Paint Landscape Paintings

Bathers by the Woodland Pool Dutch School, 17th century circle of Cornelis van Poelenburgh (1594-1667) oil on copper, framed framed: 13 x 15 i...

Antique American horse portrait oil painting. Oil on board. Signed verso. Framed. Measuring: 9 by 7 inches overall, and 7 by 5 painting alone. In excellent original condition. Hands...

Le Pont Marie, Paris French Impressionist artist, signed and dated 58' oil on canvas, framed in original Montparnasse frame. framed: 28 x 35 inches canvas: 22 x 29 inches Provenanc...

Title: French Impressionist Oil Painting of Floral Still Life in Earthen Vase By Fanch Lel (French b. 1930) Size: 10.25 x 8 inches (height x width) Signed: Yes Oil painting on board,...

Morgan's Wharf Maine 8 x 12 oil/masonite panel signed LL Paul Strisik (April 22, 1918 – July 22, 1998) was an American plein air painter. The painting and frame are in excellent cond...

Portrait of a Horse in a Landscape English artist, mid 20th century indistinctly signed oil on board, framed: 14.5 x 18.5 inches board: 12 x 16 inches provenance: private collection...

Neapolitan painter (17th century) - Joseph and Potiphar's Wife. 55 x 40.5 cm. Antique oil painting on canvas, unframed (not signed). Condition report: Lined canvas. The painted su...

Alejandro Rubio Ladders, 2020-2024 Oil on canvas 20 x 16 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

Francesco Tironi (Venice, circa 1745 - 1797) View of Venice with the entrance to Cannaregio oil on canvas 59 x 75 cm with frame 72 x 88 cm Work accompanied by a descriptive n...

Elias Erdtman (Sweden, 1863–1945) Moonlit Reflections, Heyst-sur-Mer oil on canvas laid on board signed E. Erdman och daterad -84 unframed: 29 x 18.5 cm (11.4 x 7.3 inches) framed:...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

oil on canvas

The Village Landscape The artist, Raymond Guidot (1935 - 2021) was a Parisian art historian, critique and teacher. oil painting on board, unframed board: 9 x 10.5 inches stamped ve...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

From Monet's sanctuary in Giverny, we are transported effortlessly through bold brushwork and impasto paint. Alfaro diligently layers the canvas with acrylic paint creating a truly b...

This beautiful and light filled painting testifies of a new dawn: in the 1880s the landscape and animalier artist William Baird turns to Impressionism. Our Sunny Path, with looser brushwork and lighter colours, convey the fleeting nature of the present. Our lovely oil on canvas may well be homage to Claude Monet - according to Baird's inscription on the stretcher, it was painted in Mantes, which is only about 6 miles from Vétheuil, where Monet was living and working in the 1880s! William Baptiste Baird was born in Chicago, Illinois, in 1847, but as an adult moved to Paris to perfect his painting technique. In Paris, Baird studied under Adolphe Yvon...

Title: The Petrified Origin Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on canvas Dimensions: 25.6 x 31.9 in (65 x 81 cm) Date: 1967 Condition: Unframed Signature: Signed lower right: Pitxot Provenance: Private collection Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity. 📝 Work Description In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time. Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate. 👤 About the Artist Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe. His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time. 🎭 Connection with Salvador Dalí Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death...

A beautiful copy by an unknown artist, of the original painting "Wall Street - The Noon Hour" originally created in 1925 by the great American artist Felicie Waldo Howell (1897-1968)...

Large post impressionist landscape oil painting by French artist Lucienne Capdevielle (1885-1961) entitled, 'Le Petit Port'. This substancial, unusual and captivating landscape oil painting on canvas is quite eye catching. The colourful town houses painted in pastel hues shine jewel like over a busy port on a large canvas that is textured to the touch. MORE ABOUT THIS PAINTING: Medium: Oil on stretched canvas Overall size: 26ins x 30ins or 66cms x 76cms (approx) Date: 1930's Condition: The painting is in overall good condition, note that at some time it would have been pinned at the corners and still carries the scars. The frame is the original and has imperfections throughout including flaking paint and indentations. Signed: Lucienne Capdevielle (1885-1961) Lucienne was born in Algiers in 1885, she died in a Parisien hospital in 1961, she was a French painter and pastelist. She was a student of Georges-Antoine Rochegrosse, Jean-Paul Laurens, Paul Albert Laurens and Léon Cauvy...

