Canvas Landscape Paintings

Outstanding American Impressionist sketch of Sun Set in Aspen Colorado Charles Bertie Hall painted scenes all over England, Europe, and America i...

Title: Fishing Boat Medium: Oil on canvas Size: 7.5 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Bluebells and Wild Flora [2022] original Acrylics Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1.8cm Sold Unframe...

Title: Lost Beauty - Lotus Medium: Oil on canvas Size: 23.75 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Body in the Field #4, 2023 oil on canvas 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

"Door #12 (Magazines)" (2018) by Francesca Reyes Original oil, acrylic and paper on wood panel; measures 8" H x 6" W x 1" D From the artist's door series, depicting doors that she h...

"Distant Hills II" (2023) By Susie Hyer is an original handmade oil painting on Masonite that depicts a forest with mountains in the distance, the sun reflecting of the snow the moun...

Title: British Watercolor of Gondolas at Sunset with a Silhouetted Skyline By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15....

Body in the Field #13, 2023 oil on canvas 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the fra...

Crater Valley Farm and Crater Cottages 3 diptych Overall size cm : H100 x W100 Crater Valley Farm is a limited edition print by Anya Simmons, inspired by ...

Discover this captivating diptych created by artist Linda Clerget, featuring two unique works: "Etang de la Clarette" and "Douces turbulences." Each oil on canvas measures 60 x 80 cm...

The picture "Melting snow" by Oleksandr Khrapachov is a gentle and inspired image of the arrival of spring, symbolizing the rebirth of life and nature. Created in 2020, this work on ...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Oil on board. Great color and thick impasto. Signed illegibly. Framed. Image size, 17.5L x 14.5H

Artist/ School: Jill Jackson (British, contemporary) Title: Abstract Tree Landscape Medium: gouache on artist paper, unframed Painting : 20 x 15 inches Provenance: all the pain...

"Rio Grande near Taos" (2006) By Joellyn Duesberry is an original handmade monotype print that depicts an abstracted landscape with a forked river running through it. A self-taught ...

Presented in a gilt effect frame. Signed lower right. (Provenance: Private collection, France). On board.

Patricia Sedlak California wharf painting Acrylic on canvas 1984 35 x 40 unframed, 30.5 x 40.5 framed

ewilding [2022] original and hand signed by the artist oil paint on wood Image size: H:46 cm x W:61 cm Complete Size of Unframed Work: H:46 cm x W:61 cm x D:2cm Frame Size: H:50 cm x W:64.5 cm x D:4cm Sold Framed Please note that insitu images are purely an indication of how a piece may look This field of blue corn...

Allison Chambers, "Tranquility" – Serene Oil Painting on Paper Find peace and elegance in "Tranquility", a captivating 30 x 23-inch oil painting by Allison Chambers. With its soft, i...

This is a really good example of the talent of Peter Rossiter. In this Expressionist landscape painting he plays beautifully with the wide palette of colours found in the Welsh countryside...

Landscape is an original contemporary artwork realized in 1975. Mixed colored oil on panel. Hand signed "Antonello" and dated 1975 on the lower left margin.Landscape is an original...

The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation o...

Magdalena Morey Exploring Every Path 2 Original Cubist Inspired Landscape Painting Mixed Media on Canvas Canvas Size: H 30cm x W 30cm x D 3.5cm Sold Unframed (Please note that in sit...

Oil on canvas.

Oil, spraypaint, acrylic on canvas. Storybook bridge.

Four 24”x24” canvases 48”x48” (total) Daniel Kanow is a multidisciplinary visual and kinetic artist based in the scenic mountain town of Telluride, Colorado. Renowned for his expan...

"Homelessness" is a contemporary work of art by Indian artist, Binay Sinha. His surrealistic style captures the balance of flora & fauna, man kin...

Sue Carlson's first artistic training was as a classical musician. European musical language from Baroque to Contemporary is intricate, complex and express...

Flowers of the sun. 2023, canvas, cardboard, oil, 13x18 cm Small size plein air painting Alyona Prokofyeva (1988) From 2016 surname Galaktionova....

