1960s Landscape Paintings

Wonderful mid century modern abstracted figurative cityscape watercolor by Karen Miller (American, 20th century). Signed and dated lower right "K. Miller ...

Kansas City Cityscape, Mid Century Modern Primary Colors Urban Landscape Mid-century modern urban landscape by California artist Eleanor Perry (American, 20th century). This 1969 mo...

Oil painting, Venise landscape by the french painter Bret, Ecole de Nice. Silvered wood frame

Signed lower right, 'Barnes' for David P. Barnes (American, born 1930) and painted circa 1965. A vibrant, modernist still-life showing a profusion of white Ca...

Artist: Trafford Partridge Klots, American (1913 - 1976) Title: Boats on the shore in Brittany Year: circa 1960 Medium: Oil on Canvas, signed l.l. Size: 18 in. x 24 in. (45.72 cm x 6...

Signed lower right, 'Monteagudo' for Philippe Monteagudo (French, 1936-2016) and dated 1968. A panoramic winter view of St. Marks Square in Venice with numerous pedestrians gathered...

6013 Purple and red flowers in a garden landscape Framed Image 15.5x11,5"

Fabulous mid century oil on board dated 1968. I am fairly sure the scene is.Piazza San Marco in Saint Marks Square, Venice. The painting seems to be initialed GS or JS not entirely s...

William Mason (1906-2002) was a painter born in Newport, Wales, who studied at Newport College of Art and the Royal College of Art. Aside from painting he also taught at Scarborough...

Signed lower right, 'Marian Stahl' (American, 20th century) and painted circa 1960. Inscribed verso, 'Meyer St, Tucson AZ' with artist address. A finely drawn, mid-century view of ...

Nellie Buel 1908-2002 Comfort Texas Image Size: 36 x 24 Frame Size: 42 x 30 Medium: Print Circa 1960s "El Grito" Biography Nellie Buel 1908-2002 Nellie V. Buel (nee Upton), was born in 1908. Nellie attended Oregon State in Corvallis and graduated from the University of California, Berkeley, with a BA in Anthropology and Art. After many years as a faculty and Air Force wife and mother, Nellie resumed her full time interest in art. She studied under many notable artist-teachers, including Harding Black, Harold Roney, Dennis Olson and Kent Rush. Nellie Buel's work has been accepted in local and national juried shows. She has won numerous awards and prizes from art groups such as the San Antonio Art League and the San Antonio Watercolor Group, among others. Nellie's work is also included in permanent collections at St. Mary's University, the Healy-Murphy Learning Center, McAllen International Museum, the Hal Prince Collection (NY), Tamarind Institute Archives (Albuquerque, NM), and the McNay Art Museum Study Collection. Nellie V. Buel died in the United States in 2002. Nellie V. (Upton) Buel, born January 15, 1908, Portland, OR, died November 15, 2002. She attended Oregon State in Corvallis and graduated from University of California-Berkeley with a BA in Anthropology and Art. After many years as a faculty wife, Air Force wife and mother, Nellie resumed her full time interest in art. She studied under many notable artist-teachers, including Harding Black, Harold Roney, Dennis Olson, and Kent Rush. Although she was equally talented and proficient in all media, her interests soon specialized in graphics, in particular hand-pulled, limited editions of etchings, calligraphy, monotype, and woodblocks on handmade papers. Her work has been accepted in local and national juried shows, with awards and prizes from art groups such as San Antonio Art League, San Antonio Watercolor Group, Hill Country Arts Foundations, Texas Watercolor Society, and International Society of Experimental Artists. Nellie's work is also included in permanent collections at St. Mary's University, Healy-Murphy Learning Center, McAllen International Museum, Hal Prince Collection (NY), Tamarind Institute Archives (Albuquerque, NM) and McNay Art Museum Study Collection. After she and her husband retired to Boerne, they founded the Cibolo Studio in Comfort, Nellie's art studio and gallery, which she shared with Debbie Little-Wilson. Working in her studio, participating in shows, and sharing knowledge, techniques, and ideas with other artists, she continued to expand her artistic endeavors and creativity until very recently. She also gave of her time and talent through her teaching and critiquing other artists' works. Sadly, the contents of Cibolo Studio were heavily damaged during July, 2002 floods, causing closure of the studio after 30 years at the same location. She is predeceased by her husband of 58 years, Col. (USAF) Jack Buel. She is survived by her daughter, Ellen Todd Hanks (George); son, John Thomas Buel; three grandaughters, Kathryn Buel, Elizabeth Buel, and Natalie Mund (Randy) and three great-grandchildren. She is also survived by a host of artist friends and colleagues, but most especially by Debbie Little-Wilson, Dripping Springs...

