19th Century Landscape Paintings

Highly respected American painter Warren Sheppard depicts the fishing boats of Venice with their colorful sails along the still waters of the Adriatic Sea. Sheppard is famous for his...

The Artist at Work French School, circa 1800's oil on canvas, framed: 13.5 x 17 inches canvas: 11 x 14 inches Provenance: private collection, France Condition: very good condition ...

'Evening Glow' by Eugene Galien-Laloue is a Post-impressionist Parisian Street Scene - a painting filled with beautiful warm light and depicting the streets of Paris. Figures meander...

Oil Painting Pair by Albert Gyngell "On the Lledr" and "Above Pont-y-Pand A Lakeland Cottage" flourished 1873- 1892 A Worcester landscape painter who exhibited at the Royal academy a...

James Craig Nicoll paints figures obscured by tall grass on a small island off a coast lined with bare trees observing a flock of waterfowl in his oil painting, “Duck Hunting Scene.”

The Logging Team by John Falconar Slater (British, 1857-1937) signed oil on canvas, framed framed: 25 x 32 inches canvas: 20 x 27 inches Provenance: private collection, UK Condition...

Julius Lange (17 August 1817, Darmstadt – 25 June 1878, Munich) was a German landscape painter. In 1834, inspired by his older brother, the architect Ludw...

Artist/ School: by Tom Seymour (British 1844-1904), signed lower front Title: 'Highlanders', a fine Victorian oil painting depicting these majestic Highla...

Pleasure Boating Off Brighton Pier, 19th Century by George MEARS (1826-1906) Fine large 19th Century view of a pleasure boat off Brighton Pier, oil on p...

Highland Pastures by Louis Bosworth Hurt British 1856-1929 Oil on canvas Canvas size: 24 x 36 inches Framed size: 36.25 x 48 inches Signed and dated lower right

As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.

A leading figure in Swedish landscape painting around the turn of the century, Arvid Mauritz Lindström was celebrated for his evocative depicti...

Oil on canvas mounted on board. As twilight descends over the ancient city of Cairo, the iconic silhouette of the Citadel emerges against the fading light. This is the scene that Robert Swain...

Charles Henry Miller (American, 1842-1922) Untitled (After Troyon), c, 1885 Oil on canvas 9 x 12 in. Framed: 14 x 17 x 3 1/2 in. Signed lower left, inscribed verso Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 9.75 INCHES X 12.75 INCHES** Adolphus Knell British, (b.1849, fl.1870-1890) Shipping in the Morning & Shipping in the Evening Oil on canvas, pair, both signed Image size: 5.5 inches x 8.5 inches (each) Size including frame: 9.75 inches x 15.75 inches (each) Provenance: Armagh Gallery, Broadway, Worcestershire A lovely pair of marine paintings...

Paul Savigny French, 1858-1916 Martigues, France Oil on canvas 25 ½ by 36 ½ in, w/ frame 31 ½ by 42 ½ in Signed lower right

landscape, England, 1890,green,blue Edouard CHAPPEL (Anversa, 1859 – Cagnes-sur-Mer, 1946) MUSEI BELGIO Anversa Musée Royal des Beaux-Arts FRANCIA Paris Musée d’Orsay ...

Signed: Morrow '65 (Lower, Right) " Venus of the Grotticella Fountain ", 1865 Oil on Paper 14 1/2" x 10" Housed in a 2 3/4" Ornamented Frame Overall Size: 19 1/2" x 15" The f...

"Poppies in the Forest," painted by Willard Metcalf, is a vibrant and captivating depiction of nature's splendor. Metcalf, a prominent American artist associated with the Impressioni...

19th century German romantic painting of a deer family in a snowy forest by Wilhelm Kühnert A majestic stag stands sentinel at the edge of a sun-drenched clearing, his gaze locked w...

Oil Painting by Henry Dawson "Chertsey Quarry" 1811 -1878 Henry Dawson 'the story man of Nottingham' exhibited there and Liverpool begfore moving to London in 1850 and exhibiting wi...

