Framed Portrait Paintings

Itzchak Tarkay (1935 – June 3, 2012) De grands amis Original Acrylic on canvas 2005 Image 40 W x 51.5 H in., Framed 46 W x 57.5 H in. Itzchak Tarkay (1935 – ...

Joseph Solman Figure Study, circa 1959-60 Signed with initials lower left Gouache on Racing Form newspaper Sight 9 x 7 inches Provenance Private Collection, Montecito, California Pr...

VESTALE - Oil on canvas cm.90x60 by Giulio Di Sotto, Italy, 2011. Gold leaf gilded wooden frame available on request This painting is the personal reinterpretation of William-Adolphe...

This striking oil on canvas portrait, titled "Студентка" ("Student"), is the work of A. Morozov-Ussuriysky, a Russian artist known for capturing psychological realism and elegant, po...

William Richard Waters Picture Size: 36 x 28" (92 x 72cm) Outside Frame Size: 44 x 36" (112 x 92 cm) Oil on Canvas signed bottom right and dated 1847 This painting is nearly 200 year...

A fine copy of the original painting by Antonio Fabres, showing a beautiful young royal woman, reclining in lavish finery as an admirer kneels before he...

Unique representative piece from the jewish school . Born painter 1936 in Paris dead in 2022 . Son of a Russian emigre of semitic and slavic culture , he bathed from his earliest c...

A charismatic study depicting a peasant father and child in a rural landscape. The artist captures the figures in a soft manner with a focus on light, showing influence from Barbizon and pre-Raphaelite contemporaries of the time. At the girl's feet is a small dog symbolising patience and loyalty. Paying close attention to the figures' clothing and faces, the artist displays an expert hand in portraying expression and lifelike details. Titled 'Donnez Moi Un Sou!' translating to 'Give me a penny...

Beth Carlson's dramatic fox painting, titled "Reynard," emphasizes the fox's power of wit over strength. The cunning fox is set against a beautiful snowy winter backdrop. The fox pa...

Using layers of thick, expressive brushwork, solid colors and slightly flattened space, Jennifer Hornyak has created an elegant portrait of a man in black shirt and white sun hat. The simple, modern forms outlined in black on an indigo ground emphasizes the stillness of the oil portrait on canvas that is reminiscent of the work of Jean Paul Lemieux...

Karen Offutt's (US based) "Fire Starter" is an original, handmade oil painting that depicts a male portrait with his face in profile wearing a fur coat in a cold winter landscape. Th...

This superb Dutch Golden Age portrait is attributed to circle of Dutch artist Wybrand Simonsz de Geest. Painted in 1666 it is a full length portrait of a young William Stonestreet. He is holding the paw of a clipped little white dog with drapes and clouds beyond. (It was common practise to dress young boys in dresses up to the age of about 6 or 7 when they were 'britched' or wore britches). An excellent example of Dutch Golden Age art that wouldn't look out of place in a museum. Wm Stonestreet 1666, Prebend of Selsely is inscribed top left. Provenance. Berkshire estate. Condition. Oil and canvas, 44 inches by 36 inches and in good condition. Frame. Housed in an ornate gilt frame, 52 inches by 44 inches and in good condition. Wybrand Simonsz. de Geest (16 August 1592 – c. 1661) was a Dutch Golden Age portrait painter from Friesland in the Netherlands. Wybrand de Geest was born and died at Leeuwarden. He learned painting from his father, Simon Juckesz, a stained glass worker. He studied later with Abraham Bloemaert. From 1614 to 1618 he travelled in France and Italy on a Grand Tour. In 1616 he met up with Leonard Bramer in Aix-en-Provence. While in Rome he became a member of the painters' circle known as the Bentvueghels. He earned the nickname 'De Friesche Adelaar', or "the Frisian Eagle". De Geest married Hendrickje Fransdr Uylenburgh in 1622, a niece of Saskia van Uylenburgh...

Medium: Oil on Masonite Signature: Signed Lower Center Dimensions: 31.00" x 25.00"

Antique American oil painting. Oil on canvas. Measuring 18 by 22 inches.

This original oil on linen artwork by Matt Talbert, titled "Daybreak," exemplifies the artist's skill in capturing the nuance of human expression. Crafted in 2023, this piece measure...

A beautiful and rare antique American portrait of a young woman in a stunning period frame, likely original to the piece. Unsigned but beaut...

Francesco Solimena (Canale di Serino 1657 - Barra 1747) workshop/circle The Allegory of Europe oil on canvas 102 x 76 cm. - with frame: 119 x 92 cm. The work, which can be placed ...

Clan Murray, Coat Of Arms, Duke Of Atholl, 18th Century Scottish School Large 18th Century Scottish Clan Murray Coats of Arms, oil on canvas. The shield bearing allegiance to the c...