Beautiful watercolor of windswept Carmel Cypress by Margaret C. Eifler (American, 1910-1996), circa 1967. Signed lower right corner; gallery label on ve...

"Winter Eve" Snow in Santa Fe New Mexico - Oil on Paper A winter snow in Santa Fe New Mexico by Jina Pamaititis de Amusategui (Tina) a Los Angeles and later New Mexico artist...

Ukrainian American abstract painting by Misha Reznikoff (1905 - 1971). Oil on canvas. Signed verso in monogram. Measuring 20.5 by 30.5 inches.

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Garden Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condit...

"Englishtown New Almaden, 1890 by Milton K. Lanyon (American, 20th Century). Presented in a wooden frame. Signed "Lanyon" lower right. Titled "Englishtown New Almaden. 1890" and sign...

Serene mid century lakeside landscape by an unknown artist (American, 20th Century). Presented in a rustic giltwood frame. Image: 9"H x 12"W. Framed: 11.25"H x 14.25"W. Excellent w...

Ralph Burton, Canadian, 1905-1983 Rippon, Quebec, 1959 Oil on board 10 1/2 x 13 in 26.7 x 34.3 cm signed lower left; signed, titled and dated ’59 verso framed

"Mutual Admiration" Flower Mid-Century Modern Oil Painting Monterey Artist Mid-Century Modern painting of a little blonde girl in a white apron adoring her flowers by Monterey Artist Rose Marie (Smith) Ansel, (American, 1921-2012) Rose Marie was born and lived in the Monterey area all her life. She volunteered in various city government associations and founded the Parade of Nations in 1970 which celebrated the many ethnic cultures on the Monterey Peninsula...

Óleo sobre lienzo representando una escena marina. Firmado y fechado a mano en el año 1963. Bien enmarcado, pero tiene alguna falta. Medidas: 33 x 55 cm; 56 x 78 cm (marco).

Wonderful mid century modern abstracted landscape of Sierra Mountains by Bay Area artist Barbara Farnham Dornbusch (American, b. 1929), circa 1960. Signed lower right. Presented in v...

