Resin Paintings

Texan artist Ash Almonte's vibrant original paintings are inspired by abstract expressionism combined with an optimistic contemporary outlook. Almonte is inspired by beautiful color,...

David E. Peterson is a Painter, Sculptor, and Deconstructive Designer. His "Leaners" are stunning and will add a contemporary feel to any space. Peterson sources each exotic wood pie...

David E. Peterson Puzzle # 82, 2014 acrylic, birch, MDF, UV resin 14h x 14w x 3d in 35.56h x 35.56w x 7.62d cm DAVID E. PETERSON (b. 1979, USA) An abstract painter inspired by Prod...

Victoria Kovalenchikova’s artworks are an outlook at the transformation of the world surrounding us; a shout in the cold infinity of cosmos. It is an attempt to understand the impact of people on the planet through the language of art. The contemporary trend in her paintings is characterized by a figurative integration of abstract elements. Creatively mixing media from cement, resin, acrylic and epoxy on stretched canvas, Victoria’s work is simultaneously sculptural and painting. The surface of this textural 16 inch tall by 21 inch wide artwork is covered with a shiny layer of clear, glass-like resin, which enhances the colors and adds depth. The sculptural, blue and green elements protrude beyond the smoother, parts of the artwork. The sides are finished as a continuation of the front, creating more layers and detailing. It is signed, titled and dated on back by the artist. It does not require framing and is wired and ready to hang. Free delivery within Los Angeles area. Affordable US and global shipping options are available. A certificate of authenticity issued by Artspace Warehouse is included. Her series on the World is immediately familiar, provoking us to step closer and have a better look, then after a few moments the nuances of her art appear. Her training is evident in her skill in creating the textures. Her charisma can be felt by her depiction of the ocean and their various shades of colors. Victoria’s work is magnetic and is being consistently collected by art lovers. Victoria Kovalenchikova was born in Belarus in 1978. She lives and works in Amsterdam (Netherlands) since 2008. Kovalenchikova's works can be found in private and corporate art collections and museums worldwide, including the Philips corporation in Eindhoven, Netherlands; RABO Bank, Amsterdam, Netherlands; Museum of Russian Art, Jersey City, USA; Museum of Belarusian State Academy of Arts, Minsk; Contemporary Fine Art Museum, Minsk, Belarus; The National Art Museum of The Republic of Belarus, Minsk; Maslennikov Art Museum, Mogilev, Belarus; Romanov Regional Study of Local Lore Museum, Mogilev, Belarus; Mogilev Museum of Ethnography, Belarus; Belarusian Embassy in Berlin, Germany; Belarusian Embassy in The Hague, Netherlands; Belarusian Embassy in London, United Kingdom; Municipality of Coevorden, Netherlands; Kolodzei Art Foundation, NY, USA; other private collections in Germany, Poland, Russia, Belarus, USA, The Netherlands, Belgium, Italy, Spain, France, Lebanon, Singapore, China, Saudi Arabia, United Kingdom, Turkey, France and Switzerland, India. EDUCATION 1996 - 2002 Belarusian State Academy of Arts, Painting Department, professors M. Dantzig, V. Gerasimov and V. Tyurin, Minsk, Belarus 1990 - 1996 I. Akhremchik National Art College, Minsk, Belarus PROFESSIONAL EXPERIENCE 2002 - 2004 Teacher of painting and drawing at Belarusian State Pedagogic University, Minsk Since 1997 more than 100 solo shows and group exhibitions in Belarus, the USA, Switzerland, the United Kingdom, Ireland, Germany, Italy, Belgium, Russia, Singapore, Turkey, China, and the Netherlands Since 2003 member of the Belarusian Artists' Union AWARDS 2011 Award from The Ministry of Culture of The Republic of Belarus for Enriching and Promoting Arts and Culture. 