C. Late 19th Century - Early 20th Century Mountainside Landscape ( Oil on Wood ) / Signature on Bottom Right side

Charles Towne (1763-1840) Riders and dogs on a country path Oil on canvas 28 5/8 x 36 1/8 in 72.6 x 91.8 cm Provenance With Thomas McLean, London; With Arthur Ackermann & Sons, Lond...

This is an original and unique oil on canvas painting by the Belgian 19th century artist Julien Jos, who was active from 1890 -1910. He specialised in rustic genre scenes featuri...

Berne-Bellecour Étienne-Prosper Boulogne 1838 – 1910 Paris French Painter Battle Scene Signature: Signed middel lower left Medium: Oil on panel Dimensions: Image size 22 x 27 cm Biography: Berne-Bellecour Étienne-Prosper was born in Boulogne, France on June 29, 1838. He was a French painter illustrator and printmaker. He also practiced as a sculptor and an etcher. He studied under master teachers and artists Picot François-Édouard and Barrias Félix- Joseph. He also studied at the École des Beaux-Arts in Paris and competed in 1859 for the Prix de Rome. He also worked in photography to support himself while he studied. In 1867 he won a prize for photography at the Universal Exposition. French painter Vibert Jehan Georges...

Wonderful turn of century English School landscape with swans in park setting, by an unknown artist, c.1900. Signed with initials "L. G" lower left corner. Presented in rustic gilt t...

Robert William Vonnoh (1858-1933) Spring in the Meadow Signed lower left: Vonnoh Oil on canvas 20 x 24 inches 50.8 x 61 cm Framed dimensions: 26.5 x 30.5 inches Provenance Private c...

BACHMANN Alfred Félix August (1863-1956) Venice Lagoon and Doge Palace Oil on canvas signed Low Right Frame gilded with leaves Dim canvas : 73 X 54 cm Dim frame : 78 X 95 cm ...

Signed illegibly lower right

Edmund Coates (1816 - 1871) America, 1861 Oil on canvas 30 x 40 inches Provenance: Kennedy Galleries, New York Private Collection This 1861 painting shows deep symbolism with a sled reading "America" slipping down a hill. A versatile nineteenth-century painter, Edmund C. Coates created landscapes, seascapes, portraits, and history paintings. Born in England, Coates spent his adult life in New York City, where he was a frequent exhibitor at the National Academy of Design. Working in the style of the Hudson River School, Coates produced beautiful, idealized images of the lakes and mountains of the Hudson River Valley and the White Mountains of New Hampshire, as well as romantic visions of ancient Italian ruins. He was closer in dates to the second generation of the Hudson River school, which included Frederic Edwin...

William Beattie-Brown (1831-1909) RSA, (Royal Scottish Academy) painted 'Highland Stream with Sheep ' in crisp detailed oil paint on canvas. Beattie-Brown excels in water rapids and ...

Henry H Parker British, (1858-1930) The River Kennet Oil on canvas, signed, further signed & inscribed verso Image size: 19.5 inches x 29.5 inches Size incl...

A charming late 19th century oil depicting a quiet farmyard scene with free range chickens pecking at fallen scraps from the hay cart. The painting is signed ...

John Henry Hill was a distinguished landscape painter and engraver of the American Pre-Raphaelite tradition. A lifelong resident of West Nyack, New York, John Henry Hill was influenc...

Painting of horses and farm animals by Herring the Younger British, 19th Century Frame: Height 83cm, width 97cm Canvas: Height 64cm, width 77cm This charming painting is by John Fre...

This beautiful oil-on-panel painting of a tranquil waterfront farm that is over 120 years old is by the Belgian painter Louis Dubois (1830–1880). Dubois...

Untitled (Fantasy Landscape), c. 1890 Oil on canvas Sight: 5 1/4 x 3 14 in. Framed: 12 3/4 x 10 5/8 x 1 in.

In uno sfondo naturale, con una grotta, il tronco di un'albero e un ruscello, risalta la figura di un giovane, in posizione centrale, coperto solo da un bianco perizoma cinto da un l...

