Abigail J. Brown

1990 Seascape Painting on Plaster by Abigail J. Brown

1990

R.W. "Toby" Tyler (American, 1927-2015) February on Kachemak Bay, 2007 Acrylic and mixed media on board 9 x 22 3/4 in. Framed: 10 5/8 x 24 3/4 x 3/4 in. Signed and dated lower right ...

David Shapiro (1944-2014) Hazy Day #2 Acrylic on board 29 7/8 x 30 7/8 in. Framed: 37 1/2 x 38 5/8 in. Signed lower right: David Shapiro Signed & inscribed verso: "Hazy Day #2" Davi...

Judith Carbine (American, b. 20th Century) West Rutland Summer - The Wetlands, 2010-2014 Oil on panel 16 x 19 3/4 in. Framed: 23 1/8 x 27 1/4 x 1 3/8 in. Signed lower right: Judith Carbine Inscribed verso The following is from the artist's website: The roots of my thirty years as a painter can be found in my childhood and youth growing up on a dairy farm in Vermont, in piano and organ study beginning at an early age and continuing through college, and in creative projects for church and school. The significance of my experiences living in the Green Mountains, and as a musician, is an integral part of my identity with the subjects I paint. I discovered early the work of the American and European impressionists. Their use of color, light, and brushwork, and their need to capture specific moments in time and space is most appealing to me as a painter. I have studied with many artists; among them are Frank Webb, Milford Zornes, Henry Fukuhara, Harry Dayton, Don Andrews, and Charles Sovek...

Marion Maas (American, b. 1930) Untitled, c. 1980s Oil on canvas 21 7/8 x 27 1/2 in. Framed: 23 1/2 x 29 1/4 x 1 in. Signed lower right Landscape, figurat...

Abraham Soffer (American, 1922-2004) Untitled, c. 21st Century Watercolor on paper Sight: 6 3/4 x 9 1/2 in. Framed: 11 3/4 x 14 3/4 x 3/4 in. Signed lower right: A. Soffer Abraham S...

Untitled, c. 21st Century Watercolor and pastel on paper Sight: 17 1/2 x 21 1/2 in. Framed: 26 3/4 x 30 1/2 x 1 1/4 in. Signed lower right: Cavanagh

Shawn Dulaney The Virtues IV Handmade paint on venetian plaster on paper, signed and titled verso 22 x 30 in. (sheet), 28 1/4 x 36 1/4 in. (frame). Shawn Dulaney’s paintings are layered constructions of color, spacious abstractions that read like cloud banks, flows of water, magnetic fields charged with monumental energy. Dulaney spent her childhood on a vast Colorado plateau looking west to the Rocky Mountains and has travelled widely, immersing herself in landscape. Her work captures the experience and feeling of place. Doug McClemont of ArtNews writes that Dulaney’s paintings “concern the earth, and the unyielding hand of nature”. Her work has been described by William Zimmer of The New York Times as belonging to “a very strong tradition, that of 19 th -century Northern European Romanticism in which nature was seen as corresponding to human emotional states.” He says of her work, “Ms. Dulaney makes it clear that her inner life is very much a part of each painting, and this alone distinguishes it from most abstraction…Shawn Dulaney is deliberately out for grandeur, but she is also out for intimacy. Her paintings take advantage of their innate ambiguity and declare themselves to be very current in the thinking that lies behind them.” "The kind of painting to which Ms. Dulaney's work is most closely related, at least superficially, is the Mark Rothko branch of Abstract Expressionism, in which a sense of deep space is sought." Dulaney makes handmade paints consisting of acrylic medium and powdered pigments allowing her to get a wide range of saturations and transparencies as they spread out on Venetian plaster and linen over panel. “Her surfaces”, as described by Dominick Lombardi-also of The New York Times, are “exquisitely painted and a pleasure to see.” Dulaney continues to travel between New York, the American Southwest, and the United Kingdom, as well as having recently been awarded the Pink House Artist Residency on the Beara Peninsula in Ireland. Her paintings capture the ephemeral and evoke the Celtic notion of a “thin place”, a place of energy where the veil between this world and the eternal is thin. A working artist for over 4 decades, Dulaney is represented by Sears Peyton Gallery, Weber Fine Art, Carrie Haddad Gallery and Beth Urdang Gallery. Exhibited widely, her paintings can be found in extensive public and private collections including those of the Hunterdon Museum of Art in NJ, the Venetia Resort in China, J Crew in NYC, as well as in the private collections of author Annie Proulx, actor Steve Buscemi, talk-show host Conan O’Brien and musician Stuart Copeland. Her work has appeared in episodes of TV’s Enlightened, Portlandia and Sex & the City, and the films It’s Complicated (2009), Interview (2007) and John Wick...

