19th Century Landscape Paintings

Schelfhout Andreas Dutch Painter The Hague 1787 – 1870 Summer Landscape by a Ruin Signature: Attributed to Schelfhout Andreas Medium: Oil on oak panel Dimensions: Image size 32 x 36...

Hellemans Pierre-Jean Brussels 1787 – 1845 Belgian Painter A Summer Landscape Signature: Attributed to Hellemans Pierre-Jean Medium: Oil on oak panel Dimensions: Image size 62 x 78 cm, frame size 72,50 x 92,50 cm Biography: Hellemans Pierre-Jean was born on November 21, 1787, in Brussels. He was a Belgian pre-romantic painter of landscapes. He was married with his niece, Jeanne Marie-Joséphine Hellemans (1796-1837). She was a painter of still lifes with flowers and fruits. Hellemans studied at the Acade...

Alexandre Marie Guillemin French, 1817-1880 Scene de Chasse Oil on Panel 9 by 12in. w/frame 17 ½ by 20 ½in. Signed lower right He studied with Baron Gros. He exhibited at the Salo...

Oil Painting by Edmund Aubrey Hunt "A Dutch Estuary, Evening" 1855- 1922 Massachusetts painter who studied under Gerome in Paris who then settled in London. Exhibited at the Royal Ac...

A Canal View of Bruges with White Swans – Beguinage Entrance Verbrugghe Charles Bruges 1877 – 1974 Paris Belgian Painter Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 38,50 x 64,50 cm, frame size 47 x 55 cm Biography: Verbrugghe Charles was born into Belgian aristocracy on June 15, 1877, in Bruges. He was an Impressionist painter of town views, landscapes, views of the sea and beaches, still lifes, flowers and portraits. He is well known for painting of the convents and city views of Bruges and Paris. In 1907, he went to Paris to study under the master teacher Flori Van Acker (1858 – 1940). There, he became friends with the artist Maurice Utrillo...

Joseph Thors British, (1835-1920) A Country Track Oil on canvas, signed Image size: 15.5 inches x 23.25 inches Size including frame: 22.75 inches x 30.5 inches A charming landscape painting of a figure on a country track by Joseph Thors. A woman is shown walking along a lane bordered by with trees on one side. Through the open vista on the left, another figure can be seen in the distance in front of a farmstead and cottages...

Title: "Landscape with River" Artist: Alfred Vickers Medium: Oil on Canvas Size: 24 x 18.5 in. Frame size: 30 x 26 in. A serene landscape depicting a French village situated on the...

CORTES Antonio (1827-1908) Cows to pasture Oil on canvas signed lower left Old frame gilded with leaves Dim canvas : 54 X 65 cm Dim frame: 70 x 86 cm...

Johan Hendrik Louis Meijer Amsterdam 1809 – 1866 Utrecht Dutch Painter ‘Fishermen’s Cove with two fishing boats on the beach’ Signature: signed lower right ‘L Meijer’
Medium: oil o...

"Reading After School," attributed to Edward Lamson Henry, offers a glimpse into the everyday moments of 19th-century American life. Known for his meticulous detail and his ability t...

Duncan McFarlane’s The Packet Sunbeam of Boston Picking Up the Liverpool in Heavy Gale is a striking maritime composition that captures the power and ...

William Edward Webb British, (1862-1903) Penzance Harbour Oil on canvas, signed Image size: 29 inches x 45.5 inches Size including frame: 38 inches x 54.5 inches A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...

Signed lower left: "I.M.Gaugengigl". Label verso inscribed: "No. 185 Val. M. Plgr 1/07-21 / Artist: Gaugengigl, Ignaz Marcel / Title: An Italian Street ...

Frederick T. Sibley (1837-1912) Winter scene in North Wales Pastel on board, 122.5 x 81.5 cm With frame 151.5 x 111 cm Signed lower left "FT Sibley 1893" The work under consider...

James Webb 1825 - 1895 Littlehampton, Sussex Oil on board, signed lower left Image size: 8 x 12 inches Contemporary silver gilt frame This painting has on ...

Watercolor on paper executed by German-American artist Richard Veenfliet "My Old Kentucky Home" references one of the ballads written by American composer Stephen Foster in 1852.

Arvid Mauritz Lindstrom (Swedish School, 1849-1923) Lindstrom was born in the parish of Björksta in Västmanland, Sweden, he stud...

Painting with a traveler on a white horse and accompanied by a dog looking up at a road sign in the form of a cross. On the roadsign is ” Arnhem”. (a town at the Rhine river in the E...

Fine Original 19th Century Cookham Moor British OLD MASTER OIL PAINTING Description Excellent Condition Canvas. Cleaned & ,Re-vanished Ready to hang. " New frame and in wonderful c...

