains, 1870–1920), Musée d’Art Américain, Giverny 2002, Japonisme in America: Works on Paper, 1880–1930 (Le Japonisme en Amérique: œuvres sur papier, 1880–1930), Musée d’Art Américain/Terra Foundation for the Arts, Giverny 2007, American Impressionists: Painters of Light and the Modern Landscape, Phillips Collection, Washington, DC 2008, Coming of Age: American Art 1850–1950, Paintings from the Addison Gallery of American Art, Massachusetts, Dulwich Picture Gallery, London 2008, Portrait of a Lady: Paintings and Photographs of American Women in France 1870–1915, Musée des Beaux-Arts, Bordeaux Solo Exhibitions 1934, Maurice Prendergast Memorial Exhibition, Whitney Museum of American Art, New York 1938, Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Andover, MA 1960, Maurice Prendergast, 1859–1924, Museum of Fine Arts, Boston 1990, Art Institute of Chicago 2009, Prendergast in Italy, Peggy Guggenheim Collection, Venice Museum and Gallery Holdings Andover, MA (Addison Gal. of American Art): At the Shore, St. Malo No. 1 and 2 (c. 1907, watercolour and graphite on wove paper, 2 works); Along the Cove (1910–1913, oil on canvas); seven sketches of Paris (1893, oil on wood) Chicago (AI): In the Park (1918–1919) Chicago (Terra Foundation for American Art Collection): Festa del redentore (c. 1899, monotype); The Opera Cloak...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

RUV is a unique acrylic on canvas painting by Spanish contemporary artist Ramon Enrich, dimensions are 130 × 170 cm (51.2 × 66.9 in). The artwork is signed, sold unframed and comes w...