Oil on panel. Signed 'B. Kelly' to the lower right. Presented in a strip frame.

Alfred Thomas Derby Portrait of Derich Born (after Holbein) 1821-1873 Watercolour on paper, monogrammed lower right Image size: 7 x 8 1/2 inches (18 x 23.8 cm) UV non reflective glas...

Altar Boys (original Italian title "Ricreazione") is an original Contemporary artwork realized in 2013 by the Italian artist Roberto De Francisci ...

A very fine portrait of a gentleman thought to be of the name 'Riddell'. Possibly related to the Clan Riddell, local to Edinburgh the family were wealthy merchants. This well-dressed...

Nicola Maria Rossi masterfully captures the biblical tale of Rebecca and Eliezer at the Well, a story from the Book of Genesis. In this scene, Abraham’s servant, Eliezer, arrives at ...

Venetian school of the end of the 16th century Circle of Jacopo Negretti, known as Palma the Younger (Venice 1544 - 1628) Saint Jerome Penitent Oil painting on canvas 85 x 64 cm. - In frame 97 x 76 cm. This splendid painting, which offers us an intense representation of San Girolamo...

Well presented in a contemporary wood frame. Signed. On board.

This lovely French 19th century figurative Impressionist oil painting is by Adolphe Monticelli. Painted circa 1870 the painting depicts a group of seven figures amusing themselves in...

The painting is signed on the top left side. Description: Tito Conti (1842-1924) was an esteemed Italian painter renowned for his exceptional skill in portr...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...

Work on paper Gilded wood frame with glass pane 78 x 59 x 3 cm

Portrait of a Lady Artist: Ferdinand Georg Waldmüller (1793–1865) Medium: Oil on canvas Period: Early 19th century Dimensions: Framed: 84 x 61 cm Unframed: 72 x 62 cm Provenance:...

Paul LUNAUD (Brantôme 1900 – 1949) The ironer Oil on wood H. 80 cm; W. 64 cm Signed and dated on the right in the center, formerly signed lower right. 1942 Provenance : Artist's stu...

Unsigned. Well presented in a gilt frame with pierced detailing and foliate scrolling to the cove. On canvas.

Hunt Slonem "Cloud 9" White and Blue Mottled Bunny A single rabbit gestured in black on a mottled white and blue background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x...

This rare original equine painting by renown artist, Jenness Cortez, features a stately portrait of legendary racehorse Secretariat standing in the lush verdant grass at Claiborne Farm. Bathing in the warmth of an afternoon sun, Secretariat's copper-colored beauty is captured perfectly. Titled, “Secretariat as a Stallion Claiborne Farm”, this beautiful oil painting measures 18.5 x 24.5 and is framed in an ornate gold frame, finished with a commemorative plaque. Secretariat is widely considered to be the greatest racehorse of all time and the most recognizable name in thoroughbred racing. Big Red, as he is most often affectionately referred, became America’s Horse after his historic Triple Crown win in 1973, winning the Belmont Stakes by an unimaginable 31 lengths (in world record time) in what stands today as the single greatest horseracing performance ever. About Jenness Cortez: Jenness Cortez is a distinguished figure in the contemporary revival of classical realist painting. She was born in Indiana and exhibited a very early talent for art. As a teenager, she took private lessons with Antonius Raemaekers...

Enoch Seeman Canvas Size: 30 x 25" (76 x 62cm) Outside Frame Size: 37 x 32" (92 x 80cm) 1694-1744 He was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch...

19th century male portrait, painting Oil on canvas No visible signature, 25 x 30 unframed

Fleur de Neige by Jan Van Beers, painted in July 1880, stands out for the delicacy of its depiction. This remarkable portrait depicts a woman dressed in a sumptuous white costume, ad...

Up for sale is an interesting original vintage oil painting on canvas by Famous British Artist Ernest Burnett Hood, (1932 to 1988), depicting a portrait of a man in costume. Ernest...

Sylvia Bernstein (1918-1990). Portrait of a Young Woman, ca. 1960. Gouache on paper, image measures 9.5 inch h.., 10 inches w. ; 17 x 17 inches framed measurement. Signed lower right. Excellent condition. Born : New York City Education : National Academy of Design Exhibits (group) Juried Shows at : Allied Artists; Audubon Artists; National Society of Painters in Casein; Hudson River Museum; Butler Institute of American Art; Portland Summer Art Festival; Columbia Painting Biennial; Columbia Museum; Riverside Museum; Brick Store Museum; First National Exhibition of American Art, Chautauqua, New York; New York City Center; Pennsylvania Academy of Fine Arts; Philadelphia Watercolor Annual; Brooklyn Museum International Watercolor Exhibition; Art-USA; J & M Ringling Museum; 9th Annual American Watercolor Traveling Show; Whitney Museum of American Art; Parrish Museum; American Academy of Arts and Letters; Wadsworth Atheneum. Solo Exhibits 1956 Ruth White Gallery; 1959 Ruth White Gallery; 1959 Silvermine Guild of Artists; 1960 Ruth White Gallery. Awards : National Association of Women Artists, 1954, 1957; New York City Center 1956; 1957 Honorable Mention National Arts Club, Allied Artists, Jane C. Stanley Memorial Award, Grumbacher Award in Watercolor at New England Painting...

