Boat Landscape Paintings

The painting depicts a dramatic seascape featuring a large sailing ship battling through turbulent waters. The ship is painted with dynamic, sweeping lines that convey motion, and it...

A masterful oil painting depicting a New Port Beach scene with a sail boat passing through the glimmering waters. This particular scene is a plein air painting, as Huse is known for ...

A charming port scene by famous and super highly-listed Massachusetts painter Otis Pierce Cook. He is best known for these nautical and port scenes, s...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

James E. Buttersworth's most sought-after artworks emerge from his depictions of American racing yachts going head to head in the major regattas...

Landscape is an artwork realized by Alberto Gillani, in 1981. Oil on Canvas. 49 x 69 cm; 79 x 89 cm with frame. Handsigned in the lower margin. Very good conditions

This superb oil on canvas painting was designed by Félix Eugène Bellenot (1892 - 1963). This vibrant and passionate composition represents the port of Sainte Maxime in France within ...

This vibrant early 19th century gouache depicts the eruption of Mount Vesuvius, specifically the eruption of 1822. The painting shows heavy plumes of smoke rising from within the vol...

Julius Montalant (1823 - 1898) Harbour of Rio Janeiro, 1843-1850 Oil on canvas 17 x 24 inches Signed and dated lower right; conservator's inscription on the reverse Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships. Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China. Many of his works are held in the Museum of the U.S. Naval Academy. Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position. During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts. Included were paintings of North America, Greece...

Gerrit Maes (1649-1706 or later), attributed Richly adorned riverscape Signed and dated in the mid-frame, presumably 'Maasius F. 1695' Oil on canvas Dimensions excl. frame: 58 x 82 ...

A delightful Impressionist study of fishermen on the riverbank at the days end. Well presented in a gilt effect frame. Signed. On canvas on stretchers.

#Nature #water #landscape Lake Thun is one of the most picturesque lakes in Switzerland, located in the canton of Bern. Its beauty impresses with its natural harmony and dive...

Signed “Henning Ö” lower right for unidentified professional Scandinavian painter, oil painting of the second half of the 19th century on canvas pasted on (or supported by) wooden bo...

A classic scene of a large mid-Nineteenth Century schooner at rest in the Mediterranean port painted by the Italian countryman Tomaso De Simone. The complete narrative scene around the schooner's broadside is complemented with a British merchant steam/sail ship, local boats and the colorful sky and headland architecture of the ancient city. The vast serenity and unspoiled life of cruising the Mediterranean Ocean...

Whitehaven is a small town and port on the coast of Cumbria, England 70 miles North of Liverpool. Historically a part of Cumberland, it has a manmade harbor which partially dries out...

A splendid impressionist harbor scene with boats and figures by well-known Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterda...

"Dusk Walk Along Marine Park Drive" is a realistic impasto painting of Marine Park Drive in Sag Harbor, New York. Persson's impasto technique of the paint with her palette knife brings the reflection on the bay to life with striking realism, making this paintin gboth a tactile delight and a precise Emily Persson is a Melbourne based artist who has been creating oil paintings with a palette knife for three years. Emily is a multi-generational artist with roots in Brisbane, Australia. Although an avid hobbyist painter her whole life, Emily found her style and her new career in 2016 when she began painting landscape, seascape and floral still-life paintings inspired by her surrounds in Queensland. Emily decided in late 2017 that she would give away a successful corporate office job and pursue her life long dream of becoming a full time artist. She relocated to South Yarra in Melbourne and immediately began exhibiting across Australia at galleries such as the Moree Gallery and Satch & Co. Emily participated in many group exhibitions and fundraisers in 2018 including multiple shows in Melbourne, New South Wales and Queensland. Emily has gained most of her notoriety from her popularity on Instagram where she has close to twelve thousand followers. Emily’s art has trended worldwide on social media and she has become a pioneer and mentor for other artists trying to find their online groove. Emily has drawn the eye of some of Australia’s most sought after interior designers including Thomas Hamel, Nina Provan, Lauren Li and has had her work displayed in some of Australia’s biggest lifestyle magazines including Belle and Country Style. Influenced by master artists such as Frederick McCubbin and Arthur Streeton and by the contemporaries such as Prudence Flint and Rick Amor...