2011 First Prize and Gold Medal of Honor “LORENZO Il MAGNIFICO” at the VIII International Florence Biennale of Contemporary Art 2011 for her paintings “NO EXIT”, 2011 and “Reflected Reality”, 2010 SOLO EXHIBITIONS 2015 SCOPE Basel, Switzerland 2014 "The EARTH", ARTIFACT Gallery, NYC, USA 2014 "The EARTH", Sixty One Gallery, Amsterdam, Netherlands 2013-14 WTC Schiphol Art Center, Schiphol, Netherlands 2013 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2013 Russian New Year, De Industrieele Groote Club, Amsterdam, Netherlands 2013 Realisme Art Fair, Witzenhausen Gallery, Amsterdam, Netherlands 2012 Russisch IGC-buitenevenement, Landgoed Beukenrode, Doorn, Netherlands 2012 "Our Corloful World", RCC "Our Texas", Houston, TX, USA 2011 "REFLECTED REALITY", Contemporary Fine Art Museum, Minsk, Belarus 2011 VK Art, Reception of Belarusian embassy in The UK, Langham Hotel, London, UK 2011 "HEAVEN'S TEARS", The Museum of Russian Art, Jersey City, NJ, USA 2011 "REFLECTED REALITY", MWB Business Exchange, London, UK 2010 "CLOSED LOOP", Kasteel van Brasschaet, Brasschaat, Belgium 2010 "Summer Exhibition" in Ten Elsenhuyze, Brasschaat, Belgium 2009 Diary, Moscow Public Culture Foundation, Moscow, Russia 2009 Paintings of Victoria Kovalenchikova, Cultural exchange Belarus – Netherlands, CQ Art Centre, Emmen, Netherlands 2009 Just Childhood, VK Gallery, Amsterdam, Netherlands 2009 Colourful Emotions, VK Gallery, Amsterdam, Netherlands 2008 Dagboek, VK Gallery, Amsterdam, Netherlands 2008 Victoriart, Schloss und Gutshofanlage Ludwigsburg, Germany 2008 Griebenow Palace, Greifswald, Germany 2007 Gallery "Voorhaven One", Rotterdam, Netherlands 2007 Parallelen, Club Spittelkolonnaden, Berlin, Germany 2006 Oud Atelier Hendrik Luyten, Brasschaat, Belgium 2006 BelArt, Wereld Gallery, Maastricht, Netherlands 2005 Kleine Haag, Buuurmalsen, Netherlands 2005 "Dadali" Art & Design Gallery, Rotterdam, Netherlands 2005 Wereld Gallery. Maastricht, Netherlands 2004 Mirror, City, Soul, SWR, Ratzeburg, Germany 2004 Mirror, City, Soul, Burg Warberg, Germany 2004 Mirror, City, Soul, Ministry of Foreign Affairs of Republic of Belarus, Minsk, Belarus 2004 Associations, M-Gallery, Goethe Institute, Minsk, Belarus 2003 City Rhythms, Contemporary Fine Art Museum, Minsk, Belarus 2000 Art 2000, Belynitsky-Birulya Art Museum - Branch of the National Art Museum of the Republic of Belarus - Mogilev, Belarus GROUP EXHIBITIONS 2016 ART BREDA - Gallery Palma Arte, Breda, Netherlands 2016 AAF Singapore, Art Blue Studio, Singapore 2016 AAF Hong Kong, Art Blue Studio, Hong Kong 2016 AAF Milan, Gallery Palma Arte, Milan, Italy 2016 AAF New York, VK Gallery, NY, USA 2016 Naples Art Show, Villa del Arte, Palm Beach, FL, USA 2016 Palm Beach Art Show, Villa del Arte, FL, USA 2016 Art Wynwood, Villa del Arte, Miami, FL, USA 2016 LA ART SHOW, Villa del Arte, Los Angeles, CA, USA 2015 Palm Beach Art Show, Villa del Arte, West Palm Beach, FL, USA 2015 ST-ART, Palma Arte, Strasbourg, France 2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2015 New York Art, Antique & Jewelry Show, Villa del Arte, NY, USA 2015 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2015 Manhattan Art & Antique Centre, NY, USA 2015 AAF Battersea, Villa del Arte, London, UK 2015 AAF New York, VK