Provenance fron the Family Atelier of the artist. Framing options* available. * Frame at an additional charge Free US CONTINENTAL Shipping, incl Europe and Asia. Born in Paris, the ...

A fine landscape with sheep and cattle by American artist George Loring Brown (1814-1889). Brown was born in Boston, Massachusetts, and was apprenticed to wood engravers and illustr...

JAMES MCDOUGAL HART (1828–1901) View of Lake Champlain, c. 1857 Oil on canvas 26 3/16 x 36 1⁄4 inches Signed lower center Exhibition History: National ...

Charles Lewis Fussell (American, 1840–1909) Trees in a Meadow Oil on canvas, 12 1/4 x 7 3/4 inches FRAMED: 18 x 13 1/2 inches (approx.) Fussell probably painted this work sometime b...

A walk in the forest. Cardboard, oil. 8x6.2 cm

Oil painting by John Dearman 1852, farm with cows and horse. Signed and dated lower left. Unframed. Age-related condition. Painting has been professiona...

Signed lower right in arrowhead: R.A. Blakelock

Drottningholm Royal Palace, Stockholm, Sweden, 19th Century European School Architectural Study Large 19th Century European School architectural study of Drottningholm Royal Palace...

Signed lower right. A landscape and marine painter, William Ongley was born in England in 1836 and came to America with his family and settled in New York. His art studies took him ...

Henry L. Richter (1870-1960), Charity, Oil on Canvas, 19th century, depicting a woman giving change to an invalid inside a church, signed lower right, unframed. 32.5" H x 19.75" W.

F. Walters (English, 19th Century) An English Winter Landscape at Dusk Oils on canvas, signed lower left. Circa 1890. Presented in a hand-carved English swept frame. This evocative ...

The Harvest Workers English School, 19th century indistinctly inscribed lower front corner oil painting on canvas, framed framed: 10 x 8.5 inches canvas: 8.75 x 7 inches Provenance: ...

Oil Painting by Gustave de Breanski "Coming into Harbour" 1856 -1898 painter of coastal marine views he exhibited at the Royal Academy, Royal society, Waller art gallery in Liverpool...

A superb British Victorian city landscape oil painting by noted Nottingham born artist John Arnesby Brown, painted in 1887. This rare early work is a product of Arnesby Brown's time ...

Paul Rudolf Linke Breslau, 1844 – Charlottesburg, 1919 The Sea of ​​Galilee Oil on panel 30 x 41 cm (50 x 59 cm with frame) Signed and dated lower left "P. Linke / 1882" Very beautif...

La scena raffigurata è presa dal capitolo 20 del vangelo apocrifo dello Pseudo Matteo e raffigura un evento avvenuto durante la fuga in Egitto. Maria, stanca, chiede a Giuseppe di ra...

This mid 19th Century, 25" x 30", oil on canvas, Folk Art hunting scene was painted in 1852, and signed and dated by an illegible artist. It is framed in a reproduction wood frame.

Conditions: Excellent overall Conditions. No prior restorations under UV light. Signed lower left "P Vernon". An oil on wood panel. The frame is an original french stuck frame. ( m...

Notturno Magico Atmosfera magica Ernst Liebermann (1869 – 1960) è stato un pittore, grafico e illustratore tedesco. Nel 1893 vinse la medaglia d'oro ("den grossen Schulpreis") del...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

With The Red Parasol, Edgard de St-Pierre De Montzaigle delivers a painting that speaks to the viewer both visually and emotionally. The young woman, lost in thought, is sheltered by...

Adolph Schreyer (1828 - 1899) Arab Scouts, n.d. Oil on canvas 33 3/4 x 56 inches Signed lower right Housed in an exceptional period American handcarved frame Provenance: Sheridan Art Gallery, Chicago Private Collection, Chicago Traffic Club of Chicago Schreyer expert Dr. Christoph Andreas has kindly confirmed the authenticity of this work. With the increase in travel by steamship and the political involvement of European powers in North Africa and the Middle East in the nineteenth century, paintings depicting the scenery, daily life, and customs of North African and Middle Eastern people became an object of fascination among European and American audiences. The German artist Christian Adolf Schreyer...