20th Century Landscape Paintings

Sunset over boats signed by Fanch Lel (French b. 1930) size: 9 x 9.5 inches oil painting on board, unframed condition: the painting is in very good condition. It has previously been ...

Signed to the lower right with a monogram. Presented in a swept gilt frame with pierced details. On board.

Title: French Impressionist Seascape Oil of La Vieille Lighthouse off Pointe du Raz By Fanch Lel Signed: Yes Size: 13 x 16 inches (height x width) Oil painting on board, unframed Con...

A beautiful mid 20th century Italian oil on board depicting market day in an old town. Superbly painted work with lovely impasto brushwork. Indis...

Josep María Riera i Aragó (1954) - Landscape - Oil on canvas Oil measurements 73x100 cm. Frame measurements 77x104 cm. Painter and sculptor,...

signed lower right. size includes frame. The French artist Claude Hemeret was born on May 23, 1929. After classical studies at the lycée du Parc Imperial in Nice, he started at the l...

Harvest Time in a farm on East Coast of England by 20th Century British Artist Art measures 8.75 x 6.25 inches Frame measures 11.5 x 9 inches Don Micklethwaite is a British Post...

White River Cottage Signed by Fanch Lel ( French School) Oil painting on board, unframed Board: 13 x 16 inches Inscribed verso Condition: The painting is in good condition, with mino...

Bold mid century impasto landscape of Mt. Rose in oil by Nancy Coe (American, 1932-1998), c.1968. This piece has evocative, heavy textures from the artist's use of a palette knife. Signed in pen in the lower right corner. Gallery sticker on back of frame. Presented in a copper-colored frame. Image size: 27.25"H x 28.38"W Nancy Patricia Coe (American, 1932-1998), was born in San Jose, California to Henry Surtcliff Coe and spent most of her life on Rancho San Felipe in a two-story, brick colonial residence, originally built by her father, on a commercial cattle ranch. With its weeping willow trees and picturesque red barn, it made for a happy home nestled in the heart of San Felipe Valley. Henry Coe State Park is named after her Grandfather Henry Willard Coe. She studied art at Stanford University and graduated in the 1950's. While there, she met S. Gainer Pillsbury, MD, a fellow alumnus, whom she married on June 19, 1956. While an accomplished user of charcoals and Conte crayons, Ms. Coe painted in primarily in oils, showing and winning awards in Reno, Nevada in the early 1960's. Her works, including landscapes and portraits, have been featured in numerous newspaper articles in the Reno Gazette-Journal. Her palette-knife painting of Salvador and Virginia Prado, two ranch hands, was featured on the cover of a Mexican-American history textbook, A Guide to the Study of the Mexican-American by Feliciano Rivera (1969) and published at San Jose State University. Her paintings of Sada S. Coe (her aunt) and Henry “Harry” W. Coe, Jr. are featured in the museum at Henry Coe State Park in Morgan Hill...

Vibrant coastal village scene by Ramoz (Ramos) (20th Century). The setting sun casts an orange glow across a coastal village. Two people carry baskets on their heads as they unload a...

Title: Miniature Watercolor of Interior Scene John Wesley’s Chapel Broadmead Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measure...

Subtle but vibrant, this abstraction of a hibiscus in brilliant yellow is framed by a cluster of bird of paradise blooms in the shady foreground—the latter simplified into bursts of the plant’s renown color duo. Bring a garden inside without the watering and weeding. Nice. According to the Smithsonian Institution’s archives, the artist Hilda Pertha...

"Sunlight and Shadow, The White House" is an Impressionist landscape by American painter Albert Van Nesse Greene. The painting is a 28" x 30.25" oil on canvas, framed, and signed in the lower left "A Van Nesse Greene" Provenance: Private Collection, Doylestown, Pennsylvania. Born in Jamaica, New York in 1887, Albert Van Nesse Greene (New York, Pennsylvania, 1887 - 1971) had a long and thorough art education. He studied at the Corcoran Gallery of Art, Washington, DC; The Art Students League, New York; the Pennsylvania Academy of the Fine Arts, Philadelphia; and in Paris at the Academie de la Grande Chaumiere. He lived in Chester County and painted many landscapes there, as well as in nearby Bucks County. His paintings were exhibited extensively in the United States and France. Examples of his work can be found in the collections of the Pennsylvania Academy of the Fine Arts and the National Gallery of Art among many others. He was a member of the Philadelphia Sketch...

Title: Land of Don Quixote Artist: Ignacio Gil Sala (1913-2003) Technique: Oil on canvas Dimensions: 28.7 x 36.2 in (unframed) Condition: Excellent preservation, unframed Descriptio...

Carl Frederick Gaertner (American, 1898-1952) Rocky Cove, 1947 Oil on canvas Signed lower left 24 x 30 inches 31 x 37 inches, framed Carl Gaer...

Artist/ School: Emile Saadoun (French/ Israeli), signed verso Title: The Old Provencal Village, beautifully painted with exceptionally thick impasto oil. Medium: oil painting on c...

