Framed Nude Paintings

Blair Hughes Stanton (British, 1902-1981) Girl with a Guitar, 1929 oil on canvas 16.3/8 x 25.3/4 in. (41.4 x 65.5 cm.) Provenance: the Estate of t...

Lying Nude with Signals 1 (Original Title: Nudo disteso con segnali 1) is an original Contemporary artwork realized in 1988 by the italian Contemporary artist Leo Guida (1992 - 2017)...

Vibrant and dynamic abstracted nude figure drawing, depicted with expressive line and color by Stewart Goldman (American, b. 1936). Signed "S. Goldman" and dated "82" lower right. "Steward Goldman," dated "1982" and titled "Figure Drawing #2" on verso. Presented in a metal frame. Image size, 29.5"H x 22"W. Exhibited:Chamber Paintings and Other New Work - Toni Birckhead Gallery - Cincinnati, Ohio EDUCATION Philadelphia College of Art - 1955-58, 1960-62, BFA in Painting TEACHING EXPERIENCE Art Academy of Cincinnati –September 1968-August 2001 –Retired PROFESSIONAL SERVICE Cincinnati Art Museum Board of Trustees Member– 2013-2016 Advisory Committee- Weston Art Gallery Previous Service Center for Holocaust and Humanity Education, Board of Trustees Member Gamble-Nippert YMCA - Committee of Management Member GRANTS and AWARDS Ohio Arts Council Grant-Exhibition support-“Working Spaces” Munich, Germany -2001 Ohio Arts Council Grant-Exhibition support-“Tales of Slavery and Deliverance”, Munich, Germany-1999 Kulturreferat, Munich, Germany Grant-Residency, Villa Waldberta-Feldafing, Germany-1997 Cincinnati Arts Allocation Grant-To create installation-“The Cherubs of Theresienstadt”-1994 Ohio Arts Council Grant-To curate exhibition and travel “Cincinnati Artists Works on Paper” Kharkiv Art Museum, 1993 Cincinnati Bell Mural Commission-1990 Cincinnati Summerfair Fellowship-1988 Cincinnati Post-Corbett Award, Outstanding Individual Artist-1988 RECENT PROFESSIONAL ACTIVITIES 2013 Curator- “Seeing Opera” Weston Art Gallery, Aronoff Center for the Arts, Cincinnati, Ohio 2013 Book publication, My Mother’s Eyes, Italian translated edition 2011 Curator - exhibition for Constella Festival of Music and Fine Arts, Cincinnati, Ohio 2010 Created print at invitation for Cincinnati Art Museum portfolio commemorating Jim Dine 2007 Book Publication, My Mother’s Eyes, German Translated edition 2005 Commencement Address, New Hampshire Institute of Art, Manchester, NH Colloquia, College of Applied Science, Cincinnati, Ohio Portfolio Presentation, 92 Street Y, New York, NY 2004 Book Publication, My Mother’s Eyes. Holocaust Memories of a Young Girl SELECTED SOLO EXHIBITIONS 2017 Mythic Macrocosm - Tarble Art Center, Eastern Illinois University, Charleston, ILL 2015 Stewart Goldman: Nuances - Philip M. Meyers, Jr., Memorial Gallery, University of Cincinnati - Cincinnati, Ohio 2009 Stewart Goldman Presence through Absence - Cincinnati Art Museum – Cincinnati, Ohio 2008 Then and Now- Paintings and Tape drawings – Springfield Museum of Art- 2006 Old Square/New Square: Paintings and Wall Drawings-Weston Art Gallery, Aronoff Center for the Arts 2005 Paintings-Cincinnati Art Galleries...

Bernard Krigstein (March 22, 1919 – January 8, 1990) was an American illustrator and Ashscan school painter who received acclaim for his innovative a...

Reclining Nude by Lino Tardia, Italian (1938) Date: circa 1980 Oil on Canvas, signed l.r. Size: 19.5 in. x 23.5 in. (49.53 cm x 59.69 cm) Frame Size: 22.5 x 26.5 inches

Artist: Michael Knigin, American (1942 - 2011) Title: Private Showing Year: 1990 Medium: Acrylic and Enamel on Canvas on board, signed, titled and dated verso Size: 24 x 52 inches

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

A beautifully executed oil pastel drawing of a nude lying on a bed by Modern British artist Ewart Johns (1923 - 2013), 1980 Ewart Johns (British, 1923 – 2013) Nude On Bed Oil pastel...

