Framed Portrait Paintings

Child,Baby,Maternity,child,Mother,Green,Window,spring,russian art GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collect...

A late 19th century British Society portrait oil painting of a beautiful young debutante by Victorian artist Annie Louisa Swynnerton which is signed and dated 1893. It has been sugge...

This superb British Old Master portrait oil painting is attributed to circle of noted artist Michael Dahl. Although born in Sweden, Dahl lived and worked most of his life in England ...

Irène Lagut (1893-1994) Water horses, 1940s Oil on canvas Artwork: 13 x 18 1/8 in. l 33 x 46 cm Framed: 15 1/3 x 20 1/2 in. l 39 x 52 cm Signed lower right Irène Lagut (1893–1994) w...

The Announcing Angel Lucrina Fetti, née Giustina Fetti (Rome, c. 1590 – Mantua, 1673) attributed to Oil on canvas 75 x 62 cm. - Antique gilded wooden frame 87 x 74 cm. The wo...

Jean Hodru (Belgian, 1862–1956) Portrait of a Young Girl (“Fillette”) Oil on Canvas, circa 1890 Signed lower left and inscribed on the reverse Presented in its original period gilt f...

Artist/ School: The work is signed and dates to the 1970's period. Title: Portrait of an Africa Woman, believed to be from Tanzania (according to previous owner). Medium: oil paint...

Jean-Baptiste van Loo (Aix-en-Provence, 1684–1745) circle Portrait of a Lady Oil on canvas 93 x 77 cm. In antique frames (with imperfections) 103 x 87 cm. The painting depicts...

Suchitra Bhosle's "Somewhere in Denver" is an original, handmade oil painting that depicts a dark haired woman, brushing her hair, wearing a translucent white shift around her as she...

This stunning much exhibited 1920's Scottish portrait oil painting is by noted Glasgow Girl artist Norah Nielson Gray. Painted circa 1923, the model for the painting was Rita McIlraith but the artist did not want to use her name in the title and it was called 'Exotic.' Norah Neilson Gray...

Lance Cattermole (Irish, 1898-1992) Signed: Lance Cattermole, 1933 (lower, right) “ Afternoon Sketch ”, 1933 Lady Seated on a Bench Sketching with a Bridge in the Distance Waterc...

Matt Talbert's "Remember When" (2024) is an original, handmade oil painting on panel that depicts a portrait of a seated brunette in deep contemplation. Artist bio/statement: Matt ...

This sumptuous Scottish oil painting is by noted artist Robert Hope. It was most recently part of the Paisley Art Institute Collection, formerly held by the Paisley Museum and Art Ga...

This charming English Victorian painting by Arthur Jackson beautifully captures a rustic scene of chickens in a barn. The artist's meticulou...

A beautiful, fascinating painting depicting one of the figures from Frans Hals’s famous painting *The Banquet of the Officers of the St George’s Militia* The reverse bears the artist...

A beautiful large mid 20th century Dutch oil on canvas portrait of a seated young lady, by Jos van den Berg. Wonderful quality and condition figurative portrait of the young lady we...

Portrait of Arab Man in Turban French artist, 18th century oil on canvas, framed Framed: 21 x 16.5 inches Canvas : 18.5 x 14 inches Provenance: private collection, France Condition: ...

Godfrey Kneller (Lübeck 1646 – London 1723) Portrait of an English noblewoman, presumably Mary Capel, Countess of Essex (1679–1726) Oil on canvas 128 x 104 cm. In frame 146 x...

In this striking monochromatic interpretation inspired by Bernini’s angels, Ivan Marković distills Baroque drama into raw, gestural intensity. Against a deep black ground, the angeli...

Artist: Francesco Paolo Michetti, Italian (1851 - 1929) Title: Rosella Year: circa 1900 Medium: Oil on Canvas, Signed Size: 30 x 20 inches [76.2 x 50.8 cm] Framed: 40 x 30 inches [10...

"Funchal, le Port (Port of Funchal, Portugal)" Raymond Thibesart (France, 1874-1968) Pastel on paper 12 x 9 (18 3/4 x 15 5/8 frame) inches Stamp of studio on reserve INV Nbr. 821RT...