The Grand Canal, Venice Italian Impressionist artist, second half 20th centuyr indistinctly signed oil on canvas, unframed Canvas: 26 x 32 inches Provenance: Private collection Cond...

Oil and tempera on cardboard attributed to William Dyce and realized in 1873. Hand titled and dated lower right. Includes a modern gilded wooden frame, cm. 23.5x32.5.

Title: French Watercolor of Vibrant Square with Painter, Palm Trees, and Architecture by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper ...

The Provencal Lane French artist, indistinctly signed signed oil on board, framed in deep wooden frame dared 1932 Framed: 17.5 x 21.5 inches Board : 13.5 x 18 inches Provenance: priv...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Market Stall Conversation French School, 20th century oil on canvas, unframed canvas : 24 x 20 inches provenance: private collection, France condition: sound condition but with consi...

Alfred Stevens Brussels 1823 – 1906 Paris Belgian Painter 'Moonlight on the Sea' Signature: signed lower right and dated 1892 ‘A Stevens 92' Medium: oil on canvas Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm Provenance: Collection M. Klein, 1900 Galerie Petit, Paris, 18 June 1926, no. 22 Private collection, Europe De Vuyst, Belgium, 1998 Galerie Kupperman, Amsterdam Private collection, The Netherlands Exhibitions: Exposition of the Works of Alfred Stevens, Palais des Beaux-Arts, Brussels, 1928 Retrospective Alfred Stevens, École des Beaux-Arts, Paris, 1900, no. 100 Literature: A. Stevens, Mercatorfonds, Brussels, p. 100 Alfred Stevens, François Boucher, Ed. Rieder, Paris, 1930, illustrated on p. 36 Documentation by Mrs. Christiane Lefebvre, 1998 Biography: Alfred Émile Léopold Stevens (11 May 1823 – 24 August 1906) was a prominent Belgian painter renowned for his depictions of elegant modern women. His works, characterized by a realistic style and meticulous attention to detail, reveal the influence of 17th-century Dutch genre painting. While he initially gained attention for his social realist portrayal of the hardships faced by impoverished vagrants, he later achieved great critical and popular success with his portrayals of upper-middle class Parisian life. Notably, he often used the same models repeatedly, with some of them being identified in the infamous Book of the Courtesans, a confidential surveillance file maintained by the Paris vice squad, as noted by author Summer Brennan. Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists. Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting. Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage [What is called vagrancy] (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...

This stunning winter landscape by Mauritz Lindström captures the serene yet striking beauty of a snow-laden scene illuminated by the warm glow of twilight. The interplay between the soft, colorful hues of the evening sky and the intricate, frost-covered branches creates an almost three-dimensional effect, drawing the viewer into the composition. The detailed rendering of the snow and the trees evokes a profound sense of coldness, making the atmosphere almost palpable. Measuring an impressive 101 x 152 cm (39 3/4 x 59 7/8 in) with the frame, this large-scale work is a testament to Lindström's mastery of light and texture. Arvid Mauritz Lindström...

On the canvas of the artwork "White Lace" nature unveils its delicate side, as if weaving an intricate lace fabric for its masterpiece. A wave, enveloped in pristine foam, intertwine...

The Harvest by Louis Faille (French 1878-1964 signed oil on canvas, framed framed: 32.5 x 40 inches canvas : 22 x 31 inches Provenance: private collection, Paris Condition: very good...

Signed post impressionist oil on canvas figures in landcape by French painter Ferdinand du Puigaudeau. This stunning work depicts a mother and child in a harvested field beside two l...

Antique American impressionist landscape oil painting. Oil on board. Framed. Measuring: 20 by 27 inches overall, and 12 by 16 painting alone. In excellent original condition. Hands...

Frame size 70x59 cm. Caroline Burnett, born in 1940, was a painter known for capturing the charm of urban scenes and landscapes with a vibrant and colorful style. Although little is...

**Technical Sheet** Title: Cadaqués Artist: Rafael Durán Benet (Terrassa, 1931 - Barcelona, 2015) Technique: Oil on canvas board Dimensions: 13 x 16 inches (33 x 41 cm) Year: Un...