Gallery, NY, USA 2015 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2015 East Hampton Artists & Writers Annual Softball Game 2015 Art Expo Malaysia Plus, Art Blue Studio, Kuala Lumpur, Malaysia 2015 Bazaar Art Jakarta, Art Blue Studio, Jakarta, Indonesia 2015 AAF Hampstead, Villa del Arte Gallery, London, UK 2015 Art Hamptons, VK Gallery, Bridgehampton, NY, USA 2015 SCOPE Basel, VK Gallery, Basel, Switzerland 2015 AAF Hong Kong, Art Blue Studio, Hong Kong 2015 Group show. Art Blue Studio. Singapore 2015 AAF Singapore, VK Gallery, Singapore 2015 World Art Dubai, Villa del Arte Gallery, Dubai, UAE 2015 Art Breda, Wanders MFA & Dock Gallery, Breda, Netherlands 2015 Art Dubai, Contemporary Practices Magazine, Dubai, UAE 2015 Art Karlsruhe, Villa del Arte, Karlsruhe, Germany 2015 Paddle 8, Kathryn Markel Gallery, Bridgehampton, NY, USA 2015 AAF Brussels. Villa del Arte, Brussels, Belgium 2015 Naples Art Show, Villa del Arte, Palm Beach, FL, USA 2015 India Art Fair, Villa del Arte, New Delhi, India 2015 Rotterdam Art Fair, Wanders MFA & Dock Gallery, Rotterdam, Netherlands 2015 Palm Beach Art Show, Villa del Arte, Palm Beach, FL, USA 2015 LA ART SHOW, VK Gallery, Los Angeles, CA, USA 2014 Art Miami (Context), Witzenhausen Gallery, Miami, USA 2014 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2014 AAF Hamburg, Villa del Arte Gallery, Hamburg, Germany 2014 Contemporary Istanbul, Villa del Arte, Istanbul, Turkey 2014 AAF Battersea, Villa del Arte, London, UK 2014 AAF New York, VK Gallery, New York, USA 2014 Houston Fine Art Fair, VK Gallery, Houston, TX, USA 2014 Summer Group Exhibition, Hay Hill Gallery, London, UK 2014 Paddle8 Auction, Bridgehampton, NY, USA 2014 Art Hamptons. VK Gallery, Bridgehampton, NY, USA 2014 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2014 AAF Singapore, VK Gallery, Singapore 2014 Downtown Fair NYC, Witzenhausen Gallery, NY, USA 2014 Russian Pavilion at Erarta Gallery (NYC Frieze week), NY, USA 2014 AAF New York, NY, USA 2014 SCOPE New York, G-77 Gallery (Japan), NY, USA 2014 Art Wynwood. Witzenhausen Gallery, Miami, USA 2013 AA New York, VK Gallery, NY, USA 2013 Russian Pavilion at Kavachnina Gallery, Miami, USA 2013 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2013 AAF New York, VK Gallery, New York, USA 2013 ART Copenhagen. Witzenhausen Gallery, Copenhagen, Denmark 2013 Vught Biennale, Gallery van Loon, Vught, Netherlands 2013 Russian Pavilion at Arttitud San Francisco, USA 2013 SCOPE New York, Witzenhausen Gallery, NY, USA 2013 Russian Pavilion, 25 Central Park West, New York City, USA 2013 Art Wynwood, Witzenhausen Gallery, Miami, USA 2012 Art Miami, Witzenhausen Gallery, Miami, USA 2012 OpenArtCode Shanghai at Present Art Festival Pudong Librart and CEIBS China Europe International Business School 2012 Europe International Art Exhibition at Wison Art Center, Shanghai, China 2012 AAF Amsterdam, Amsterdam, Netherlands 2012 SCOPE Basel, Witzenhausen Gallery, Basel, Switzerland 2012 Verge art fair, NYC, USA 2012 AAF New York, VK Gallery, NY, USA 2012 Art Southampton, Witzenhausen Gallery, NY, USA 2012 Open Art Code Shanghai, China 2012 Dublin Biennial. Point Village, East Wall, Dublin, Ireland 2012 AAF New York, VK Gallery, New York, USA 2012 PooL Art Fair New York, NY, USA 2012 AAF Brussels, VK Gallery, Brussels, Belgium 2011 VIII International Biennale of Contemporary Art, Florence, Italy Victoria received first prize for two paintings 2011 Contemporary Art Fair NYC 2011, NY, USA 2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2011 "ARTI'2011", Art