Vibrant and expressive figurative work by John Lancaster (British, Born circa 1930). An adult figure looks into the distance, with its back to the viewe...

A beautifully executed oil painting of a nude lying down on a bed by Modern British artist Ewart Johns (1923 - 2013), 1980 Ewart Johns (British, 1923 – 2013) Nude On Bed, Back View ...

Charming diminutive nude study of a seated figure on raw linen in pastel tones. Signed "Jan" lower right corner. Framing stamp on back from San Francisco. Presented in gilt-toned rus...

A striking study depicting a reclining male model with his hands behind his head. The artist captures the scene in warm tones with soft reds and pinks making up the man's lean body. ...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Nude Year: 1960 Medium: Oil on Masonite, signed and dated l.r. Size: 8 x 11.5 inches Frame: 16 x 19.5 inches

Artist: Alejandro Colunga, Mexican (1948 - ) Title: Lady Sword Swallower Year: 1975 Medium: Acrylic on Canvas, signed l.l. Size: 16 x 12 inches

Linda Stein, Artist and Model 362.007 - Signed, Acrylic on Canvas, Colorful, Figurative, Nude Painting Linda Stein's Artist and Model series are early paintings she made in the 1970...

An charming study depicting an artist and model in the studio. the nude model poses in seated position facing the artist who stands behind an easel. The artist beautifully captures t...

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

Odalisque ,yellow,orange, orient Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patronize La Coupole de Montparnasse (from Kisling to Pascin, from Derain to Vlaminck). He is considered one of most representative exponents of the Turin’s artistic scene in the ‘30s-‘40s, close to the Gruppo dei Sei. His works can be found in the following museums: Turin, Modern Art Gallery...

A captivating expressionist study of the female figure, rendered in an intense palette of dark colours. Presented in a handsome dark green frame with silver-effect window. Inscribed ...

Oil Painting by Igor Talwinski "Nude Study, Blonde Mode Seated" 1907 - 1983. Polish portrait and figure study painter who came to live in Paris after ...

Ewart Johns (British, 1923 – 2013) Projections on a figure III Watercolour on paper Signed with initials and dated ‘EJ 92’ (lower left), further titled and dated (on the reverse) 9.5...

Arthur Smith (American, 1897-1972) Untitled (Circus Figures), 20th century Oil on board 16 x 19 3/4 in. Framed: 20 x 24 in. Signed lower left: A Smith ...

Ewart Johns (British, 1923 – 2013) Projections on a figure VI Black crayon and watercolour Signed and dated ‘EJ 92’ (lower left) and futher signed, titled and dated (on the reverse) ...

A large energetic acrylic honouring the female form by modern British artist Carmen Tyrrell. Well-presented in a dark blue mount and lime-washed frame. ...

This is a one of a kind original figurative oil painting on canvas by Stephanie Clair. It is framed as pictured. Its dimensions are 31"x43". A certificate of authenticity will follow...

Mythological I (Faun), 2016 Acrylic marker on canvas sheet (signed and dated front left corner) 23 5/8 H x 17 3/4 W in. 60 H x 45 W cm (reproduced at page 23, in the catalogue 'Mythi...

Artist: Sandu Liberman Title: Nude in the Window Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 24 in. x 24 in. (60.96 cm x 60.96 cm) Frame: 31 x 31 inches

Strange women II, 2015 Acrylic on canvas pad 23.62 H x 17.71 W in. 60 H x 45 W cm "Strange women" is a cycle of eight canvases, each representing a fema...

Bernard Krigstein (March 22, 1919 – January 8, 1990) was an American illustrator and Ashscan school painter who received acclaim for his innovative a...

America Martin "Woman with Dogs" Oil & Acrylic on Canvas 80 x 110 inches Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration from her...

The figure in this painting is like the popular but at the same time oddly obscure Taoist god called “Longevity Star”. Apparently he was an historical figure born bald and grey like ...

Italy,Italian Painter,Women,Nude,Orange,Red ,1952 Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical a...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

Wout Muller (June 18, 1946 – January 24, 2000) was a Dutch painter and graphic artist known for his detailed, often surrealistic works filled with symbolism and fantasy. Born in Hilv...

Antique oil painting, Bruno Jüttner, nude of a North African young lady Rare half-nude by the well-known German painter. Age-related condition. A pressure mark in the center left....

Work on wood Black wooden frame 77 x 55 x 2 cm

Artist: Remo Farruggio, Italian/American (1904 - 1981) Title: Champagne Glasses Year: 1954 Medium: Oil on Masonite, Signed l.r. Size: 26 in. x 19 in. ...

