Men Landscape Paintings

Great Spanish painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Pope Innocent III confirms the Franciscan Rule, of good pictorial quality. A large, impactful painting adorned with a 19th-century carved and gilded wooden and plaster frame. Artwork that develops horizontally, ideal for placing in an important hall or study, for antique dealers and interior decorators. A painting that shows various signs of aging and old restorations (see photo), in a beautiful patina. The perspective offered by the painter is pleasant. The main subject, in the foreground on the left, connects to the view with architecture and characters on the right through the checkerboard...

Signature: Signed Lower Left Medium: Oil on Board Frame: Gilt Frame with Decorative Elements and Linen Inset Brightly colored and bold illustration of an American hunting scene...

Posed Man on Beach by Louise Alix, French 1950's Impressionist gouache on board painting: 6.5 x 9.75 inches provenance: from a large private collection ...

Warrior and Pegasus Fight the Kraken - Original Surrealist On Board Dramatic and dynamic fantasy scene by Russell R. Tripp (American, 1942-2025). This piece depicts a warrior atop a...

This interesting British 1940's oil painting is attributed to Harry Jefferson Barnes. Barnes trained at the Slade School of Art and later went on to become Director of the Glasgow Sc...

Venetian painter (18th century) - Sketch for Venus and Chronos. 59 x 43 cm without frame, 70 x 54 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden frame...

It's just a little embarassing. Our young bather went for a skinny dip in the river and now needs to snatch her clothes without being spotted by the elderly artist on the river bank ...

Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas Oil size 60x73 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at t...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Andrea Allen captures the carefree spirit of a seaside escape ...

"Ocean's Bounty" Oil painting 59" x 59" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has been painting for three decades and has nota...

Dancing Figures in the Park French, 19th century oil on canvas, unframed canvas: 22 x 26.5 inches provenance: private collection, France condition: with some former restoration and m...

Fishing at Dawn English artist after an earlier work (see inscription verso) signed oil painting on canvas, framed inscribed verso framed: 23 x 31 inches canvas: 18 x 26inches proven...

Merchants at the Bazaar Oil Painting by Jalal Gharbi (1920-2005) Frame: 40 X 34 Image: 29.75 X 23.75 Provenance:The Estate of Isobel Riddoch Gharbi, Manhattan, NY Jalal Gharbi (1920-2005) who was a prolific North African, Tunisian, French painter of both Middle Eastern Arabic...

Nudist Women, Signed Oil Painting By French artist Claude Benard, (1926 - 2016) Signed by the artist on the lower left hand corner, Oil painting on canvas, unframed canvas size: 32 x...

