Medium Portrait Paintings

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

Marilyn Monroe: "Everyone is a star and deserves the right to shine." American film actress, singer, and model. Celebrity. An iconic image of American cinema and the entire world cul...

This artwork presents a striking figure in a black hooded jacket, exuding mystery and confidence. The subject stands with hands in pockets, partially obscured face adding intrigue. S...

"Buddhist Novice from a Tibetan Monastery" is a painting from the "Children of the World" series. "These children do not live with their parents, they hardly watch cartoons, do not ...

Ewuare (King) is an original painting by Barnabas Macauley. Ewuare (King) was created with Mixed Media (Charcoal, Acrylic, and Pencil) on a primed 24...

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

'Balinese Pottery Market', oil on canvas, by Régine van den Broek d'Obrenan (1931). The artist visited Bali in 1931 (among other islands) with her new husband, Charles. The naive pai...

Pierre Carrier-Belleuse (Parigi, 1851-1931). "Portrait of Actress in Belle Epoque Paris" pastel on canvas signed upper right and dated 1921 in its original gilt wood frame. Bellissim...

German painting from late 19th century. Framework oil on canvas depicting a copy of a famous painting by Veronese, portrait of a young noblewoman of good pictorial quality. Modern fr...

John Baker’s “Self-Chaperone” is an acrylic painting on canvas with collage 28 x 22 inches in flesh tones, yellows and greys. The portrait depicts the inner conflict between uninhibi...

The painting is hand signed by the artist at the lower left part "I. Ryback". It was probably painted between 1925 to 1935 in France. Provenance: Josef Steiglitz Gallery, Tel Aviv. ...

The Artists Model Nude Lady Model French School, circa 1970's oil painting on card, unframed size: 25.5 x 18 inches condition: overall very good, a very few light markings to the s...

The majestic presence of a lion, depicted with a vibrant, expressive palette and bold brushstrokes, captures the essence of deep mental and emotional connections. The lion's command...

HERVE Jules René (1887-1981) Tourists in Paris Montmartre Oil on canvas signed low right Gault framer (Paris) Dim canvas : 46 X 55 cm Dim frame : 66 X 75 cm HERVE Jules René (1887-19...

Susan Kiefer Goddess Charcoal, pastel and reflective mylar on paper Year: 2000 Size: 30x25x0.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1660 Framed drawing o...

Paul Jansen Curious Calf 51 x 61 cm (Framed 67x 78 cm, Frame is included in price) Oil on wood panel Painter Paul Jansen (1960) started his artistic career as a photographer, and a ...

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

Reclining Male nude. Size 31.5x21.5in / 70x60cm . Part of Nude Men series. Male Nude seen by a female artist - part of "female gaze" series. Varnished and ready for hanging. Shippin...

Seeking Perfection portrays a young lady clutching a book titled How to Behave on a First Date, her expression a mixture of hope and apprehension. This artwork explores the societal ...

Oil Painting by Henri Benard "Portrait of Aliette de Pigeard" 1860- 1927 Aliette de Pigeard (1897 - 1969) married Pedro de Prat, Marquis de Nantouillet, a Spanish ambassador. Their d...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...

Portrait of a little girl with umbrella - Oil on canvas cm.80x60, Eugenio De Blasi Italy 2002 Gold leaf gilded wooden frame available on request The painter Eugenio De Blasi portrays a delicate and realistic painting by Schwarz Alfred "Young Girl With Parasol...

Artist/ School: French School, late 20th century/ early 21st century Title: Abstract portrait of a figure Medium: oil painting on canvas, unframed, signed Size: canvas: 29.5 x ...

"Granddaughter of the Koryak Shaman" - this picture continues the series "Children of the World" said Anna about this painting. "I dedicated it to my small homeland, where I grew up,...

The scene holds you captive, whispering a story beneath its surface. One figure faces the viewer, her expression calm yet layered with unspoken meaning. The other, turned away, deepe...

Guinovart. Thoughtful man. black and white. drawing on cardboard Josep Guinovart i Bertran (Barcelona 1927-2007) was a painter, draftsman and engraver from Catalonia, Spain. After ...

Evergood is decades ahead of his time in shouting out against racial injustice. Painted in the late 1950's KKK is an important work. For Philip Evergood (born Philip Blashki), pain...

I wake up in the morning, open Facebook, read the news... and when the hell will I finally wake up from this nightmare...In creating this piece, I sought to bridge the classic with t...

