1960s Landscape Paintings

Mid Century Nocturnal Surrealist Oil Painting--San Francisco Unreal Dreams by Russell Tripp Dramatic and atmospheric San Francisco surrealist figurative painting by Russell R. Tripp...

Picturesque landscape watercolor painting of a bird's eye view of a charming rural town by artist Wilhelm Kloden, circa 1960. Unsigned. Original one-of-a-kind vintage work of art on...

French watercolor painting of a crumbling, overgrown tower set beside a small village, circa 1960. Displayed on a white mat with a gold border and fits a standard-size frame. Archiva...

James Douthitt Wilson (1903-1973) Fort Worth, Dallas, San Antonio Artist Image Size: 24 x 30 Frame Size: 30.5 x 36.5 Medium: Oil on Masonite Please view my 1stdibs store front for other Great Vintage Texas Paintings...

Artist: Stanley Sobossek, American (1918 - 1996) Title: Rockport, Mass. Year: circa 1960 Medium: Oil on Canvas, signed l.r., signed and titled verso Size: 30 x 24 in. (76.2 x 60.96 c...

"Library" Mid 20th Century Precisionism Cubist Realism Modernism Architectural. Signed verso. Robert Herrmann hid his paintings from the public for ov...

An oil painting by Richard Whorf circa 1960. A realist landscape of a circus ad wheat-pasted to the side of a dreary-looking barn. Artist: Richard Whorf Title: The First Sign of Spring...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 22L x 28H.

Rue Parisienne en Automne Charles Levier, French (1920–2003) Circa 1960 Watercolor on Paper, signed l.r. Image Size: 18 x 23 inches Size: 22 x 30 in. (55.88 x 76.2 cm)

Medium: Gouache on Board Signature: Signed Lower Left

Impressionist blue toned landscape. The painting is signed by the artist and dated. It is framed in a wooden frame with a white matte. Dimensions without Frame: H 11 in x W 15 in. Artist Biography: William Zaner also known as Bill Zaner...

Artist: Harry Lane, American (1891 - 1973) Title: Barberry Bush Year: circa 1960 Medium: Oil on Board, signed Size: 24 in. x 30.5 in. (60.96 cm x 77.47 cm) Frame Size: 33 x 40 inches

Edward Avedisian ( 1936-2007 ) 12 X 8.5 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert B...

Art: 30 x 40 inches 39.75 x 49.75 inches Signed “Charlie Dye” with branding iron symbol and copyright, lower left. Title in black ink on reverse stretcher...

An original mid century impressionist painting by Chinese American artist Chuck Fee Wong. Benjaman Gallery represents the estate of the artist.

Joseph Yoakum Andes Mountains Peru So America, circa 1960s Colored pencil and ballpoint pen on paper 7 1/4 x 10 1/2 inches Provenance: Karen Lennox Gallery, Chicago Private Collection, South Dakota Yoakum began drawing in the early 1960s. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. his period of greatest activity — 1965 to 1970 — when he usually made one drawing a day. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. All of his drawings have titles that grew longer and more specific over the years. He dated his works with a rubber stamp — an oddly impersonal, labor-saving device. Although Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. Sometimes Yoakum claimed that he was a full-blooded ​“Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. At other times he insisted that he was of African-American descent. He described his mother as a strong woman who was a doctor and knowledgeable in the use of herbal medicines. Yoakum’s family moved to Kansas City, Missouri, during his early childhood. His father was employed briefly in the railroad yards prior to settling permanently on a farm in nearby Walnut Grove...

Dickson Reeder (1912 - 1970) Fort Worth Artist Image Size: 10 x 15 Frame Size: 17 x 22 Medium: Oil on Board Mid Century Modern Biography Dickson Reeder (1912 - 1970) Edward Dickson Reeder began his art education under Sallie Blyth Mummert and Sallie Gillespie before attending the Art Students' League in New York. He later traveled to Europe and studied with Stanley William Hayter at Atelier 17. Dickson Reeder and his wife, Flora Blanc, established and directed the Reeder School of Theater and Design in Fort Worth (1946-1958). Please view my 1stdibs store front for other Great Vintage Texas Paintings...

Abstract Mountains (59) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 20 in. (40.64 cm x 50.8 cm)

George Botti Italian, 1923-2003 Family in a Park Oil on canvas 36 by 36 in. W/frame 42 by 42 in. Signed lower right Barrel George Botti was born on  2...

Harlem New York Street Corner Sceane Canvas size 30hx24w Jehudith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract...

Image Sz: 14"H x 18 1/4"W Frame Sz: 18 1/2"H x 22 3/4"W Classic color giclee of Saratoga Racecourse c1962 by Robert Roche Giclee

Olin Dows Surrealist Subject Painting. Signed lower left and dated 1965. The work is in excellent condition and is unframed tempera on masonite. It measures 10 1/4"h x 13 1/2"w. This...

Up for sale is a wonderful Jean Marzelle (1916-2005) French Post Impressionist harbor scene with boats, wonderful Cubist look with Fauvist sky Marzelle is an important French artis...

Wonderful surrealist oil landscape of a man standing on a beach next to a red flag signed by artist L. Calisio in the lower right corner. Hung in gold frame with a tan mat. Dimensi...

Watercolor painting with boats at a dock in Kemah, Texas. The painting is in natural tones of blue and browns. The artist signed, dated and titled the painting. The artist Perry...

Manfred Schwartz (American, b. Poland, 1909-1970), "Etretat", Oil on Canvas, 1961, signed and dated lower right, studio label to verso, wood frame. Image: 34" H x 30" W; frame: 34.75...

Gino Terreni (1925-2015) italian artist, sculptor and painter. Widely represented in the multiple galleries and private collections. 26.5" x 38.5", overa...

