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18th Century and Earlier Paintings

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Period: 18th Century and Earlier
Still life Of Flowers In A Classical Urn, 18th Century
Located in Blackwater, GB
Still life Of Flowers In A Classical Urn, 18th Century Dutch School Huge 18th Century Dutch School Old Master Still Life of flowers...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

George Edwards : A Set of Twelve 18th Century Etchings of Hummingbirds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Paintings

Materials

Etching, Watercolor

Cristo deposto alla croce con un angelo, Maria Maddalena e tre angioletti
By Girolamo Troppa
Located in Balerna, TI
Girolamo Troppa (Rocchette, 1636 – Roma, 1710) Cristo deposto alla croce con un angelo, Maria Maddalena e tre angioletti con i simboli della passione. Olio su tela, cm 155x200 con cornice cm 170x230 Il Cristo deposto occupa l’intera composizione dal taglio orizzontale e presenta il corpo con il capo abbandonato all’indietro, ben studiato nei dettagli anatomici dei muscoli e avvolto in fasce di lino. Al tragico evento partecipano tre angioletti con i simboli della Passione, intenti a sorreggere il velo, a raccogliere la corona...
Category

Baroque 18th Century and Earlier Paintings

Materials

Canvas, Oil

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century and Earlier Paintings

Materials

Etching, Watercolor

Portrait of Conrad Friedrich Hurlebusch, Early 18th Century Oil Painting
By Dominicus van der Smissen
Located in London, GB
Dominicus van der Smissen Early 18th Century Portrait of Conrad Friedrich Hurlebusch Oil on canvas Image size: 20½ x 16¼ inches Period gilt frame This is a portrait of Conrad Friedrich Hurlebusch, composer, Kapellmeister and organist, whom Van der Smissen most probably portrayed during his stay in Hamburg, Brunswick or Amsterdam. The identification is based on the reproduction of the portrait which was engraved by Pieter Anthony Wakkerdak (1740- 1774). Van der Smissen has reduced the face of the sitters to an egg-shaped oval in three-quarter view, applying diminution to one half of the figure’s torso, which is farther away from the viewer. This partial side view, with the head turned to look at the viewer over the shoulder, creates spatial depth and brings the figure to life by avoiding the stiffness of a frontal depiction. Because the artist chose to highlight the figure from above, a distinct shadow is cast under the tip of the nose, in the shape of a triangle. This is an often recurring and almost ‘signature’-like feature in Van der Smissen’s oeuvre. Hurlebusch's garments are of a very high quality and serve to reflect the sitter’s wealth, status and elegance. During this period, gentlemen often shaved their heads in order to facilitate the wearing of a wig, which wouldbe worn with a suit. Here Hurlebusch has been depicted in a luxurious turban-like cap lined with lynx fur, a highly fashionable and expensive material at the time. Over his shirt, he wears a velvet fur-lined gown adorned with decorative clasps fashioned from silver braid. The elegant informality of his appearance can be seen in his unbuttoned shirt and the unfastened black ribbon hanging from his button hole, which has been artfully arranged into a fluttering drape by the portraitist. The Sitter Hurlebusch was born in Brunswick, Germany. He received the first instructions in his field from his father Heinrich Lorenz Hurlebusch, who was also a musician. As an organ virtuoso, he toured Europe, visiting Vienna, Munich and Italy. From 1723 to 1725 he was Kapellmeister in Stockholm; later he became Kapellmeister in Bayreuth and Brunswick, and lived in Hamburg from 1727 to 1742, where he had contact with fellow composers Johann Mattheson and Georg Philipp Telemann. He made his living composing, performing and teaching. In 1735 and 1736, he is believed to have visited Johann Sebastian Bach in Leipzig, who promoted Hurlebusch’s compositions as the local seller...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil, Canvas

The Battle Of The Peasants, 17th Century by M D HOUT (1627-1680)
Located in Blackwater, GB
The Battle Of The Peasants, 17th Century by M D HOUT (1627-1680) Large 17th Century Dutch Old Master scene of peasants fighting, oil on panel by M ...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

