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18th Century and Earlier Paintings

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Period: 18th Century and Earlier
Virgin with Child - Painting by Theodor Mathon - 17th Century
Located in Roma, IT
Virgin Mary and Jesus is an original old masters' artwork realized by the Flemish painter Theodor Mathon (1606-1676) in the 17th century. Mixed ...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Still-Life Flower Von Tamm 17/18th Century Paint Oil on canvas Old master Italy
Located in Riva del Garda, IT
Franz Werner Von Tamm known as Monsieur Daparait (Hamburg 1658-Vienna 1754) Attributed to Still life of fruit with lizard Oil on canvas, 58 x 74 cm. Framed 76 x 92 cm. This magnifi...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

16th-17th Century By Giacomo Cavedone Susanna and the Elders Oil on Canvas
Located in Milano, Lombardia
Publications: - E. Negro, N. Roio, Giacomo Cavedone 1577-1660, Modena 1996, pp. 164, 165.
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Antique Rococo Oil Painting, around 1800, "Royal Dance in the Garden"
Located in Berlin, DE
Antique Rococo Oil Painting, around 1800, Royal Dance in the Garden Oil on canvas. Canvas relined. Stretcher renewed. Dimensions are without fra...
Category

Rococo 18th Century and Earlier Paintings

Materials

Canvas, Oil

Still Life, 17th Century Oil on Panel Painting
Located in London, GB
Oil on panel, monogrammed mid left Image size: 15 x 12 1/4 inches (38 x 31 cm) Dutch ripple style frame Loeding was born in Leiden in around 1637 and was admitted into the Leiden Guild of St Luke in 1664. Like other Dutch cities, Leiden required membership in the guilds in order to sell wares falling under the various specifications. There is no record of his artistic training or influences, but he likely belonged to the circle of artists including Pieter de Ring and Gerrit Dou, who founded and maintained the Guild.  Loeding is last registered as a member in 1673. One of the most versatile genres that emerged from Dutch 17th Century artistic specialisms is that of 'pronkstilleven'; a laden table with a variety of rich textures, like ornate glassware, gilded goblets, exquisite nautilus cups...
Category

18th Century and Earlier Paintings

Materials

Oil, Panel

Untitled
Located in Vancouver, CA
Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...
Category

Abstract 18th Century and Earlier Paintings

Materials

Oil, Board, Archival Paper

A Tavern Interior, 18th Century Old Master, Figurative Oil Painting by Schaak
Located in Greven, DE
A Tavern Interior - 18th Century Old Master, Figurative Oil Painting by Schaak Little is known about the artist J.S.C. Schaak. He was active in England as a portraitist between 1760-1770. His name indicates his German or Dutch origin. Especially portraits of generals...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Copper

Portrait of an Officer, Cornelius Johnson, 17th Century Old Masters
By Cornelius Johnson
Located in London, GB
Circle of Cornelius Johnson Circa 1620’s Portrait of a Officer Oil on canvas Image size: 28 x 24 inches Period style hand made frame Provenance Private European Estate This striking portrait dates to around 1620, as you can see from the images of the sash the detail is very high. The sash is decorated with gold thread and would have cost a small fortune at the time. Sashes were originally developed for a military function (making officers more visible for their men during combat), but soon became a primarily male fashion...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Aeneas Salmeggia, Ecce Homo
Located in Milan, IT
Enea Salmeggia known as Talpino (Bergamo, 1565 - 1626), second decade of the 17th century Ecce homo Oil on canvas, 84 x 61 cm Framed, 103 x 77 cm The work presented here depicts ...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Canvas, Oil

Painting with Scene of Battle mid-18th century
Located in Milan, IT
Oil on Canvas. The scene depicts a battle between an army of Moors and white soldiers, defending a fortification from which cannons are firing, while in the background a white city e...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Oil