A Salvation Army Santa looks on with a mixture of fatigue and disinterest as a group of children tell him their Christmas gift wish lists in this lighthearted composition by leading American illustrator Leslie Thrasher. This painting was created for the December 20, 1930 issue of Liberty Magazine, for which the artist illustrated covers on a weekly basis for six consecutive years. Thrasher is known for his scenes of everyday American life imbued with a sense of humor, qualities represented to great effect in this charming painting. Born in 1889 in Piedmont, West Virginia, Thrasher studied at the Pennsylvania Academy of Fine Arts as a teenager and received a scholarship to study art abroad in Paris. Upon his return, he began studying under Howard Pyle, known as the “father of American illustration.” Thrasher sold his first cover illustration to the Saturday Evening Post in 1912, four years before Norman Rockwell’s first Post cover, and he would go on to produce over 360 magazine covers throughout his career. He painted humorous, relatable scenes of everyday life in America with colorful characters set against white backgrounds. He was also a successful commercial artist, painting advertisements for Cream of Wheat, Chesterfield Cigarettes...

Artist: Slonem, Hunt Title: Queen Elizabeth Date: 2025 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 26" x 21.5" Signature: Signed by Artist on Verso E...

A dramatic, one of a kind oil study. Certainly not your run of the mill 19th Century portait! Depicted is a young man, whose face is brightly lit from what is likely is an open fire....

"Still Life with Flowers and Fruits" is a vibrant and dynamic painting that showcases a harmonious blend of flowers, fruits, and tableware. Created with a rich, expressive palette, ...

Stella Jae Mondlicht 2024 Oil on canvas Size: 23.62 x 31.49 inches (60 x 80 cm) Signed by hand COA provided #KidsBedRoom #Cute #Moon #Calming #Soothing #Bunny #Rabbit #Sleepy #Hare ...

This superb Scottish Glasgow Girl 1930's portrait oil painting is by noted female artist Jessie M. McGeehan. McGeehan studied at the Glasgow School of art, enrolling at the age of 15 in 1888 and her last recorded attendance was in 1895. While at Glasgow School of Art, Jessie associated with prominent Scottish artists including Margaret Macdonald and Frances MacDonald of the Glasgow Four. She also later studied in Paris. This gorgeous vibrant Scottish School style portrait is just superb. The composition is of a young girl in a blue dress, her sleeves rolled up to her elbows. She has little gold hoops in each ear and a bow in her dark hair. She is gazing at the artist/viewer with dark eyes. She is sat in the foreground with a large wicker basket of purple plums and a couple of heads of garlic clasped on her lap. Above her are branches of a tree, laden with fruit. A line of slender silver tree trunks lead past a bed of orange pumpkins to a whitewashed cottage with a woman standing in the doorway. The sunshine is illuminating the scene and casting strong shadows. The brushwork is bold, the colours vibrant and the dark outlines typical of the Scottish School artists. This is a really charming oil painting by a noted female Scottish artist and one of the best examples of her work. Signed and dated (19)32 upper right. Provenance. Yorkshire estate. Condition. Oil on canvas, 21 inches by 18 inches and in good condition. Frame. Housed in a light ornate frame, 28 inches by 25 inches, in good condition. Jessie Mary McGeehan (1872–1950) was a Scottish artist renowned for her painting and mosaic work, often depicting genre scenes, landscapes and figures. McGeehan was born in Airdrie and her father Patrick was a carriage hirer. An artistic family, Patrick exhibited a painting Royal Scottish Academy in 1879 and the artist Aniza McGeehan (1874–1962) was Jessie's younger sister. Both sisters studied at the Glasgow School of Art, Jessie being enrolled at the age of 15 in 1888 and last recorded as attending in 1895. Their younger sister Mary Catherine (1877–1960), later known as Sister Callista, also attended Glasgow School of Art from the age of nine. Jessie McGeehan also studied in Paris after leaving Glasgow School of Art. McGeehan's work included paintings, pastels, stained glass, mosaics and tapestry designs. She was active from 1892 and exhibited at the Royal Scottish Academy from 1895 with the work Sweet Idleness until 1916. From 1897 McGeehan lived and had a studio at 134 Bath Street, Glasgow, which was shared with Aniza until 1899. By 1936 she had moved to 152A Renfrew Street as advertised in the 'Glasgow Observer'. In 1901 McGeehan exhibited the work The Victorian Era at the Royal Academy in London. McGeehan's 1929 oil portrait of her sister Aniza is in the North Lanarkshire Museums collections. This was one of two oil paintings exhibited in the 1929 Walker Art Gallery Autumn Exhibition. Jessie McGeehan created a glass mosaic panel for St Augustine’s Church in Langloan, Coatbridge. She also created a glass mosaic in fourteen panels depicting the Stations of the Cross for St Aloysius...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Landscape Triumph Arch in Paris Dripping and gesture for creating this piece contrasts with academic architecture from Paris. Technique: Acrylics, oil painting, China ink on canvas ...