fair, VK Gallery, The Hague, Netherlands 2011 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands 2011 Museum of Russian Art, Jersey City, NJ, USA 2011 Tales of Breukelen, BWAC, Red Hook New York, NY, USA 2011 Berliner Liste 2011, VK Gallery, TRAFO, Berlin, Germany 2011 8th annual summer art show, Black and White, BWAC (The Brooklyn Waterfront Artist Coalition), Brooklyn, New York, USA 2011 "Belarusian Artists of The World", Art Festival of Belarus 2011 Sensation Modern Fine Art Group Exhibition, Notting Hill, London, United Kingdom 2011 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2011 AAF New York, VK Gallery, NY, USA 2011 Art Fair, VK Gallery, Hertogenbosch, Netherlands 2011 Gallery More Then Art, AHOY, Rotterdam, Netherlands 2011 AAF Brussels, VK Gallery, Brussels, Belgium 2010 Salon Art Bizarre 2010, La Galleria Pall Mall, London, UK 2010 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands 2010 Davidoff Swiss Indoors Tournament, Basel, Switzerland 2010 AAF Amsterdam, VK Gallery, Amsterdam, Netherlands 2010 "ARTI'2010", VK Gallery, Art fair, The Hague, Netherlands 2010 Open Art Fair, VK Gallery, Utrecht, Netherlands 2010 Art Nocturne, VK Gallery, Knokke, Belgium 2010 Fine Art Fair, Park Lane Hotel, London, UK 2010 Art Laren, Laren, Netherlands 2010 "Reflected Reality", VK Gallery, Amsterdam, Netherlands 2010 Spring Celebration, Ten Elsenhuyze, Brasschaat, Belgium 2010 Art Fair, VK Gallery. Brabanthallen, Hertogenbosch, Netherlands 2010 "Primavera'10", VK Gallery, AHOY, Rotterdam, Netherlands 2010 Old Russian New Year, IGC, Amsterdam, Netherlands 2009 Memory Fragments, VK Gallery, Amsterdam, Netherlands 2009 Midwinter Celebration, Ten Elsenhuyze, Brasschaat, Belgium 2009 Kunst Messe, Jan Roelofs Antiquairs, Munich, Germany 2009 "ARTI'09", VK Gallery, The Hague, Netherlands 2009 Museum Nacht, Vijzelstraatmuseum, Amsterdam, Netherlands 2009 Art Manege 09, Moscow, Russia 2009 AAF Amsterdam, Wies Willemsen Gallery, Amsterdam, Netherlands 2009 Open Art Fair, VK Gallery, Utrecht, Netherlands 2009 Open Ateliers De Pijp, Culture House Diamantslijperij, Amsterdam, Netherlands 2009 "Slavyanski Bazar", Museum Geelvinck Hinlopen Huis, Amsterdam, Netherlands 2009 Armenian Independent Day Festival, Hollywood, California, USA 2009 The Earth Day Celebration Festival, Los Angeles, California, USA 2009 "Dialog Ost - West", Kulturintegrationsprojekt, Aachen, Germany 2008 The Modern Art Gallery, Los Angeles, California, USA 2008 Agnieten Festival, Gallery Goda, Gouda, Netherlands 2008 Russian Art Exhibition, Gallery Goda, Alakmaar, Netherlands 2008 InterArt, Pommernhus, Greifswald, Germany 2007 Kunst – Event, AHOY, Rotterdam, Netherlands 2007 Woman's World, National Art Museum of the Republic of Belarus, Minsk, Belarus 2007 AKCENT Gallery, Brussels, Belgium 2006 Winterexposition Academy of Russian Arts, Gouda, Netherlands 2006 Eastern Neighbours, Cultural Center Babel, Utrecht, Netherlands 2006 Russian Art Gallery "Kartina", Gorinchem, Netherlands 2006 Embassy of The United States of America in Belarus, Minsk, Belarus 2006 Gallery Goda, Amsterdam, Netherlands 2006 De Kunst van het Wonen, Willa Arena, Amsterdam, Netherlands 2006 Kunst – Event, Martiniplaza, Groningen, Netherlands 2006 Kunst – Event, Beursgebouw, Eindhoven, Netherlands 2005 Kunst – Event, Antwerp EXPO, Antwerp, Belgium 2005 National Art Gallery of Belarusian Artists' Union, Minsk, Belarus 2005 Kunst – Event, AHOY, Rotterdam, Netherlands 2005 ID Studio, LLC, Pawley's Island, USA 2005 Autograph, Art Gallery of Palace of Republic...

