Paint Landscape Paintings

A late 19th century American School two-sided landscape painting by an unknown artist, this oil on board has two decidedly different scenes that are each lovely to view. The most unu...

Title: French Impressionist Oil Painting of a Fluffy White Dog on a Walk By Fanch Lel (French b. 1930) Size: 4.5 x 6.25 inches (height x width) Signed: Yes Oil painting on board, unf...

Finely painted contemporary tropical landscape. Oil on canvas. Framed. Signed verso.

This atmospheric landscape from 1910 offers a rare glimpse into a lesser-known side of Sam Uhrdin’s work. Painted before his formal art education, the canvas reveals an emerging arti...

Finely painted panoramic landscape by Nellie Augusta Knopf (1875 - 1962). Oil on board. Framed. Image size, 12H x 16L. Signed verso.

Very nicely painted antique American impressionist beach scene painting. Oil on board. Signed. Handsomely framed in a giltwood impressionist molding. Ready to hang excellent cond...

René Genis (French, 1922-2004) Neige dans l'Oberland, c. mid 20th century Oil on canvas 19 1/2 x 19 1/2 in. Framed: 26 1/4 x 26 1/4 x 1 3/4 in. Signed lower right: René Genis David F...

Summer Scene on a Tree Lined River with Cattle in the English Countryside in beautiful Sunshine, by 20th Century British Artist, Christopher Osborne. Art measures 12 x 8 inches Fram...

Acrylic and offset lithograph on archival paper. Paper Size: 30 x 24 inches. Inscription: Hand signed, as issued. Notes: Published by Via Max, New York; painted by Peter Max, New Yor...

Havana, Cuba – There is never much very interesting on TV on the four state run channels and most families don’t have a lot games or toys. When not in school, many children spend mos...

Signed lower right, 'Bickerstaff' for George Sanders Bickerstaff (American, 1893-1954) and painted circa 1950. This California landscape painter was born in Arizona and studied at t...

Very Large Square Painting of New York City Skyscrapers USA - Red Blue & Yellow - by Polish Artist, Katarzyna Szulc. Signed Kasha on the front of the canvas. Art measures 47.2 x 47....

Nicely painted 1880s European impressionist beach scene oil painting. Oil on canvas. Framed. Signed. Very finely painted and impressive in person. Excellent ready to hang condit...

Warm Waters is a beautiful abstract painting in clear blue, with touches of warmth, that references color through water, with a quiet yet complex surface of layered oil paint over st...

Choose the color of the frame: Black or wood Sophie Dumont, a renowned contemporary artist whose works are collected internationally, has once again demonstrated her mastery of subt...

Italian painter (19th century) - Gulf of Naples with eruption of Vesuvius. 44 x 70 cm without frame, 53 x 76 cm with frame. Antique oil painting on canvas, in a gilded wooden frame...

Excellent example of Cortès Paris scene. Provenance: Galerie Haussmann, Paris.Herbert Arnot, Inc., New York, New York (May 29, 1964).Country Store Gallery, Austin, Texas (February 2...

"Rads with Stick" is a charming dog painting of a Terrier swimming along proudly holding his stick in the air. Kait Ballantyne's dog paintings often explore the interaction of Bord...

Sunlit Field Landscape dated 1994 signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 20 x 25.5 inches condition: very good provenance: from a ...

Autumn Lake oil/canvas 5x8 unframed, 7.5 x10.5 framed Here is a very nice small oil painting on canvas by NJ/PA artist Rapheal Senesman, Autumn Lake, signed lower right. Painting cou...

A gorgeous early 20th century landscape oil painting of fields of yellow and blue wildflowers in bloom by Northern Californi...

A French Cubist gouache on paper landscape by G Ricard. The painting is marked with the atelier stamp of Georges Ricard Cordingley. There is another painting of an autumn landscape t...

Miami beach, I was inspired to paint this picture, hot summer days. I give myself up to beach hedonism 4 months a year, so that I have something to remember during the gray season. T...