Antique Spanish Old Master Oil on Wood Panel, Head Portrait of Christ
Located in Cirencester, Gloucestershire
Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Portrait Of A Senior British Military Officer, Identified as Charles Sackville,
Located in Blackwater, GB
Portrait Of A Senior British Military Officer, Identified as Charles Sackville, 6th Earl Of Dorset (1643-1706) circle of Sir Godfrey KNELLER...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

Late 18th century Antique English Moonlight over a lake and church landscape
Located in Woodbury, CT
Henry Pether, late 18th-century Moonlight lake Landscape. Born into a family of artists, Henry was the son of Abraham Pether (1756-1812), a talented la...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Carvaly Skirmish At Night, 17th Century
By Jacques Courtois
Located in Blackwater, GB
Carvaly Skirmish At Night, 17th Century school of Jacques Courtois (1621-1676) Large 17th Century Italian Old Master night battle with cavalry offic...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century and Earlier Paintings

Materials

Etching, Watercolor

Portrait miniature after Boucher's portrait of Madame de Pompadour
Located in London, GB
This fine, antique portrait miniature was made after Boucher's famous painting of Madame de Pompadour, the highly celebrated official mistress of King Lo...
Category

Rococo 18th Century and Earlier Paintings

Materials

Silver

Arrival To The The New World, America, 17th Century
Located in Blackwater, GB
Arrival To The The New World, 17th Century European School - Early historical depiction of 16th Century Europeans Large 17th Century scene of ...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

Portrait Of A Venetian Commander In Armour, 16th Century, TITIAN
Located in Blackwater, GB
Portrait Of A Venetian Commander In Armour, 16th Century Italian School - Circle of TITIAN Large 16th Century Italian School portrait of a Venetian Commander in armour, oil on canvas. Superb quality and condition rare early Venetian portrait...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Paintings

Materials

Watercolor

Portrait of Anne, Lady Russell, later Countess of Bedford
By Anthony van Dyck
Located in London, GB
A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne C...
Category

18th Century and Earlier Paintings

Materials

Oil

Fine 1700's Italian Old Master Oil Painting Hunting Dogs with Game, Roman Ruins
Located in Cirencester, Gloucestershire
Artist/ School: Italian School, early 18th century The painting is almost certainly from the circle of the Italian Baroque painter known as 'Rosa da Napoli', Jacob Roos (Rome 1682-Na...
Category

Baroque 18th Century and Earlier Paintings

Materials

Oil

Claude Vignon (towers 1593 - Paris 1670), The Fortune Teller
Located in Riva del Garda, IT
Claude Vignon (Tours, 1593 - Paris, 1670) The Fortune Teller Oil painting on canvas (65 x 84 cm. - In frame 94 x 113 cm.) The work is accompanied by a critical study drawn up by prof. Emilio Negro (Bologna) The subject immortalized in this intriguing painting, called 'Good luck', is a scene of everyday life that we would have seen frequently in the crowded streets of central Rome at the time. The protagonists of the canvas are a young fortune teller and a well-dressed nobleman who lets himself be predicted by reading the hand. The gentleman, who listens curiously to the response and with a hint of malice holds his gold necklace in his hands, is in the meantime robbed by an accomplice of the woman, intent on taking the purse out of his pocket. Although this type of paintings were intended for the decoration of the residences of the Roman aristocrats, who with a hint of self-irony saw themselves in the figure of the unfortunate grullo, were actually harbingers of moralizing messages. Among the many proposals there was certainly the warning towards the desire to know one's destiny without respecting the priority of the divine will that determines it, relying for this on cunning charlatans. It must be said that, although more than four centuries have passed and certain dynamics have naturally changed, this subject appears extremely current. Clearly inspired by the Buona Ventura painted by Caravaggio, the painting is part of that line of scenes taken from the painter's favorite street life and which, given the collector's fortune already at the time, were often reworked by many artists, considered a stimulating theme and full of psychological implications. In particular, the work in question is attributed to the French painter Claude Vignon (Tours 1593 - Paris 1670), presumably to be placed during his years spent in Rome, before his return to Paris, showing the artist's masterful interpretation of the work conceived by Caravaggio. After his training in Paris by Jacob Bunel, one of the most famous masters of the reign of Henry IV, he moved to Rome around 1609-1610, being part of that large community of French painters, including Simon Vouet and Valentin de Boulogne...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century and Earlier Paintings

