Items Similar to "Floating" Mid Century Modern Fort Worth Texas Artist
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Dickson Reeder"Floating" Mid Century Modern Fort Worth Texas Artist Circa late 1950s early 60s
Circa late 1950s early 60s
About the Item
Dickson Reeder (1912 - 1970) Fort Worth Artist Image Size: 10 x 15 Frame Size: 17 x 22 Medium: Oil on Board Mid Century Modern
Biography
Dickson Reeder (1912 - 1970)
Edward Dickson Reeder began his art education under Sallie Blyth Mummert and Sallie Gillespie before attending the Art Students' League in New York. He later traveled to Europe and studied with Stanley William Hayter at Atelier 17.
Dickson Reeder and his wife, Flora Blanc, established and directed the Reeder School of Theater and Design in Fort Worth (1946-1958).
Please view my 1stdibs store front for other Great Vintage Texas Paintings & Fine American Art. We carry Vintage, Mid Century & Contemporary
- Creator:Dickson Reeder (1912 - 1970, American)
- Creation Year:Circa late 1950s early 60s
- Dimensions:Height: 17 in (43.18 cm)Width: 22 in (55.88 cm)Depth: 7 in (17.78 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Housed in a shadow box type frame. Frame shows minor wear. Please view my 1stdibs store front for other Great Vintage Texas Paintings & Fine American Art. We carry Vintage, Mid Century & Contemporary.
- Gallery Location:San Antonio, TX
- Reference Number:1stDibs: LU76932411633
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1974
1stDibs seller since 2017
82 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: San Antonio, TX
- Return PolicyThis item cannot be returned.
More From This SellerView All
- "Strange Storm Coming" Sail Boats, Mid Century Modern Texas PaintingBy Michael FraryLocated in San Antonio, TXMichael Frary (1918 - 2005) Austin Artist Image Size: 21 x 29 Frame Size: 21.25 x 29.25 Medium: Heavy Textured Acrylic Mid Century "Strange Storm Coming...Category
1960s Modern Landscape Paintings
MaterialsOil
- "GREEN BOATS" OTIS DOZIER 1960 MCM ABSTRACT MID CENTURY MODERNBy Otis DozierLocated in San Antonio, TXOtis Dozier (1904 - 1987) Dallas Artist Image Size: 20 x 30 Frame Size: 25 x 35 Medium: Oil Dated 1960 Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters...Category
1960s Modern Landscape Paintings
MaterialsOil
- "Oil Derrick" Boomtown Bust RegionalistLocated in San Antonio, TXE. Scholz Texas Artist Image Size: 22 x 30 Frame Size: 29 x 37 Medium: Oil 1948 Texas Regionalism at its finest.Category
1940s Modern Landscape Paintings
MaterialsOil
- "IN FLIGHT" OTIS DOZIER MODERN CRAIN IN FLIGHT TEXAS ARTISTBy Otis DozierLocated in San Antonio, TXOtis Dozier (1904 - 1987) Dallas Artist Image Size: 30 x 40 Frame Size: 32 x 42 Medium: Oil Dated 1980 "In Flight" Biography Otis Dozier (1904 - 1987) Otis Marion Dozier is noted as a member of a group of Texas regionalist artists known as the "Dallas Nine". His style was characterized by brilliant colors and strong forms, often focusing on the plight of farmers affected by the Great Depression. Dozier was born in Forney, Texas in 1904. Raised on a farm in Mesquite, Texas with three siblings, his surroundings provided the materials that allowed him to cultivate a love for nature and wildlife. He once said, "youve got to start from where you are and hope to get to the universal." His surroundings became a primary focus for subject matter in his art. Other areas providing inspiration for his works would include the Big Bend and Gulf Coast areas of Texas, the Four Corners area of New Mexico, Arizona, and Utah, and the bayous and swamps of Louisiana. His earliest art training was in Dallas from Vivian Aunspaugh, Cora Edge, and Frank Reaugh when his family moved there in the early 1920s. Dozier became a member of the Dallas Artists League in the 1930s after becoming involved with a group of regionalist artists. He taught at the Dallas School of Creative Arts from 1936 to 1938, while at the same time studying the various works of European artists such as Picasso, Leger, and Matisse. His initial style included bright colors and dominant forms but later moved to the earthy tones of