19th Century Landscape Paintings

Alfred Vickers Senior (1786–1868) Shipping off the Coast, oil on canvas, circa 1860, signed lower left This lively coastal scene by Alfred Vickers Senior, painted circa 1860, reveal...

William Mellor British, (1851-1931) On the Llugwy, North Wales Oil on canvas, signed & further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 22.5 inches x 30.5 inches A pleasing landscape painting of the River Llugwy in North Wales by William Mellor. Sheep can be seen grazing on the bank to the right as the river flows over a rock formation. Beyond is the stunning mountainous backdrop of Capel Curig. William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter. In 1876, he married Mary Elizabeth Watson...

French school end of 19th century Seaside with two characters, oil on paper 27 x 49 cm In good condition In a modern frame : 35 x 57 cm

Wonderful pastel of early Avalon, Santa Catalina Island by Guy Bedford (American, 1866-1916), 1898. One of two estate pieces purchased one was signed and t...

Ebb Tide on the Devon Coast by David James British fl. 1881 - 1892 Oil on canvas Canvas size: 24 x 36 inches Framed size: 30 x 42.25 inches Signed lower right

Pierre Edouard FRERE Paris, 1819 - Ecouen, 1886 Oil on paper on canvas Signed lower left "Ed. Fr" 24.5 x 33 cm (32 x 39 cm with the frame) Beautiful 19th century frame with canes and...

This artwork might be one of two versions, the other one being in the Museum in les Invalides Paris. Note. This version has a more accomplished academic style. Dimensions with ori...

A stunning 1891 exhibited oil painting by British listed artist George Sherwood Hunter. This is a glorious British Impressionist painting from his travels in Northern France. It depicts “A Breton Courtship” in blue hot summer tones and is married well with the French Barbizon frame. The couple sit opposite each other, on either side of the road they are travelling together. A fantastic painting. This is a large oil on canvas by the Scottish artist who is one of my favourite artists of the period. George Sherwood Hunter was a well travelled artist and he painted throughout Europe. He is represented in many public collections. Provenance. Exhibited: Royal Society of British Artists 1891. Condition. Oil on canvas, 30 inches by 20 inches unframed and in good condition. Housed in a fine Barbizon gilt gallery frame, 40 inches by 30 inches framed. Gallery condition. George Sherwood Hunter (1846-1914) - was born in Aberdeen in Scortland on 30 May 1846. He first visited Newlyn in the 1890s, staying at Belle View in 1897. In 1902 he settled at the Malt House, Newlyn, with his wife Constance. Hunter had a studio in Bateman’s Meadow, where the Forbes School of Painting was situated, and Hunter assisted with tuition at the School in its early days. In Mrs Lionel Birch’s 1906 biography of the Forbes’ she wrote, ‘r and Mrs Forbes feel that they owe a debt of gratitude to Mr G...

Arthur Hoeber Green Landscape Signed lower right Oil on canvas 25 x 30 inches Arthur Hoeber was an American painter best known for his writing on art-...

Oil Painting, Landscape "Winter Skating Scene" by Anton Doll (1826-1877) ...

This lyrical landscape entitled Dance of the Nymphs was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. Born in Paris in 1831, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert...

English painter (19th century) - Bulls at the stream. 35 x 54 cm without frame, 44.5 x 62.5 cm with frame. Oil on panel, in a gilded wooden frame. Con...

"Walk in the autumn forest by A. or O. Hamel". Düsseldorf, Germany. Dimension without frame: 106 cm x 82 cm). Frame slightly damaged in places. Major damage to the upper left corner...

C. 19th Century Folk art encampment painting w/miners & farmers Oil on canvas No visible signature Canvas: 20" W x 14" H Frame: 23.5" W x 17.5" H

Mariano Sigüenza y Ortiz was a Spanish painter and engraver born in Valencia. This copper painter and engraver was a disciple of the Academy of Fine Arts of San Carlos, in the early years of the 19th century. It is known that he came from a family dedicated to the art of silk making, so it is not surprising that he began his training at the Academy of San Carlos with the intention of applying his knowledge to this field. However, it seems that he opted for painting and later for intaglio engraving. Of his production as a painter, a copy of the painting La Virgen con el Niño y San Juan Bautista, the work of Mengs, and Los santos penitentes Pablo y Antonio, for which he obtained the 17 January 1836 a Supernumerary Academic position, for painting. Later, he devoted himself exclusively to the exercise of copper engraving. As an engraver, he illustrated the Biographical Dictionary, by Oliva, and the History of Spain, by Father Mariana. The engraving of El Niño Jesús...