In this oil painting, I wanted to capture the ethereal beauty and transcendence of nature meshed with human grace. Each stroke embodies the delicate dance between reality and fantasy...

The creator creates every woman in a befitting form and structure. Each of them has a unique feature and body composition that is extremely positive and commendable and also a woman'...

"The painting “Mongolian Beauty. Holiday” continues the series “Children of the World”. said Anna about this painting. "Among other folk costumes, the Mongolian costume caught my at...

Mixed media (household paint swatches) 32 x 16” x 2 inches 2025 Framed in white with Optium museum quality non-reflective Plexiglass The artist uses (Home depot household paint ...

Oil on Canvas Mangan has developed a very distinctive figurative portrayal. His works involve unique human forms in a variety of backgrounds. These can be at the racetrack, the train...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

Date: 1909 Medium: Oil on Canvas Dimensions: 26.00" x 22.00" Signature: Signed Lower Right PRICE ON REQUEST- The Saturday Evening Post Magazine Cover, December 10, 1909

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

A delightful oil study by the artist George Weissbort (1928-2013). Signed to the lower right. Well presented in a gilt frame with acanthus and shield ornaments. (Provenance: Studio S...

A fine oil on canvas by Harold Harvey which depicts a portrait of Francis Elliot Voyle. It was painted in 1916. It is a super oil painting of a seated gentleman with a top hat and cane. Great brushwork. Signed and dated lower left. Provenance. Cornish collection. Condition. Oil on canvas, 24 inches by 18 inches unframed and in good condition. Housed in an ebonised frame 30 by 24 inches framed. In good condition. Harold Harvey (1874–1941) was a Newlyn School painter who painted scenes of working class Cornish fishermen, farmers and miners and Cornish landscapes. He was born in Penzance and trained at the Penzance School of Arts under Norman Garstin and the Académie Julian in Paris (1894–1896). Harold Charles Francis Harvey was born to Mary Bellringer Harvey and Francis McFarland Harvey on 20 May 1874 in Penzance. His father was a bank clerk. During his youth, he was home schooled. From 1894 to 1896, he studied art at the Academie Julian in Paris under Norman Garstin. In 1896, he studied at both the Académie Delecluse and the Academie Colarossi. Prior to 1911, Harvey lived in Penzance. In 1911, Harvey married fellow artist Gertrude Bodinnar. They first met when Gertrude posed for Harvey. She discovered that she had artistic talent and became an artist in her own right in a wide range of visual and textile arts. The married couple lived in Newlyn at Maen Cottage. Friends of the Harveys included Laura Knight, Harold Knight, Annie Walke, and Father Bernard Walke of St Hilary Church. Late in his life, he converted to Catholicism. He died in Newlyn on 19 May 1941 and was buried in Penzance at the St Clare Cemetery. Gertrude lived in their cottage until 1960 when she moved into a St Just nursing home. She died six years later. After completing his schooling in Paris, Harvey returned to Penzance and began working with Norman Garstin. His works included landscapes and life settings of his native Cornwall, religious themes and interiors. He used oil and watercolour paints.From 1909 to 1913, he was an Associate of the Royal Cambrian Academy of Art, Conwy and, in 1910, he was a member of the South Wales Art Society. From about 1910 and into the early 1930s, he was a member of the Newlyn Society of Artists, particularly with artists from the Lamorna valley...

Portrait PS 126 De Guerres lasses Portrait of a woman with blue and yellow hair with a crown of flowers. Technique: oil, acrylics, spray paint and ink on canvas 70x50cm ■■ 27.6x19...

A delightful oil study by the artist George Weissbort (1928-2013). Signed and dated to the lower right. Presented in a gilt frame. (Provenance: Studio Sale, George Weissbort). On boa...

La obra va firmada a mano por el artista en la parte media y fechada del año 1879 Se presenta bien enmarcada la pintura El estado de la obra es aceptable Medidas de la obra: 61 cm...

La dernière danse des tournesols - The last dance of Sunflowers In this evocative mixed-media composition, it brings to life a haunting yet tender portrayal of a solitary young woman...