beige, green, brown, and gray. In 1940, Dozier married and together he and his wife contributed much to the Dallas cultural scene. Dozier attended the Colorado Springs Fine Arts Center in 1938 on a scholarship, studying with Boardman Robinson. For the next seven years he served as Boardmans assistant. While in Colorado, the Rocky Mountains became a favorite painting ground where he completed more than 3000 sketches of ghost towns and mountains. Influenced by Robinson, he developed a more fluid style and became an expert in the lithographic medium. Upon returning to Dallas, Dozier taught life drawing at Southern Methodist University from 1945 to 1948. From 1948 until 1970 he taught drawing and painting at the Dallas Museum of Fine Arts. He participated in sole exhibitions in the early to mid 1940s, as well as other major exhibitions at the Whitney Museum of American Art and the Metropolitan Museum of Art in New York City. Dozier completed murals at the Agricultural and Mechanical College of Texas (Texas A&M University) and at various post offices in Texas. He won many awards at various exhibitions, including the International Watercolor Exhibition in San Francisco in 1932; the Museum of Modern Art in New York in 1933; the First National Exhibition in New York in 1936; Allied Arts exhibitions in 1932, 1935, and 1947; and two Texas General exhibitions in 1946 and 1947. His works may be found in the permanent collections of the Museum of Fine Arts in Houston; the Archer M. Huntington Art Gallery at the University of Texas at Austin; the Modern Art Museum of Fort Worth; the Marion Koogler McNay Art Museum in San Antonio; the Dallas Museum of Art; and the Panhandle-Plains Museum in Canyon, among others. Dozier died of heart failure in 1987. Additional exhibition venues: Otis Dozier: A Centennial Celebration 1904-1987 The McKinney Avenue Contemporary, November 6 - December 10, 2004 OTIS DOZIER (1904-1987) Otis Dozier was born in Forney, Texas in 1904 and was raised on a farm in nearby Mesquite. Dozier enjoyed drawing and painting from an early age, and a visit to the Texas State Fair convinced him to pursue art as a vocation. Dozier recalled visiting the Fair’s rotunda and, there, seeing an early work by Mexican muralist Diego Rivera. Dozier did not understand the image but was fascinated by it, later recalling that looked like blood and buttermilk to him; he just looked and looked; the newspaper said it was so great and he was willing to learn but couldn’t understand why it was so great. Dozier’s family moved to Dallas at the beginning of the 1920s, and it was there that he would receive artistic training under Vivian Aunspaugh, Cora Edge, and Frank Reaugh. Dozier would study with Aunspaugh for two years. She introduced Dozier to art history and spoke highly of the Impressionists, although she was cooler towards the Cubists and Fauvists who represented France’s new vogue. Dozier became a member of the Dallas Artists League in the 1930s. He taught at the Dallas School of Creative Arts from 1936 to 1938 and was a significant member of the burgeoning Dallas art scene. Otis Dozier was a member of the cadre of Dallas artists known as the “Dallas Nine.” Though the disparate group of painters, printmakers and sculptors who composed the Nine could be broadly categorized as regionalists, they often displayed a decided fascination with the European avant-garde. This is especially true of Otis Dozier’s works, in which regionalist subject matter was often mingled with Surrealist and Cubist techniques. Starting in 1936, Dozier—as well as the other members of the Dallas Nine—began exhibiting their work at local, regional and national exhibitions. In 1936, Dozier, along with 713 artists from 47 states, attended the First National Exhibition of American Art at Rockefeller Center in New York. Dozier himself participated in numerous solo exhibitions during the mid-1940s and contributed to exhibitions in New York’s Whitney Museum of American Art and Metropolitan Museum of Art. In 1945, Dozier returned to Dallas. He had been invited by fellow artist Jerry Bywaters...Category
1980s Modern Landscape Paintings