Abstract Expressionist cityscape of Old City of Jerusalem in moody blues and gold. Yitzhak Greenfield, painter, born 1932, Brooklyn, New York His focus is on the heavenly and the terrestrial Jerusalem; on the Hebrew alphabet; and on central themes in Jewish tradition and culture. He deals with the tension between figurative and abstract. Education 1946 Educational Alliance Art School, New York City, with Abba Ostrowsky, Chaim Gross, and Louis Lozowick. 1948 Thomas Jefferson High School, Brooklyn, New York, Art 1953 Drawing and Drawing Wall Murals,Seminar at Givat Haviva with P. Pelzig, Yohanan Simon, and Naftali Bezem. 1960 Printmaking with the artist and printmaker Borin, Venice, Italy 1979-1981 Morris Blackburn Print Workshop, New York City, U.S.A. Teaching Art Kibbutz Gal-On and Gat 1961-1963 Arts, regional school at Mateh-Yehuda Regional school, Mate-Yehuda Anglican school, Jerusalem 1965–70 Bet Ha'am, Popular University Outreach Program, Jerusalem Ruth Youth Wing, Israel Museum, Jerusalem Shira Mushkin: Majestic scenes in blue, gold and indigo, radiating spheres and grand expanses hover above architectural forms and clusters of Hebrew letters, revealing dreamlike realities. These are the creations of the artist Yitzhak Greenfield who works in watercolor and acrylic paints layered with collages of painted papers, discarded book materials, and fragments of his own prints. Applying parts of broken furniture, clock springs, iron locks and keys, the artist forms assemblages that hint at familiar settings, resonating the past. For Brooklyn born, Israeli artist Yitzhak Greenfield, these visions are the essence of the Jerusalem landscape, inspired by the city’s ever-changing magical scenery. For generations, Jerusalem has been a focal point for the Jewish people. It is the center of Jewish life, faith, hope, history, and consciousness. Jerusalem holds a particular significance for Greenfield, who moved to Ein Kerem, Jerusalem over fifty years ago, after living on a kibbutz. Greenfield is a Jerusalem artist, and he remarks: “Living and working in Jerusalem is a special journey for me. My works are visionary landscapes, which are reconstructions of Jerusalem, not always relating to specific sites.” The artist has always been intrigued by the historical and dynamic nature of the city, as he constantly explores his own connection to the traditional and spiritual forms of Judaism. Greenfield’s art is linked to Jewish and Israeli history and symbols, such as the Hebrew letters, Jewish amulets, and the Ten Sephirot (Kabbalah emanations), containing aesthetic qualities of the material and the spiritual. Working in a distinctive modernist method, Greenfield’s artwork lends itself to rich possibilities of expression. The exhibition Yitzhak Greenfield: Exploring Jerusalem comprises three main series from the artist’s career, which span over the course of many years and continue to this day; Jerusalem Visions, Jerusalem Assemblages, and Landscape and Meditation on the Hebrew Letter. These artworks portray timeless dream-landscapes of Jerusalem. The hidden secrets of the city are locked away in assemblage constructions, and prints depicting Hebrew letters illuminate into mystical meanings. The spectator travels along with Greenfield through his creations, exploring Jerusalem and experiencing a spiritual and living Judaism, in which the artist constantly searches for the expression of his cultural and spiritual legacy as he reconstructs Jerusalem. 1966 General Exhibition - Jerusalem Artists' House Artists: Hirszenberg, Samuel Boris Schatz, Lilien, Ephraim Moses, Joseph Budko, Leopold Krakauer, Meir Gur Arie, Jacob Eisenberg, Ben Zvi, Zeev Palombo...

Green natural tonal impressionist painting of a landscape that is titled "Speeding". The painting appears to be a highway through the countryside with mountains and lots of green. Th...

Mid Century Dutch canal city scene, in brown, orange black, and white. Wonderful large mid-century Dutch or French canal /City scene. Top-quality painting with great appeal and impa...

Very well painted with heavy impasto oil on canvas. Charming farm scene with cows, sheep and a woman and her dog. Style reminds me a little bit of David Burliuk. Painting is signed ...

House In The Woods, 1964 - Original Oil Painting On Masonite 1964 Original oil painting by New York area artist Dickson (American, 20th C), depicting a small house surrounded by tre...

Tranquil landscape by Lylia T. Shackelford (20th Century). A calm stream flows down the center of the painting, framed on either side by lush grass and tall trees. Beyond the trees a...

Signed lower right, 'Fred Korburg' and dated 1969; additionally signed, dated and titled verso, 'Coast at Elsinore, Denmark'. Provenance: Los Robles Galleries, Palo Alto, California....

Artist: Henry Waltermar Doane – American (1905-2002) Title: Old Martinez Year: circa 1970 Medium: watercolor on watercolor paper Sight size: 20 x 28 inches. Sheet size: 22 x 30 inch...

Stunning large-scale, Bay Area Figurative School painting of a couple, dog and clown by Sally Kissinger Wilt (American, 1936-2004). Signed "...

Dramatic depiction of a flood by an unknown artist (20th Century). Flood waters have risen and are rushing through a town, with rain still falling. One house is still standing, but another red one is completely upended and being caried away. Power lines...