This very large, superb California landscape was painted by an artist celebrated for his California and Pacific Northwest scenes, and well-known among collectors of these works. Frederick Schafer (bio below) emigrated from Germany to the U.S. in 1876 at the age of 37. He traveled widely through the west and captured dramatic nature scenes such as this one, depicting the Upper Sacramento river with its towering trees. His paintings are in many superb institutional and private collections around the world. Paintings by Schafer in this size range have brought from $15,000 to $26,000 recently at auction, which is wholesale pricing (see photos) so we feel ours is a fair price. The painting measures an impressive 65" x 44.5" in its ornate gold wooden frame; the canvas size is 50" x 30". It has some professional and unobtrusive inpainting, not unusual for a painting of its age. Proudly presented by Guy Lyman Fine Art, New Orleans. Bio as featured in AskArt: The following biography is from the artist's web site and reprinted with the permission of Jerome H. Saltzer. "Frederick Ferdinand Schafer...

Artist: Victor Rousseau (Belgian, 1865-1954) Title: Landscape with house Year: Circa 1910 Medium: Oil on cardboard Board size: 6 x 7...

An exceptional impressionistic painting titled 'The Difficult Passage' depicting an afternoon along the River with Figures throughout by Jules René Hervé. Here the scene is set on a ...

Sunlit Village in Provence mid 20th century signed oil on board, unframed Board : 7.5 x 10.75 inches Provenance: private collection, France Condition: very good condition Descripti...

Artist: Slonem, Hunt Title: Bayou Teche Sunset Date: 2024 Medium: Oil on Canvas Unframed Dimensions: 36" x 48" Framed Dimensions: 38" x 50" Signature: Signed verso Edition: Un...

Rudolf Faltus (1884-1947), oil on canvas. A serene rural scene with rolling hills, a cluster of houses, and prominent pine trees in the foreground. Presented in a handsome gilt effec...

“Illuminated Branches Diptych” by Catherine Picard-Gibbs is a dynamic textural oil painting on board that depicts dappled sunlight filtered through the forest. A heightened palette o...

Contemporay English School signed oil painting on copper panel in impressive gilt frame framed: 13 x 14.5 inches panel: 8 x 10 inches provenance: private collection, England conditi...

'The Port of Honfleur', oil on canvas, by Gervais Leterreux (1993). This is a charming painting of the port of Honfleur. Especially known for its old port, Honfleur is characterised ...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Early American impressionist landscape painting. Framed. Possibly signed verso. Oil on board.

White Sands New Mexico, Mid-Century Southwest Desert Landscape by Vannerson Gorgeous desert scene by award winning, self-taught artist Dr. Lucien C. Vannerson (American, 20th Centur...

Late 17th-century Bolognese painter Circle of Carlo Cignani (Bologna 1628 - Forlì 1719) Noli me tangere ‘’Apparition of Christ to Mary Magdalene‘’ oil on canvas 120 x 92 cm framed ...

Mid Century Lotus Still Life Floral / Bangkok Landscape on Verso (Double Sided) Mid-century lotus flower composition by Marge Quate Burt (American, 1896-1984). This unique piece, dated 1949-1950, is a two-sided painting on artists cardboard. While on side depicts a botanical lotus flower, the verso features a lush tropical landscape painting...

A charming scene depicting a fenced quail garden in an impressionist style. Part of a pair of oil paintings titled 'Back of the Quail Garden'. Signed to the lower right. Presented in...

A beautiful signed and dated 1931 French naïf oil on canvas depicting Beffroi de Douai, by Jean Eve. Jean Eve was one of the "first wave" of 20th century Fre...

In this contemporary landscape in oil on panel, a peaceful outdoor scene in summer of delicately painted violet blue flowers in a green grassy field beneath a tree with dark green le...