Flemish school, 17th century Orpheus and the animals Oil on canvas, 146,5 x 217 cm Provenance: South German private collection. On an impressive, room-filling format, this painting depicts "Orpheus and the Animals." The harp-playing Orpheus sits centrally in front of a tree whose trunk bifurcates above his head. This central tree frames with its crown the scenery towards the horizon and at the same time offers through branches the possibility for many birds to find space. The left half of the picture is characterized by a seascape, at the edge of which the ruins of a castle can be seen deep in the background. This seascape, framed by mountains on the horizon, is the only area where sky can be seen. On this side, waterfowl such as storks, swans and ducks can be seen. In the right half, the viewer looks into a deep European forest. On this right side, more land animals can be found, such as deer, rabbits and lions, among others. Orpheus wears opulent red and gold trimmed clothing, under his blue breastplate we see a white shirt. His feet are adorned by elaborate sandals. His head is surrounded by a radiant laurel wreath ("poeta laureatus"). The young man is clearly identifiable as the singer and poet of Greek mythology, Orpheus, by his harp, the laurel wreath and the animals surrounding him. Orpheus was one of the Argonauts who, under Jason, was searching for the Golden Fleece. He sang so beautifully that he even conquered the angry sea and enemies by the magic of his lyre. During the journey, Orpheus is said to have drowned out even the sirens with his singing. It is said that he was the greatest of all poets and charmed people, animals, stones and trees with his singing. In total, 51 birds and 37 different species are depicted in the painting. The animals are mostly depicted in great detail and, except for a few, can be identified. Mainly European species of animals are shown. Exceptions are the ostrich-like nandu peeking out from behind the deer, as well as the large parrot on the upper left, and the two lions. Similar is the case for the large animal directly behind Orpheus on the right. The shape of the head suggests an arctic fox from the polar regions, even though the body is much too large. The arctic fox was first described in 1555 by Olaus Magnus. However, it could also be a depiction of a brown or black bear. An unusual detail is the animal, which is relatively isolated in the right background and looks to the left. It is not clearly identifiable, but it shows certain similarities with the Australian kangaroo. This was first described by Vespucci in 1500 and further by Francisco Pelsaert in 1629. If it is indeed a kangaroo, this would be one of the earliest surviving pictorial representations. In this painting, Orpheus is accompanied by a small monkey playing a viola da gamba. This is an iconographic peculiarity. In general, this painting has some peculiarities compared to other paintings with "Orpheus and the animals". The central positioning of Orpheus is quite common, but he usually holds a lyre and is dressed in an antique style, but not as opulently. The choice of animals is also remarkable: European animals in particular are seen, hardly any exotic features, such as camels or elephants. The two lions in the right foreground are a quotation from Peter Paul Rubens and his depiction of "Daniel in the Lion's Den", which was realized in an engraving. The present painting can be classified as belonging to the Flemish School of the 17th century on the basis of its painterly and compositional conception. From the circle of Jan Brueghel the Younger are numerous representations of this Orpheus - theme, which take it as an opportunity to show as many exotic animals. There are also echoes of Spanish painters such as Juan de Arellano...

Title: *Courtship in the Forest* Author: French Romantic School Technique: Oil on canvas Support: Canvas mounted on a stretcher Unframed dimensions: 11.4 x 7.9 inches Frame...

Sunse by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches double sided condition: very good and rea...

Title: French Impressionist Oil Painting of Windy Walk along the Coastal Path By Fanch Lel (French b. 1930) Size: 10.75 x 8.75 inches (height x width) Signed: Yes Oil painting on boa...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Christ and the Samaritan woman at the well. Jesus is traveling...

Mother and daughter on a tree-lined avenue, Paris Juan Soler, Spanish b.1951 signed oil painting on canvas, unframed canvas: 10.5 x 9 inches provenance: private collection, London c...

"The Harvesters" Raphaël Dubois aka Chanterou (Belgium, 1888-1960) Signed bottom left under the pseudonym "Chanterou" Oil on canvas 23 1/2 x 19 1/4 (27 3/4 x 23 3/4 frame) inches Born in Liege in 1888, he enrolled at the age of fourteen at the Academy of Liege where he studied under Evariste Carpentier...

Louis Henri Salzmann was a Swiss painter active during the first half of the 20th century. Born in 1887 and passing away in 1955, Salzmann is known for his landscape paintings and st...

John Gilbey Bowles (British, 1929 – 2011) Edna and Daphne before the South Downs, 1977 Oil on canvas Signed ‘J Bowles’ (lower left) 38.1/8 x 40.1/8 in. (96.7 x 102 cm.) Notes: Daphne...

Title: French Impressionist Oil Painting of Fishermen and Beached Boats at Low Tide by Fanch Lel (French b. 1930) Size: 9.75 inches (height) x 12.5 inches (width) Oil painting on boa...

Signed upper left, 'O. Foss' for Olivier Foss (French, 1920-2002) and painted circa 1945. Born in Hanover, Germany, Olivier Foss first studied art in Ber...