Painted by Hudson River School artist Ida H. Stebbins (b. 1851), "View of South Pond, New York," 1879 is oil on canvas, measures 23 x 33 1/2 inches, and is signed and dated 1879 at the lower left. The work is framed in an elegant Barbizon style frame and ready to hang. Ida H. Stebbins was born in January 1851 in Chelsea, Massachusetts to Mary and Isaac Stebbins, a teacher. Though scant records remain of Stebbins’ artistic training or career, various personal details of her life have been gleaned from contemporary newspapers and federal documents. By the time View of South Pond, New York was painted in 1879, she was living in Boston. Like many artists of her generation, Stebbins likely traveled throughout the Northeast region, gaining inspiration for her paintings from the landscape of New England and New York. Stebbins was likely visiting upstate New York when she painted this sweeping view of South Pond and the surrounding mountains near Long Lake in the Adirondacks just south of Deerland. Here, Stebbins captures the stunning vermillion, burnt orange and brown tones of the autumn landscape with the style and precise rendering often seen in paintings produced by the Hudson River School. Shortly after the completion of View of South Pond, New York, Stebbins married Frank H. Slack, a clerk, in her hometown of Chelsea on December 14, 1881 at the age of thirty. The couple moved to Hotel Comfort in Boston, where their son, Roland Stewart Slack was born on May 22, 1883. It seems likely that her husband died in the mid-1880s since on December 3, 1889, records indicate that Ida and Roland changed their last name back to her maiden name of Stebbins. Roland Stewart Stebbins (1883-1974) inherited his mother’s interest in art, studying at the Pennsylvania Academy of the Fine Arts, Columbia University in New York, and the Art Students League of New York. He also studied at the Académie de la Grand Chaumière and the Munich Academy of Fine Arts. Today, he is remembered for his marine and genre paintings and for his legacy as a respected professor of art education at the University of Wisconsin, Madison. On January 1, 1890, Ida married her second husband, Timothy Jarvis, in Somerville, Massachusetts. Their daughter, Ida Hazel Jarvis, was born soon after in 1893. However, the child suffered paralysis from a brain tumor...

German 1833-1906 Feeding the Ducks signed and dated Stammel/ 1876 (lower left) oil on canvas canvas: 24½ by 32 in.; 62.2 by 81.2 cm framed: 31⅛ by 38⅛ in.; 79 by 96.8 cm

Alfred Godchaux (1835-1895) An accomplished painter, he was interested in depicting multiple Venetian scenes. He was influenced by the Impressionists a...

Oil on panel Panel size: 17 x 14 inches Framed size: 22.75 x 20 inches Signed lower left

Martinus Kuytenbrouwer Amersfoort, The Netherlands 1821 – 1897 Paris, France Dutch Painter Along the River “La Meuse” Signature: signed lower right 'Martinus' Medium: oil on canvas...

Oil Painting Pair by William Anslow Thornley "A Morning Calm", "A Stormy Evening" flourished 1832- 1904 Popular painter of coastal marines lived in Kent and exhibited in London, Birm...

This nice impressionist landscape of a New Hampshire river was painted by American artist Charles Edwin Lewis Green (1844-1915). Green was born in Lynn, Massachusetts and became a regular exhibitor at the Boston Art Club and also took lessons there. In 1885, he moved to Boston where he and his close friend and artist Charles Woodbury committed themselves to making a living exclusively with fine art. They succeeded, and for several years, they were linked together as being non-European trained, stay-at-home artists with very similar impressionist styles and American subject matter. He was part of the seven “Lynn Beach...

The Valley of the Temples is an original modern artwork realized in 19th century. Mixed colored tempera on paper. Includes frame. Titled on the lower margin: Veduta del tempio esa...

Paul Jean Clays Bruges 1819 – 1900 Brussels Belgian Painter ‘Full Speed Ahead’ Signature: Signed bottom right and dated 1858
 Medium: Aquarelle Dimen...

Oil Painting circle of Petrius Geradus Vertin "Dutch Townscene" 1819 - 1893. Very typical scene of Vertin or one of his followers. Fine quality to...

Sir David Murray Scottish, (1849-1933) The Bridge Oil on canvas, signed & further inscribed verso Image size: 17.75 inches x 23.75 inches Size including frame: 26.25 inches x 32.25 ...

A wonderful landscape by American artist Thomas Mickell Burnham (1818-1866). Burnham was born in Boston, MA and received informal art training early on, traveling abroad before relo...

