19th Century Landscape Paintings

Mid 19th century Realist ink, watercolour and gouache portrait on paper of a young man in a field by John George Todd. The painting is signed G Todd bottom left as was his usual mann...

COLIN François (1798-1864) The Declaration of love Oil on canves signed low left Old frame regilded with leaves Dim canvas : 41 X 57 - Dim frame : 56 X 71 cm COLIN François (1798-1...

Paul Lecomte (1842-1920) Landscape with a bridge Oil on cardboard panel 25 x 33 cm Framed : 33 x 41 cm This painting by Paul Lecomte is not signed but it has a very good provenance...

Henry Schafer (1833-1916), Oil on canvas. A bustling street scene in Louvain with the city's gothic cathedral dominant in the background. The painting has been signed 'H. Schafer' to...

Sunset Landscape with the view of Procida Island Bay of Naples. Signed by Henry Marko' painter active in Italian landscape oil on canvas . Amazing decoration for your interior. Me...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 RIDERS PASSING BY A TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla, 1847." (lower l...

William Edward Webb British, (1862-1903) Douglas Harbour, Isle of Man Oil on canvas, signed Image size: 21.5 inches x 37.5 inches Size including frame: 33 inches x 49 inches A busy quayside painting by William Edward Webb of Douglas Harbour on the Isle of man. Fishermen in boats can be seen preparing to head ashore as other figures make their way along the quayside. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...

This depiction of a sunrise on a Winters day is a beautifully atmospheric oil on canvas painting by the artist Johann Jungblut. ‘Winter Day’ is an original work that is circa the 19th Century. Johann Jungblut was a German painter who focused on depicting winter landscapes of rural Netherlands, Germany, and Norway. Jungblut painted in a style which merged Impressionist techniques with the tradition of Dutch landscape painters like Aelbert Cuyp...

Hudson River School artist Charles Wilson Knapp's (1823-1900) "Fisherman by a Brook" is oil on canvas and measures 24 x 20 inches. The work is signed by Knapp at the lower left. The ...

Dordrecht Moonlit Landscape, 19th Century by Felix KREUTZER (1835-1876) Large 19th century Dordrecht moonlit landscape, oil on canvas by Felix Kre...

Hermanus Koekkoek the Younger was a member of the renowned Koekkoek artist family. He was the grandson of Johannes Hermanus Koekkoek, the nephew of the landscape painter Barend Cornelis Koekkoek...

This original and unique landscape is one of a pair that is priced individually. They depict a rural cottage by a stream and one of a woodland scene and are by the artist O. J. Clark...

View At Toledo, Circa 1930 WILLIAM JOHNSTONE OBE (1897-1981) to $20,000 Large circa 1930 British Expressionist view of Toledo, Spain, oil on canvas by...

Signed lower right: J.R. Brevoort.

Oil Painting by Henry Robinson Hall "Moorland Rovers, Loch Lomond" 1859 - 1927 Popular painter of Highland cattle he exhibited at the Royal Academ...

Signed lower right: RABlakelock

19th century Impressionist oil painting of two women in a park. Oil on canvas, circa 1900. Signed illegibly lower left. Displayed in giltwood...

This Hudson River School autumn landscape is done by the famed artist David Johnson. He studied at the national Academy of Design in New York. He was best known for the development o...

An artist who knew the vessels he painted firsthand, Baltimore artist Otto Muhlenfeld has captured the Great Lakes Steam Tug CALUMET in a colorful, working profile. Her American Ensi...

Walter Moras 1856-1925 Walter Moras was a Berlin born artist who was highly influenced by the atmospheric landscape paintings of Hermann Eschke wh...

Dated lower right: Sept. 67

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 DANCERS IN A COURTYARD signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right)...

Levi Wells Prentice paints a rock-ringed pool surrounded by dense trees beginning to display autumn color in his oil painting, “Autumn Brook.”

Winckworth Allan Gay paints a scenic coastal scene from an elevated perspective overlooking a wave-filled beach below in his work entitled, “Sandy Beach, Cohasset.”

Thomas Creswick R.A. 1811 - 1869, was an English landscape painter and illustrator. Creswick was one of the leading members of the Birmingham School of landscape painters and exhibit...

Oil on board Image size: 13 1/2 x 9 inches (34.25 x 23 cm) Hand made contemporary style frame This is a classic Italian landscape painted in an academic style, taking inspiration fr...