Impressionist Landscape and Marine Oil Painting of Loch Fyne Scotland. Fishing Boats on the Loch with the Hills and Cottages in the distance. Tarbert, Loch Fyne" by Terrick Williams...

Oil Painting by Richard Wane "Breaking Waves" 1852 - 1904 marine painter who studied at the Manchester academy and was president of the Liverpool sketching club. Regular exhibitor. O...

Whitehaven is a small town and port on the coast of Cumbria, England 70 miles North of Liverpool. Historically a part of Cumberland, it has a manmade harbor which partially dries out...

In his work, “Autumn in the Catskills,” Jervis McEntee paints bare trees standing in the Catskills.

Oil Painting by William Stone "A crossroads near Leominster" 1843 - 1913 Popular Midlands painter of rural landscapes, regular exhibitor with the Royal Birmingham society of Artists...

Fine 19th century landscape oil painting on canvas by Scottish artist William Beattie-Brown (1831-1909), is of a Highland River in Spate. Beattie-Brown excels in capturing the movement of water and atmospheric hills in scenic Scottish backgrounds. Beattie-Brown was a member and academician of the Royal Scottish Academy (RSA), and his signature is followed by RSA to note this distinction as an artist. His work is represented in the Scottish National Gallery in Edinburgh, Glasgow, northern England and in the London Royal Academy. His forte' is in Scottish landscapes painted plein art...

The Hand Kisser is an artwork realized by an unknown Painter of Center Italy. Oil on Canvas, Early 19th Century. Copy of an earlier painting, probably...

In the yard. Cardboard, oil. 6.2x8 cm

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 12.75 INCHES X 10.75 INCHES** Walter Williams British, (1834-1906) Stormy Seas & By the Shore Oil on canvas, pair, both si...

Notes: This painting was reviewed via digital photographs by Max and Dr. Christoph Andreas who confirmed it authenticity. They commented that the painting would benefit from removal of the discolored varnish. Provenance: Provenance: Christie's New York, 19th Century European Paintings, Drawings, Watercolors, and Sculpture, February 23, 1989, Lot 125. Private Collection, Boston MA, Skinner Auction, Nov 2021 Arab Horsemen" by Adolf Schreyer captures the grace and power of Arab horsemen in a vibrant Middle Eastern setting. Schreyer, a renowned artist of the 19th century, adeptly portrays equestrian scenes with exceptional skill and detail. The painting showcases a group of horsemen galloping through a desert landscape, evoking a sense of freedom and adventure. Schreyer's meticulous attention to detail brings the scene to life, with sunlight reflecting off the horses' coats and dust rising beneath their hooves. Beyond its visual appeal, the artwork holds cultural significance, bridging the gap between cultures and inviting appreciation of Arabian heritage. Schreyer's experiences in North Africa, Turkey, and Syria inform his captivating depictions. "Arab Horsemen" is highly regarded in both America and France, where Schreyer's works found admiration among collectors and his association with the Barbizon School solidified his reputation. Owning this artwork not only adds beauty but also connects to a pivotal period in art history, showcasing Schreyer's artistic brilliance and cross-cultural appreciation. Experience the timeless allure of "Arab Horsemen" and embrace the spirit of the Middle East. Frame Size: Width: 36″ x Hight: 24.75″ Frame Thickness: 6.50″ Picture Size: Width: 24″ x 12.75″ Description: Introducing “Arab Horsemen” by Adolf Schreyer: A Captivating Blend of Artistry and Cultural Significance Capture the essence of the vibrant Middle Eastern culture with “Arab Horsemen,” a masterpiece by the renowned artist Adolf Schreyer. This captivating painting takes you on a journey through time, allowing you to witness the grace, power, and elegance of Arab horsemen in their natural element. Adolf Schreyer, a celebrated artist of the 19th century, gained immense popularity and admiration for his exceptional ability to depict equestrian scenes with unparalleled skill and detail. Born in Frankfurt, Germany in 1828, Schreyer developed a profound fascination for the Orientalist movement, which celebrated the exoticism and allure of the Middle East. “Arab Horsemen” exemplifies Schreyer’s signature style, highlighting his mastery of capturing the energy and spirit of his subjects. The painting portrays a group of Arab horsemen galloping across a vast desert landscape, their silhouettes evoking a sense of freedom and adventure. Schreyer’s meticulous attention to detail is evident in every brushstroke, as he adeptly captures the shimmering sunlight bouncing off the horses’ coats and the billowing dust beneath their hooves. What sets Schreyer apart is his ability to transcend mere representation and infuse his artworks with a profound cultural significance. His depictions of Arab horsemen are not only visually stunning but also serve as a bridge between cultures, inviting viewers to explore and appreciate the richness of Arabian heritage. The artist’s fascination with the Middle East stems from his experiences traveling through North Africa, Turkey, and Syria, immersing himself in the sights, sounds, and traditions of these enchanting lands. “Arab Horsemen” holds a special place in the hearts of art enthusiasts in both America and France. Schreyer’s works found great admiration and recognition in these countries during his lifetime and continue to captivate audiences to this day. In America, his paintings were sought after by collectors who were drawn to the romanticism and exoticism of the Orient. In France, Schreyer’s association with the Barbizon School, a group of artists who favored realistic depictions of rural life, further solidified his reputation as a respected painter. Owning a piece by Adolf Schreyer, especially “Arab Horsemen,” is not merely acquiring a beautiful artwork but also an opportunity to possess a tangible link to a pivotal period in art history. Schreyer’s ability to seamlessly blend artistic brilliance with cross-cultural appreciation makes this painting an invaluable addition to any collection. Experience the timeless allure of “Arab Horsemen” and let the spirit of the Middle East gallop into your life. Collections holding paintings by Adolf Schreyer include the Collections: Schwerin Gallery Count Mensdorff-Pouilly Collection Raven Gallery, Berlin Rockefeller Family Collection Vanderbilt Family Collection John Jacob Astor Collection William Backhouse Astor, Sr. Collection August Belmont Collection William Walters Collection...