Materials

Etching, Watercolor

Allegory Wisdom Stella Paint Oil on canvas Old master 16/17th Century Italy Art
Located in Riva del Garda, IT
Giacomo Stella (Brescia 1545 - Rome 1630) Allegory of Wisdom (or prudence) Oil painting on canvas 193 x 75 cm., In frame 199 x 82 cm. The work is accompanied by critical study drawn...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Portrait of a Girl holding a Posy
Located in Taunton, GB
Portrait of a Girl holding a Posy. Oil on Panel 17 1/2 x 13 inches 44.4 x 33 cm ABOUT THE ARTIST:  Jacques d'Agar  was a French portrait painter born i...
Category

Romantic 18th Century and Earlier Paintings

Materials

Oil

Portrait Lady Pulzone Paint Oil on canvas Old master 16th Century Italian Roma
Located in Riva del Garda, IT
Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598) - workshop of Portrait of Bianca Cappello (Venice, 1548 - 1587) Grand Duchess of Tuscany, second wife of Francesco I de 'Medici Second half of the 16th century oil on canvas, cm. 70 x 56 cm., Framed 103 x 87 cm. The proposed painting illustrates the portrait of Bianca Cappello (Venice, 1548 - 1587), a noblewoman of Venetian origins, second wife of the Grand Duke of Tuscany Francesco I de 'Medici, whose expressive power is wisely highlighted by the composite cut of light three quarters, with the head and gaze directed at the observer. The beam of light coming from her right brings out the volumes of her face plastically and lingers on her features, highlighted by the large white lace ruff that surrounds his neck and by the details of her precious clothing. Bianca wears a dark red dress, perhaps a zimarra, embroidered in gold with a plunging neckline and a raised collar of the shirt curled in a ruff and also edged with precious lace, embroidered with the motif of the Florentine lily.   The favorite jewels of the noblewoman were pearls: we see them on a choker that adorns the neckline, in the earrings and again in the hairstyle, which sees the hair gathered at the nape of the neck and adorned with a string of small black pearls and embellished with a clasp. It is a high-quality painting that can be confined to the workshop of the painter Scipione Pulzone called Gaetano, representing at best a pictorial genre, that of portraiture, in which the master excelled. This attribution would be confirmed by comparisons with the numerous portraits that Pulzone dedicated to the Medici family. Our painting, in particular, could represent one of the versions that the workshop has replicated, at the request of the numerous art collectors who wish to have a portrait of one of the most influential personalities of the Florentine scene. The characters drawn by Pulzone were icons of incomparable elegance: noblewomen, knights and religious lent their faces to the eye of the artist who was able to grasp every meticulous detail with his superb technique. A photographic wealth and surprising material attention that trace the pictorial prototypes of Flemish inspiration, in particular of Antonis Mor...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Portrait of a Young Gentleman, Pieter Van Der Dvssen; by Jan van Haensbergen
By Jan Van Haensbergen
Located in London, GB
Portrait of a Young Gentleman, Pieter Van Der Dvssen c.1664 Jan van Haensbergen (1642–1705) This charming portrait is an excellent example of late 17th century child portraiture and is from one of the most prolific periods in art history – the Dutch Golden Age. A vast number of artists produced work to fulfil the demands and tastes of a broad Dutch society, and many cities in the Netherlands developed into distinct artistic centres, characterised by style and specialities of subject. The quality of our portrait is similar to the works of the highly specialised ‘fijnschilders’, who were working in Leiden at the time; these artists executed meticulous small-scale paintings. As with the artist’s other works of children, Haensbergen painstakingly recorded many details including a fine depiction of the face, and the surface effects of the materials and the pearl clasps. The young sitter is Walther Bernt Pieter Van der Dussen. He was born into a wealthy noble Catholic family in Delft in 1654. In this portrait he would be around ten years of age, dating the work to circa 1664, which is also the year before the artist’s marriage to Johanna van Heusden. The Van der Dussen family were great patrons of the arts and commissioned a number of major works from eminent artists in Delft & Amsterdam. Van der Dussen died in 1716. The wooded setting, the lamb, and the “picturesque” or “Roman” dress...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

