1940s Paintings

Opera onirica ,luna piena sul mare L'opera non è firmata ma è stata esposta al Museo d'arte Contemporanea di Rovereto il MART per una mostra monografica -Thayaht Futurista irregolar...

Work on cardboard Golden wooden frame 51 x 43.5 x 4 cm

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame. Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...

Impactful abstract painting of triangular shapes in hues of blue floating on a black background, circa 1950. Original artwork on paper displayed on a white mat with a gold border. ...

Ponte Garibaldi is an original oil on canvas realized by the Italian artist Antonio Vangelli (Rome, 1917 – Rome, 2003) in 1941. Hand-signed and dated by the artist on the lower righ...

Work signed but artist unknown from the gallery- Sold with frame, total size with frame is 82x67 cm

Artist: Alexander Nepote – American (1913-1986) Title: Untitled Year: circa 1940 Medium: Watercolor Size: 14.5 x 22 inches. Signature: Signed lower right Condition: Excellent Frame:...

Work on canvas Molded plaster frame and gilded wood 56 x 70 x 6 cm

Castelli Romani is an original painting on canvas realized by Luigi Campanelli (1943). Hand-signed, dated and numbered on the back: L. Campanelli 1982...

CONSTANTIN Andreevic TERECHKOVITCH 1902-1978 (Russian) Title: Portrait of the Artist's Wife, 1945 Technique: Original Signed Oil Painting on canvas size: 33 x 24 cm / 13 x 9.5 ...

Emma Richardson Cherry (1859 - 1954) Houston Artist Size: 20 x 16 Frame: 22.5 x 18.5 Medium: Oil on Board "Magnolias" Biography Emma Richardson Cherry (1859 - 1954) Emma Richardson Cherry, known as the "Dean of Houston Art," is credited with introducing many Houstonians to fine art. Emma Richardson was born in Aurora, Illinois in 1860. She was recognized as an artist by the age of 18. She met her husband, Dillon Brooke Cherry, while teaching art in Nebraska. Mrs. Cherry studied in New York, Paris, and Italy before moving to Houston in 1892. Cherry began teaching art in her home, and continued to do so for half a century. Cherry organized the Houston Public School Art League* in 1900 with four other art advocates: Mrs. Robert S. Lovett, Miss Lydia Adkisson, Miss Roberta Lavender and Miss Cara Redwood. The group would obtain examples of fine art masterpieces and bring them to the schools. One attempt was not favorably received- a replica plaster of Paris nude Venus de Milo was offered to Central High School; the School Board thought it would corrupt students morals and refused to accept it. The League gave the statue to the public library instead (today it can be seen on the second floor of the Julia Ideson Building). According to one newspaper account, parents would warn their children: "You may go down to the library, my dears, but don't go near that Venus." (Houston Post 4-12-1953) The independent spirit was recognized in a 1923 Houston Chroniclearticle: "Mrs. Cherry's work has always been characterized by an independent spirit and forward-looking attitude." In 1913, the group she had organized shortened their name to the Houston Art League*, setting its sights on raising money to open a fine arts museum in the city. The Museum of Fine Arts, Houston opened in 1924. Emma Richardson Cherry was the first woman to have a solo exhibit at the museum. Cherry worked in oil, watercolors, pastels, pencil and charcoal, and considered herself a modernist, but she painted a number of traditional portraits while living in Houston. She is known for her paintings of flowers, and in 1937 did a study of oleanders to be presented to President Franklin Roosevelt during his visit to Galveston. Her four most popular works are of the Texas Republic...

Les Guilleries. Original acrylic canvas painting Casimiro Martínez Tarrassó, a painter known simply as Tarrassó. He was trained at the La Llotja School in Barcelona. He completed his studies in Paris, where he got to know first-hand the Fauvist works that were shaking the Parisian art scene at the time. This Fauve influence will continue to be palpable in his work throughout his life in features such as the strong chromatic contrast, the elevated and somewhat exaggerated perspective, the absolute disinterest in the human figure, which appears only sketched as a complement to the landscape, and the representation of trees as electrified, subjected to tortuous inclinations. It is these formal features that give his works their own vitality and reduce their connection with the referential to a mere pretext. Tarrassó followed in the wake of the great Catalan landscape painters, paying particular attention to Joaquín Mir, although with a clearly differentiated personality due in part to the impact that Fauvism had on his artistic thinking. He cultivated still life and Catalan and Majorcan landscapes. He held his first exhibition in 1928 in Barcelona. Since then his shows have followed in Barcelona, Madrid, Palma de Mallorca and Bilbao. In 1935 he visited Mallorca for the first time, and from 1940 on he will have a studio there, specifically in Palma, where he lived for long periods and developed most of his artistic production. After the Civil War, during the 1940s, Tarrassó took part in several National Exhibitions of Fine Arts, in their editions of 1942, 1943 and 1950. Although the landscape was always the center of his production, Tarrassó also made works such as the mural decoration of the church of Santa María de Badalona. In Mallorca he also carried out a unique undertaking, planting his trestle in the Campanet caves to capture the stalactites and stalagmites from their stone cavities, developing a series of works that he presented in 1948. Throughout his career, Tarrassó was awarded the Pollença Prize of the I International Painting Contest, in 1962; the Santiago Rusiñol...