Still-Life Flower Landscape Castelli Paint Oil on canvas Old master Italian art
By Giovanni Paolo Castelli detto Spadino
Located in Riva del Garda, IT
Still life in a landscape with fruit and game Work of the late Roman Baroque of the late seventeenth / eaarly eighteenth century attributable to Giovanni Paolo Castelli, known as Spadino (Rome, 1659 - 1730) oil on canvas 62 x 76 cm., Framed 90 x 109 cm. An open-air setting, with a hilly landscape gash that opens into the distance in the central part, surrounds our beautiful canvas, which showcases a rich selection of game and fruit, arranged in the foreground near the point of view of the observer, occupying a large part of the visual field with their bright and festive colors. The style and quality of the work, like the pictorial technique of this still life, characterized by subtle luminous vibrations and a lively chroma, make it attributable to the Roman Giovanni Paolo Castelli, known as Lo Spadino (Rome, 1659 - 1730), one of the most important specialists of this pictorial genre of late Baroque Rome, which had a very successful career between the 17th and 18th centuries. Analyzing the rich and heterogeneous catalog of the Roman master, in fact, our canvas can be included among his rare works which, alongside a selection of fruit - among which stand out large melons, ripe figs, dark grapes and plums - we see a game advert, presumably as requested by a patron who loves hunting. Next to various birds, spoils of a profitable hunting trip, there is also a small green woodpecker, with the characteristic red spot on the head, and a nice rodent that terminates from behind the trunk. The painter abandons himself to a skilful and brilliant chromatic texture of the surfaces, through a pictorial material rendered with exceptional vibration in its luminous and 'tactile' body, fully respecting the taste of the full Roman Baroque. The quality appears excellent, distinguished by a skilful and brilliant chromatic texture of the surfaces, which appear almost vibrant thanks to a skilful drafting of the pictorial material. Inevitable and evident are the Flemish suggestions, which had influenced the Roman Baroque still life, in particular the work of Abraham Brueghel...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Remarkable Pair of 16th C. Italian Oil Paintings
Located in Los Angeles, CA
Two, large, stunningly painted, left and right, oil-on canvas, Italian paintings of the Emperor's Vespasian and Julius Caesar, with their names inscribed on the lower left hand corne...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

After Francois Boucher, Odalisque
By (After) Francois Boucher
Located in Milan, IT
Second half of the 18th century, follower of François Boucher Odalisque Oil on canvas, 75 x 125 cm Framed, 124 x 152 cm In the 18th century, French artist François Boucher did no...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Canvas, Oil

Pair of Exceptional Italian Still Life Paintings of Flowers 18th century
Located in Rome, IT
- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...
Category

Baroque 18th Century and Earlier Paintings

Materials

Oil

Painted Christ the Redeemer and Angels 17th-18th century
Located in Milan, IT
Oil on Canvas. North Italian school of the 17th-18th centuries. The scene has in its center the figure of the Risen Christ who, seated on the clouds, holds the Cross with one hand an...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Oil

17th Century By Lombard Artist Still Life with Birds and Burning Fuse Oil/canvas
Located in Milano, Lombardia
Lombard Artist of the 17th Century Title: Still life with birds and burning fuse Medium: Oil on canvas Dimensions: without frame 79 x 109 cm - 103 x 136 cm with frame "Cassetta" fram...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Mercury and Io, a rediscovered painting by Jean-Baptiste Marie Pierre (ca. 1740)
Located in PARIS, FR
We would like to thank Mr. Nicolas Lesur for confirming the autograph nature of the entire composition after a direct examination of the painting on November 27, 2024. This painting...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Tower Of Babel Flemish School 17/18th Century Paint Oil on canvas Old master
Located in Riva del Garda, IT
Flemish painter 17th-18th century Construction of the Tower of Babel Oil on canvas 51 x 64 cm Framed 66 x 78 cm If there is a subject in art that has been taken up several times t...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

18th Century By Vincenzo Re The Pool of Bethesda Oil on Canvas
Located in Milano, Lombardia
Vincenzo Re (Parma, Italy, 1695 - Naples, Italy, 1762) Title: The Pool of Bethesda Medium: Oil on canvas Dimensions: without frame 50 x 62 cm - wi...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil, Canvas