A fine Impressionist oil, ' Young Friends by the Beach Watching Fishermen' circa 1950's. oil on canvas 43cm x 53cm Good quality gallery frame 52cmx62cm ...

Frederick J. Sykes (1851-1905) was a remarkable artist of the Hudson River School, renowned for capturing the serene beauty of tranquil landscapes. His work often featured New Englan...

Sandy banks set the scene for this middle eastern riverscape with boats on the river. Indistinctly signed to the lower right. On canvas on stretchers.

Step into the tranquility of a quiet cove in this serene coastal scene. The shimmering reflections on the water and the soft clouds drifting across the sky invite you to pause and ta...

Smoothly cruising through the marshes on a private catboat, as the sun is setting, couldn't be more memorable. The exquisitely colored sunset in values of yellow to pink to lavender...

A delightful scene depicting sailboats making their way into a harbour at a French portside town. Painted in an impressionist style using gestural brushwork to capture the scene. Sig...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

Sailboat in the night. 1989. Oil on cardboard, 65x50 cm

Emile Gruppe (American, 1896-1978) Motif #1, Rockport, Massachusetts. A cold , rainy and gray morning or evening in Rockport gethhing the nets in order to start the day of fishing an...

Raised in Gloucester, Massachusetts, Arthur Davis grew up when fishing and cargo vessels were still sailing in and out of Gloucester's busy harbor. At an early age, he spent time down on the docks where he built model sail boats and completed his first paintings before having any formal training. Davis studied under Emile Gruppe and Gordon Grant and was one of Grant's prize pupils. Davis also painted on the waterfront with Frederick Mulhaupt, Aldro Hibbard, Frederick Stoddard...

Artist: Margaretha E. Albers, American (1881 - 1977) Title: South Street, New York Year: circa 1940 Medium: Oil on Canvas, signed l.r. Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

Up for sale is a wonderful Italian Venetian Sunset painting by Bernhard Stange (1807-1880). Painting for sale depicts SUNSET VIEW OF SAN LAZZARO, VENICE It is absolutely colorful a...

Morris Kantor, American, 1896-1974 Seaside View, 1930 Hand signed M. Kantor and dated 1930 lower right Oil on canvas 22 1/4 x 19 1/4 inches 24 1/2 x 21 (frame) Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. This is a beautiful boat scene with a river or lake probably on Long Island. Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, (influenced by the Art Deco movement) and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018. Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...

OIL PAINTING LARGE ROBERT BRAMLEY (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIGINAL OLD MASTER 19th Century STYLE OIL ...

Bright sunny blues, greens, and colorful water reflections fill "Mallorca Reflections" an exceptional oil painted on location on the island of Mallorca in by Maria Bertran, this ...

Signed at the bottom right Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color, mov...

In this painting, I captured the serene beauty of a sunlit bay where boats gently float, blending impressionist vibrancy with realistic details. The calm water and distant hills evok...

ntonio Nicolo Gasparo Jacobsen’s Portrait of the Screw-Steamer Pennland in New York Harbor captures the grandeur of maritime travel in the late 19th century. The painting depicts the Pennland, a majestic steamship, cutting through the waters of New York Harbor with billowing smoke rising from its funnel. The vessel is painted with Jacobsen’s signature precision, showcasing the intricate details of its hull, rigging, and deck structures. The serene yet powerful presence of the ship is set against a dynamic harbor scene, where smaller vessels dot the waters and the soft hues of the sky reflect on the gentle waves. Jacobsen’s expert use of perspective and lighting lends a sense of depth and realism, making the viewer feel as though they are witnessing the ship’s arrival firsthand. As one of the most prolific maritime painters of his time, Jacobsen played a crucial role in documenting the golden age of steam travel. His works, including this detailed portrait of the Pennland, not only celebrate the engineering feats of the era but also serve as historical records of significant vessels. The transition from sail to steam was a defining moment in maritime history, and Jacobsen’s meticulous paintings capture this evolution with remarkable accuracy. His contributions to the maritime art movement remain invaluable, preserving the legacy of the great ships that once traversed the world’s oceans. Provenance: Reference and notes: Antonio Jacobsen - The Checklist: Paintings and Sketches by Antonio N.G. Jacobsen (1850-1921) by Harold S. Sniffen (N.Y. and Newport News...