Atul Bose - Woman Folk-1 & 2 Pencil on Paper 5 x 3.4 inches (Set of 2 Works) (Framed & Delivered) In this evocative pencil sketch, Bose captures a candid moment among a group of wom...

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

Atul Bose - Squatting Man-2 & 4 Pencil on Paper 4.5 x 3.5 inches & 4.5 x 5.4 inches, 1943 (Set of 2 Works) (Unframed & Delivered) His poignant sketch captures the quiet vulnerabilit...

Work on canvas

Finely painted modernist abstract landscape painting. Oil on canvas. Framed.

JJ Nowotny Untitled, 1944 (date partially obscured but appears to be '44) Oil on canvas 24 x 30 in. Framed: 31 x 37 x 2 in. Signed and dated lower right

Wonderful still life of the red Flanders Field Poppy by Heide van Doren (Germany, 20th Century), circa 1940. Signed lower right "Heidi van Doren". Presented in carved gilt-toned fram...

Paris, France: Four Architectural Landscapes by Henri Miloch (1898-1979) unsigned watercolour and gouache painting on artist's paper, unframed Average sheet 9.00 x 12.00 inches (...

Wonderful mid century still life composition with Brass vessel, apples, turnip and pepper by Charles Kingham (American, 1895-1984), c. 1940's. The artist uses a bold color palette an...

Work on canvas

Beautiful mid century seascape of the waves spilling over the rocks into the tide pool by Margaret Esther Rogers (British/American, 1872-1961). Si...

Work on canvas Golden wooden frame 58 x 50 x 5 cm

Vintage signed large abstract oil painting. Oil on canvas. Signed.

Work on canvas With frame : 57 x 74 x 3 cm Paul GAGARIN (1885-c.1980), Pavel Konstantinovich GAGARIN. Russian painter, emigrated to France in 1921 then worked in Brazil where he die...

Oil on canvas Dimensions: 41 x 33 cm signed, dated and described: 'Kisling Sanary 1948' On a painting loom auction stickers Accompanied by certificate by Marc Ottavi from April 4,...

Original oil on fiberboard painting by the Russian/American artist, Nahum Tschacbasov. Signed lower left. Circa 1945. Condition is good. Presently unframed. Framing options are av...

A beautiful signed and dated 1943 French impressionist oil on panel self portrait by Charles Picart le Doux, who was friends with Picasso, Pissarro and many other Paris based artists...

Signed upper left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1945. A vibrant Post-Impressionist still-life showing a view of a farmhouse interior with a...

Against The Tide - Oil On Linen Oil painting of the California coastline at sunset in the style of Edgar Alwin Payne (American, 1883-1947). Deep grey clouds pose in the top corners with hues of pink light shining through. Choppy waves crash against deep red and brown rocks, as the whites of the wave hurl upward. The ocean shows tones of green, blue and yellow as the sunlight shines from above. Condition: professionally restored, previous reline onto Masonite with edge and corner wear. New UV resisting, non yellowing varnish applied. Unsigned. Unframed. Oil on linen on masonite. Image: 16"H x 30"W Edgar Alwin Payne was an American painter known for his landscapes, seascapes and western paintings. He was born in Washburn, Missouri on March 1, 1882, and began painting at the age of 14. He began his career by designing and painting scenery for the stage, and murals for homes and theaters. Primarily a self taught artist, he did though study briefly at the Art Institute in Chicago. Recognized as one of California's leading landscape artists, Payne earned the respect of his peers and art critics for his Impressionistic landscapes painted in the plein-air style. Possessing a reverence for nature, he especially loved the mountains. Frequently he took pack horses in the Sierra Nevada Mountain Range to the upper lakes to sketch and paint, there he glorified the areas majestic peaks and cobalt blue lakes. Payne Lake was named in his memory. Drawn to Europe, Payne trekked to and painted the elevated heights of the Swiss Alps, the colorful fishing boats of Concarneau Harbor and Brittany, France and the picturesque sailing vessels of Chioggia, Venice, Italy. He spent time capturing on canvas Arizona's Canyon De Chelly and Navajo horsemen traversing the region's arid tablelands. He painted California...

Ink and wash on paper. Signed and dated in ink lower right. John Sennhauser became known for his nononjective paintings in the early 1940's. Per teh Smithsonian Institute, "In 194...

Work on canvas Gilded wood frame 28,5 x 38 x 3 cm

Beautiful mid century California landscape of trees reflecting over a nearby lake by an unknown artist (American, 20th Century), c.1940s. This idyllic setting is dotted with wild flo...