Late Afternoon, Brittany, 20th Century by Andrew Macara (b 1944) - rare large example of the artists work Large 20th Century Brittany beach scene with children playing in the late ...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Oil Painting by Claude T. Stanfield Moore "Carvers Public House and Old Wilford Ferry, Nottingham" 1853 - 1901 Nottingham painter of landscapes, town scen...

BACHMANN Alfred Félix August (1863-1956) Venice Lagoon and Doge Palace Oil on canvas signed Low Right Frame gilded with leaves Dim canvas : 73 X 54 cm Dim frame : 78 X 95 cm ...

Oil Painting by Albert Gyngell "Rydal Water" flourished 1873-1892. Gyngell was a Worcester landscape painter who exhibited his works at the Royal Academy and with the Royal Birmingh...

Oil Painting by James Poole "A River in North Wales" 1804 - 1886 Poole was a Sheffield painter of local and North Wales landscapes. His work is found in ma...

Woven silk and embroidered textiles have been popular in China and sought after the world over for thousands of years. Embroidered textiles are called xiuhua (or zhahua) ("making dec...

Oil Painting by George Law Beetholme "Highland River Scenes" flourished 1847 - 1878 London painter of highland landscapes who exhibited at the Royal Academy, British Institution and ...

Cogen Felix Sint-Niklaas 1838 – 1907 Brussels Belgian Painter 'Return from Fishing' Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 45 x 80 cm, frame siz...

A fine 19th century Italian School oil painting on wood panel of an Italian landscape with figures dancing around a pool with a mountain backgro...

Signed lower right - Jacques - Joseph Lécurieux (Jacques - Joseph Lecurieux, 1801-1867). "Rituel du Serpent. Bou Saada" ("Snake Ritual. Bou Saada") - highly informative and masterly painted picture of Algerian street scene by acknowledged and talented 19th century french artist. His genre scenes, his landscapes and his still lifes are particularly remarkable, as well as his engravings. His life nonetheless remains mysterious, but until now his work continues to be studied and appreciated by art enthusiasts around the world. Antique oil painting on wood panel...

"Outside the Bell Inn" by Walter Williams. Walter Williams 1835-1906 was a painter of the highly popular Williams family of painters regular exhibitor RA RBA and elsewhere. Oil on ca...

Léon BRARD (1830-1902) Views of The Nile Valley in pair Orientalist paintings Oils on wood signed low right New golden Frames Dim wood (each) : 22 X 41 cm Dim canvas (each) : 40 X 60...

Oil on canvas Canvas size: 18.5 x 36.5 inches Framed size: 23.75 x 41.5 inches Signed lower right

Oil Painting by Thomas Dingle Junior "Evening on The Coast" 1814 - 1919. Born in Lambeth but settled in Devon painting local views. He exhibited at the Royal society of British artis...

Alfred De Breanski Sr. (United Kingdom/Scotland, 1852-1928), circa 1890 Oil on canvas seascape titled en verso "A Pole in The Highlands" depicting two figures fishing center left, a ...

Pietro Della Valle (Livorno, 1819 - Florence, 1880) Landscape with shepherdesses and fisherman, 1846 Oil on canvas, 34 x 50 cm Framed, 64 x 69 cm Pietro Della Valle (Leghorn 181...

Oil Painting by William Pitt "The Severn above the Lowerloud Tewksbury" 1818 - 1900 A Midlands Landscape painter of local views and south-west scenes and regular exhibitor in London ...

Oil Painting by Walter Henry Goldsmith "Springtime, Porlock, Somerset" 1857- 1943. Maidenhead Artist in oil and watercolour, who painted Thames views and southern landscapes, he exhi...

English impressionist artist Albert Ludovici Jr. (1852-1932) painted landscapes of societies at leisure. This painting is of The River Thames that fl...

"Near Tamerton Devon" by William Pitt. William Pitt 1818-1900 was a fine midlands landscape painter of local scenes and south west views. A regular exhibitor at London and Birmingham...

The Loggers Rest, 19th Century by James John Hill (1811-1882) to $30,000 Fine large 19th Century English country landscape with a logging team restin...

Oil Painting by John Ernest Foster "Whitby Quay" 1877 - 1968 Born in Hull but settled in Suffolk at Dedham. Member of the Ipswich Art club and exhibited a...

A student of Regnault and of Bertin, Jean-Charles Joseph Rémond exhibited at the Salon from 1814 to 1848. He was awarded his first grand prize in 1821 for "L'enlevement de Proserpi...

Oil Painting by Anton Schoth "Evening Unloading the Catch" 1859 - 1906 Austrian Painter of Coastal scenes in the Mediterranean and off the Dutch o...

Oil on canvas, 8 x 12 inches

The British artist Maud Hollyer exhibited her watercolors at the Royal Academy of Arts in London at the turn-of-the-century.