Oil Nude Paintings

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Contemporary figurative artist Calvin Lai paints a provocative...

"Ajala Travel" by Abdullateef Salaudeen is a captivating artwork that invites viewers into a world of wanderlust and exploration. The piece centers around a young man, adorned with a...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Remo Farruggio, Italian/American (1904 - 1981) - Circus Girl, Year: circa 1950s, Medium: Oil on Canvas, signed, Size: 36 x 26 in. (91.44 x 66.04 cm), Frame Size: 40.25 x 30.25 in...

Signed Post-Impressionist Double-Sided Reclining Nude Figures, Oil on Canvas, 1912, front face depicting nude female figure facing away from viewer, reverse with male figure, stretch...

Work on canvas Golden wooden frame 81 x 80.5 x 4 cm

"Flora #2" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pink, blue and purple. Guy Robinson is i...

The central work of the exhibition was the painting "Theatre of the Heart", which depicts the classic plot of the swimsuit, which runs through the entire history of art. In this work...

The Nude Model French Post-Impressionist artist, circa 1900's oil painting on canvas, laid on recent board, unframed board: 14.5 x 11 inches provenance: private collection, France co...

Oil painting on canvas, this particular piece is one of the few pieces left from her graduate program, her earlier work. Christina Major was born in Concord, New Hampshire in 1982...

A beautiful mid century nude figure study of a red haired woman standing with plants by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collec...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

"Oil On Canvas Portrait Of A Seated Ballerina By Maria Szantho Framed" Nice and large painting "two ballerinas", painted by the female artist Maria Szantho (1897 - 1998) Hungarian sc...

Philippe Couture was born in Drummondville, Canada in 1984 and currently resides in Kyoto, Japan. Phil’s art education was primarily self-taught. His training consisted of drawing an...

Title: Garden of Earthly Delights Artist: TheDirtyFabulous Media: Oil on metal with polyurethane varnish Size: 60 x 40 inches / 153 x 102cm Year created: 2012-2014 Societies have long employed images that visualize their belief systems or attempt to encapsulate a narrative of our human destiny. This work follows in that tradition. The uppermost vignette is a silhouette from the nursery rhyme “Jack be nimble”, a children’s rhyme that refers to a 19th century game and a form of fortune telling. In Roman mythology Parcae (plural) were the personifications of fate. They are used in this painting as bookend figures on either side of a cosmic machine that answers questions of fate. Three vintage light bulbs labeled “yes”, “maybe” and “no” sit atop the clock – like machine and illuminate answers to humanity’s eternal questions. At the top of the composition are several re- configured tarot / divination cards belonging to an anonymous person circa 1930’s. The cards here are labeled; satisfaction dark woman, jealousy, dark man and betrayal. The grouping of these four cards refers to both positive and negative potentials concerning fate and offer clues to the viewer on a number of possible scenarios it could describe. The lower portion of the picture contains two silhouetted vignettes on either side of a central image of stars and planets against a dark void. The left image is of two children in a small wagon being pulled by a beetle. This is a reference to Egyptian mythology and the sun god Khepri. who personifies birth / rebirth. Khepri is portrayed as a beetle that pushes the sun across the sky. Here the young innocents...

"The Shower" is an original oil painting on wood by Robert Richter. The artist signed the piece on the back, and hand-carved the frame so it becomes an integral part of the artwork. This piece depicts a nude woman from behind, taking a shower. 33" x 21" art 35 7/8" x 24" frame Artist Statement: "I was born in Milwaukee over half-a-century ago in the year of the horse...

Shepherd with Flock and Nude Lady by Fountain Italian School, circa 1900's indistinctly signed, 'R. Bertholio'? signed oil on canvas, unframed canv...

A Wonderfully Stylized, 60s Mid-Century Modern Oil Painting of Standing Male Ballet Dancers by Noted Chicago Artist, Rudolph T. Pen. Painted in the 1960s, this captivating dance stu...

"Smoke Break" by Clyde Steadman (United States) is a handmade nude female portrait painting that is unframed, but ready to hang.

Marc Scheff's "Masculinity" is a multi-layered resin painting that is made using oil, acrylic, pencil, pan pastel, caran d'ache, layered resin a...

The inspiration for Daniel Wimmer’s art consistently stems from the human body. He is particularly fascinated by the beautiful colors of the skin and is constantly searching for intr...

The Trees The Cosmos and the Couple Painting Oil on Linnen In Stock Theo Mackaay (1950) Utrecht, the Netherlands Mackaay works with recognizable shape:: women, men and animals, wit...

"The Bronze Emperor" by Igor Samsonov is an Original Surrealist Oil painting that measures 42x53 in. Igor paintings are rich with symbolism and tell st...