The Flower Garden by Louise Alix (French, 1888-1980) *see notes below oil painting on canvas unframed measures: 28.5 inches high by 34.5 inches wide condition: overall very good and ...

Ceremonial Gathering at the Chapel by Fanch Lel (French b. 1930) Size: 10.75 x 9.75 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with mino...

Wonderful mid century landscape titled "Late Afternoon in Novato" by Ted Lewy (American, 1912-1963). Presented in a rustic wooden frame. Signed "Ted Lewy" and dated "1962" lower righ...

Title: French Watercolor of Nice Port with Sailboats and Coastal Architecture by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11...

Superb French Impressionist signed oil painting by Jeanette Leuers (b.1942), painted in the traditional style of the earlier Impressionists - with significant influence from Renoir. ...

This is an original vintage oil painting on canvas depicting a rural landscape. In the foreground, a rustic watermill sits beside a flowing stream, complete with a turning water whee...

Title: Historic Miniature Watercolor of 16th Century Hatchett Inn in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3 ...

Title: French Harbour Scene with Church Boats and Village Skyline in Gouache By Fanch Lel Size: 7.25 x 9.75 inches (height x width) Gouache painting on cardboard, unframed Condition:...

This framed oil on linen painting, 'Riflessi A Tiburon,' by Marco Sassone, an American-Italian painter, is measured at 30 x 24 inches in a horizontal format. Sassone paints an Expres...

Signed and titled figures in cityscape oil on panel circa 1920 by American impressionist painter Guy Carleton Wiggins. This wonderful piece depicts a view of the New York Public Library in the United States of America during a winter snowstorm. Several cars and pedestrians can be seen passing along Fifth Avenue. A fantastic work in the artist's distinctive style. Dimensions: Framed: 16"x18" Unframed: 8"x10" Provenance: Roughton Galleries - Texas. This work is included in the catalogue raisonne under reference number GW00179 Guy Carleton Wiggins was the son of Carleton Wiggins, a painter of landscapes and animals. Wiggins first studied at his father's Art School in Connecticut and later enrolled in the National Academy of Design where he trained with William Merritt Chase and Robert Henri, after a brief spell studying architecture at the Polytechnic Institute in Brooklyn. At the age of 20 he was already well known and was the youngest American artist to have a work accepted for the permanent collection of the Metropolitan Museum in New York. Prior to the onset of World War I, Wiggins travelled to Europe and painted the English countryside. In England he met his future wife Dorothy Stuart Johnson. The couple returned to the US and set up home in Connecticut. He established a year-round art school, the Guy Wiggins Art School, in Essex. He liked to spend his winters in New York and summers in Connecticut. Wiggins' paintings reflect the influence of American Impressionism, a style of painting he would have encountered during his summers in Old Lyme. He is known for his snowy New York...

6025 Paris street scene with people walking Framed Image size 7.5x9.5"

Antique American impressionist snow covered landscape oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excel...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Artist: Ian Hornak (1944-2002) Title: Transparent Barricades: Variation II Year: 1974 Medium: Acrylic on canvas Size: 48 x 72 inches Condition: Excellent Inscription: Signed recto; ...

Impressionist winter pastoral scene of a quaint snow covered home by New Hope, PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and has packed muc...

Title: Colourful Impressionist Harbour with Lighthouse Boats and Reflections at Dusk By Fanch Lel Signed: Yes Size: 11.75 x 15.75 inches (height x width) Oil painting on cardboard, u...

Abstract Moonlit Landscape, signed and dated "Douvos"

A fine impressionist oil marine sailing painting by Australian American artist Hayley Lever (1876-1958). Lever was born in Adelaide, Australia and studied first at the Adelaide’s Pri...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

5-3744A. Oil on canvas of a tranquil landscape with an abandoned cabin Framed in a wood frame Image size 19.5x11.5" Initialed lower left A.M

Italian painting from the first half of the 20th century. Oil on board artwork depicting a bright view of a port with a ship of excellent pictorial quality. Small-sized painting ador...

The vibrant French Quarter is brilliantly depicted in "Bourbon Street in New Orleans" by California-based artist Pablo Cucaro in a rich palette of chestnut, Tiffany Blue and black. S...

Jean Salabet’s Notre Dame, Paris, France captures the majestic presence of the iconic cathedral with his signature impressionistic touch. The painting showcases the grandeur of Notre...

Winthrop Duthie Turney Pigeon Hill, Rockport Signed lower left Oil on canvas 20 x 24 inches Exhibited New York, National Academy of Design, Artists of America, Sixth Annual Exhibition, 1949. Winthrop Duthie Turney was born in New York City and received his education at the Art Students League. He was affiliated with the Fifteen Gallery...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 35 by 47 inches overall and 27 by 39 painting alone. In excellent original condition. Hands...

We are pleased to offer for sale an exquisite landscape by the Swedish artist, Nils Kreuger (1858–1930), titled "Landscape View from Öland, Sweden" executed around 1905. This work is...