Framed 41.5 x 29.5 image 35.5 x 23.5 This large painting depicts a man and woman, Adam and Eve, interlocked and embracing one another. The woman holds an enticing apple as they are thrusted from the Garden of Eden. This is an original painting. Zamy Steynovitz was born in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children. Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world. His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes. In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist. Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times. As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Menachem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000. Exhibitions One Man Show 1970 - Museum - Ramat - Gan 1973 - Brussels - Gallery L'Angle Aigu 1974 - London - International Gallery 1974 - Paris - Grand Palais Gallery 1975 - Milan - Brera Gallery 1976 - N.Y. Valentino Gallery - N.Y. Hilton 1977 - N.Y. Valentino Gallery - N.Y. Hilton 1978 - Basel - Actual Gallery 1978 - Geneve - Bohren Gallery 1978 - Oslo - Nobel Peace Prize Exhibit 1979 - London - Hamilton Gallery 1979 - N.Y. - Art Israel Kalt - Waldinger Gallery 1979 - N.Y. - Canty Art Gallery 1979 - Amsterdam - Schipper Gallery 1979 - Washington - International Art Fair 1980 - Cleveland -Jewish Museum 1980 - Tel-Aviv - Habima National Art Fair 1981 - Abraham - Goodman House N.Y. 1981 - San Lucas Galley - Bogota 1982 - Pedro Gerson Gallery - Mexico City 1983 - Simon Bolivar...

Title: Historic Miniature Watercolor of Lewins Mead in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unf...

Manuel Isidor Valle Micolau (1874-1959) - Spanish landscape - Oil on board Oil mesures 11.5x19 cm. Frame measures 22x28 cm. Photographer and artist from Lleida trained at the "Círcu...

Signed figurative oil on canvas circa 1915 by French neo-impressionist painter Achille Lauge. The piece depicts a view of a farmer sowing seeds in field on a bright spring day. Sign...

Jacob Dhein's "Madrid" a 2023 original oil on panel, stands at 19.5 x 22 inches. This piece highlights Dhein's ability to capture the bustle and anonymity of a city post-storm, and h...

March Avery Taking in the Nets, 1967 Signed, titled and dated on the stretcher Oil on canvas 16 x 22 inches March Avery was born in New York in 1932 to painters Milton Avery and Sally Michel. Guided by her famous father, she began painting as a child—although as she would tell it, “I think I was painting in utero.” She had her first solo exhibition in 1963. Now in her late eighties, the artist continues to work six days a week in her lifelong neighborhood, Greenwich Village. Avery’s oil paintings, sketches, and watercolors carry forward certain stylistic characteristics of the family oeuvre, what art historian Robert Hobbs...

Title: British Original Watercolor of a Windmill at Dusk By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 15 x 11.25 inches (Height x W...

Attributed to George Morland. 19th Century English Antique, Two Country farmers drinking beer in a landscape. Wonderful early 19th-century original oil on canvas. A classic 'Morland' composition as the painter was a big fan of English Pub scenes...

Don Hatfield’s 'Mother and Child on the Beach' is a charming example of American Impressionism, highlighting his signature soft, vibrant colors and fluid brushstrokes. This framed 35...

E. Salazar Texas Artist Image Size: 40 x 30 Frame Size: 47 x 38 Medium: Oil on Canvas "Scouts"

Serenity is an impressive, giant oil painting realized by the Italian painter Felice Carena in 1948. Signed lower left. Not framed, framing optio...

Henry Stacy Marks, English ( 1829 - 1898) was a leading London painter of life and historical scenes. He was a member of Royal Academy and St Johns wood clique. The painting measure...

Artist: Frank Dicey (English, c. 1838-1888) Title: "Promenade en Bateau en Soirée (Evening Boat Ride)" *Signed by Dicey lower left Circa: 1880 Medium: Original Oil Painting on Canvas Framing: Recently framed within a black and gold Baroque style moulding with linen liner from Holland and and a gold filet Framed size: 24.75" x 30.75" Canvas size: 18.25" x 24.25" Condition: Relined. Minor craquelure. In excellent condition Notes: Provenance: private collection - Boston, MA. Biography: Frank Dicey (English, c. 1838-1888) was a figure painter born in London. He exhibited between 1880 and 1888 at the Royal Academy, Royal Institute of Oil Painters, Royal Institute of Painters in Water Colours and Grosvenor Gallery in London, as well as at the Glasgow Institute of the Fine Arts, Royal Society of Artists in Birmingham, Walker Art Gallery in Liverpool and Manchester City Art Gallery. Dicey also exhibited with the Royal Society of British Artists, a society which nominated James Whistler its President in 1886. He was elected a member of The Arts Club in 1866 and a member of the Royal Institute of Oil Painters in 1883. In 1874/1876, Dicey's name was included by James Whistler in a list which may have been a guest list for the private view of Whistler's Pall Mall exhibition of 1874, or a subscription list for Whistler's Venice etchings...