Schelfhout Andreas Dutch Painter The Hague 1787 – 1870 Summer Landscape by a Ruin Signature: Attributed to Schelfhout Andreas Medium: Oil on oak panel Dimensions: Image size 32 x 36...

VICTOR JEAN BAPTISTE BARTHELEMY BINET French, 1849-1924 This very attractive & early painting, circa 1875 by Binet, quintessentially defines the late Barbizon School period. Depicti...

This painting was bought from the artist's estate in Woodberry, CT and is signed verso. Eugene Savage studied at the Chicago Art Institute, the American Academy in Rome, and received his Masters of Art at Yale University. He taught at Yale for almost 30 years in Art and Architecture. Eugene Savage had many latin influences such as Diego Rivera and José Clemente Orozco. In the 1940s he spent his time painting Hawaiian murals of people and of more abstract Hawaiian...

Painted with unsurpassed detail, Robert Salmon's works are desirable to collectors the world over, due to the impressive amount of historic subject matter presented through artistic compositions of the highest order. As an artist Salmon was one of the most important to come out of England and immigrate to America in this period, influencing the art of Fitz Henry Lane...

Fisherfolk & Children On A Scottish Beach, 19th Century John Adam Houston RSA RI (British, 1812 - 1884) to $75,000 Large 19th Century Scottish beach scene with fisherfolk and child...

Highland Pastures by Thomas Sidney Cooper RA British, 1803-1902 Oil on panel Panel size: 16.5 x 21 inches Framed size: 23 x 27 inches Signed and dated 1851 lower right

Edward Williams British, (1781-1855) The Old Abbey Ruins Oil on canvas Image size: 22.25 inches x 30.75 inches Size including frame: 28.25 inches x 36.75 in...

JAMES MCDOUGAL HART (1828–1901) View of Lake Champlain, c. 1857 Oil on canvas 26 3/16 x 36 1⁄4 inches Signed lower center Exhibition History: National ...

The Artist at Work French School, circa 1800's oil on canvas, framed: 13.5 x 17 inches canvas: 11 x 14 inches Provenance: private collection, France Condition: very good condition ...

Richard FAXON (1816 - 1875) Rochefort Harbour with Galleons Oil on canvas signed low right New golden frame Size canvas 73 X 50 cm Size frame 69 X 95 cm FAXON Richard (1816-1875) ...

Eugene Galien Laloue (French, 1854-1941) Large oils on canvas landscape painting of the outskirts of Paris on the Seine River with figures and bui...

Jasper Francis Cropsey paints a view out from the Palisades onto the Hudson River in his artwork entitled, “Under the Palisades.”

David Bates 19th century English River landscape, with fisherman by the river side. David Bates was born in Cambridgeshire. He spent most of his early life in Worcestershire, where he became apprenticed at the Royal Worcester Porcelain Works. A painter in both oils and watercolours, Bates visited North Africa, before returning to paint landscapes mostly of Wales and Scotland. He shows the influence of Benjamin Williams Leader (1831-1923), Joseph Thors and S.H. Baker. David Bates also made small oil sketches of hedges and plants, which were usually inscribed on the reverse. The artist’s works display considerable technical virtuosity, ranging from the serene landscape, to the uneven swagger of his later works, which were noticeably less colourful. Although Bates was more than capable of producing refined landscapes, he was equably as capable of painting detailed...

Large Victorian coastal marine painting by Edward William Cooke, R.A. English, 1842 Frame: height 92cm, width 128cm, depth 6.5cm Canvas: height 77cm, width 122cm This superb marine ...

James Craig Nicoll paints figures obscured by tall grass on a small island off a coast lined with bare trees observing a flock of waterfowl in his oil painting, “Duck Hunting Scene.”

Clement Drew grew up in Kingston, Massachusetts, a coastal New England town. Early on he settled into a career as a marine painter. He augmented his income by working in a number of ...

Cheerful winter landscape with children playing and sledding. Signed lower left. Age-related condition. Dimensions with frame: 48 cm x 58.5 c...