Chris Ferrigno's 'Pondering,' a masterful expressionist pencil drawing from the 1970s, captures a contemplative female figure, rendered with exquisite attention to detail and emotion...

"SARAH" Painting (FRAMED) 30" x 24" inch by Isaac Pelayo Medium: oil and acrylic on wood Comes in frame Size framed: 32" x 26" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff Hamilton, Shepard Fairey, Jaysse Lopez, and Everlast of House of Pain...

Flowers. 1996, oil on canvas, 69x57 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis...

This painting was inspired by Rembrandt's "Susanna and the Elders", especially Simon Schama's commentary on it, and the Me Too Movement. It depicts a vulnerable woman looking at the viewer, the male figure was derived from an Italian fascist sculpture. Rembrandt's painting depicts only one elder. It is assumed the other elder (or voyeur) is the viewer. This painting also contains references to global warming, surveillance capitalism and a thistle. According to the Penguin Dictionary of Symbols, thistles "like all prickly plants are a symbol of the protective belt defending the heart against external harm and attacks". This piece is framed in an ornately carved black wooden frame measuring 25.5h x 21.5w inches. William Krug...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

A gorgeous nude from 1969 by James Wallace, showing masterful foreshortening (very difficult to pull off this convincingly) and beautifully sensual. One tiny repair visible on back c...

The artwork size is 7"x5", oil on canvas board. The frame is included.

The Greek myth of Medea, the enchantress who helped Jason, leader of the Argonauts, obtain the magical Golden Fleece, is a classic story of betrayal and vengeance. Like many Greek myths, this one too has a tragic ending. She was of divine descent and had the gift of prophecy and married Jason. Theirs's was a passionate beginning but when Jason found another, Medea made the ultimate sacrifice by killing the children the two shared. Jason, Medea and the Golden Fleece is one of the oldest myths of a hero's quest. Gibbons portrays the hero as a bare-chested god with a halo of roses and gold. The Heroine is portrayed with a golden crown and an aura of golden rays surrounding her. His soft features and partially opened lips and her sultry gaze add to the sensuousness of their passionate love affair. The paintings are framed in a simple walnut wooden frames measuring 21.5 x 17.5 inches each. Richard Gibbons Jason and Medea...

Susan Kiefer Aphrodite (Amazon After the War) Oil on Canvas Year: 2019 Size: 48x48x1.35in Signed, dated and insribed by hand COA provided Ref.: 924802-1658 Nude Aphrodite in neutra...

Linda Stein, Figurations 359.007 - Signed, Watercolor on Paper, Framed Painting Linda Stein's Figurations series are early paintings she made in the 1970s. They show the artist's p...

In These Shoes A super sexy oil on linen provocative BDSM painting of a sexy woman wearing Louboutin heels. Martin Allen is a London based artist. Marti...

This nude figure drawing is made with a mix of pastels and gouache, signed and dated 1963. Born in Tacoma, WA, on Oct. 23, 1918, Randall lived in Salem, OR, during the 1930s. He crea...

Genesis Oil Painting on Panel Beginning Bible Adam Eve In Stock Tino Luciano (1953, Sardinië) Like most artists, Luciano started painting at an early age. His paintings can be consi...

The painting reveals a nude woman, her aura exuding self-assurance. She stands upright on the rugged terrain of a rocky mountain. The work is elegant, devoid of any hint of eroticism...

My works speak of the human condition, the animality that inhabits us, and the creative impulse as a survival strategy. My series are a reflection of my own experience, of the life t...

My works speak of the human condition, the animality that inhabits us, and the creative impulse as a survival strategy. My series are a reflection of my own experience, of the life t...

Natalia Pashukova (Russian, born 1950) Graduated from the Moscow Surikov Art Inst. A member of the Russian Artists' Union Lives in Moscow Natalia graduated from the Moscow Art Scho...

André LEMAITRE (1909-1995) Nu de dos, 1980 Oil on canvas Size : 73 x 60 cm Signed lower right Tille and dated on reserve Painting in very good condition. Gilded frame offered. Size...

Born on the 17th September 1892 in Preston, Lancashire. He specialised in painting portraits, landscapes and marines on oil, watercolour and pastel and was an accomplished etcher and...

Oil on canvas, signed on the reverse Image size: 19 1/2 x 23 1/4 inches (49.5 x 59 cm) Contemporary frame Caroline Hutchinson was from the North East. She was a member of the Sunder...