Italian Illustrator Gianni Benvenuti depicts a sword battle in a post-cubist/expressionist style. Without regard for proper perspective, the picture is as representative as it is abs...

GINO TERRENI (1925-2015) Italian Sculptor and painter. Widely represented in multiple galleries and private collections. “Dintorni Divinci” titled verso Oil on canvas, c. 196...

Up for sale is a New York City Street, Broadway by Jane Wilson (1924-2015). Jane wilson was an important female Abstract Expressionists painter. She has been exhibited in many museum...

Vibrant Landscape with Sun Artist signed, oil on canvas 36x30 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy...

Maurice Buffet (1909-2000) French painter, whose works have great sales records through the multiple auctions. Painting is 19"x 25", overall size is 26" x 32" Gouache on cardboard...

"Waterfall in the Forest" is an original acrylic painting on masonite by David Barnett, signed on the verso. The work breaks down the image of the title to its most basic colors and ...

A substantial, semi-abstract, oil seascape showing a view of a tidepool and surf pounding on coastal rocks. Signed lower left, 'B. Polach' for Barbara Polach (American, d.2009), a ...

From the Glynn and Suzanne Crain Collection, unsigned

Emile Albert Gruppe (American, 1896-1978) Post Impressionist Titled Verso: “Hauling The Nets” Oil on canvas Canvas: 25 x 30 inches (63.5 x 76.2 cm) Framed Dimensions 31 X 36 Inches S...

Gaston Sebire French, 1920-2002 At The Seaside Oil on canvas 25 by 31 in. W/frame 33 ½ by 39 ½ in. Signed lower right Gaston Sebire (1920 – 2002) Gaston Sebire, was one of Europe’s leading landscapists, was born in the village of Saint-Samson in Normandy in 1920. A self taught artist, he began to paint seriously at the age of eighteen. For eight years he worked as a postal clerk in the Rouen, sorting letters at night in order to support his career as a painter. In 1952 Gaston Sebire had his first exhibition at the Galerie Gosselin in Paris. The following years he enjoyed the double triumph of winning both the coveted Prix de la Critique and the Prix Casa Velasquez. The Latter award made it possible for him to spend a year and a half in Spain. Of this formative period he said, “They were my first, wonderful years without worry. For fifteen years I had never known what the next day would bring.” The year 1957 marked another important stage in his career. His painting “La Dinde” won the Greenshields Prize in a field of 136 competitors, making it possible for him to paint for another two years without the worry of finances. Winning the awards naturally drew public attention to the artist from Normandy, and his works were presented in highly successful one-man shows in Paris. Sebire was a Norman, a man strongly attached to the soil, and after his exhibitions in Paris, he returned to Rouen to his large house overlooking the town and once again plunged into painting the countryside. Gaston Sebire was a strongly built man with square hands and a rather heavy walk. He had immense vitality, and used that to his advantage.  As he said of himself, “When the snow falls, I can’t stay indoors. I set out with my paint box. I paint outdoors from nine in the morning until five at night. If it were only a question of money, one could just as well paint in one’s own room.” But Sebire went into the countryside, or into the village, and sets up his easel. When there is a café into which people are going; there is a fence, a telegraph pole, a few buildings in the background. The scene takes on life, vivid life, with a sense of some event about to take place in the scene. Like many artists, and like a typical Norman, Sebire was silent and solitary by nature, with a personality as strong and frank as his paintings. A painting, he says, “must have an element of mystery, show an effort to look beyond the aura surface of things.” Sebire’s early paintings were somber with much use of black and white tones. In 1970 he turned to colour. The subtle light of the Normandy skies; the shifting light and color along the seacoast; the magnificent blues of the Rouen pottery...

This golden age of illustration work was most likely done for an interior story illustration for the Saturday Evening Post. Joe Bowler paints it in a loose but academically correct ...

The artist tells a whole action-packed story in one picture. A handsome young soldier shoots his pistol at a passing bomb-dropping airplane. The close call splashes water on him and his two sexy girl...

Date: 1969 Medium: Gouache on Board Dimensions: 14.50" x 18.50" Signature: Signed Lower Right True Frontier magazine cover, January 1969

Singed lower right and dated 1968. Hungarian born, Emil Bisttram became one of the Southwest's leading painters and teachers. He was a founder of the Transcendental Art...

A milk truck is seen caressed in the golden light of early morning as a woman bends down to feed her cat. The artist depicts a precious moment as an older woman reaching down to pick...

Original Illustration Art for General Electric Calendar, Tags on verso Deftly rendered in a post-impressionist style . Signed lower right Simple period wood frame - work could benefit from a new frame. Terpning has done movie posters for Doctor Zhivago, Cleopatra, Gone with the Wind and Guns of Navarone...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Vintage abstract oil painting. Oil on board. Signed verso. Framed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang and ...

Surrealist ad where a gloved human hand rises in pictorial height to the size of a chemical plant. Tension is created as Drafsman's Pencil is about to t...

The artist invents and then captures a moment of a peak drama with soldiers being shot and bombs exploding. It's beautifully rendered in Künstler signature style showcasing his deep ...

Gorgeous oil on paper by abstract expressionist artist Adine Stix. Beautiful hades of pink, with purple, blue, yellow and a touch of brown create a gorgeous abstract landscape. Sign...

Robert McIntosh(1916-2010), was a prolific American artist that worked and exhibited throughout his life in California. In 1948, McIntosh was awarded first prize at the Los Angeles County Museum of Art, and again ion 1949 at the San Francisco Museum of Art. "Point Dume...

Just discovered, a rare, early oil on panel by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibited throughout his lifetime, including first pr...