Virgilian wood is an original modern artwork realized in the 1960s by the italian painter Luigi Venturini. Mixed colored oil on board. Hand signed by the artist on the lower left m...

Artist: Frank Moss Hamilton, American (1930 - 1999) Title: On the Steps of Santa Prisca, Taxco Mexico Year: circa 1960 Medium: Gouache On Paper, signed l.r. Size: 23.5 x 35.5 in. (59...

Antique American abstract landscape painting. Watercolor on paper. Framed.

J. Robert Miller (1928 -2005) Abilene Artist Image Size: 16 x 20 Frame Size: 21 x 25 Medium: Oil "Going Home" Biography J. ROBERT MILLER (1928-2005) J. Robert Miller was an ...

Luminoso paesaggio con splendida cornice Leonid VAICHLIA (San Pietroburgo, 1922 – 2013) Allievo del Maestro Yuri Neprintcev all’Accademia di Belle Arti di San Pietroburgo. Membro ...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Jean Guy Desrosiers is a listed Canadian artist born in 1934. He is from Quebec region of Canada. He has auction results over $1800 and sells in galleries for much more. This charmin...

Original oil on canvas painting of Abisko, Sweden by the well known artist, Kjell Leander-Engstrom of Sweden. Signed lower left. Signed, titled and dated verso 1965. Notice of artist...

An original modern impressionist painting by American artist Chuck Fee Wong depicting the Willis Avenue Bridge on the Harlem River.

Gorgeous mid century abstracted landscape of adobe homes by S. Gallotti (American, 20th Century), 1963. Signed and dated lower right "S. Gallotti 5-14-65." Condition: Good; minor cra...

Antique American modernist street scene oil painting. Oil on canvas. Framed. Image size, 29L x 20H.

George Botti Italian, 1923-2003 Ballon Man Oil on canvas 36 by 36 in. W/frame 42 by 42 in. Signed lower right Barrel George Botti was born on  24 Mar...

Landscape, Woodstock, NY 1963. Archived No. D153, 16"X12.5"; 41x32 cm.; oil on canvas. Signed lower right . Rarely does one discover a worthy artist who works alone and unheralded....

Venice,Italy,Blue, Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive results dominated...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 16L.

