1990s Paintings

Still life with flowers and apples. Oil on paper, 42 x 30. 5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a mon...

This striking exhibited large abstract oil painting is by noted Scottish artist Iain Robertson. Painted in 1998 and exhibited in the same year in London, it was completed just before he moved to Cornwall. Entitled Midsummer verso it is a riot of summery colours and heavy impasto and late twentieth century abstract expressionism. A really uplifting piece of art. Signed and inscribed with title and dated 1998 verso. Provenance. Solo show, 'Art First', London, 1998. Condition. Oil on Canvas. Size 60 x 24 inches Frame. Housed in surround frame, 62 inches by 26 inches and in good condition. Iain Robertson (b. 1955) was born in Cyprus but grew up in Edinburgh before studying art, 1978-1982. In 1993 he worked as Artist In Residence at Grizedale Sculpture Park before relocating to Cornwall where he now lives and works. He has retained studio 7 at Porthmeor Studios in St Ives, since 2007. Previously Robertson worked in Montgomery Street Studio, Edinburgh, 1991-1999. He has exhibited widely with numerous solo shows in the UK and Europe. His work is held in public and private collections in Germany, Denmark, Norway, Scotland, England, USA and Hong Kong. His work was included in the ‘Art Now Cornwall’ exhibition at TATE St Ives Spring 2007 and at the City Art Centre, Edinburgh, 2007. The recipient of a number of awards including Scottish Arts Council, British Council and Arts Council, Robertson was the first Scottish recipient of the Pollock Krasner Foundation, New York, in 1988. Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris...

An atmospheric and serene study depicting a quiet city street in the early morning mist. Well presented in a silver-gilt effect frame. Signed and dated. On canvas on stretchers.

Wonderful vibrant acrylic painting figurative with "I couldn't but this body could" wrap around text by Northern California artist Aleta Reese (American, 20th Century), 1993. Signed ...

Arturs Nikitins (born 1936) - painter, graphic artist. 1962 – graduated from the Latvian Art Academy, Graphic Department with the diploma work “The workers of Novorosijsk” under th...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse Manon Cleary and titled Unicorn #3. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Abstract Painting , Shadows in the Flag , acrylic on canvas Contorted figures set against the back drop of a burning Stars and Stripes . Representing Lies & corruption within govern...

Mixed Media house paint on panel 48.50 x 17 in

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9.5 x 8 inches condition: very good provenance: fro...

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting with Dickinson Roundell and Edward Nahem in New York, and Nahem has helped him find an eager audience among collectors in London and Europe. Marc Baseman has Exhibited with these artists: Larry Bell, Lynda Benglis, Vija Celmins, Ronald Davis, Wes Mills, Lee Mullican, Ken Price Mateo Romero, Fritz Scholder and Charles Strong...

Abram Lerner (founding director of Hirshorn Museum, 1917-2009) Still Life with Mango, 1999 Oil on wood panel 10 x 10 1/3 in. Signed and inscribed verso: A...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

A figurative abstract painting on masonite by San Francisco, California area artist Daniel David Fuentes (American, 1978-2016). San Francisco Bay Area abstract expressionist and land...

Still Life. 1998, oil on canvas, 57 x 69 cm Abstract still life with musical instruments and coffee grinder The artwork was published in the catalog - "Jānis Zemītis Glezniecība. Pai...

"Jekyll Becomes Hyde." Original illustration for a German edition of Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde, (Frankfurt am Main and Vienna: Büchergilde Gute...

This oil on board is by the well-known California plein air artist Brian Blood (1962-). The painting depicts Point Lobos, just south of Monterey Bay. It m...

Bright abstract painting titled "Always Rough Terrain" from the "Traveling Series" by Marc Ellen Hamel (American, b. 1948). Presented in a black wood frame. Titled "Always Rough Terrain" and signed "Marc Ellen Hamel" on verso. Marc Ellen Hamel works as an abstract painter, printmaker (monotype and Print Gocco). Her art involves the interaction of color, the physical feel and look of paint, and working in an intuitive creative process developing a work by going back and forth between the immediate physicality of the process and her own subconscious place-memory. Traveling Series: "The process of painting brings recollection; often I am carried back to another time and looking at it again. When traveling, you glimpse other places out the window; sometimes a lighted barn window...