Aion, God of Time & The Orb, 19th Century French School 19th Century French School depiction of Aion and the Orb, oil on panel. Excellent quality and co...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

Going Forward, 2023 Oil on canvas 88 H x 70 W cm 34 41/64 H x 27 9/16 W inches This oil painting, "Going Forward" by Carmen Belean, captures the essence of serenity and natural beau...

"Flora #14" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of blue, black, green, white and yellow. Guy Robinson is inspired by ...

"Flora #12" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of blue, pink, orange, green and white. Guy Robinson is inspired by t...

Hemed’s paintings inhabit a space between realism and intimacy. Depicting contemplative male figures in moments of vulnerability, his work is marked by an emotional depth that resist...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

Raphael Delorme (1885-1962) was one of the leading painter from the Art Deco Bordeaux school of painting with Dupas in France in the 1920's. This painting is typical of his best wor...

Heavy impasto pained in alla prima ( Wet-on-wet ) technique. Layer of damar varnish. Frame burn, On Masonite. Unframed Signature: Signed Max Weber upper left.

Tuya Natsagdorj (Mongolia 1970) - Naked Goddess - oil on canvas Oil measures 63x53 cm. Frame measures 66x56 cm. Natsagdorj Tuya is a female artist who graduated from the kyiv School of Theater Arts in Ukraine and the Kyoto School of Art in Japan. Popular painter in the United States and Japan. In 2006 he participated in the exhibition "Mongolian art...

Superb Impressionist mid-20th century British Impressionist oil painting on board, depicting this seated nude lady. Painted with thick oil and wide, vibrant ...

Alejandro Casanova Playing around 100 x 100 cm oil on canvas The Spanish artist Alejandro Casanova lives and works in Tenerife, where he moved afte...

"Flora #3" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pale pink, light blue and yellow ochre. ...

Artodyssey: "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with c...

An oil on canvas pointillism painting of a naked women art class on Cape Cod. Signed by George Durant and dated '52, this is not a subject matter...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

"The Portrait" by Geneviève Zondervan (French 1922-2013) pencil/ charcoal on thick paper, unframed paper size: 25 x 19 inches Beautifully decorative, mid 20th century French origin...

Artist statement: My work as a figurative painter examines my experience as a gay male living in Mexico today. My early paintings and drawings are explicitly erotic in that they f...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

"Blue Light Nude, Bea" is a contemporary impressionist oil painting of Fenske's muse, Bea. The first painting of the "Bea Nudes Series" is a loose presentation of brushstrokes that ...

"Introvert" by Zack Zdrale (US based) is an original oil on panel depicting a nude male model. Zack Zdrale (b. 1977) takes a traditional approach to his work although his subjects a...

Oil Painting of a nude women. Dark neutral painting by Cuban Artist Jesus Nordarse. Oil Painting of a Love and Sacrafice by Cuban Artist Jesus Nordarse. Oil on Canvas. 18 x 18 inch...

Technical Data Sheet of the Artwork - Title: Nude Woman - Artist: Eduardo Pisano (1912-1986) - Technique: Oil on board - Dimensions: 10.2 x 8.3 inches (without frame) - Sty...

Floating is an impressionist oil on panel painting. It depicts two people floating naked in water holding each other. This painting can be hung horizontally, or vertically. Frame ...

Bay Area Figurative Nude Study - Oil On Canvas Bay area figurative male nude study by unknown artist named Sumrall (american, 20th C). A male figure poses nude, facing to the left o...

Classical Figures in Ancient Landscape Italian School, 18th century oil on panel, painting: 9 x 12 inches provenance: private collection, Paris condition: very good and sound condition

Marguerite BARTHELEMY (XX) Nu allongé Oil on canvas Size : 50 x 100 cm Signed lower right Provenance : Private collection Normandy Good condition, original canvas Frame included S...

Work on paper Frame in wood moldings and gilded plaster with glass pane 64,5 x 85 x 3 cm

“I paint the human figure and explore further till I reach the Beauty of Being, the Soul.. the part of Human Being where everything is in total Serenity, Goodness and Harmony, where ...

Peter Kuhfeld, RP NEAC Peter Kuhfeld was born on 4 March 1952 in Cheltenham as the only child of a German prisoner of war and an English classical pianist. Between 1972 and 1976 h...

Nerea Caos (1993) - to all my lovers - Oil on canvas Canvas size 60X60 cm. Frameless. Nerea Sánchez Castro, born in Ferrol, Galicia in 1993, an art student...

This captivating artwork presents a striking blend of classical form and vibrant color. At its center is a seated figure, delicately positioned with limbs folded, embodying a serene ...

"Girl" is a nude figurative painting by the impressionist Ivan Roussev. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique, signed Weigh...

John Tarantola's original nude portrait "Reclining Man" (2015) is a beautiful surrealist oil on panel painting that depicts a young man lying in the nude, against a surreal scene of ...