Henry John Kinnaird British, (1861-1929) View near Cooksbridge, Sussex Oil on canvas, signed & further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 23 inches x 31 inches A pleasing landscape scene of a harvest near Cooksbridge, Sussex by Henry John Kinnaird. Figures are shown harvesting a crop in the foreground; whilst in the field beyond others stack sheaves onto a hay cart. A cottage and other buildings can be seen nestled amongst trees to the right. Cooksbridge is a village situated in the parish of Hamsey in Sussex a short distance from Lewes. It sits on the edge of the South Downs National Park, England’s newest national park which was designated in 2010. Henry John Kinnaird was a landscape artist born on 7 June, 1861 at Old Church, St Pancras in London. He was the eldest son of Francis Henry Kinnaird (1836-1916), who was an artist and his wife Charlotte née Lee. His brother Francis Joseph ‘Wiggs’ Kinnaird (1875-1915) also became an artist. Both were probably tutored by their father as their style and subject matter are similar, but Henry is also known to have taught his brother art. He spent his time on painting trips around the country and visited areas such as Buxton in Derbyshire where he met his future wife. He made his debut at the Royal Society of British Artists in 1880 from his parents address at 98 Brecknock Road, Islington with a work entitled ‘In the Green Woods, near Buxton’. By the time of his marriage to Alice Mary Leyland on 6 Feb, 1883 at Buxton he had established himself as a full time artist. The couple spent their early married life at 38 Leighton Road, Camden and had 2 children together. In 1886, he began exhibiting at the Royal Academy where he continued to show his work over the years. He moved to Chingford, Essex around 1887 where he was inspired by the views in his locality. Kinnaird painted in both oils and watercolours in a broad, naturalistic style similar to John Horace Hooper. Many of his works are of harvest scenes such as this fine example. After the death of his wife Alice in 1890, he married Mary Helen Cooke on 6 September, 1892. The couple went on to have 2 children. By 1901, he had relocated with his family to Worthing in Sussex where he lived at Rusholme on Homefield Road. After staying there for a few more years he moved to Elm Croft, Burpham, Arundel before moving to Ringmer near Lewes in Sussex. He spent the final years of his life living at The Old Cottage in Ringmer, where he died on 26 April, 1929. An example of his work is held by Chelmsford Museum. Presentation: The work is housed in a new English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art

Signed illegibly lower right

Narcisse Diaz de la Peña Nymphs in a Landscape Estate sale seal lower left Oil on board 9 1/4 x 11 1/4 inches Narcisse Diaz de la Peña was born in 1808 in...

This lovely Scottish Victorian Impressionist oil painting is by noted Kirkcudbright artist William Mouncey. Painted circa 1890 it is a landscape of a shepherd and his flock under tre...

Antique American modernist nocturnal street scene oil painting by Jerome Myers (1867 - 1940). Oil on board. Framed. Signed. Measuring 16 by 18 inches overall and 9 by 11 painting al...

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

Fine painting by renowned and award-winning Scottish artist Duncan Cameron of his favorite subject, the haystacks in autumn with the scenic Scottish cou...