Antique Indo Persian Illustrated Manuscript of an Elephant
Located in Palm Beach, FL
Charming 18th Century illustrated manuscript of an elephant with passengers executed in gouache on paper on the front and exposed manuscript on the back. Presented in a gold tone woo...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Gouache

Tulips, lilys, hyacinths and dahlias in a bronze vase, oil on canvas.
By Andrea Scacciati
Located in New York, NY
Together with his son Pietro Neri, Andrea Scacciati was active at the Medici court and is well known for his still lifes with flowers. His works display both Roman and northern influ...
Category

Baroque 18th Century and Earlier Paintings

Materials

Canvas, Oil

Painting Portrait of a Young Nobleman XVII century
Located in Milan, IT
Oil on Canvas. 17th century Dutch school. The young nobleman, very serious, looks out from an oval painted frame, on which he rests his hand to flaunt the ring of the household. The...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Oil

Esther in the Women's House of Ahasuerus
Located in New York, NY
Born in Antwerp, Artus Wolffordt received his training in Dordrecht where he became a master in 1603 at the age of twenty-two. He returned to his native city in 1615 and initially worked as an assistant to Otto van Veen...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil, Panel

Oil Painting by circle of Nicolaes Berchem "Off to Market"
By (After) Nicolaes Berchem
Located in Mere, GB
Oil Painting circle of Nicolaes Berchem "Off to Market" 1620 - 1683 Highly esteemed Dutch pastoral landscape painter of the Golden age with a large studio and many pupils. Found in m...
Category

18th Century and Earlier Paintings

Materials

Oil

Penitent Magdalene and St. John the Baptist, oil on slate, early 17th century
Located in Milan, IT
The figure of the Magdalene emerges from the darkness, leaning to follow the curve of the stone support; it is depicted vaulted with an interrogative air towards the dark, as if in an attitude of listening, the left hand raised and the other leaning on the "memento mori" very shortened. In front of her a scourge and the jar of ointment. Painted en pendant, Saint John the Baptist is depicted as a young man, with a lamb at his feet, in his hand the processional cross with the banner "exception agnus dei", while with his right hand he draws from the source of water, recalling the episode that will see Jesus Christ baptized. In both paintings the figures stand out in a strong and incisive way thanks to the black that characterizes the slate plate on which they are depicted. Historical-critical analysis: We are faced with two examples of oil painting on stone. The beginnings of this particular technique are to be placed in the first half of the sixteenth century: after some fifteenth-century experiments it is with Sebastiano del Piombo that the genre takes hold in the sixteenth century. There were different types of support used, also linked to their availability: amethyst, marble in various colors, alabaster and blackboard. The reasons underlying this technical choice refer to Renaissance artistic theories: it is no coincidence that the painter who most often experimented with oil painting on marble...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Oil

Possible Portrait of William Shakespeare
Located in London, GB
Oil on oak panel Image size: 17 1/4 x 22 1/4 inches (44 x 56.5 cm) Period oak frame This is a portrait of a Tudor gentleman in an open next shirt with one hand raised to his chest. ...
Category

18th Century and Earlier Paintings

Materials

Oak, Oil

17th century By Dutch Maestro Still life with bird, carp & lobster Oil on canvas
Located in Milano, Lombardia
17th Century Dutch Maestro Title: Still life with bird, carp & lobster Medium: Oil on canvas Dimensions: without frame 116 x 97 cm - with frame 153 x 133,5 cm Antique frame "a casset...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

"Tavern Gathering" by David Teniers the Younger original oil painting from 1646
By David Teniers the Younger
Located in Dallas, TX
This Flemish Baroque art by David Teniers the Younger’s is a captivating masterpiece, “Tavern Gathering,” painted in 1646. Renowned as the preeminent Flemish genre painter of his tim...
Category