River Landscape Village Paint oil on canvas 17th Century
Located in Riva del Garda, IT
River landscape with popular life scene Oil painting on canvas 62 x 98 Framed 74 x 110 cm. We present this vast and harmonious composition, where a characteristic river landscape acts as a stage for an exquisite extract of popular life, set in a small village on the edge of a lush stream. The painting, which presents characters unequivocally linked to the Flemish culture of the second half of the 17th century, shows iconographic and stylistic correspondences, in particular, with the successful production of Adrien Frans Boudewijns (1644-1711) and Pieter Bout (1658- 1719). Aside from the figure of duck hunter...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil, Canvas

French School, Portrait of a Lady, Actress, Young Woman, French , Rococo, Oval
Located in Greven, DE
French Art Rococo Portrait of a Woman, Young Lady, perhaps an actress
Category

Rococo 18th Century and Earlier Paintings

Materials

Canvas

Lionel Cranfield Sackville, 1st Duke of Dorset (1688-1745), 18th Century Michae
Located in Blackwater, GB
Lionel Cranfield Sackville, 1st Duke of Dorset (1688-1745), 18th Century Michael DAHL (1659-1743) Large 18th Century English portrait of Lionel Sackvi...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

Huge 18th Century Italian Old Master Oil Painting Ancient Castle & Drawbridge
Located in Cirencester, Gloucestershire
A Castle and Drawbridge by a lake with mountains beyond Italian School, 18th century oil painting on canvas: 25 x 29.75 inches condition: relined, restored to a high standard, very ...
Category

Baroque 18th Century and Earlier Paintings

Materials

Oil, Canvas

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Paintings

Materials

Watercolor

The Penitent Magdalene, 17th Century circle of CARLO DOLCI (1616-1686)
Located in Blackwater, GB
The Penitent Magdalene, 17th Century circle of CARLO DOLCI (1616-1686) Large 17th century Italian old Master depiction of the Penitent Magdalene, oil on ...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

Hercules At The Funeral Pyre at Mount Oeta, 18th Century
By Guido Reni
Located in Blackwater, GB
Hercules At The Funeral Pyre at Mount Oeta, 18th Century follower of GUIDO RENI (BOLOGNA 1575-1642) 18th Century Italian Old Master depiction of Hercules at his funeral pyre, Moun...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

Pair of Royal Portraits of the Duke and Duchess of Burgundy
By Pierre Gobert
Located in New Orleans, LA
Follower of Pierre Gobert 18th century French The Duke and Duchess of Burgundy Oil on canvas Refinement and intricacy characterize these royal portra...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

Portrait of a man in armor
Located in BELEYMAS, FR
Attributed to Jacques DUMONT aka DUMONT LE ROMAIN (Paris 1701 - 1781) Presumed portrait of Louis-Joseph de Formanoir (?-1732) Oil on canvas H. 91.5 cm; ...
Category

French School 18th Century and Earlier Paintings

Materials

Canvas, Oil

Portrait of Young Gentleman, Lord George Douglas, Arcadian Landscape c.1710
Located in London, GB
Portrait of Young Gentleman, Lord George Douglas, in an Arcadian Landscape c.1710 Attributed to Charles D'Agar (1669-1723) Depicted with bow in hand and situated against an Arcadian...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Child Jesus Paint Oil on canvas Old master 17th Century Baby Italian Religious
Located in Riva del Garda, IT
Lombard painter active in the 17th century Infant Jesus Oil painting on canvas 70 x 82 cm. - In antique frame 78 x 91 cm. This painting depicts an unusual and pleasant iconographic...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

Still Life Of Flowers In A Vase, 17th Century
Located in Blackwater, GB
Still Life Of Flowers In A Vase, 17th Century circle of JEAN BAPTISTE MONNOYER (1636-1699) Large 17th century French Old Master Still Life of various flowers in a vase upon a mantle, oil on canvas by Jean Baptiste Monnoyer. Excellent quality and condition example of the famous still life painters work, authenticated from the published designs of Nicolas de Poilly...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

Religious Subject Oil on Canvas Italy XVII Century
Located in Milan, IT
Oil painting on canvas. Venetian school of the seventeenth century. Entirely in the foreground, this scene of a group of sacred figures, which presents the faces of Mary and the Chil...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Oil