Nils H Christiansen Danish, (1850-1922) A Winter’s Evening Oil on canvas, signed Image size: 11.5 inches x 23.25 inches Size including frame: 16.25 inches x 28 inches A beautiful winter landscape scene of a village covered in snow at sunset. A mother and son carry firewood back to their nearby cottage whilst other figures continue on home past the lake. In the distance, a church spire is silhouetted against the warm colours of the disappearing sun. Nils or Niels Hans Christiansen was a well-accomplished painter born in Esbjerg in the Jutland peninsula of southwest Denmark on 22 July, 1850. He specialised in winter landscapes and moonlight scenes and was interested in the effects of light, often painting the sunrise and sunsets against his native land. He first came to England in 1863 for the Royal Wedding of the Prince of Wales and Princess Alexandria. Although he worked mainly in Denmark and Norway, he spent some time in England where he is believed to have exhibited with many of the leading art galleries in London. In addition to exhibiting in England, Christiansen also exhibited in his home country at the Royal Academy of Copenhagen where he became a member. He seems to have settled in England and on 10 September 1887 he married Alice Dickens at York Square, Stepney. Together the couple lived at 36 Dempsey Street, Mile End with their children. One of their sons, Albert Edward Christiansen (1887-1927) also became an artist. Christiansen’s success brought him royal connections and he was given a Grace and Favour apartment at Windsor by Queen Victoria. By 1901, he had become a British subject and had moved to 15 Queens Road in Plaistow, West Ham where he spent the rest of his life. He died in 1922 at Plaistow, aged 71. His paintings are always beautifully drawn and with the inclusion of figures give added interest to the viewer. A number of his works can be found in museums and art collections in England including Epping Forest...

Karl Adloff’s View of Koblenz from the Rhine towards the Fortress of Ehrenbreitstein (1855) is a luminous and atmospheric river scene that draws the viewer into a moment of stillness...

James E. Buttersworth's most sought-after artworks emerge from his depictions of American racing yachts going head to head in the major regattas...

Albert Rieger (Austrian, 1834-1905), Moonlit River Landscape Scene, Oil on Canvas, 19th century, signed "Alb Rieger. Pinx" lower right, giltwood frame. Image: 32" H x 24" W; frame: 4...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

PETER WISHART ARSA (1846-1932) Innovative painter of landscapes and seascapes in oil and watercolour in a broad expressionist style influenced by McTaggart. He lived in Edinburgh, fr...

Leading Hudson River School Painter Famous for New England Views

Hand signed by the artist lower left. Realized a year after Sartorio’s journey to Paris with Michetti, it is a beautiful, early example of the sepulchral and pre-raphaelite style wh...

Oil on heavy card stock laid down on masonite by the French artist, Raymond Jean Verdun. Signed lower right. Circa 1895. Condition: Good. Overall framed 7 by 11 inches. The frame has been restored. Born 1873, in Nogent-le-Rotrou; died 1954...

A delightful oil painting on canvas by Newlyn listed artist Samuel Lamorna Birch. Painted circa 1895 it depicts The River Lune and a fisherman near Lancaster and it is a stunning example of early British Impressionism. One of the best early works by this artist, the colours are just beautiful, very vibrant and in gallery condition. Signed lower right. Provenance. Midlands collection. Condition. Oil on canvas, 30 inches by 20 inches unframed and in excellent condition. Housed in a fine period gallery frame which enhances the colours in the picture, 37 by 27 inches framed. In excellent condition. Samuel John Lamorna Birch (1869-1955) the leading figure of the second flowering of the Newlyn School, Samuel John Birch was so smitten with the Lamorna valley...

Antique American painting from the mid 19th century. Framework oil on canvas, on the first canvas, depicting a countryside landscape with a co...

Painted by Hudson River School artist William Ongley, "Through the Woods" is oil on canvas and measures 14 x 10 inches. The painting is signed by Ongley at the lower right. The work ...

Alfred Augustus Glendening Snr British, (1840-1921) The Vale of Evesham Oil on canvas, signed with monogram & dated (18)88 Image size: 29.25 inches x 49.5 inches Size including fram...

Caeser Bimmerman, oil painting, 1885, snowy winter landscape with deer and birds. Hunting scene. The romantic forest landscape in winter is a recu...

Edgar Longstaffe (1852–1933) Children Playing by a Lakeside landscape , oil on canvas, circa 1890 This serene and luminous landscape by Edgar Longstaffe, painted circa 1890, capture...