Portrait of a Lady in Traditional Attire Bali? South East Asia? circa 1960's period oil on canvas, framed in original frame framed: 44 x 34 inches canvas: 36 x 26 inches Provenance: ...

17th century Flemish School, Saint Barbara This accomplished 17th-century Flemish oil painting depicts Saint Barbara, shown as a serene and powerful woman dressed in a luminous red gown, set against a warm, atmospheric background and proudly holding her traditional attribute; a tower. The invention of the present composition stems from 17th century Antwerp and was likely drawn by Theodoor van Thulden...

Kenneth Marcus Hugh (American, 1916-2011) Self Portrait Oil on canvas Signed lower right and dated ’36 33 x 27 inches 39 x 33 inches, framed Kenne...

Classically painted original oil painting, reminiscent of Caravaggio, shows the mythological monstrous Medusa, with swarms of snakes growing from her screaming head. This work is be...

This painting depicts an impressionistic portrait of George Washington. The thick brush strokes and fun marks create an atmosphere reminiscent of the impressionists from the 20th Cen...

This stunning British 18th century Old Master portrait oil painting, with exceptional provenance, is by noted artist George Romney. It was painted in 1788, commissioned by James Evelyn of Felbridge as it is of his younger daughter Anne, aged 20 years old. James was a Doctor of Law and Anne's mother was his second wife, Jane. Felbridge house, Anne's home, was in the village of Godstone in Surrey. This superb oil painting is a seated portrait of Anne, wearing a white dress with a green sash, her forearms exposed and her hands in her lap. Anne is blessed with the most wonderful long auburn curly hair and is visually stunning. Her body is partly turned away from the artist/viewer and she is slightly gazing down at us with confident, clear eyes. Anne is pictured in a landscape with a dramatic sky behind her. Romney's brushwork on her dress, hair and the background is superb. The delicate detailing of her facial features is also stunning. Sometimes Old Master portraits can be a little staid, but this one of Anne with her wild auburn hair and bold look is just magnificent. This is a fantastic example of George Romney's work and of an 18th century British Old Master with exceptional detailed provenance. Name plate states: Anne, younger daughter of James Evelyn of Fellbridge Esq. 1788, aged 20. Romney. Provenance. With Charles Cecil Cope Jenkinson, 3rd Earl of Liverpool (1784-1851) With The Hon. Henry Berkeley Portman (1860-1923), Later 3rd Viscount Portman; with Emma, Viscountess Portman (1862-1929) By 1926; with her daughter Lady Moyra Dawson-Damer (1897-1962) Thence by family descent. Painted in 1788. There are various labels verso. Mentioned in Lord Hawkesbury's Catalogues of Portraits at Compton Place and at Buxted Park, in Sussex, 1903, p.18, no. 3, at Buxted Park, as in the 'Dining Room, South Wall'. Further Bibliography: Gower (R. S.) Romney, London, 1904, p. 175 Kidson (Alex) George Romney, A Complete Catalogue of his Paintings, New Haven and London: Yale University Press, 2015, I, p. 205, no. 422 (illus).Ward (Humphrey) and Roberts (William) Romney: A Biographical and Critical Essay, London: T Agnew & Sons, 1904, p. 51 Condition. Oil on canvas. Image size 30 inches by 24 inches and in good condition. Frame. Housed in an ornate gilt frame with name plate, 37 inches by 31 inches and in good condition. George Romney (1734-1802) was born in Dalton-on-Furness, Lancashire, on 15 December 1734, the third of the eleven children of John Romney and Anne Simpson. Leaving school at the age of eleven, he worked for eight years in his father's cabinetmaking workshop before being apprenticed to a local painter, Christopher Steele, with whom he served for two years, from 1755 to 1757, in Kendal, York, and Lancaster. He married a Kendal girl, Mary Abbot...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

Early 17th-century Lombard painter Daniele Crespi (Busto Arsizio, 1597-1600 – Milan 1630), Circle of Saint Sebastian oil on canvas Dimensions: 82 x 60 cm. In frame 100 x 7...

Portrait of A Young Woman In A Hat From the artist estate, unsigned oil on canvas board, painting size 13x9in. Dewitt McClellan Lockman, N.A. (July 30, 1870-July 1, 1957). A native ...