Provenance: Robert Hollberton, Antigua, ca. 1841 Private Collection, New York The present painting depicts Old St. John’s Cathedral on the island of Antigua. The church was erected in the 1720s on the designs of the architect Robert Cullen. It measured 130 feet by 50 feet with north and south porches 23 x 20 ½ feet. The tower, 50 feet high with its cupola, was added in 1789. The church was elevated to the status of a cathedral, but disaster struck in the form of an earthquake that destroyed the building on 8 February 1843. A memorandum of that date relates the event: “On Wednesday, 8th February, 1843, this island was visited by a most terrific and destructive earthquake. At twenty minutes before eleven o’clock in the forenoon, while the bell was ringing for prayers, and the venerable Robert Holberton was in the vestry-room, awaiting the arrival of persons to have their marriage solemnized, before the commencement of the morning service, the whole edifice, from one end to the other, was suddenly and violently agitated. Every one within the church, after the first shock, was compelled to escape for his life. The tower was rent from the top to the bottom; the north dial of the clock precipitated to the ground with a dreadful crash; the east parapet wall of the tower thrown upon the roof of the church; almost the whole of the north-west wall by the north gallery fell out in a mass; the north-east wall was protruded beyond the perpendicular; the altar-piece, the public monument erected to the memory of lord Lavington, and the private monuments, hearing the names of Kelsick, Warner, Otley, and Atkinson, fell down piecemeal inside; a large portion of the top of the east wall fell, and the whole of the south-east wall was precipitated into the churchyard, carrying along with it two of the cast-iron windows, while the other six remained projecting from the walls in which they had been originally inserted; a large pile of heavy cut stones and masses of brick fell down at the south and at the north doors; seven of the large frontpipes of the organ were thrown out by the violence of the shock, and many of the metal and wooden pipes within displaced; the massive basin of the font was tossed from the pedestal on which it rested, and pitched upon the pavement beneath uninjured. Thus, within the space of three minutes, this church was reduced to a pile of crumbling ruins; the walls that were left standing being rent in every part, the main roof only remaining sound, being supported by the hard wood pillars.” The entrance from the southern side into the cathedral, which was erected in 1789, included two imposing statues, one of Saint John the Divine and the other of Saint John the Baptist in flowing robes. It is said that these statues were confiscated by the British Navy from the French ship HMS Temple in Martinique waters in 1756 during the Seven Years’ War and moved to the church. The statues are still in situ and can be seen today, much as they appeared in Bisbee’s painting, but with the new cathedral in the background (Fig. 1). Little is known of the career of Ezra Bisbee. He was born in Sag Harbor, New York in 1808 and appears to have had a career as a political cartoonist and a printmaker. His handsome Portrait of President Andrew Jackson is dated 1833, and several political lithographs...

Lonely Figure In A Mountain Landscape, titled "Dinas Braun Neath", 19th Century Francis DANBY (1793-1861) sales to $190,000 19th Century British landscape...

Signed and localized on the verso : "Vedute di parte dalla Piazza dif.a alla Loggetta e cam panil parte della Zecca ed in lontan Proc.e vechie e parte della chiesa punto preso vic...

Antique American important and historic drawing by John Avery, Ink on paper. Provenance from Kennedy Gallery. Framed. Measuring 19 by 23 inches overall and 12 by 15.5 drawing alone. ...

Jean Adolphe Boucé (1818 - 1875) - Deer Hunting. 33.5 x 43 cm without frame, 38.5 x 48 cm with frame. Oil on paper applied on canvas, in a contemporary 19th century frame. - Work ...

Clement Drew grew up in Kingston, Massachusetts, a coastal New England town. Early on he settled into a career as a marine painter. He augmented his income by working in a number of ...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

In his oil painting titled, “Wooded Landscape with Boulders,” John Frederick Kensett depicts a rocky outcropping in a dense forest, with the slope of a mountain behind.

Louis Smets Dutch, (act. 1852-1896) A Winter’s Day Oil on canvas, signed Image size: 23.5 inches x 32.5 inches Size including frame: 30.5 inches x 39.5 in...

Antique European street scene oil painting. Oil on panel. Framed. Measuring 14 by 19 inches overall and 10 by 14 painting alone. In excellent original condition. Handsomely framed ...

'The Bird Cage', Louis XV, Fêtes Galantes, Mme. de Pompadour, Rococo, Allegory ---------- 'Les Amours du Bocage' (The Bird Cage). Painted after the original work (1735) by Nicolas La...

Oil on canvas Canvas size: 18 x 26 inches Framed size: 22.5 x 30.5 inches Signed lower right

The Roman Ruins, Lake Maggiore, Italy, 19th Century James Baker PYNE (1800-1870) Large 19th Century view at Lake Maggiore, oil on canvas by James Baker Pyne. Excellent quality and ...

It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...

This beautiful oil-on-panel painting of a tranquil waterfront farm that is over 120 years old is by the Belgian painter Louis Dubois (1830–1880). Dubois...