Countryside. 1990. Paper, watercolor, 28x30 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits...

Bouquet on the window. 1995, oil on canvas 46х38 сm Light still life with flowers on the window Aleksey Garin (1961) - an artist, painter. Was born in Gorky in 1961. He graduated fr...

Vibrant figurative of abstracted fish in coral reef by John Stenvall (American, 1907- 1998), circa 1990. Signed left edge. Presented in gilt-toned frame ...

American School coastal landscape showing a view of breakers crashing in towards a rocky coast with cypress trees in the distance.

Large mixed media on canvas composed of torn piece of burlap on canvas painted with a landscape scene of a city street, abstract shapes and shades and finished with glittered Arabic ...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right; signed, dated, titled verso (underneath foamcore backing). 49.75 x 59.75...

Measures 36" x 29" canvas and framed 45" x 37.5". William Michaut French artist born in 1947, known for impressionistic style still life oil paintings. The painting is signed lower r...

Vintage American modernist abstract signed oil painting by Robert Reitzfeld. Oil on canvas. Signed verso.

Modernist abstract portrait of Freddie Mercury. Oil painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressi...

Giardino estivo con fiori di campo Si respira l'aria estiva e la luce di queto momento catturato dal vivo dall'artista Moroz dipingeva tutte le sue opere dal vivo. Questo rende la ...

Purvis Young (1943 - 2010) Drawing from the 1990's #364 Acrylic paint on paper 11 x 8.50 in

The Cardinal is an artwork realized by Mario Schifano, in the 1990s. Mixed Media on Photograph. cm.10x15 . Monogrammed on the back. Good conditions Mario Schifano (Homs, Se...

Frame in wood white gold. Free shipment worldwide. Acquired directly from the artist. Size without frame: 71 x 51 cm (Size with frame 77 x 58 cm) “With just a few strokes of his b...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake II, From 1992 show; Night Paintings, ...

This is a pre-owned painting by Justin Coopersmith. It is a framed mixed media seascape painting. Its dimensions are 16 x 13.5 x 1 in (L x H x D).

JERRY BERNECHE Small Town No. 18 Watercolor on Arches 21.5 x 29.25 inches

Silhouette. 1997, oil on canvas, 57x69 cm Abstract still life with guitar in red colors In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art...

Vibrant oil on canvas abstracted coastline landscape by California artist Virginia Sevier Rogers (American, 1917-2015), 1995. Signed, dated, and titled "Coast V.R. 5/95" upper right....

Mt. Tamalpais Road California Landscape by Jesse Don Rasberry Lovely oil on artist board landscape painting of a road leading to Mt. Tamalpais by California artist Jesse Don Rasberr...

Les Ruines Des Plus Beaux Monuments De La Grece both 22 3/4" x 34" (sight) oil with arabesque artist identified on label verso. #27, Earthquake III, From 1992 show; Night Paintings,...

A striking study of a man dressed in red speeding past ona motorbike. The artist captures the movement in the scene through using sweeping, gestural brushw...

Intersections is an oil painting on paper with a wooden support, a wooden rod serves as a frame. This painting is part of a series of works where the human figure is at the height of...

James Balla Untitled gouache painting, 1992 Mixed Media Oil on Linen Signed and dated on the front of the work; the verso of the frame bears the UFO (Albert Merola) gallery label. F...

Untitled, 1998 Oil on canvas 35 3/4 x 35 6/8 x 1 1/2 in. Signed and dated lower right

In the rain. 1990, cardboard, oil, 90x140 cm with minor defects Liga Purmale (1948) Was born on October 4, 1948 in Dundaga. She graduated from the secondary art school of Janis Rose...