Work on canvas Molded frame in plaster and gilded wood 103.5 x 93 x 7 cm

An original french impressionist plein air painting depicting the Caldwell Woods Nature Preserve in Chicago, IL. Louis Phillipe Kamm traveled to the US, visiting major cities, and p...

Autumn evening 1943, oil on cardboard, 45x60 cm Adolfs Melnars (till 1940 – Adolfs Maslovskis) (1908.4.III – 1963.31.X) attended studio of K. Miesnieks (1928), studied in Latvia A...

John Folinsbee (1892-1972) was born in Buffalo, New York and, after finishing his studies at the Art Students League in 1916, moved to New Hope, Pennsylvania where he joined a renown...

Work on wood Beige wooden frame 50 x 53 x 3.5 cm

Just discovered within an exceptional private west coast collection, the signature and inscription on this incredible small oil on paper, is at the moment, undecypherable, we are res...

Work on canvas

Nicely painted mid century impressionist bather scene by John Edward Costigan (1888 - 1972). Oil on board. Framed. Signed verso.

Hollywood, 1941, oil on board, 18 x 24 inches, signed and dated lower right, illegible writing verso About the Painting From a distance, Beckwith deftly captures the spectacle of a Hollywood premiere. But we have not been invited to the party. Our view is from the shadows of a less glamorous neighborhood with a shaggy, unkept palm tree and rundown buildings in the shadows. We look down through the darkness past a packed parking lot to the bright lights of two iconic Hollywood landmarks, the Pantages Theater and the Broadway Building. Completed in 1930, the Pantages was built as an exuberant Art Deco movie palace, while the Broadway Building housed an upscale department store which catered to entertainment industry elites who were less impacted by the Great Depression than the common man, since movies had become the mainstay of popular culture entertainment during the 1930s with large numbers of Americans looking to immerse themselves in Hollywood escapism. Here, in a rare Los Angeles urban image, Beckwith combines that Hollywood fantasy with the more sobering foreground images which could have been pulled from the L.A. Noire fiction of Raymond Chandler...

Circa 1940 Signed lower right Newly matted and framed Sight size 12 x 10 in. Overall size with frame 18 x 16 in.

Impressive early American modernist farm landscape painting. Framed. Oil on canvas. Image size, 25H by 30L.

England, Shropshire - Ludlow Castle, The Town and Dinham Bridge by Leonard Machin Rowe (1880-1968) signed front lower right and left, signed again and inscribed to the back watercol...

Work on wood Black and gold wooden frame 77.5 x 56.5 x 3.5 cm Illegible signature "Valley landscape at the foot of the mountains" On the back of the work

Charming painting of a mother and child. Very interesting early to mid 20th century oil on board. It is signed Muller. It could be a listed artist, but frankly there are too many Mu...

Still life with ceramic vase Middle of the 1940s, oil on cardboard, 60x51 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of applie...

Paris: Pont Alexandre III and Place de la Concorde by Henri Miloch (1898-1979) signed lower right on Place de la Concorde, the other is unsigned watercolour and gouache painting on a...

Just discovered, a rare, surrealist painting by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibited thro...

Oil on masonite painting done in 1945 by Russian/American artist, Nahum Tschacbasov. Signed lower right and dated lower right, 1945. In original wood and gilt frame 37.5 by 31.5 inc...

Work on canvas Illegible signature

John Koch is a beloved American realist painter who depicted people in their everyday lives. Here we see a slightly different approach where he has put a painter out in a rural town...

Genre: Impressionist Subject: People Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Vienna, and Munich. During World War I, Serger joined the Austrian Army...

Original oil painting on artist canvas board painting by the California artist, Fern F. Cunningham. Signed lower right. Titled in pencil on stretcher verso. Circa 1940. Condition is very good. Recently professionally cleaned. The painting is housed in its original period frame. Overall framed measurements are 14.5 by 17.5 inches. Provenance: A Sarasota, Florida collector. Fern Cunningham Stone (1889-1975). She was born in Defiance, Ohio on August 4, 1889. A painter, she specialized in impressionist still life works, landscapes, and seascapes of California. Born Fern F. Smith, she married Napoleon Arthur...

Work on canvas Golden and black wooden frame Dimensions with frame : 92.5 x 123 x 7 cm This painting depicts a picturesque scene beneath a majestic stone arch, framing a serene view ...

Artist: Jean Louis Liberte, French (1896 - 1965) Title: Rockport, Maine Year: circa 1940 Medium: Acrylic on Board, signed l.r. Image Size: 12 x 21 in. (30.48 x 53.34 cm) Frame Size: ...

"Le Baiser d'apres Boucher", Impressionist Portrait, Oil Painting, Signed By French artist Claude Benard, (1926 - 2016) Signed and dated '1947' by the artist on the lower left hand c...