Signed, verso, in Cyrillic, 'Leontev V.E.' for Valentin Nikolaevich Leontiev (Russian, 1912-1984) and inscribed, 'City of Yarolsavl on the River Volga. Painter, Leontev V.E. Showing Ilaskaya Church, symbol of 17th Century architecture'. Painted circa 1965. Accompanied by old framing label bearing title, 'Church of the Prophet Elijah'. Displayed in a burnished gilt-wood frame; framed dimensions: 21.5 H x 17.5 W x 1.5 D inches Valentin Nikolaevich Leontiev; painter, teacher. Honored Worker of Culture of the USSR (1973). Member of the Great Patriotic War of 1941-1945. He was awarded a commemorative medal. Medal "For Valiant Labor. In commemoration of the 100th anniversary of the birth of V.I. Lenin. Member of the Union of Artists of Russia (1947). Chairman of the Board of the Yaroslavl Union of Artists (1961-1964), member of the board until 1982. In 1931 he graduated from the Yaroslavl Art and Pedagogical College (teacher - S.F. Shitov) and continued his studies in Leningrad (teachers - I.I. Brodsky, A.A. Osmerkin, B.V. Ioganson). He was a Stalin scholarship holder. In 1941, from the 6th graduation course of the institute at the Academy of Arts, he volunteered for the front. Participated in battles near Narva and Kingisepp (North-Western Front). When the regiment left the encirclement, he was captured, in April 1945 he was liberated by the allied forces in Germany on the river. Elbe. After his release, he fought on the 2nd Belorussian Front, participated in the battles near Königsberg. In 1947 he graduated from the Leningrad Institute of Painting, Sculpture and Architecture. I.E. Repin of the Academy of Arts of the USSR, having defending his thesis - the monumental composition "Meeting of the Winners". After graduation, he taught at the Cheboksary (Chuvash ASSR) art school (1949-1951). In 1951 he returned to Yaroslavl and for 32 years (1951-1983) taught at an art school. There are many well-known artists among the students of Valentin Nikolaevich Leontiev. In addition to many landscapes ( " Morning in Yaroslavl " (1967), " Industrial motive " , " The Church of Elijah the Prophet " (1956), " Hoarfrost "(1979) and others), as well as chamber works in the genre of still life, V.N. Leontiev created several significant thematic canvases, including: " Weekend Morning in Cheboksary " (1950 - Chuvash State Art Museum), " Building Communism " (1951, YAHM). Participant of regional, interregional, zonal, regional, republican and all-Union exhibitions. Personal exhibitions in Yaroslavl: 1972, 1983 and 1997. V.N. Leontiev participated in the work of several congresses of the Union of Artists of the RSFSR and the Union of Artists of the USSR, in the formation of regional exhibitions. Works by V.N. Leontiev are kept in the museum collections of Yaroslavl, in Russian and foreign private collections. From the introductory article to the exhibition catalog "Valentin Nikolaevich Leontiev and his students ” , 2008 Art critic Olga Shikhanova. He was loved by both students and fellow artists. Many even now remember with a smile many funny stories associated with the name of Valentin Nikolaevich Leontiev, one of the most significant painters of Yaroslavl. Many are still grateful to him for the lessons of mastery, for patience and tolerance, for a sincere interest in their first, albeit timid, steps in art and for a personal example of passion for creativity. A native Yaroslavl, Leontiev was born on February 5, 1912. His father was a wagon coupler on the railroad and died when his son was 7 years old. Mother Alexandra Nikolaevna worked all her life as a painter at one of the oldest paint and varnish enterprises in the country - the Victory of Workers plant. An inquisitive and active boy at the age of ten joined the first pioneer detachment on Krasny Perekop and from that time became addicted to drawing. Valentin received his initial art diploma in the then popular working studios of fine arts, and in the Yaroslavl Art School, where he entered in 1928, his teachers were wonderful teachers Sergei Fedorovich Shitov and Pyotr Nikolaevich Shadrikov, who stood at the origins of the Yaroslavl art school. In 1931, after defending his diploma, Leontiev received a referral to the Victory of Workers factory, where he conscientiously performed the usual work for a factory artist: he wrote slogans, drew wall newspapers, designed stands with the results of socialist competitions. Such work could not give real creative satisfaction to a person with his pictorial possibilities. In 1933, Valentin first entered the preparatory classes of the All-Russian Academy of Arts, and in 1935 became a student. Art and creative work carried away, and the names of the teachers I. Brodsky, A. Osmyorkin, B. Ioganson, E. Serov, R. Frentz, A. Zaitsev, who had already entered the history of Russian art, turned their heads. In 1940, for excellent progress, Vadentin was awarded the highest student award - a state scholarship. Even then, Leontiev's leadership qualities appeared, and in 1938 he was elected a member of the Student Youth Council under the Central Committee of the Komsomol. For the diploma, he painted a large-scale painting "Children on the Volga" (headed by A.I. Savinov). These few Leningrad years were the happiest in Leontiev's life. After all, it was there, within the walls of the Academy, that he met a friend for life - Evsey Moiseenko, and there he met his only love, Tanya Edelson. The wedding was played in a student hostel in January 1941. But June 1941, like many young people of his generation, dramatically changed the life that had begun so wonderfully. The terrible word "War!" Leontiev and Moiseenko, academic scholarship holders, on whom great hopes were placed, were completely exempted from military service, but both made the only choice possible for them at that time: instead of defending their diploma, in July 1941 they signed up as volunteers in the people's militia. On a memorable day, a large group of students gathered at the Academy - future historians, artists, musicians - all of whom the slogan "Leningrad is in danger!" also did not leave indifferent. From there, everyone went first to the militia, and then to the front. Private of the 4th Volunteer Division, Leontiev participated in the construction of defensive fortifications around Leningrad. The militias dug the ground, constructing anti-tank ditches and pillboxes. After heavy fighting near Narva and Koenigsberg, some colonel undertook to take them out of the encirclement. And so it happened that led untrained soldiers directly to the Germans. So Leontiev was captured, and soon ended up in Germany. Repeated attempts to escape each time ended in raids and brutal reprisals. Finally, he was given as free slaves to a German farm, where he stayed until the arrival of the Red Army. It was a difficult time for Leontiev's wife, Tatyana: in November 1941, their son Vladik was born in Anapa. She survived nine months of occupation and the inability to learn anything about the fate of her husband. Freed from captivity, Leontiev served in the 128th separate communications battalion of the 24th Army of the Belorussian Front until October 1945, and all this time he tried to contact his relatives. He was considered missing. Finally, Valentin was reunited with his family, and then a wonderful portrait of his son appeared, which the artist painted on the same day - “Vladik. Meeting with my son. Leontiev's graduation work was lost during the war years. Having written under the guidance of B.V. Ioganson and V.A. Serov's new large painting "Meeting of the Winners" (280x350), Valentin in 1947 defended his diploma. The high commission rated...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