SCOTT KILGOUR (b. 1960): ELECTRIC LIGHT BULB Etched slate, 1992, signed ''Scott Kilgour'', titled and dated on the reverse. Provenance: Camilla and Earl McGrath Collection. Scott Kilgour is a British Postwar & Contemporary painter who was born in 1960. Their work was featured in several exhibitions at key galleries and museums, including the Elga Wimmer PCC and the Howl! Happening. Encouraged by the first curator of 20th Century Art at the Metropolitan Museum, Henry Geldzahler, to move to New York City in the early 80's, Kilgour experienced first hand the frenetic contemporary American art scene. By the end of the decade, after absorbing the eclectic New York sensibility, Scott's lines and curves had evolved due to contact with Pop Art, Minimalism, New Wave, Graffiti and modern dance. His work was further influenced by Edmund Carpenter, a prestigious anthropologist, who galvanized his interest in continuous line drawing and knotwork designs. Gallery exhibits in the ‘80s included 56 Bleecker Street Gallery, DIA Foundation and Holly Solomon Gallery. In the 90's, Kilgour would further expand his body of knot-work designs, embarking on a decade-long study exploring the spatial relationship of continuous line drawing in Scottish Celtic Interlace. Kilgour's linear style is grounded in Charles Rennie Mackintosh's Art Nouveau aesthetic. This exploratory culminated in a 1999 exhibition at the Mackintosh Museum, Glasgow School of Art, as part of the Glasgow UK City for Architecture & Design celebration. Currently, Scott is working on a botanical body of work inspired while drinking a glass of rose in Provence, surrounded by a blossoming white French rose garden. Flowers are an ideal subject for Scott’s linear execution, as no two images are the same based on rosette whorl and luminous petals radiating from a single node. Kilgour attended the Glasgow School of Art and has been featured in media outlets including Interview Magazine, New York Magazine and Elle Décor. Select Group Exhibitions 2019 MM Gallery, New York, Regarding Tom & Henry - Tom Slaughter, Stephen Hannock, Robert Harms, Scott Kilgour, Ray Charles White. 2018 Elga Wimmer Gallery, New York, Bloom / Wilt / Bloom - Donald Baechler, Crash, Alex Katz, Donald Sultan, Scott Kilgour, Andy Warhol. 2017 Howl Arts, Arturo Vega...

Fenêtre transparente is a unique contemporary modern sculpture painting panel by French-Dutch artist Olivier Julia. The panel effectively is a flat woode...

Secrets, oil painting on canvas after Norman Rockwell The original painting was used for the cover of a 1942 Saturday Evening Post. Hand-painted edition after the Painting of Secre...

Genre: Contemporary Subject: People Medium: Oil Surface: Canvas Dimensions: 24" x 18" Yuri Yefimovitch Brusovany was born on November, 15th 1949 in Leningrad (St. Petersburg) Russia. His father was a Jew from Gomel. His mother descended from the prominent family of Samoiloff Actors. This family was well-known all over Russia for a long time. Since 1820 names of the actors from the Samoiloffs' Dynasty never left the theatre posters. It was the largest family tree in the history of Russian scenic art. The central figure in the dynasty was V.V. Samoiloff (1834 - 1877) lived at the same time with Feodor Dostoevsky, Karl Brullov and Leo Tolstoy. V.V. Samoiloff, P.V. Samoiloff and V.A. Michurina-Samoilova were buried at the Alexander Nevsky...

Acrylic on linen Signed verso

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

"Cream Soda" is an original acrylic painting on canvas board by Reginald K. Gee. The artist signed the artwork on the back. This artwork depicts an abstract...

JERRY BERNECHE Small Town No. 20 Watercolor on Arches 21.5 x 29.25 inches

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

A bright, colorful figurative abstract expressionist painting titled "Late Bloomer" by Kristin Cohen (American, b.1963). Condition: Excellent; pemimenti s...

Apple trees blossom. 1999, oil on canvas, 100x80 cm Juris Germanis (1941) The artist has always had a tendency to catch the most significant features w...

Red trees. 1991, oil on canvas, 60x80 cm Bright, colorful landscape with trees in red colors Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorit...

Wonderful autumnal still life with pumpkin, apples and violets by an unknown artist (American, 20th Century). Signed illegibly ("Barbara ...") and dated "Spring 1990" lower edge. Pre...

Sunny , Dacia,Summer,Russian,Sun GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United Sta...