Mid century pulp art portrait of a somber clown with a yellow shirt, red hair and a red nose, holding a scepter in a dramatized space with a candle and green ...

This lovely British Modernist portrait oil painting is by noted artist Lionel Ellis. The painting comes from a collection of works by the artist, previously owned by his wife. Painte...

Modernist portrait and landscape oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 14L.

The Penitent Magdalene, 18th Century Studio of Pompeo Girolamo Batoni (1708-1787) Huge 18th Century Italian Old Master depiction of the Penit...

It’s the eyes you notice first, almost photographically rendered in this portrait, and very reminiscent of a certain film star whose first name was Paul. There’s a rock-solid steadin...

This enchanting late 17th-century French oil painting depicts an elegant gentleman in a silk robe with his right index finger on an open book. Stylistically, it’s comparable to the oeuvre of Jacques d'Agar (1640-1715). Dressed in a rather ostentatious embroidered silk robe...

Portrait of an Eritrean Sibyl who writes the prophecy Circle of Lorenzo Pasinelli (Bologna 1629 - 1700) - Attributable to Giampietro Cavazzoni Zanotti ...

19th Century Portrait Miniature, Young Man in Blue Coat As is

Pugnator 70 marks a pivotal moment in Chidy Wayne’s career — his first oil painting, a medium chosen for its capacity to deepen contrasts, enrich textures, and reveal subtleties that...

A fine, large-scale portrait of a Philadelphia lady, fabled soprano singer Florence Foster Jenkins, by Richard Langtry Partington (American, 19...

This superb British Edwardian Impressionist portrait oil painting is by noted portrait artist James Jebusa Shannon. Painted circa 1906, oil on panel and part of a family collection, it is a half length portrait of a blond lady in lace which is depicted with bold, free brushwork. This is a stunning Edwardian portrait by a much sought after artist, housed in a superb period gilded oak frame. Provenance. Family collection. Condition. Large oil on panel, 30 inches by 20 inches unframed and in fine gallery condition. Housed in a stunning gilded oak frame of the period, 40 inches by 30 inches framed and in good condition. Sir James Jebusa Shannon RA (1862–1923) was an Anglo-American artist. Shannon was born in Auburn, New York...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Mattheus Terwesten (The Hague, 1670 - 1757) Portrait of a young woman with palette and brushes, as Allegory of the art of Painting Oil on canvas 160 x 91 cm. - In frame 178 x 107 cm...

A striking 20th Century oil showing a young couple engaged in a passionate and fiery flamenco. The man raises his hands in a dramatic clap and the young woman swirls her red skirts a...

This is not your typical child’s portrait. Young Ellen Warfield is steadily pouring tea or coffee in a proper manner that certainly conforms to societal expectations of the 1950’s. ...

Rabbi Reading by Candlelight (6-F) Abraham Straski, Polish (1903–1987) Date: 1959 Oil on Canvas, signed and dated Size: 23 x 19 in. (58.42 x 48.26 cm) Fr...

This striking late 19th century gouache on paper depicts a portrait of a young lady in a white shawl. The work is beautifully executed with a splash of colour behind the lady to acce...

"Oil On Canvas Self Portrait After Sir Anthony Van Dyck" Follower of Sir Anthony van Dyck (Flemish painter, 1599-1641), Self portrait Oil on canvas (doubled), Probably end 18th centu...

This charming oil study depicts the back of a ballerina who sits in her tutu facing away from the viewer. The artist highlights the details of the dancer's costume and her neatly swe...

Alice Anne Renshaw. English ( b.1849 - d.1900 ). Young Lady With Meadow Flowers In Her Straw Hat. Watercolor & Gouache On Artist's Board. ( An embossed stamp in the top left hand corner reads 'Turnbull’s Superfine London Board' ) . Signed Lower Left. Image size 21.3 inches x 16.7 inches ( 54cm x 42.5cm ). Frame size 29.9 inches x 25.6 inches ( 76cm x 65cm ). Available for sale; this original painting is by Alice Anne Renshaw and dates from around 1880. The painting is presented and supplied in its original highly ornate...

"Christ Crucified" is a striking oil on copper painting by an anonymous German School artist. This bold composition presents a powerful portrayal of the crucifixion, a central theme ...