QUAYSIDE CONVERSATION Size: 54 x 65 cm (including frame) Oil on board A charming and serene mid-century modernist harbour scene by a coastal town, executed in oil onto board and dat...

Experience the charm and maritime beauty of 1930s Brussels with this stunning original vintage harbor scene by acclaimed artist Carl Rabus. Painted in ...

Daud Akhriev's (EUR and US based) "Reds of Venice" is an original, handmade oil painting that depicts a boat floating on a channel within the brick lined walls of Venice, Italy. Ar...

Preparing the Boat" by Clara Belle Owen is a luminous impressionist depiction of a young boy approaching a grand sailboat, ready to prepare it for an impending journey. The painting ...

An oil painting by American Artist Kelly Carmody. Painted en-plein-air in Vermont, a pond has frozen over. A single tree stands straight up, adorned with just a couple of branches of...

Stilla sommarkväll (1851) by Adolf Julius Berg captures a tranquil summer evening by the water, suffused with the golden glow of sunset. In the foreground, two small boats drift on g...

Title: Walberswick Tidal Creek with Moored Dinghies Suffolk Watercolor by Tony Herbert By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 9.75 x 13.75 inches Condi...

Noon at Point Judith, Rhode Island 1877 by Alfred T. Bricher (1837-1908) Medium Oil Medium Detail Oil on canvas Dimensions 25 x 50 inches; Framed: 40 x 65 inches Signed Location Sign...

Artist: Margaretha E. Albers, American (1881 - 1977) Title: Twilight Year: circa 1940 Medium: Oil on Board, signed Size: 12 in. x 16 in. (30.48 cm x 40.64 cm)

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

In this vibrant confluence of color and texture, I've unleashed my passion onto canvas using acrylics, oils, and oil pastels. Straddling expressionism and impressionism, I sought to ...

Boats Approaching the Coast Kohler Fritz Moritzberg, Germany 1887 – 1972 Düsseldorf, Germany German Painter Signature: Signed bottom right and placed Medium: Oil on board Dimension...

Gordon Hunt
 Out into the blue Acrylic Painting on deep edge canvas Size: 100 cm x 100 cm x 4 cm 
 Sold Unframed
 Please note that in situ images are purely an indication of how a pi...

Très belle vue de Venise. Huile sur toile par Serge Mendjisky daté 1980. Dimensions avec le cadre: 72x122 cm. Serge Mendjisky est ne en 1929 et mort e...

Bay Area Coastal Shoreline painting with sail boats and figures Canvas on wood panel No visible signature 6 x 9.75 unframed, 8 x 12 framed

This is an original oil painting on canvas, depicting a majestic sailing ship vigorously navigating through turbulent seas. The ship is shown in great detail, with all sails unfurled...

"Summer Pier Fishing" American Scene Social Realism WPA Mid-20th Century Modern Syd J. Browne (1907-1991) "Summer Pier Fishing" 22 x 30 inches Oil on canvas. c. 1930s Signed lower r...

Title: Cadaqués from the Bay Artist: Ramon Pichot i Soler (1924–1996) Technique: Oil on panel Dimensions: 33 x 55 cm (12.99 x 21.65 in) Support: Panel, unframed Signature: Signe...

Title: Green and Red Sailboat in Harbour Yard with Vintage Cars Watercolour by John Steane (b.1931) Size: 15 inches (height) x 19.75 inches (width) watercolor painting on paper, unfr...

Born in Denver, Colorado, in 1931, Peterson spent four years at sea with the U.S. Navy. His principal duty – as a hand on an ocean-going tug sailing the Aleutian islands, North Pacif...

Guy Pene du Bois Seaside (Amagansett Beach), 1939 Signed and dated lower left; artist label on the reverse: "Seaside CAT No 192" Oil on canvas 16 x 20 inches Pène du Bois descended...

This charming oil shows a sunny estuary with figures fishing from jetties on the far bank. Well-presented in a distressed off-white frame. Unsigned. On board.

Jim’s of Lambertville is proud to offer this artwork by: Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...

Oil on canvas Canvas size: 20 x 24 inches Framed size: 28.5 x 32.25 inches Signed lower right

As the trees grow lush with green and the grass thickens underfoot, the senses begin to stir. We await spring with hope. Spring 2022 brought no lightness to Ukraine — it was a seaso...