A contemporary oil painting that resembles an early renaissance mural. Old masters throughout Art History come to mind, like Hieronymus Bosch, Jan Van Eyck, or Pieter Bruegel. Gordon depicts the "Strangled Planet" we live in: war, protests, and unrest abounds. At the same time, exploration, cooperation, and humanity persists. She uses European Medieval, Renaissance, and Neoclassical references around the main contemporary action. This is perhaps a reference to the uncertainty that is inherent in life—hardships as well as victories have always been depicted in grand compositions. The skeletons that climb, cling, and swing on either side of the painting are the reminders of this finite life. Artist Bio Kristy Gordon’s work is a frank and intimate reflection of her curiosity about other people, transformations and self-discovery. Her paintings hang in over 500 public and private collections worldwide including the Government of Ontario Art Collection. She has been a full-time, professional painter since 2004, exhibiting her work internationally and earning numerous awards including the Elizabeth Greenshields Foundation Grant (2010, 2013), an Exceptional Merit Award from the Portrait Society of America (2014), and was a finalist for the 2013 Kingston Prize for Canadian portraiture. She has been widely featured in numerous magazines, art publications, radio and television shows, including International Artist, Fine Art Connoisseur, The Artist’s Magazine, Southwest Art and Bravo!’s Star Portraits. Gordon has seven years of experience teaching and conducting painting workshops throughout North America. She has taught at numerous academies and schools including The Academy of Realist Art Ottawa, The Lake Country Art House, and The Okanagan School of Arts in Penticton and has also substitute taught at the New York Academy of Art. She has lectured at China Central Academy of Fine Arts in Beijing, New Century Artists in New York City and the Art of the Portrait in Washington, DC. She received her MFA degree in Painting from the New York Academy of Art and holds a BFA in Drawing and Painting from the Ontario College of Art and Design. Additionally, she has studied classical drawing and painting at the Academy of Realist Art in Toronto and Andreeva Portrait Academy in Santa Fe. She has also studied privately with artists including Yuqi Wang, Odd Nerdrum, Juan Martinez, Jeremy Lipking. Gordon is represented by Dacia Gallery in New York, Grenning Gallery in Sag Harbor and Cube Gallery...

Title: British Impressionist Watercolor of a Country Lane with Church and Geese By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimens...

Italian Master (17th century) - The Flight into Egypt Appears to St. Francis. 37.5 x 51.5 cm without frame, 71 x 83 cm with frame. Oil on canvas, in a carved wooden frame. Conditi...

French Olive Tree Landscape Josine Vignon (French 1922-2022) ...

View of the al-Aqsa Mosque, Jerusalem Watercolor on pencil lines 40 x 28 cm Signed lower right With Frame Lucienne Épron grew up in the Charente Maritime in France, and was awakened...

This charming 18th century French Old Master oil painting is attributed to circle of Joseph Frans Nollekens. Painted circa 1740 it is described as a fete champetre - a form of entertainment in the 18th century, taking the form of a garden party. They were often elegant affairs and became very popular in 18th French paintings. Antoine Watteau invented the genre, from around 1710 and they were also included as a category in the French Academy. In this painting, several well dressed figures are sat in the foreground by a fountain and statue, being entertained by a musician. Beyond, a wide avenue of trees leads towards a very grand country house with countryside beyond. There is superb detail in the figures and their colourful clothing. The brushwork in the trees and sky is also superb. This is a charming example of an 18th century fete champetre and of a French Old Master oil painting. Provenance. Gloucester estate. Condition. Oil on canvas. Image size 49 inches by 30 inches and in good condition. Frame. Housed in a fine gilt frame, 56 inches by 37 inches and in good condition. Josef Frans Nollekens or Joseph Frans Nollekens (1702–1748)[2] was a Flemish painter who was principally active in England where he is often referred to as "Old Nollekens" to distinguish him from his famous son, the sculptor Joseph Nollekens. He painted conversation pieces, galant companies and fêtes champêtres in the style of Watteau, genre scenes as well as portraits. He was also active as a picture restorer. A fête champêtre was a form of entertainment in the 18th century, taking the form of a garden party. This form of entertainment was particularly practised by the French court, where in the Gardens of Versailles and elsewhere areas of the park were landscaped with follies, pavilions, and temples to accommodate such festivities. The term is a French expression, very literally translating as "party in the fields", meaning a "pastoral festival" or "country feast" and in theory was a simple form of entertainment, perhaps little more than a picnic or informal open air dancing. In practice, especially in the 18th century, the simplicity of the event was often contrived. A fête champêtre was often a very elegant form of entertainment involving on occasions whole orchestras hidden in trees, with guests sometimes in fancy dress. Such events became a popular subject in French 18th-century painting, representing a glamourized aristocratic form of pastoral, with "scenes of well dressed dalliance in a park setting". Antoine Watteau invented the genre, from around 1710, and is its best exponent, imitated by others such as Nicolas Lancret and Jean-Baptiste Pater...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...