This work of art is all hand made with more than 17,000 pins delicately inserted with resin onto hanging gray ropes. The two colors chosen give this lovely work an elegant feeling to spaces. Inspiration came from the Aztec god...

At 5 by 10 feet, this brilliantly executed landscape on panel has a luminosity and a depth rarely seen. The painting has many layers, and is finished in resin. The central figure of ...

David E. Peterson Puzzle #83, 2013 Acrylic, Exotic wood, MDF, UV resin 2 piece set of 60h x 8w x 2d in (30h x 7w x 2d in. and 30h x 8w x 2.5d inches) 152.40h x 20.32w x 5.08d cm Thi...

Tokyo #9 - Unique, 2015 Hand-embellished archival Pigment print on 300gsm Hahnemuhle paper, hand-coloured with mixed-media, mounted on diabond, resin coated. Spanish/Australian Albe...

David E. Peterson Sunrise, Rincon, Puerto Rico, 2011 Acrylic, mdf and uv resin 24h x 18w x 2.50d in 60.96h x 45.72w x 6.35d cm DAVID E. PETERSON (b. 1979, USA) An abstract painter ...

"The LA Port" is an original 4”h x 6”w x 1.5”d drawing, painting, and mixed media process piece of artwork created in a vintage tin. Magnets may be used to display this piece on a wall instead of on a shelf or similar surface. Please note in your order that you would like to receive the magnets if you wish to display the piece on the wall. This piece was originally displayed as part of "Deemed a Canvas" at Paradigm Gallery + Studio in Philadelphia in 2018. Brooks Salzwedel’s work focuses on natural and unnatural landscapes disconnected from their usual surroundings or places in time. Using a self-created process involving materials such as graphite, mylar and resin, tape, colored pencil, and ink, his work evokes feelings of desolation through haunted, dreamlike visions of otherworldly terrains. Ancient trees, decaying flora, and icy mountains obscure long forgotten places and objects, at once familiar and unrecognizable, creating a space for rumination that challenges the relationship to their meaning. Salzwedel received his B.F.A. from the Art Center College of Design, Pasadena, in 2004. Salzwedel graduated with honors and distinction quickly landing a solo show with NewSpace Gallery, Los Angeles. The same year Salzwedel also procured a high-end line of handmade belt buckles in the same process winning him the Best Belt Designer in Los Angeles by Los Angeles Magazine as well as one of LA’s top five accessories designers by Los Angeles Times Magazine West. He has been chosen as the Artist-in-Residence of the most visited National Forest in the U.S., White River National Forest, Summer 2017. In 2015, Salzwedel was Denali National Park’s visual Artist-in-Residence. He also won Los Angeles Metro poster...

Ash Almonte is inspired by beautiful color, incredible music, outrageous fashion, raw and loud works of art, and likes to take risks while transforming her paintings into stories. Sh...

Orange, grey and silvery cream abstract work with diamond motif from Erin Parish, who draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abs...

"Sometimes you are drowning in your own words" - Steve Maraboli Inspired by Maraboli´s famous phrase, this piece was hand made in the heart of Mexico City. It transmits the weight o...

A leafy summer tree overlaid with the pale blue outline of a window pane is framed by a sky of periwinkle in this acrylic on board by Peter Hoffer. The artist's skilled rendering rem...

A single grouping of trees displayed on a colorful sky backdrop boasting hues of soft pink, lavender and blues. The painting has a liveliness that is enhanced by the resin on the sur...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

A wide summer plain, dotted with distant trees and atmospheric mountains meets a hazy sky in this acrylic and resin painting on board. The artist's skilled rendering reminiscent of t...

WE’RE ONLY GONNA DIE by Robert Mars is Mixed Media on Panel that measures 42.00 X 42.00 in and is priced at $13,700.00. Robert Mars’ artwork chronicles an evolving fascination with ...

A leafy summer tree framed by a sky of mauve, amber and cerulean dominates the picture plane of this acrylic on board by Peter Hoffer. The artist's skilled rendering reminiscent of t...

A dramatic circular mixed media on canvas painting with wonderful details and pops of cobalt blue and lime green. We are enamored by the stark contrast, as the shape of the paint tak...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

This multimedia pieces is composed of two identical horse portraits with a red background. These horses are transfered photographs with paint and resin coating to finish. Anke Scho...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Jongwang Lee's paintings challenge a dormant potential he believes lives within all humans. Inspired by Buddhist philosophies of space, Korean ideas of communication with the soul, a...

Wings by artist Anke Schofield is a brown and tan contemporary figurative resin coated mixed media on panel that measures 48 x 72 and is priced at $10,500. Anke Schofield was born i...