Julian Onderdonk (1882 - 1922) San Antonio Artist Image Size: 6 x 9 Frame Size: 10.75 x 13.75 Medium: Oil Dated 1910 "A Glowing Sky" SW Texas Julian Onderdonk (1882 - 1922) Known as...

Signed lower left, 'Helen Hafer' (American, 1913-2003) and with artist label verso. This listed California artist, Hafer studied at the Chouinard Institute in Los Angeles, and privately with Harry Emerson Lewis. A member of the Palm Springs Art Association, Desert Art Center in Palm Springs, Whittier Art Association, Orange County Art Association and the Laguna Beach Art...

Cubist Composition French School, circa 1960's period oil on canvas, unframed painting: 21 x 29 inches provenance: private collection, Paris condition: very good and sound condition

Signed lower right 'F.H. Cutting' and dated '1932-1948'. Born in Iowa in 1872, Francis Harvey Cutting moved to San Jose, California in 1893 where he st...

Impressionist view of a river landscape, oil on canvas board. A charming Impressionist scene of people enjoying the delights of the riverbank. Some strolling, others enjoying a picn...

"“Dear Me”, cried Miss Carter (who wore Pink), “Jane’s talking to the Policeman” and Mother, the three Aunts and Grandma (and the dogs Gyp and Barney) were all outside James Alfred B...

Harbor Scene French Pointillist, second half 20th century Signed oil on canvas, unframed Canvas : 16 x 13 inches Provenance: private collection, Paris Condition: very good condition ...

Title: French Harbour Oil Painting of Boats Lighthouse and Rocky Shoreline at Low Tide By Fanch Lel Signed: Yes Size: 13 x 16 inches (height x width) Oil painting on board, unframed Condition: The painting is in good condition with expressive texture throughout; minor surface wear and edge scuffing present. Provenance: All the paintings we have for sale by this artist have come from the artists estate and have had no previous owners at all. Description: This expressive 1986 oil on board titled Marée (meaning “Tide”) captures a dramatic moment along the French coast, where the sky glows with streaks of yellow and rose as the tide pulls gently from the harbour. A lighthouse stands at the center of the scene, surrounded by whitewashed buildings and small moored fishing boats bobbing in the shallows. Painted by French artist Fanch Lel, this work features dynamic brushwork and a moody, storm-washed sky layered in shades of slate grey, lavender, and warm amber. The palette evokes the fleeting golden hour, as the low sun reflects off wet rocks and waterlogged docks. The boats in the foreground are rendered in deep rust, black, and marine blue, giving the composition a grounded, tactile quality. The piece has strong visual depth: a rocky foreground with tethered boats...

Painting size with frame: 21"x28" Painting size without frame: 15 1/2 x 23 Eric Sloane (1905–1985), "Cold Shed," a beloved chronicler of Americana, Sloane’s work blends painterly r...

Artist/ School: Spencer Coleman, British late 20th century Title: Tranuil Pastures Medium: oil on canvas, framed Framed: 18 x 22 inches Painting: 1...

Carriages at Ischia is a beautiful original oil painting on panel, realized in 1956 by the artist Luigi de Angelis (1883-1966). Signed and dated on the lower margin. Includes a bea...

Title: French Watercolor of Sunset on Beaulieu Coastline with Trees and Boats by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 15...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

A colorful Cape Ann, Massachusetts marine harbor scene with boats docked by American artist Emile Albert Gruppé (1896-1978). Gruppé was born in Rochester, NY, and is renowned for his New England landscapes and vigorous portrayals of the harbors and houses of Gloucester, Massachusetts. The son of landscape artist Charles P. Gruppé (1860-1940), Emile enjoyed a long and successful career that spanned over six decades.In 1925, Gruppé began spending summers in Gloucester. He established a studio on Rocky Neck in East Gloucester where he taught plein-air classes. In 1942 —along with Bridgman, Carlson, Miller and Chapman—he established the Gruppé Summer School, which he continued to operate until 1970.Gruppé’s works hang in many colleges and museums: Smith College, Silberman College in Montreal, the University of Idaho, the Los Angeles Museum, the San Antonio Museum and the de Cordova Museum. His paintings are also at the White House in Washington, D.C. and the Gruppe Summer School in Gloucester. Oil on canvas, signed lower right, title inscribed on verso stretcher “Sunset, Rockport Harbor...

Impressionist winter pastoral scene of a quaint lake side snow covered home by New Britain, Bucks County PA. Willett has portrayed this charming scene in a most intimate, yet energet...

5-3610 Tuscan landscape painting on artist board Set in a vintage ornate wood frame Image size 10.5x9"

This artwork titled "Forest Bright, Humbolt" is an oil painting on masonite board by noted American artist Juan Archuleta, b.1948. It is signed at the l...

Title: French Watercolor of Antibes Coastline with Fortified Walls and Mountains by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size:...