Baroque 18th Century and Earlier Paintings

Materials

Oil, Panel

Saint James The Greater, 17th Century ALBRECHT DÜRER (1471-1528)
Located in Blackwater, GB
Saint James The Greater, 17th Century after ALBRECHT DÜRER (1471-1528) Large 16th 17th Century Old Master portrait of Saint JamesT...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

The Penitent Magdalene, 18th Century
Located in Blackwater, GB
The Penitent Magdalene, 18th Century Studio of Pompeo Girolamo Batoni (1708-1787) Huge 18th Century Italian Old Master depiction of the Penit...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

Paint Religious 17th Century Oil On Panel Saint Girolamo Leonardo Italy Holy
Located in Riva del Garda, IT
This splendid panel, made in the last decades of the sixteenth century, depicts San Girolamo, a monk who lived between the 4th and 5th centuries, presente...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

17th Century by Cesare Pronti Martyrdom of Saint Agatha Oil on canvas
Located in Milano, Lombardia
Cesare Pronti (Cattolica, Italy, 1626 - Ravenna, Italy, 1708) Title: Martyrdom of Saint Agatha Medium: Oil on canvas Dimensions: Without frame 57.7 x 37 cm – with frame 64 x 42.7 x 3...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Allegory of Music School After Lorenzo Lippi
Located in Pasadena, CA
After Lorenzo Lippi (Florence, May 6, 1606 - Florence, April 15, 1665) is a Baroque painter of the Florentine school and a seventeenth-century Italian poet.
Category

Renaissance 18th Century and Earlier Paintings

Materials

Oil

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century and Earlier Paintings

Materials

Watercolor, Etching

Pair of French 18th Century Oil on Canvas Boiserie Paintings
Located in Los Angeles, CA
Pair of hand-painted, oil on canvas paintings from a boiserie room. Gilding detail on hand-painted frames.
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

Venus Paolo Fiammingo Paint Oil on canvas Old master 16th Century Italian Art
Located in Riva del Garda, IT
Pauwels Franck, known as Paolo Fiammingo (Antwerp, 1540 - Venice, 1596) Venus lying in a landscape Oil on canvas 116 x 150 cm. In antique frame 136 x 170 cm. The work is accompanied by a critical card by Dr. Federica Spadotto The splendid painting proposed sees portrayed, bare and stretched out on a red brocade cloth in gold sprinkled with roses, a refined and sensual Venus, in a composition with a profound symbolic value, and arriving at the perfect representation of the Renaissance woman who, like Venus, becomes an allegory love, eros, beauty and fertility. The canvas is part of the prestigious Venetian artistic and cultural environment of the second half of the sixteenth century, whose distinctive distinctive trait can be traced back to its cosmopolitan vocation. This characteristic, as Dr. Spadotto noted in her in-depth study, belongs to the same physiology of the Venetian capital, that is, being a distinctly commercial city located in a strategic point with respect to trade. Representing one of the liveliest ports in the Mediterranean also meant witnessing the continuous passage not only of goods, but of men, ideas, suggestions from distant countries, which influenced not only the taste of their people, but above all art. This happened thanks to the circulation of prints, as well as pictorial specimens, to which are added the stays of great foreign artists and, above all, the permanence in the capital of a non-negligible number of Dutch, Flemish and German masters. An emblematic case in this regard comes from Pauwels Franck (Antwerp, 1540 - Venice, 1596), better known as Paolo Fiammingo, who established himself in his native city at a young age - in 1561 a figure enrolled in the Guild of San Luca - and arrived in Venice in 1573. . He resided in Venice from 1584 until his death, although the stylistic and formal references of some of his works have led critics to believe that in previous years he had undertaken a journey to central Italy, or to Florence and Rome, where he would have metabolized the lively cultural debate that permeated these cities and which, on the other hand, seemed completely absent in Venice. Here Paolo will be fascinated by the sense of color and by the atmospheric component fixed on the canvas by Jacopo Tintoretto (Venice 1518 - 1594), of which he becomes a collaborator, to undergo, around 1590, the suggestion of Paolo Caliari...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Portrait Gentleman Armor Carbone Van Dyck Paint Oil on canvas 17th Century Italy
Located in Riva del Garda, IT
Giovanni Bernardo Carbone (Genoa, 1616 - 1683), workshop Portrait of a gentleman in armor with battle scene in the background Oil on oval canvas (117 x 105 cm. - In gilded frame 124...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