Louis Aston Knight, was the son of the American expatriate artist, Daniel Ridgway Knight. Born in Paris in 1873, Louis, unlike his father, had the privilege to be brought up in a home where he was surrounded by art and music. Raised and educated in Europe, Louis attended the Chigwell School in England for his Liberal Arts Education and began his artistic training, under the guidance of his father. Later he studied formally with the great French Romantic painters, Robert-Fleury and Jules Lefebvre. In 1894 Aston Knight debuted at the Paris Salon, starting a highly acclaimed career. Among his many awards, he won a Bronze medal at the Paris Exposition Universelle in 1900, an honorable mention at the Paris Salon in 1901, a gold medal in Lyon in 1903, a gold medal in Geneva and in Nantes in 1904 and Gold medals at the Paris Salon in both 1905 and 1906, earning him the title Hors concours as the first American to win two gold medals at the Salon in two consecutive years. Knight, was also made a Knight of the Legion of Honor in 1924 becoming an Officer in 1928 and eventually a Commander in 1934. Louis Aston Knight is most famous for his French landscapes executed in and around his home in Beaumont-le-Roger. Aston looked up to Claude Monet, and visited him from time to time at his home in Giverny. He was particularly impressed with Monet's gardens, and strove to cultivate a garden as beautiful as the master's. Knight also awarded prizes each year to the neighboring peasants who kept the nicest gardens. This ensured him of good models for his cottage landscape paintings. Gradually Aston Knight became well known in the New York art scene and traveled to the United States many times – painting scenes in New York, Florida and California. In 1911, Knoedler and Co. held an exhibition of his landscapes of the U.S.A. and France. His exhibition at the Levy Gallery in New York, in 1931 attracted much attention. In fact, "Art News" critiqued the show (26 December issue) and described his fame and plein-air approach: A group of new landscapes by Aston Knight, the popular painter of the Normandy Riverscape, is the Holiday attraction at the Levy Gallery. Mr. Knight sticks closely to his well established formula, doubtless due to the tremendous acclaim acquired in his earlier years when Hopkinson Smith...

An antique oil painting in its original ornate gold leaf frame. This tonalist painting depicts figures against a dramatic sunset. The work is signed illegibly lower left. It ap...

A charming late 19th century oil depicting a quiet farmyard scene with free range chickens pecking at fallen scraps from the hay cart. The painting is signed ...

Conditions : Excellent overall Condition. Great Master of Orientalism: Decamps revealed Orientalism at the 1831 Salon, establishing himself as an essential reference. The 1831 Salon...

Curtis S. Opliger Wharf with Boats Landscape Painting Oil on canvas 24 x 36 unframed, 42.25 x 30.75 framed

Jasper Francis Cropsey paints a view out from the Palisades onto the Hudson River in his artwork entitled, “Under the Palisades.”

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 18.5 INCHES X 22.5 INCHES** Pieter Cornelis Dommersen Dutch, (1833-1918) Goeser Veerhuis with Goes in the Distance & Elburg on the Zuiderzee Oil on panel, pair, both signed & dated 1904 with wax seals verso Image size: 11.5 inches x 15.5 inches (each) Size including frame: 18.5 inches x 22.5 inches (each) A wonderful pair of seascape paintings by Pieter Cornelis Dommersen. The first painting depicts the Goeser Veerhuis or Goes Ferry House on the left with the Dutch town of Goes in the distance. The ferry house was a popular landing stage for barges and fishing boats. Goes church, with its distinctive spire can be seen in the far distance. The second painting is of Elburg, a fishing port on the east shore of the Zuiderzee in the Dutch province of Gelderland. Dommersen often returned to these areas to paint when he travelled back to the Netherlands and these fine examples were most likely painted on one of these trips. Pieter Cornelis Dommersen was born Pieter Cornelis Dommershuizen or Dommerhershuisen on 6 December, 1833 in Utrecht, Holland. Little is known about his father and he appears to have been brought up solely by his mother Cornelia into an artistic family. His younger brother was the artist Cornelis Christian...

Jacques Louis ODIER Geneva, 1853 - Vevey, 1930 Oil on paper on canvas 34 x 54 cm (47 x 66.5 cm with frame) Countersigned on the verso "Odier" Exhibition number on the verso “249” Bea...

Signed lower right in arrowhead: R A Blakelock; on verso: A Spring Garden

Along the River Gilsoul Victor Brussels 1867 – 1943 Belgian Painter Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 40 x 28,50 cm, frame size 52 x 41 cm Biography: Gilsoul Victor was born in Brussels on September 10, in 1867. He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist. Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 - 1895) and Louis Artan (1837 - 1890). In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890). Gilsoul  was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians...

High Alpine Landscape, Alps. Oil Painting by Otto Werner Henning von Kameke. Kameke was already a captain when he switched to art in 1860, went to Rome a...