Shawn Dulaney The Virtues III Handmade paint on venetian plaster on paper, signed and titled verso 22 x 30 in. (sheet), 28 1/4 x 36 1/4 in. (frame). Shawn Dulaney’s paintings are layered constructions of color, spacious abstractions that read like cloud banks, flows of water, magnetic fields charged with monumental energy. Dulaney spent her childhood on a vast Colorado plateau looking west to the Rocky Mountains and has travelled widely, immersing herself in landscape. Her work captures the experience and feeling of place. Doug McClemont of ArtNews writes that Dulaney’s paintings “concern the earth, and the unyielding hand of nature”. Her work has been described by William Zimmer of The New York Times as belonging to “a very strong tradition, that of 19 th -century Northern European Romanticism in which nature was seen as corresponding to human emotional states.” He says of her work, “Ms. Dulaney makes it clear that her inner life is very much a part of each painting, and this alone distinguishes it from most abstraction…Shawn Dulaney is deliberately out for grandeur, but she is also out for intimacy. Her paintings take advantage of their innate ambiguity and declare themselves to be very current in the thinking that lies behind them.” "The kind of painting to which Ms. Dulaney's work is most closely related, at least superficially, is the Mark Rothko branch of Abstract Expressionism, in which a sense of deep space is sought." Dulaney makes handmade paints consisting of acrylic medium and powdered pigments allowing her to get a wide range of saturations and transparencies as they spread out on Venetian plaster and linen over panel. “Her surfaces”, as described by Dominick Lombardi-also of The New York Times, are “exquisitely painted and a pleasure to see.” Dulaney continues to travel between New York, the American Southwest, and the United Kingdom, as well as having recently been awarded the Pink House Artist Residency on the Beara Peninsula in Ireland. Her paintings capture the ephemeral and evoke the Celtic notion of a “thin place”, a place of energy where the veil between this world and the eternal is thin. A working artist for over 4 decades, Dulaney is represented by Sears Peyton Gallery, Weber Fine Art, Carrie Haddad Gallery and Beth Urdang Gallery. Exhibited widely, her paintings can be found in extensive public and private collections including those of the Hunterdon Museum of Art in NJ, the Venetia Resort in China, J Crew in NYC, as well as in the private collections of author Annie Proulx, actor Steve Buscemi, talk-show host Conan O’Brien and musician Stuart Copeland. Her work has appeared in episodes of TV’s Enlightened, Portlandia and Sex & the City, and the films It’s Complicated (2009), Interview (2007) and John Wick...

Mixed media painting by Rajan Seth. This painting is made with ink in the colours of Prussian blue, and shimmering metallic gold. The idea behind this work is to depict the differing...

Mixed media painting by Rajan Seth. This painting is made with acrylic paints, spray paint, and with the colours of black, off white, light grey, and metallic gold. Onyx is a preciou...

60 x 48 inches mixed media and plaster on wood panel This contemporary, large vertical abstract expressionist & symbolist style painting was created by Hudson Valley based artist, R...

This painting by Joan Nelson depicts a sepia-toned scene placed behind the walls of a dark brown building. Potentially depicting a rooftop or a balcony, a way further into the buildi...