Mystical Moonlight oil/panel 8 x 10 unframed 13.25 x 15.25 framed. An oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful moonlit ...

5-3119B Blooming flowers in the spring garden a bold modern oil on canvas executed with palettes technique unframed ,signed lower left by Italian artist G.Ferzetti

Afternoon Sky is an oil on panel painting just completed in the studio. The painting exudes the rich qualities of oil paint with bright strong color, a variety of lost and found edge...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surface of the sky with the rough texture of earth or grass. I paint symmetrical reflections in water and rhythmic repetitions of trees. Even an ordinary, seemingly uninteresting fragment of the suburban landscape hides a beauty that I want to see and then transfer to the canvas. I am inspired by nature because it contains a hidden secret of existence. For me, painting it is a reflection on life and passing away. It is an attempt to capture the imperceptible essence, to paint what cannot be seen. I think that my paintings can be a respite, an antidote for a man tired of technology, constant rush, hustle and bustle of the city. Grzegorz Wójcik...

A charming early 20th-century oil painting depicting the Coupure Canal in Bruges, Belgium. With loose, impressionistic brushwork, the artist renders a serene scene, capturing the sof...

Title: *Courtship in the Forest* Author: French Romantic School Technique: Oil on canvas Support: Canvas mounted on a stretcher Unframed dimensions: 11.4 x 7.9 inches Frame...

This evocative 19th-century marine scene by English painter Nicholas Matthew Condy captures the dynamic tension and atmospheric drama that typify his maritime works. Known for his ke...

Villefranche-sur-Mer by Felix Pierre MANGIAPAN (b.1884) signed oil on canvas, framed Framed: 19.5 x 21 inches Canvas : 14 x 16 inches Provenance: private collection, Nice, France Con...

In crafting this piece, I sought to capture the serene majesty of nature, rendered through the impressionistic play of light and shadow. The birch trees stand as sentinels over the s...

Edward Dufner Sunny Day Signed lower right Oil on board 8 x 10 inches With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the...

"Morning Stillness" is my exploration of the quiet, meditative beauty of dawn. I wanted to capture the way the sky gently awakens, blending soft blues and warm golds as light emerges...

For Canada’s beloved pop artist, Charles Pachter, the barn reimagined in graphic form is a reminder of Canada’s early rural history and the pioneers that helped shape this country. T...

Title: Saint Briac Brittany Harbour Scene with Boats and Trees French Coastal Scene By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 10 inches (height) x 11.25...

'Family Farm in France', gouache on art paper, by Michel Debiève (circa 1970s). An extremely endearing depiction of a French family farm, the delight is...

#5-3333 A white tulips still life ,oil on canvas applied on board, set in a vintage curved white painted wood frame .Signed lower left by P.Russo Neapolitan artist

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

A wave rises — calm, steady, full of quiet power. There is no noise here, only the deep breath of the ocean. "Splash of Silence" captures the moment just before everything moves again

Title: British Impressionist Watercolor of a Rural Village Scene By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inches (He...

CHAUNCEY FOSTER RYDER (American, 1868-1949), landscape with figures on a bridge, oil on canvas, signed lower left. Framed under glass. Minor craquelure, dirt and grime. Possible label remnant from William Macbeth Gallery attached. Ryder's NYC Gallery/Dealer. See bio below. Canvas 12-1/4''h, 16''w. unframed and 16 x 20 framed as pictured. Provenance: Estate of Joseph ''Jay'' St. Mark, PhD, of Newtown, Connecticut, historian, appraiser, and collector of fine Americana. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

Title: French Impressionist Oil Painting of Quaint Harbor Scene with Boats at Low Tide By Fanch Lel (French b. 1930) Size: 11 x 14.25 inches (height x width) Signed: Yes Oil painting...

The Bridge at Argenteuil a copy after the earlier, original painting by Claude Monet oil on canvas, unframed canvas : 20 x 24 inches provenance: private collection, south west of Eng...

Michael Magrin's ( US based) "On the Horizon" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to han...

This oil painting is original and signed by the artist. I have owned this piece since the early 1970's. The oil depicts a village and is vibrant in color.

Bauhaus Gems unfolds as a quiet exploration of balance, rhythm, and chromatic architecture. Drawing subtly from the Bauhaus tradition, the work uses geometry not as constraint but as...