An intimate portrait study depicting a young girl with auburn plaited hair and rosy cheeks, wearing a teal-green high-necked jumper that frames her gentle, contemplative expression. ...

Impressive early American modernist opera view interior oil painting by Dorothy Van Loan (1904 - 1999). Framed. Oil on canvas. Signed. Image size,...

* No US duty or taxes to pay on works of art * A beautiful mid 20th century French oil on board portrait of a black woman. The work is presented in a very good quality wooden frame....

* No US duty or taxes to pay on this item * A beautiful mid 20th century Swedish oil on canvas self portrait of an artist wearing a beret. Very decorative work in the cubist style w...

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

This lovely Dutch Old Master portrait oil painting is attributed to circle of Willem Wissing. Wissing settled in England and emerged as Peter Lely's most important pupil after his de...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Stylistically evocative of the 1980s, this is a striking pair of charcoal portrait drawings, presented together as a diptych in a handsome, new black frame with non-reflective glass ...

El estado de conservación de la pintura es aceptable, solo se aprecian algunos pequeños repintes (sin importancia) La obra se presenta bien enmarcada con un marco de la época de la ...

This lovely British Edwardian portrait oil painting is attributed to circle of John Singer Sargent. Sargent was born in America then trained in Paris before coming to London. Painted...

French School of the 19th century Portrait of a young man, 1891 Signed (illegible) and dated 91 on the lower right Oil on canvas 46 x 38 cm Framed 52 x 44 In good condition, recently...

The Favourite Pet English Country House Portrait, lady with Spaniel Dog English, 19th century circle of Alfred Edward Chalon (19th century) oil on canvas, framed framed: 23.5 x 20 i...

Copy of a Portrait of Pierre Seriziat by Jacques Louis David which was painted in 1795 , David 1748-1825, this picture is a direct copy by an artist by the name of F. Hamilton. There...

Frans van Mieris the Elder (Leiden 1635 - Leiden 1681) Workshop Elegant company in an interior (or “Self-portrait with his family”) Oil on canvas 50 x 41 cm In a beautiful fra...

William John Hennessy Thomastown 1839 - Rudgwick 1917 Portrait of the Artist's Daughters Circa 1880 Oil on canvas mounted on cardboard Signed bottom left 33 x 23.5 cm canvas 44 x ...

Spanish School, early 20th century Portrait of Fernando Álvarez de Toledo, the 3rd Duke of Alba (1507-1582). after the 16th century painting by Anthonis Mors oil on panel, framed f...

Circle of Jean-Baptiste Greuze (Tournus, 1725 – Paris, 1805) - Portrait of a Young Lady. 46 x 37.5 cm (without frame) - 51 x 44.5 cm (with frame). Oil on canvas, in carved and gild...

A striking 20th Century oil showing a young couple engaged in a passionate and fiery flamenco. The man raises his hands in a dramatic clap and the young woman swirls her red skirts a...

Two Young Girls with Flowers & Spaniel Watercolour by John Frederick Taylor RWS (1802–1889) depicting two young girls with flowers and spaniel watercolour on paper laid on board, fra...

'Portrait of Man in Cap', oil on canvas, French School (circa 1960s-70s). This artwork was discovered in the South of France. A splendid portrait it is and is most likely from one of the countries in French-speaking Africa. Most of those countries that speak French are in Western and Central Africa, with others scattered across the continent. Having arrived in Africa from colonial activity, French took on many different forms and maintained use to some degree in nearly two dozen nations. In addition to the continent of Africa, there are many other French speakers...

La obra no va firmada El estado de conservación es bueno Se presenta enmarcada la obra con un marco posterior a la obra Medidas de la obra: 40 cm. de altura x 33 cm. de ancho. Me...

At the Plaza - John F. Kennedy by Alex Schloss, American (1921 - 2011) Date: 1991 Oil on canvas, signed and titled lower right Size: 24 x 20 in. (60.96 x 50.8 cm) Frame Size: 25.5...