"Romance Peregrino" is a wildly colorful, abstract painting layered on top of a photographic print. The subject is a strong male acrobat standing upside down on his hands. The piec...

This romantic painting from the Berlin studio of acclaimed Canadian painter Peter Hoffer is lush, rich with color, and has the surrealism of being in the interior of the forest. The ...

'Tulip' by Catherine Howe, 2015. Acrylic and interference mica pigment and resin on canvas, 40 x 30 inches. In gold, silver and white. Howe's abstracted still life florals are painte...

A lone tree set against a subtle peach-coloured sky has a serene and moody presence in this landscape by Canadian artist Peter Hoffer. Hoffer has created an entire series of tree por...

Billowing lavender and grey clouds in a soft turquoise sky rise above a treed plain in this romantic landscape by acclaimed Canadian painter Peter Hoffer. The artist's skilled render...

Kim Jae Il's process of expression is hiding and burrowing to make the image and appearance visible. His forms differ with every work displaying themselves by perspective and sculptu...

Here is internationally acclaimed visual artist Elaine Badgley Arnoux's 'Portrait of Maya Angelou', who is an American poet, memoirist, and civil rights a...

Clear sea blue abstract oil and resin painting by Erin Parish, whose trademark works of art are marked by the repetition of circular forms and the influence of her diverse set of int...

Mixed media

Kim Jae Il's process of expression is hiding and burrowing to make the image and appearance visible. His forms differ with every work displaying themselves by perspective and sculptu...

Kim Jae Il's process of expression is hiding and burrowing to make the image and appearance visible. His forms differ with every work displaying themselves by perspective and sculptu...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

Rachel Bergeret, a French artist born in 1975, embarked on a vibrant journey intertwining fashion and art from the outset. With an early passion for both realms, she initially delved...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Rachel Bergeret, a French artist born in 1975, embarked on a vibrant journey intertwining fashion and art from the outset. With an early passion for both realms, she initially delved into fashion design, later transitioning into the world of visual arts. Her dual loves infuse her creations, each discipline nurturing the other in a symbiotic artistic evolution. Drawing inspiration from her designer...

Covered Parts 2413 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould in which layers of jute-reinforced acrylic resin are meticulously shaped into three-dimensional forms, sometimes more geometric, sometimes more organic. The resin in this bluish-white relief is filled with a pigmented sand, finished with a high-quality wax and nicely mounted in a bespoke beech veneered mdf frame which enables hanging in four different ways. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

Covered Parts 2411 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould in which layers of jute-reinforced acrylic resin are meticulously shaped into three-dimensional forms, sometimes more geometric, sometimes more organic. The resin in this off-white relief is filled with a pigmented sand, finished with a high-quality wax and nicely mounted in a bespoke beech veneered mdf frame which enables hanging in four different ways. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

Covered Parts 2412 is a unique one-of-a-kind contemporary modern painting relief by Dutch artist Sander Martijn Jonker. His reliefs are made by creating a unique single-use mould in which layers of jute-reinforced acrylic resin are meticulously shaped into three-dimensional forms, sometimes more geometric, sometimes more organic. The resin in this mint-greenish relief is filled with a pigmented sand, finished with a high-quality wax and nicely mounted in a bespoke beech veneered mdf frame which enables hanging in four different ways. Sander Martijn Jonker (1977, Netherlands) graduated from the St. Joost School of Art & Design in Den Bosch, The Netherlands. He primarily makes three-dimensional reliefs that play with the tension between abstraction and representation, surface and space. Light, shadow and their elusive ever-changing properties play an important role. Although the resulting works are abstract, he uses everyday reality as a starting and/or reference point. His work is created through forms of manipulation, distortion, repetition and simplification. Some works arise from the repetition of a simple movement or form, others are made by exploring how far he can go with the deformation and manipulation of the material, after which he captures and preserves the shape. He experiences daily life as uncontrollable and at times confusing. In order to cope with that, he is always looking for patterns and has gradually developed various rituals and ways of control, hoping they can offer him certainty and reassurance. His work and person are inextricably connected. He makes the things he makes because he doesn’t have a choice. He is trying to get a grip...

Thread is expertly wrapped around embedded nails to create a beautiful portrait of a woman. The distinct medium uses layering and gradients to create a unique sense of depth and text...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...