The portraits of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing co...

An intriguing self portrait by the artist George Weissbort (1928-2013). Unsigned. (Provenance: Studio Sale, George Weissbort). On canvas laid to board.

An intriguing oil study by the artist George Weissbort (1928-2013). Unsigned. (Provenance: Studio Sale, George Weissbort). On board.

Oil on canvas by Vicente CRISTELLYS (1898-1970), School of Paris, late 1950s. "Lolo", portrait of Gina Lollobrigida in Notre-Dame de Paris (film). Arriving in Paris during the 1920s, Vicente Cristellys settled in Montparnasse like many of his colleagues from the Ecole de Paris. He paints characters and scenes largely inspired by his native Spain. It was after a bohemian period that he began to illustrate cinema posters and he managed to settle in the Parisian cinematographic milieu. For example, he will sign posters for The Big Sleep, The Man in The iron mask...

Unknown Haitian School Artist Untitled (Marketplace), 2002 Acrylic on canvas 29 x 19 1/4 in. Signed and dated lower right: H. Malcolm Jawi 2002

Oliver Messel 1904 - 1978 Portrait of a Young Man Oil on canvas, signed and dated 'Oliver Messel 1930' (on the stretcher) Image size: 30 x 25 inches (76.2 x 63.4 cm) Original frame Oliver Messel was born to Leonard and Maud Messel, née Sambourne, on the 13 January 1904 and was the youngest of three children. The family moved to Nymans, the Messel family home in Sussex, from nearby Balcombe in 1915. The house remained in the family until 1953 when it was bequeathed to the National Trust, following a fire in 1947 which destroyed a large portion of the house. The Messels originated from a line of German Jewish bankers on Leonard’s side, however, both family lines boast a number of artistic influences, including Maud’s father. Maud was brought up at 18 Stafford Terrace, Kensington (now known as the Linley Sambourne House Museum), amongst collections of antique porcelain and eighteenth-century furniture, and with a host of artistic visitors such as Henry Irving and Oscar Wilde. Oliver’s own upbringing appears to be influenced by his mother's, as the Messel family were also affiliated with artists and writers and were keen collectors of art, filling their home with textiles, paintings and collections of European and Asian fans from travels abroad. It was amongst such treasures that Oliver, Anne and Linley spent their childhood, in addition to the beauty of Nyman’s extensive gardens. Oliver was schooled at Eton but rather than going up to university was encouraged by family friends, gallery owner Archie Propert and painter and sculptor Glyn Philpot, to attend art school. In 1922 he enrolled at the Slade School of Fine Art in London, where he studied under Henry Tonks. Here, he met the artist Rex Whistler with whom he remained firm friends until Whistler’s death in WW2. Upon leaving the Slade in 1924 Oliver was apprenticed to the studio of portrait artist John Wells, where he learnt various Old Master painting techniques, and met artists such as Jacob Epstein, Augustus John and William Orpen. Whilst at the Slade Oliver developed his interest in Papier Mâché masks, a pastime popular amongst many art students at the time. Whilst apprenticed to artist John Wells several of Oliver’s masks were exhibited at the Claridge Gallery, London, alongside pieces by Whistler and other young artists. These were seen by Serge Diaghilev, director of the Ballet Russes, and Charles B. Cochran, a theatrical producer, both of whom made Oliver offers of work. His first job in the theatre was creating masks for the Ballets Russes’ Zéphyr et Flore, 1925, designed by the French artist Georges Braque, followed by numerous musical revues for Cochran, including Wake Up and Dream!, 1929, with music by Cole Porter. It was during these revues, working with Porter and Noel Coward, that Oliver also began to design headdresses and costumes. In 1932 he was rewarded with his first full commission to design both costume and sets for Helen!, directed by Max Reinhardt. The production design is still celebrated today for its innovative approach and ground-breaking ‘white on white’ aesthetic, which referenced ‘Greek temples, Rococo drapes, Baroque colonnades and Louis XIV carousels’. The success of Helen! led to further offers within the theatre including Reinhardt’s version of A Midsummer Night’s Dream at the Old Vic in 1937, starring Vivien Leigh as Titania and Robert Helpmann as Oberon, the Jean Cocteau play The Infernal Machine in 1940, and Christopher Fry’s translation of Jean Anouilh’s Ring Round the Moon, 1950. One of Oliver’s best-known productions during this period was the Russian ballet The Sleeping Beauty, performed by Sadler’s Wells Ballet in 1946 at the Royal Opera House, Covent Garden. Encompassing over 200 costumes and four set changes, Oliver’s romantic designs were celebrated for bringing colour back to post-war London, and variations on his designs are still used today. Additional designs