This gorgeous large American Impressionist oil painting is attributed to Lillian M. Genth. She was a favourite pupil of Whistlers whilst at an art school in Paris. She is best known for depicting female forms or nymphs in landscapes such as this, up until about 1928 when she focused on other topics. She had an estate in Connecticutt and would often paint models in the woods there. Although not initially accepted by Victorian Society, In 1908 her painting, The Lark, won her the Shaw Memorial Prize at the 83rd Annual Exhibition of the National Academy of Design. The Lark depicts a full female nude strolling through the woods with her head turned looking toward the sky as if she just heard a lark, as the title suggests. This painting successfully demonstrates Whistler’s influence on Genth through the integration of the nude form and the landscape. Our lovely painting's composition is of a nymph seated in a tree playing pipes with a blue sky as background, while sheep graze beyond her in a landscape. The dappled sunlight on her skin and hair are beautiful. This is a superb example of work by a female American Impressionist in the 1920's and visually stunning. Unsigned. Provenance: Berkshire estate. Christies London Condition. Oil on canvas, image size is 50 inches by 37 inches and in good condition. Frame. House an ornate gilt frame. Framed size is 57 inches by 44 inches and in good condition. Lillian Mathilde Genth (1876 – March 28, 1953) was an American impressionist artist. She is best known for her depiction of female nudes in landscape settings. However, in the middle of her career she swore off painting female nudes and began painting more conservative paintings inspired by her travels. In about 30 years Genth appeared in 233 exhibitions, and while well renowned for her paintings while alive, her story and artwork have been lost in the retelling of American art history. Lillian Mathilde Genth was born in Philadelphia, Pennsylvania, the daughter of Matilda Caroline Rebscher and Samuel Adam. Genth began her art career by attending the Philadelphia School of Design for Women in Pennsylvania on scholarship. During her schooling years she worked to help support herself as a dress designer. At the Philadelphia School of Design for Women her primary teacher was Elliott Daingerfield. Daingerfield greatly influenced her style, which can be seen in the similar tonalist and coloristic qualities of her landscape scenes. Genth graduated from Philadelphia School of Design for Women in 1900. She received the William L. Elkins European fellowship for attainment in art from the Philadelphia School of Design, which sponsored her to paint in Europe for a year. During her time in Europe, Genth first settled in Paris, France in October 1900 where she enrolled in art classes at the Académie Carmen, an art school run by James McNeill Whistler. Whistler became a large influence on Genth’s work and she was known to be a favorite pupil of his. During one of Whistler’s visits to the school in 1900, he was so impressed by Genth’s work that he gave her a paint palette; an honor that she used and treasured for the rest of her career. This was an incredible compliment from Whistler, who rarely accepted women painters. Genth’s style is typically attributed to Whistler because of her paintings' tonalist qualities and because he taught her to see her paintings as a whole instead of in individual parts. After the Academie Carmen closed in 1901, Genth stayed in Europe for three more years. During this time she worked on painting landscapes, genre scenes, and waterfronts; her nudes would not begin for a few more years. In 1904 Genth returned to the United States and was living in New York City. It was at this point that her career began to flourish. In 1904 Genth showed at three exhibitions: the National Academy of Design, Art Club of Philadelphia, and Worcester Museum. In October of that same year she appeared in her first individual show at the Pennsylvania Academy of Fine Arts. Also in 1904 Genth received the Mary Shaw...

Albert Clark Portrait of a Bay Horse in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A finely executed late Victorian equestrian portrait by the ...

Artist/ School: 18/19th Century Spanish School Title :Head study of Christ Medium: oil painting on wood panel, period gilt framed panel : 6 x 5 inches Provenance: private collect...

A finely executed 19th-century Italian School miniature portraying a rosy-cheeked, bearded gentleman wearing a fur hat and collar. The artist has rendered the textures and details of...

Hours of Idleness – Normandy, 1894. This intimate pastel portrait depicts a woman seated quietly on a wooden chair beside a small table supporting a potted flowering plant, positione...

john Pairman (Scottish, 1788 - 1843) Signed: J Pairman 1820 (Lower, Right) " Portrait of a Gentleman in a Scottish Landscape ", 1820 Oil on Canvas 22 1/4" x 18 5/8" Housed in a ...

This oil painting on panel titled "Carriers On", depicts a quiet procession of repeated figures, each bowed forward in a gesture of weight and endurance. Rendered in warm, earthy ton...

Oil on canvas. Signed "Cavalin" and dated (1945). Dimensions with frame: cm. 117x86.5 A refined post-war portrait depicting a young woman seated in an upholstered armchair, elegan...