Carol creates a range of subjects—landscapes, figures, portraits and still life. Whatever the subject, all are imbued with her strong sense of design; luscious brushwork; love for 19...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Jacob VAN STRIJ (Entourage of) Dordrecht, 1756 - 1815 Oil on panel 46 x 60 cm (64.5 x 79 cm with the frame) Inscription on the back “Van der Eyden? » Very beautiful 19th century frame in gilded wood Very good condition (only a few stains) Our painting is very close to the art of Jacob van Strij studied and may have been painted in the circle of this artist. Jacob van Strij studied at the Academy of Painting in Antwerp and with Andreas Lens. Back in Dordrecht, he became a landscape painter. Both individually and with his brother Abraham, he painted various wallpapers for clients in Dordrecht. According to Jacob van Strij biographer Johannes Immerzeel, “His passion and concern for faithfully imitating nature went so far that Van Strij, as ill as he was (for years Van Strij was plagued with gout) he asked someone to pull his sled along the ice in the biting cold in order to make sketches for his paintings, which he then executed in his workshop ”. Van Strij used these sketches for various paintings. He was inspired by 17th century old masters, in particular Albert Cuyp...

‘A Breeze after a Bathe’ by Walter Duncan ARWS (1847-1932). The painting – which depicts three young Victorian ladies and their dogs on Bournemouth beach after a swim – is signed b...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

Landscape in oil. Signed to the lower right 'J. Young' and dated 1882. On canvas laid to board.

Landscape oil Painting, Impressionism, flowers, oil on canvas Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 S...

A beautiful, heavy impasto landscape of a scene south of San Luis Obispo, California by Mike Wright (American, b.1959). Signed "M. Wright 17" lower right c...

This James Webb English marine painting, circa 1870, is a masterpiece of atmospheric charm and technical precision that would appeal profoundly to an interior designer or fine art co...

"Bridge Over the Neckar, Town of Heidelberg" - Original Oil Painting on Canvas A beautiful German landscape, by American painter, Betty Brenner (1922-2016), captures the Karl Theodor Bridge and its reflection. Commonly known as the Old Bridge (Alte Brücke), it is an arch bridge in Heidelberg that crosses the Neckar river. It connects the Old City with the eastern part of the Neuenheim district of the city on the opposite bank. The current bridge, made of Neckar sandstone and the ninth built on the site, was constructed in 1788 by Elector Charles Theodore, and is one of the best-known landmarks and tourist destinations in Heidelberg. Brenner, Betty (American, 1922-2016) - Raised in Washington, Brenner attended Cornish School...

Guy C. Wiggins Silvery Days, Madison Square Park, 1962 Signed lower left; signed, titled "Silvery Days" and dated on the reverse Oil on canvas 20 x 24 inches Guy Carleton Wiggins is...

Louisiana Parish shows the people gathering for the Sunday worship in the countryside of Louisiana. Many people would go to the service in the morning,m go home for lunch and a nap and come back for the evening service. Sunday was a day of rest for these people. No shopping, no cell phone, a day devoted to the Lord. A versatile and prolific painter and sculptor, Kirby Daniel Rogere was born in Jeanerette, Louisiana on February 14, 1929 to Marguerite Minvielle and Kirby Serafin Rogere. He painted still lifes, landscapes and abstracts. Rogère's art was influenced by both his Cajun upbringing as well as by great artists, classical musicians and places from around the globe. His work is populated with dancers...

Fishing Schooners and Sailboats at a dock, "Fischerschoner und Segelboote an einem Dock" by Rudolph Guba (German/American, 1884-1950) Impasto work which depicts several sailing vesse...

Victorian Marine 19th Century Oil Painting on Canvas with Shipping off the Coast in a stiff breeze and stormy seas. Another fabulous maritime painting from William Webb who was one o...

"Lumberville in Winter" is a 14 x 20 inches winter landscape by American Impressionist painter, Laurence A. Campbell. This regional, Pennsylvania scene is an excellent example of the...

Antique German oil painting by Christian Johannes Wilberg (1839 - 1882). Oil on canvas. Signed. Framed. Measuring 40 by 50 inches overall and 31.5 by 41.5 painting alone. A luminous...

Provence by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 24 x 29 inches Provenance: all the paintings we have by this artist have come from the artists estate in...

Pastoral Landscape English School, late 19th century signed oil on board, framed framed: 19 x 25 inches board: 18 x 24 inches Provenance: private collection, UK Condition: the painti...