Saint John Evangelist Paint Oil on canvas Old master 18th Century French School
Located in Riva del Garda, IT
Saint John the Evangelist French school of the eighteenth century Oil painting on canvas 82 x 64 cm. - in frame 102 x 84 cm. In this pleasant painting we see the portrait of the evangelist John, holding a pen in his hand while writing the pages of the Gospel, while behind him it is possible to recognize the profile of an eagle, his typical iconographic attribute. The graceful face, which still reveals the devout attitude, which gives the painting a more intimate and delicate, not excessive religiosity, is one of the typical characteristics for works intended for domestic devotion, as in the case of this Saint John. From the representation of the Saint the freshness of his features immediately stands out, he is in fact portrayed as young and handsome: and it is precisely this iconographic peculiarity that makes the work fascinating and very pleasant, probably commissioned for a private room. The painting presents the peculiarities of eighteenth-century French portraiture, characterized by a soft drawing and a wise use of light. The rather marked chiaroscuro and well-calibrated shades produce an excellent result thanks to the play of light on the face, highlighted by the dark background of the scene. The painting has been relined and is in an excellent state of conservation with the colors still bright and a very healthy pictorial layer. The painting is sold together with a nice golden frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and a descriptive iconographic card. We take care and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the Riva del Garda...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century and Earlier Paintings

Materials

Etching, Watercolor

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural His...
Category

18th Century and Earlier Paintings

Materials

Watercolor

Venus Warning Adonis, 16th Century
By Paolo Veronese
Located in Blackwater, GB
Venus Warning Adonis, 16th Century school of Paolo Veronese (1528-1588) Huge 16th century Italian Venetian School Old Master depiction of Venus & Ado...
Category

18th Century and Earlier Paintings

Materials

Canvas, Oil

Grapes, figs, pomegranate and peaches on a pillar, first quarter 18th century
By Maximilian Pfeiler
Located in Milan, IT
Oil on canvas depicting a still life composed of grapes, pomegranate and peaches placed on a pillar, the composition also features a silver tray; in the background a landscape with t...
Category

Other Art Style 18th Century and Earlier Paintings

Materials

Oil

Transcendental vision. Oil on canvas, 93x92 cm
Located in Riga, LV
Transcendental vision. Oil on canvas, 93x92 cm Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...
Category

Abstract 18th Century and Earlier Paintings

Materials

Canvas, Oil

Ritratto di Uomo di Legge
Located in Balerna, TI
Marcantonio Bassetti (Verona 1586-1630) Ritratto di uomo di legge Olio su tela, cm 38x27,5; con cornice cm 59,5x48,5 Le caratteristiche pittoriche della persona ritratta sembrano rin...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

Diana Bathing 18th Century Oil on Canvas by Friedrich Olenhanz 1765-1839
Located in LA BOUILLE, FR
"As the incarnate of dawn shines in the morning, such a blushed Diane's complexion exposed without veils to the eyes of a mortal" Les Métamorphoses by Ovide Less tragic is our destin...
Category

French School 18th Century and Earlier Paintings

Materials

Canvas, Oil

17th Century English Portrait of Admiral Horatio Nelson's great grandfather
Located in Norwich, GB
A fascinating portrait dating from circa 1695-1700 with wonderful provenance: it belonged to the British industrialist Leonard Pelham Lee (1903–1980) and hung in his manor house in W...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

George Edwards, Engravings of Parrots, published by Seligmann.
Located in Richmond, GB
PRICE IS FOR EACH FRAMED PRINT "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origina...
Category

18th Century and Earlier Paintings

Materials

Etching, Watercolor

Large Dutch School, 18th Century oil painting, Merry making at the encampment
Located in Petworth, West Sussex
Dutch School, 18th Century Merry making at an encampment Oil on canvas 30.1/8 x 46 in. (76.8 x 116.8 cm.)
Category

Old Masters 18th Century and Earlier Paintings

Materials

Canvas, Oil

San Francesco, Santa Caterina d’Alessandria, Sant’Agostino e San Nicola
Located in Balerna, TI
Luca Signorelli (Cortona 1445 - 1523). € 40,000 San Francesco, Santa Caterina d’Alessandria, Sant'Agostino and San Nicola da Tolentino Oil on panel, 1...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Oil, Panel

Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School
Located in Greven, DE
Frans Wouters was a Flemish Baroque painter who mainly created smaller cabinet pieces. He was initially apprenticed to Pieter van Avont in Antwerp, but then moved to Rubens‘ worksho...
Category

Baroque 18th Century and Earlier Paintings

Materials

Oak, Oil

Gottfried Libalt, Still Life with Birds, Fruits and Vegetables Landscape, signed
Located in Greven, DE
Stilllife with dead Birds, Fruits and Vegetables Oil on Canvas, 101 x 84 cm signed (upper left) „G Libald “ (G and L ligated) Provenance: Private Collection, Brussels; Private Coll...
Category

Baroque 18th Century and Earlier Paintings

Materials

Oil, Canvas

Portrait of a Young Man - 17th Century Portrait in Oil
By Pieter Harmensz Verelst
Located in London, GB
Circle of Pieter Harmensz Verelst 1618 - 1678 Portrait of a Young Man Oil on oak panel Image size: 7 ½ x 5 ¾ inches Dutch ripple frame
Category

Old Masters 18th Century and Earlier Paintings

Materials

Panel, Oil

Portrait Mrs. Cockerell (Frances Jackson) Niece of Samuel Pepys, 18th Century
Located in Blackwater, GB
Portrait Mrs. Cockerell (Frances Jackson) Niece of Samuel Pepys, 18th Century circle of Thomas GAINSBOROUGH Large 18th Century portrait of Mrs Cockerell...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

English 18th century portrait of a water spaniel dog standing in a landscape
By George Stubbs
Located in Bath, Somerset
Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape. This charming painting is a wonderful example of the style of English dog painting made popular by artists such as George Stubbs and other sporting artists working in England in the 18th century who painted the dogs and horses of the aristocracy and wealthier classes. It follows in the ancient tradition of celebrating and commemorating our faithful canine companions through portraiture. Oil on canvas in a giltwood frame Provenance: Private collection, Somerset George Stubbs (1724-1806) was classified in his lifetime as a sporting painter, and as such was excluded from full membership of the Royal Academy. He is best remembered for his paintings of horses and his conversation pieces. Having studied anatomy, Stubbs's pictures of horses are among the most accurate ever painted. Stubbs was born in Liverpool, the son of a leather worker...
Category

English School 18th Century and Earlier Paintings

Materials

Canvas, Oil

Flight into Egypt, Cusco School XVII Century. Carved wood panel.
Located in Brooklyn, NY
Flight into Egypt, Cusco School XVII Century. Oil on convex panel. The panel is carved on the frame, making everything one single piece of wood.
Category

18th Century and Earlier Paintings

Materials

Gold Leaf

The Stoning Of St Stephen, 17th Century School of François VERDIER (1651-1730)
By Francois Verdier
Located in Blackwater, GB
The Stoning Of St Stephen, 17th Century School of François VERDIER (1651-1730) Fine 17th century French Old Master depiction of the stoning of St Stephen, oil on canvas. Excellent ...
Category

18th Century and Earlier Paintings

Materials

Oil, Canvas

Three studies executed in the Pitti Palace in 1761 by Jean-Honoré Fragonard
Located in PARIS, FR
This brilliant study sheet, of which we present here a counterproof, is a souvenir of Fragonard's return journey from Italy. Between April and September 1761, he accompanied the abbot of Saint-Non on his way back to France. Three studies after the masters taken from the Pitti Palace’s gallery in Florence are gathered on this sheet. Although The Ecstasy of Saint Margaret...
Category

Old Masters 18th Century and Earlier Paintings

Materials

Carbon Pencil

16th Century Parnassus Biagio Pupini called Biagio delle Lame Muses Oil on Panel
Located in Sanremo, IT
This painting (in an excellent state of conservation and of fine executive workmanship, attests to the enormous luck of Raphael's inventions in the years following his death: in fact...
Category

Italian School 18th Century and Earlier Paintings

Materials

Panel, Oil

After Simone Cantarini, Rest on the Flight into Egypt, early 17th, ceramic
Located in Florence, IT
This painting is inspired by the "Rest on the Flight into Egypt" by Simone Cantarini called Il Pesarese, who was an Italian painter and etcher. He is ...
Category

Baroque 18th Century and Earlier Paintings

Materials

Ceramic

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