View of a Mansion in the South of France, a drawing by Claude-Joseph Vernet
By Claude-Joseph Vernet
Located in PARIS, FR
We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination. It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes. 1. Joseph Vernet, a painter influenced by Italy Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron. As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Ink, Laid Paper, Pen, Carbon Pencil

18th c. French Portrait of a Lady by Jean Ranc (1674 - 1735), Paris circa 1700
Located in PARIS, FR
Portrait of a Lady with carnations By Jean Ranc (Montpellier 1674 - Madrid 1735), circa 1700 Oil on canvas in oval shape, Dimensions: h. 35.82, w. 28.34 in. Period Louis XIV giltwood and carved frame with laurel leaves. Framed dimensions: h. 42.52 in, w. 33.85 in. Provenance: Collection of the Marquis de Bailleul at the Château d'Angerville-Bailleul (before 1942). To be included in the catalog raisonné of the artist by Stephane Perreau Important portrait of a young woman depicted half-length turned three-quarters, her face looking at the viewer. Dressed in a brick red velvet dress, an elegant blue scarf envelops her figure. Hair styled “a la Fontange”, her powdered hair is raised and tied at the back with a red ribbon, several curly locks escape from her bun and fall on her back and shoulders. The perfectly oval face with regular features dominated by her straight nose is softened by her gray eyes with slightly lowered lids. The red tinged skin tones on the cheeks and cheekbones color the face and make the portrait come alive. The young woman is portrayed standing near a pot of carnations. Her strongly lighted figure stands out against an architectural background of columns. The artist's palette is made of contrasts opposing warm to cold hues. The icy electric blue contrasts with the fiery brick red, the hair powdered with white accentuates even more the flush of the cheeks. The left arm bent at the elbow, extending the open hand with slightly bent fingers in the foreground brings depth to the composition. Our portrait, an interesting testimony in the corpus of works of the painter, is part of his youthful period, around 1700-1705. The former belonging of this portrait to the Marquis de Bailleul reinforces the remarkable character of our painting. The portrait has been examined by Stéphane Perreau, specialist of Jean Ranc and will be included in the catalog raisonné currently being written, under number P. 43. The notice edited by Mr Perreau is below: "Painted around 1700-1705, this portrait of a woman is directly inherited from Hyacinthe Rigaud, the master of Jean Ranc (the hand turned over the front, in a watch...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

18th Century By Giustino Menescardi Ascent to Calvary Oil on Canvas
Located in Milano, Lombardia
Giustino Menescardi (Milan, Italy, c. 1720 - Venice, Italy, after 1779) Title: Ascent of Calvary Medium: Oil on canvas Dimensions: without frame 47 x 36 cm - with frame 57 x 43 cm Shaped and gilded wooden cassetta frame Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Cotton Canvas, Canvas, Oil

Pair of Royal Portraits of the Duke and Duchess of Burgundy
By Pierre Gobert
Located in New Orleans, LA
Follower of Pierre Gobert 18th century French The Duke and Duchess of Burgundy Oil on canvas Refinement and intricacy characterize these royal portra...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

18th Century Oil on Canvas Italian Antique Landscape with Characters Painting
Located in Vicoforte, IT
Antique Italian painting from the 18th century. Framework oil on canvas depicting a landscape with figures of good pictorial quality. Nice sized and pleasantly decorated paintinf wit...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