Frank Dekkers (1961) is a landscape painter par excellence. Full of dedication and diligence he always works on location outdoors, defying the elements. ...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

On the River Huguette Ginet-Lasnier (French 1927-2020) signed and inscribed verso in a wooden frame oil painting on canvas framed: 29 x 37 inches All the paintings we have for sale b...

Gabriel Casarrubios Martín (1953) - Beach's day - Oil on panel Oil size 19x33 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at ...

French Harbour by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 25.5 x 18 inches Colors: Green colors, blue, yellow, beige, ora...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

OIL PAINTING Antique 19th Century British old master in a Gold Gilt Frame Description Good condition Canvas , Professional Cleaned & relined , Frame Is original and in very good ...

Technical Data - Title: "Celebration in the Square" - Artist: Joaquin Tudela y Perales (1891-1970) - Medium: Oil on canvas - Dimensions: 15.7 x 19.6 in - Period: Early 20th...

The People, 1938, oil on canvas, signed lower right, 36 x 48 inches, label verso reads “348 / 89 / Carnegie Institute, Pittsburgh, PA, USA / _____ The People / _______ Arnold Blanch ...

Whether dreaming of sailing off into the setting sun or just enveloping yourself in the magical turquoise colored waters of the ocean and aquamarine sky as you walk through the beach crowd with the sandy beach tickling your toes, a sense of serenity envelops you. The sounds of the lapping surf in this original impressionist figurative marine landscape will rest your weary soul as you chat with old friends and new friends nearby. This seascape in oil paint will afford you a return to those lazy hazy crazy days of summer at will! Born and raised in Italy, now living and painting in New York, artist Bart DeCeglie studied his craft at both Pratt Institute and the Phoenix School of Art and Design before returning to Pratt Institute as an adjunct professor. A very popular artist...

Jacques Waben (Alkmaar ca. 1575-1641/1642 Hoorn) Signed in the bottom centre and dated ‘J. Waben f./1620’. The Announcement to the Shepherds Oil on oak panel 103 x 63 cm in frame 107 x 67 Provenance: Vienna Palais Dorotheum Old master painting 10.12.2015 (lot 143) This is a spectacular depiction of the theme of the annunciation to the shepherds, set in a nocturnal atmosphere dense with photos but refined, the episode of the birth of Jesus reported in the Gospel according to Luke (Lu 2:8-15), in which an angel announces the birth of Christ to a group of shepherds. We see the scene just as described in the Gospel passage that sets the event at night where the shepherds, intent on watching over their flock, were startled by the sudden appearance of an angel of astonishing beauty who we see here radiating a powerful golden light, while at his side a multitude of other angels from the heavenly army sing praises to God. After exhorting them not to be afraid, he informed them that a saviour, the Messiah, had been born in Bethlehem, whom they would find wrapped in swaddling clothes in a manger, cared for by the Virgin and St Joseph. The annunciation to the shepherds was the most depicted night scene in Flemish painting from the 15th century...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...

This bright summer beach painting holds a surprise if you look closely. What seems like a young couple just spending a day at the shore together, actually tells a story. The young wo...