for the ballet included Comus in 1940, for which he was released from war duties, and Homage to the Queen, choreographed by Frederick Ashton and performed in 1953 for the Queen’s coronation. His first opera was in 1940 for Mozart’s Die Zauberflöte at the Royal Opera House, followed by a series of productions at the newly founded Glyndebourne Opera House in Sussex, for which Oliver also designed the proscenium arch. He triumphed in 1956 designing a season of four different productions for their Mozart bicentennial, also providing illustrations for the programme covers. His popularity also spread beyond theatre to film, were he worked on over eight different feature films including Romeo and Juliet, 1936, directed by George Cukor. During a three-month research trip to Italy Oliver collected over 3,000 reference images including postcards of artwork by Piero della Francesca, Giovanni Bellini and Leonardo da Vinci, along with prints and photographs of textiles and architectural features. A production of Gabriel Pascal’s Caesar and Cleopatra, 1946, starring Vivien Leigh and Claude Rains, was celebrated for Oliver’s ability to recreate the opulence and luxury of ancient Egypt under the constraints of wartime rationing. Such was his skill that Vivien Leigh in a letter to Oliver declared that “I have of course told Pascal that nobody in the world must do the costumes except you.” He was later nominated for an Academy Award for his work on his final film Suddenly, Last Summer, 1959; an adaptation of Tennessee Williams’ American Southern Gothic mystery. Having started his artistic career as a portrait apprentice, capturing the faces of family and friends, Oliver continued to develop this practice until the end of his life.  His style is said to have been influenced by Glyn Philpot, the Messel’s family friend who encouraged Oliver from an early age in his pursuit of art and design. His most prolific period came in the 1950s during which he produced over 50 portraits, which were shown in exhibitions in New York, London and Barbados. The exhibitions included both well-known faces and anonymous sitters captured on Oliver’s travels, and a number of these works have entered private collections. He continued to paint after moving to the Caribbean in 1966, capturing society figures and the rich and famous including fashion designer Carolina Herrera and Bianca Jagger. His style remained unchanged throughout his career, using the same soft painterly strokes and subtle palette as in his theatre designs. By far his greatest contribution in addition to theatre and film was Oliver’s interior and architectural designs. Another, much celebrated commission included Rayne shoe shop in Old Bond Street, where he created jewel-like interiors using the same practice of scaled models as his set designs. Other notable interior designs include those for Norwich and Bath Assembly Rooms, Flaxley Abbey in Gloucestershire, Rosehill Theatre in Cumbria and the Reader’s Digest offices in Paris. However, upon moving to Barbados in 1966, Oliver embraced a new career envisioning architectural concepts for private houses, hotels and public buildings, utilising his experience with interior design to furnish them with bespoke items of furniture and textiles. His first project was Maddox, the deserted eighteenth-century plantation house bought by himself and his partner Vagn Riis-Hansen in 1964. The existing building and gardens were remodelled to Oliver’s designs embracing an inherent theatricality with views out to sea. These were framed by terraces and verandas which extended out from the living rooms creating what is often referred to as a Caribbean style of ‘indoor-outdoor’ living. For the woodwork he used a shade of green that is now known as ‘Messel green’ and often associated with the island of Barbados. Oliver was born into a wealthy family; he travelled extensively and was exposed to art and culture from a young age. A privileged youth, his name is often mentioned amongst the ‘Bright Young Things’, for whom costume parties at country houses and jaunts to Europe on a whim became a thing of fable. This informal group included people such as Cecil Beaton (a life-long friend whom Oliver first met at Eton), Lord Berners, Noel Coward, John Betjeman, Harold Acton, Nancy Mitford, Edith Sitwell, Stephen Tennant...

A sensitive impressionist study of an interior café scene featuring a mother and her baby. The artist has employed soft brushstrokes and a muted colour palette to evoke a sense of in...

A delightful early 20th century oil portrait of a lady in delicate 1920's attire holding a bunch of roses. The artist has expertly rendered the subject in great tonal detail, with th...

A delightful oil study by the artist George Weissbort (1928-2013). Unsigned. (Provenance: Studio Sale, George Weissbort). On board.

Nude Male Portrait, Burgundy Colour, Original Oil Painting English School, Mid 20th Century Oil painting on board, unframed Board size: 30 x 20 inch...