17th Century portrait oil painting of a gentleman
By Willem Wissing
Located in Nr Broadway, Worcestershire
Circle of Willem Wissing Dutch, (1656-1687) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24.5 inches Size including frame: 35 inches x...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

Mountain View Baroque Capriccio Landscape 17th century Oil Painting Old Master
Located in Stockholm, SE
Along the road, we see several travelers: some are walking at a leisurely pace, others are engaged in animated conversations. At the top of one mountain, a small castle stands proudl...
Category

Realist 18th Century and Earlier Paintings

Materials

Wood, Oil, Canvas

Large 17th Century Dutch Old Master Oil Painting Figures Animals Landscape
Located in Cirencester, Gloucestershire
Follower of Dirck van Berghen (Dutch School, 17th Century) Pastoral Landscape with a Shepherdess and Livestock Oil on canvas, framed in a French Empire period gilt frame canvas dimensions: 18 x 22 inches framed dimensions: 22.5 x 26 inches This charming pastoral scene, rendered in oil on canvas, is attributed to a follower of the 17th-century Dutch painter Dirck van Berghen, who was known for his bucolic landscapes featuring cattle and rural life. The composition reflects the influence of van Berghen’s mentor, Adriaen van de Velde...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Pair of Scenes of Celebration with Musicians - Oil on Canvas - 18th Century
Located in Roma, IT
Beautiful pair of painting representing scenes of celebrations with musicians, executed by a Master belonging to the school of Giuseppe Bonito (Neaples...
Category

18th Century and Earlier Paintings

Materials

Oil

Archery - Oil on Canvas by an Anonymous French Master end of 18th/Early 19th
Located in Roma, IT
Archery is a beautiful oil on canvas realized by an anonymous French artist of the end of XVIII century and the beginning of XIX century. This marvelous genre scene is very detailed...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil, Canvas

Oil on canvas "still life with flowers Putti and parrot" Vittorio Amedeo Rapous
Located in Gavere, BE
Biography: His family originally came from Racconigi, his father was in the service of the King of Sardinia. From 1748 to 1755 Vittorio Amedeo is mentioned as one of the pupils of ...
Category

Italian School 18th Century and Earlier Paintings

Materials

Canvas, Oil

Hagar Angel Sacrifice Isaac 18th Century Neapolitan School Old master Paint Oil
Located in Riva del Garda, IT
18th-century Neapolitan master Pair of paintings ‘Hagar and the Angel’ and ’The Sacrifice of Isaac’ Pair of oils on oval canvas 75 x 60 cm. - In frame 84 x 69 cm. The proposed pair...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Portrait of a Lady, Old Masters 18th Century Oil
Located in London, GB
Thomas Hudson 1701 – 1779 Portrait of a Lady Oil on canvas Image size: 30 x 25 inches Original carved giltwood frame Hudson had many assistants, and employed the specialist drapery ...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Early Naturalistic Wildlife Animal Rendering of a Possible Capuchin Monkey
Located in Houston, TX
Early naturalistic wildlife rendering by the English artist Peter Paillou. The work features a delicately rendered depiction of a possible capuchin monke...
Category

Naturalistic 18th Century and Earlier Paintings

Materials

Gouache

French Modernist Cubist Painting Fishing Boats on the Coast
Located in Cirencester, Gloucestershire
Fishing boats by the Coast by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed signed lower right stamped verso Appealing painting in slightly overa...
Category

18th Century and Earlier Paintings

Materials

Acrylic

The Gorge
Located in London, GB
Attributed to George Barret Sr The Gorge Oil on canvas Image size: 13 1/2 x 16 1/2 inches (34.5 x 42 cm) Gilt frame In this landscape, a river runs over rocks at the bottom of a cra...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