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woman on boat,lake,1967,russian art LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Eur...

Signed lower right, 'Shafsky' and painted circa 1960. A kinetic, mid-century oil abstract comprising a structurally inter-related field of jade and saffron contrasted against second...

Large-Scale Tropical Secret Garden, Mid-Century Botanical Diptych with Waterfall A stunning large-scale, substantial diptych depicting a post-impressionistic tropical nocturnal garden scene by an unknown artist, c.1960s. This diptych is comprised of two pieces; the first panel depicts a group of blooming orchids surrounded by glossy tropical leaves, big boulders, and trees, under a blue night sky. The lush garden continues onto the second panel, which reveals a gorgeous waterfall. In the style of Paul Gauguin's Tahitian period. Unsigned. Measurements: This diptych (2 panels) measures in total: 48"H x 100.50"W. Orchid panel measures 48"H x 52.50"W. Waterfall panel...

A mid-century oil of a tugboat moored in a calm harbor with a view towards a misty industrial port landscape beyond. Signed lower right, "Paula Koloday" (American, 20th century) and ...

Night Fantasy is an original tempera painting on cardboard, realized around 1960's by the French artist, Jean Raymond Delpech (1988-1916). This...

Autumn Trees, Mid Century Fall Landscape with Orange & Earthtones Lovely late 1960's vintage landscape oil painting of an autumnal scene by Cal...

Peaceful landscape depicting the calm waters of a coastal slough with partly cloudy blue sky by Mildred Vejtasa Fenner (American, 1911-2005). Signed "M. Fenner" lower right. Presented in a rustic painted period wood frame with linen liner. Image, 22"H x 28"W. Mildred Vejtasa Fenner was born in 1911, in Adam, N.D. She was the eldest of six children. When she was 5, the family moved to Circle, N.D. Following high school in Circle, she attended Eastern Montana State Normal School in Billings, and became an elementary school teacher. In 1937, she married Wayne Fenner, a mining engineer. They had three sons. She taught at Cardwell, MT until the family moved to California in 1952. They lived in Watsonville, Calif., and she taught at Salsipuedes Elementary School and Moss Landing...

Hills. Oil on canvas, 68x99 cm Summer landscape with hills

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Margaret Souttar (1914 – 1987) Selwyn College...

Stunning large-scale, Bay Area Figurative School, painting of a woman sitting by a window overlooking a lakeside view, influenced by her teacher Richard Diebenkorn, by Sally Kissing...

Signed lower left "Pieter Smoor" and dated 1966. Titled "Iglesia San Antonio" on old Mendocino Art Center label verso. A semi-abstract landscape showing a view of the dome of a ren...