MaterialsOil
- "Victoria Tower England" Mid Century Modern Texas Painting OilBy Michael FraryLocated in San Antonio, TXMichael Frary (1918 - 2005) Austin Artist Image Size: 40 x 30 Frame Size: 41 x 31 Medium: Heavy Textured Acrylic 1966 "Victoria Tower" Biography Michael Frary (1918 - 2005) M...Category
1960s Modern Landscape Paintings
MaterialsOil
- "Trees" The 1st Texas Black Woman allowed to exhibit in a Juried Art show.By Rezalia ThrashLocated in San Antonio, TXRezalia Thrash (1893 - 1982) Dallas Artist Image Size: 24 x 30 Frame Size: 30 x 36 Medium: Oil "Trees" Biography Rezalia Thrash (1893 - 1982) Rezalia C Thrash was the first ...Category
1960s Modern Landscape Paintings
MaterialsOil
You May Also Like
- Roofs. 1991, oil on cardboard 91x85 cmLocated in Riga, LVLaimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the feeling lightness and joy, which i...Category
1990s Modern Landscape Paintings
MaterialsOil, Cardboard
- In the evening, 1950's, oil on cardboard, 46, 5х34 cmLocated in Riga, LVIn the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)Category
1950s Modern Landscape Paintings
MaterialsOil, Cardboard
- Castle. Oil on cardboard, 38x45 cmLocated in Riga, LVCastle. Oil on cardboard, 38x45 cmCategory
1970s Modern Landscape Paintings
MaterialsCardboard, Oil
- Restaurant in Paris. Oil on canvas, 33, 5x24 cm.By Michel DelacroixLocated in Riga, LVRestaurant in Paris. Oil on canvas, 33,5x24 cm. Michel Delacroix (1933) Le restaurant à la petite chaise à Paris.Category
20th Century Modern Figurative Paintings
MaterialsCanvas, Oil
- La Crue a Monaco, Le Roche, Villa and Garden at Monte CarloLocated in Cotignac, FRAn oil on board view of a villa and garden in Monte Carlo, Monaco. The painting is signed bottom left but as yet undeciphered, presented in wood frame with inscription and trade labe...Category
Mid-20th Century Modern Landscape Paintings
MaterialsOil, Panel
- Love song Dandelion. 2005, oil on canvas, 100x130 cmLocated in Riga, LVLove song Dandelion. 2005, oil on canvas, 100x130 cm Kristīne Luīze Avotiņa is a young and bright personality whose talent is appreciated not only in Latvia, but also in other parts of the world. Her deep inner experiences and feelings of the soul are not hidden from the eyes of the audience, but are openly and engagingly narrated: about relationships, man and woman, passion, emotions, about experience and connection with nature. Characters live in Kristine's compositional solutions, where figurative painting and ornament appear. When painting large-format works, she masters the entire format, composition and color of the work, as well as linear drawing. Kristīne herself emphasizes: "Relationships between nature and people - it has always been a relevant topic in my painting. The more I work on it, the more interesting it seems to me. It is infinite and unending. With paint I refresh the beauty of nature and love on the canvas and I want to show that nature and love are equal in their beauty. In my works, I always want to show that nature is beautiful and worthy of admiration - a newly blooming water lily, falling leaves from golden trees, a pink sunset sky... This could go on forever..." Education: 2009 – 2010 Studies in „Escola Massana”, Painting Department, Barcelona, Spain 2003 - 2009 Studies in Painting Department, Latvian Academy of Arts, Riga, Latvia 2003 – „Jaņa Rozentāla Riga Art College”, graduation work in photo design. 1999 - 2003 „Jaņa Rozentāla Riga Art College”, Riga, Latvia 1990 - 1999 „Riga French Lycee”, Riga, Latvia Solo exhibitions: 2010 – „1000 and 1 night” Barcelona painting exhibition, exhibition hall „DFAB”, Riga, Latvia 2010 – „Alma” Barcelona drawing...Category
Early 2000s Modern Figurative Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Mid Century Artist
Midcentury Artist
Mid Century Floating
Floating Midcentury Modern
Mid Century Modern Painting Black
Modern 60s Art
Worth New York
Reeded Front
Modern Vintage Amps
Fort Worth
Atelier 17
Stanley American Modern
Texas Mid Modern
Texas Midcentury Art
Texas Mid Century Art
Fort Worth Texas
Texas Mid Century Modern
Vintage European Landscapes