Marcia Wise's oil painting "Water Symphony" is part of her palette knife paintings in her water reflection series that incorporates bright yellows, oranges, reds and blues with hints...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

Janis Pupols (1886 – 1956) Graduated Landscape studio of V. Purvitis in Latvia Art academy (1927). He took part in exhibitions since 1925. Artist painted landscapes in different t...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Fall Size: 16" x 17.5" x 0.8'' inc...

Body in the Field #5, 2023 oil on canvas 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

Look for FREE SHIPPING WHEN CHECKING OUT ON 1STDIBS Highland Grove 16 x 14 OIL ON CANVAS FRAMED $1700 PAINTED 2022 Artist Statement Throughout my life I have had the benefit of livi...

After the rain. 2019. Watercolor, paper, 89 x 60 cm Harmony at the sea Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

This non-figurative abstraction, created by the talented contemporary artist Oleksandr Khrapachov, is a harmonious play of colors and moods. Yellow, blue and gray colors flow smoothl...

Acrylic on a heavy impasto ground. With charcoal, oil pastels, gold paint and staining dye. Colonists have a habit of naming their new homes after their old ones. If we have to leave...

Mixed media on canvas Diao Qing-Chun is a Chinese artist born in 1972 who lives & works in Beijing, China. The artist uses oil painting as a medium to create works, Diao Qing-Chun'...

Looking toward Downtown Los Angeles Skyline

Micah Crandall-Bear’s abstract landscape paintings examine Earth’s intrinsic resources and our disposition toward their accelerated transformation. His concept is infused with linear...

Bright Field [2020] limited_edition Limited Edition Giclee Fine Art Print Edition number 125 Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:45 cm x W:45 cm x D:0.1c...

An original oil on canvas diptych by American contemporary artist Mark Lavatelli created in 1996. 72" X 122"

Purple mixed abstract by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" lower right. Unframed. Image size, 15.25"H x 23"L. From the estate of Les Anderso...

David Grossman's (US based) "Autumn Confetti" is an original, handmade oil painting that depicts a purple-colored sky broken up by white aspen trees with sparse yellow leaves and col...

Provenance Acquired by the gallery directly from the artist. Description "Autumn light on Aspen Grove, mid-October in the Sierras" —Amy Sidrane Dimensio...

M Fine Arts is honored to announce the addition of Robert Baart to our roster of contemporary artists. Born in Lowell, Massachusetts in 1947, Baart’s work ...

The Palisades Series was inspired during a walk where I was struck by the graceful dancing movement of trees over looking the Pacific Ocean. My long-term involvement with mysticism,...

"Between the Sky and the World" by Gloria Saez is a vertical abstract, oil paint on paper with soft whites, blues, peaches, yellows, pinks, grays and greens. The layers of under-pa...

Interesting phenomena affect the look of the landscape, whether it is the light effects caused by the reflective particles thrown into the air by a volcano, or the strange twilight caused by a storm suddenly and dramatically changing the angle of the sun’s rays and for a moment, relighting the landscape. Here, it is a storm cloud quickly growing above the mountains. This small alla-prima painting is created directly in a single session, on gallery wrapped linen, with 1 1/2 inch deep stretchers. The edges are hand painted, providing a finished look, suitable for framing, or beautiful left as is. Katherine Kean has exhibited in museums and galleries across the United States, and has been acquired by many private and corporate collections. She has been honored to have her work selected for Bloomingdales in Santa Monica, California, Schiffer's 100 Artists of the West Coast II, Paint America's Paint the Parks, Manhattan Arts Healing Arts International...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Wonderful abstracted painting of New York's George Washington Bridge with Manhattan skyline in background. Signed "Bing" lower right corner. P...

The series of flowers shows a classical motif with a subtle attention to the subtle movement and rhythm of the flora, with the help of paint, abstract vision and expressive handwriti...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

This artwork titled " October Maples" c.1950 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963.Signed at the lower left corner by the artist. The canv...