The Gorge
The Gorge
$2,758
16th Century by Bernardino Detti Face of Christ Oil on Canvas
Located in Milano, Lombardia
Bernardino Detti (Pistoia, Italy, 1498 - 1572) Title: Face of Christ Medium: Oil on canvas Dimensions: without frame 41 x 32 cm - with frame 47 x 55.5 cm Antique box frame made of solid wood and walnut burl. Publications: unpublished The painting by Bernardino Detti (1498 - 1572) depicts the face of Jesus...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Salvator Rosa's workshop (Naples, 1615 - Rome, 1673), The Stopover
Located in Milan, IT
Salvator Rosa's workshop (Naples, 1615 - Rome, 1673) The stop Oil on canvas, 43 x 34 cm With frame 56.5 x 47.5 cm The painting is not signed Salvator Rosa was a prolific Baroque...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Canvas, Oil

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century and Earlier Paintings

Materials

Watercolor, Etching

Portrait Of Sir James Hamlyn (1735-1811), MP for Carmarthen, Sheriff of Devon
By Joshua Reynolds
Located in Blackwater, GB
Portrait Of Sir James Hamlyn (1735-1811), MP for Carmarthen, Sheriff of Devon, 18th Century follower of Sir Joshua REYNOLDS (1723-1792) Large 18th Century portrait of Sir James Ham...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

A Peasant Country Scene by Jan Thomas van Kessel
Located in New Orleans, LA
Jan Thomas van Kessel 1677-1741 Flemish A Peasant Country Scene Signed (lower left) Oil on canvas A quintessential example of Flemish genre painting, A Peasant Country Scene refl...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Portrait of Gentleman in Armour by Table & Helmut c.1685 Aristocratic Provenance
By Johann Kerseboom
Located in London, GB
Portrait of a Gentleman in Armour beside a Table with Helmut c.1685 Follower or circle of Johann Kerseboom (d.1708) This exquisite Grand Manner work, presented by Titan Fine Art, wa...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Still Life Flowers Nani 18th Century Paint Oil on canvas Old master Naples Italy
Located in Riva del Garda, IT
Giacomo Nani (Porto Ercole 1698 - Naples 1770) Still life with flowers, riser with crystals and liqueurs, icebox, china and basket with biscuits (LINK) Oil on canvas cm. 64 x 73 - Framed cm. 83 x 93 Provenance (see images): - Dorotheum (April 14, 2005) Vienna, Lot 37 Est: €20,000 EUR - €30,000 EUR - Dorotheum (October 15, 2008), Lot 281 East: €18,000 EUR - €25,000 EUR The proposed painting is a work by the Neapolitan painter Giacomo Nani (Porto Ercole 1698 - Naples 1770) and delights us with a selection of his favourite elements in the creation of his precious still lifes; On a stone shelf, on which an embroidered carpet is laid, we see a series of objects, including two painted porcelain cups, a riser with two liqueur bottles and crystal goblets; then there is a transparent glass vase filled with flowers, and finally some foodstuffs, a basket with biscuits, a wrapped Neapolitan aubergine and an icebox with an oyster. Everything is arranged to create a refined and elegant ensemble. A pupil of Gaspare Lopez (Naples - Venice ca. 1732), one of the leading generalists of the time, Giacomo Nani developed an autonomous personality over time, much appreciated by 18th century nobles and collectors, including the Duchess of Terranova and the Duke of Limatola, as well as the Bourbons. Numerous in particular were his paintings owned by King Charles of Bourbon, which are now preserved in Naples and Caserta at the picture gallery of the Royal Estate of Carditello. Twenty-four canvases by Giacomo Nani were sent to Spain by Charles of Bourbon as gifts for his mother, Elisabeth Farnese, and are today kept at the Royal Palace of Riofrío, one of the residences of the Spanish royal family, and at the Royal Palace of the Granja de San Ildefonso, in Segovia. A painter of still lifes, his works were often devoted to a wide variety of foodstuffs. In his compositions, foodstuffs of the period appear and, in particular, in the series conserved in Spain, most of the dishes that were served on the tables of the Neapolitans in those years are depicted as in a select menu. He sometimes depicted objects typical of Neapolitan tradition, as in the present painting, the typical rosolio wine, Capodimonte ceramics...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

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