Face Portrait Paintings

Circle of Adam de Coster (Mechelen 1586 – Antwerp 1643) Portrait of a Young Man with a Turban, Dressed in Oriental Style Oil on canvas H. 43 cm ; W. 33 cm This portrait of a young m...

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

A study of the bust of Ferdinand Bol's 'Portrait of A Mathematician' which is currently part of the Louvre Collection in Paris. Unsigned. Presented in a gilt frame. On canvas.

This stunning Scottish Victorian portrait oil painting is by noted artist Robert Fowler. Painted circa 1893 the composition is of a blonde haired maiden in the foreground, dressed in...

Vintage oil painting of a boy with a red hat, this is a portrait with a seaside or coastal feel and would be ideal in a coastal property or bathroom. A young boy looks direct at the...

Portrait of Princess de Joinville riding a Bay Horse Henri d’Aincy, Le Comte Monpezat (French 1817-1859) Painted circa 1837-9 oil on canvas 113 x 92 inches (including frame) 92 x 70 inches (unframed) Provenance – from a private royal collection This magnificent portrait depicts Princess de Joinville, the daughter of Pedro I, Emperor of Brazil and the King of Portugal. Through her illustrious family she was directly related Alexander III and Nicholas II of Russia and the Russian royal family, as well as to many of the great ruling families of Europe. The work clearly confirms Monpezat as one of the most accomplished equestrian portrait painters in France in the early nineteenth century. In terms of scale, quality and dramatic power, it must surely be considered amongst his finest works. The stance of the powerful thoroughbred - in half rear - emphasises the calm nature and courage of the Princess. Francisca of Brazil (1824-98) married a son of Louis Philippe I, the King of the French, and had three children. Born at the Imperial Palace of Saint Christopher, her youngest brother was the future Pedro II...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...

Eastern European young woman in traditional dress with silver lacings and jewelry holding an open book. This portrait pose is in the Renaissance period Mannerist style, and the young...

Guido Reni (Bologna 1575 - 1642) Workshop of Saint Catherine of Alexandria (full details LINK) Oil on canvas Measurements (cm): 96 x 73 - with frame 112 x 88 This splendid work dep...

This contemporary figurative portrait of a young Frida Kahlo, titled Frida's Resilient Bloom, was meticulously crafted by French artist Natalya Mougenot using Sennelier oil pastels o...

Pascual Bueno Ferrer (1930) Pascual Bueno Ferrer is a Catalan painter who has cultivated painting and drawing as a child. In 1956 he enrolled at the Sant Jordi Higher School of Fi...

Artist born in Vienna, Austria in 1887. Died in 1970 in Geneva. Work on canvas

Portrait of a Seated Lady signed by Jacob Markiel (Polish 1911-2008) *See notes oil on canvas, unframed canvas: 32 x 24 inches provenance: the artists estate, south of France condit...

Oil on cardboard realized by Sirio Pellegrini in 1960s. Hand signed. Includes a wooden frame realized by the Artist. cm. 43.5x34. Sirio Pellegrini, born in Rome on March 1, 1922, ...

Born into difficult times, the life of German Jewish artist Hermann Hirsch was not filled with peace or abundance. However, I believe at least while he w...

This portrait, attributed to the American painter Ralph Earl, captures Benedict Arnold, one of the most controversial figures of the American Revolutionary War. Ralph Earl, known for...

Portrait Contemporary art, Original oil Painting, One of a Kind Artist: Varvarov Anatoly Viktorovich Title: Self Portrait, Sise: 31.5x35.5 inches, (80x90 cm) Medium: Oil on Canvas Ha...

The Artists Mother by Etienne Auguste Krier (French, 1875-1953) oil painting on board, framed framed: 11 x 15.5 inches board: 9 x 13 inches condition: very good provenance: private c...

A striking and very intimate work created by the renowned Fauvist artist Raoul Dufy in the early 20th century, depicting his wife in 1915. This artwork is a rare and very precious ge...

Al Saralis – "Nothing Gold Can Stay II" Oil on Canvas 47.2 x 39.4 inches (120 x 100 cm) A poised woman in a flowing red dress sits quietly against a softly glowing, golden-toned ba...

"Sensory Release" Pop Art Figurative in Acrylic on Canvas Bold pop art portrait by Hilary Druley (American, b. 1982). A person is depicted in a hard-edg...

Unknown Artist, Possibly Gustaf Brandelius (1833-1884) Portrait of a Young Boy With Hat oil on tree panel painted c.1850-70 panel 9.05 x 5.90 inches ...

Portrait painting of a young woman dressed in black with a bonnet. The woman has a rose in her right hand and presents her left hand with a r...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed piece of paper is 8 x 6 inches In good condition, though with min...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mes...

"Nox" (2023) by Allen Williams is an original handmade oil painting that depicts a disturbing a uncanny portrait of a man on a dim gold background. Abo...

Artist/ School: Continental School (19th Century) Title: Cherubs In Garden Setting Medium: oil on canvas, framed in beautiful gilt frame. Frame...

Portrait of an Eritrean Sibyl who writes the prophecy Circle of Lorenzo Pasinelli (Bologna 1629 - 1700) - Attributable to Giampietro Cavazzoni Zanotti ...

This painting depicts a whimsical portrait of a young girl with brown hair against a light blue background. The bright colors used and quick brush strokes are what makes this paintin...

The sitter is Mary Charlotte Anne Wellesly-Pole, eldest daughter of William, 4th Earl of Mornington and niece to the Duke of Wellington. This is one of Hoppner's best works. The sitt...

Up for sale is an unusual unique antique 18-century original oil painting on board depicting a figure of a gentleman wearing a white wig and is dressed in a red jacket and white jab...

Portrait of an Elegant Lady by Victor Charles GUÉRIN (1815-1881) signed oil on canvas, unframed Canvas : 25.5 x 21.5 inches Provenance: private collection, France Condition: very good condition Description: This enchanting 19th century painting by the elegance of a lady dressed in lavish Rococo-style attire. Set against the backdrop of grand European architecture, the woman is depicted in a voluminous blue and gold gown...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Original painting by Daria Kusto. 2024y. ink , markers on watercolor paper. THE MAGIC FLOW REALITY...

The realist portrait is of a no-nonsense woman. A mystery woman, one accustomed to being respected. By her subdued costume, not selected to flatter her, as well as by her analytical ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre...

Portrait Of Isabella Blackett, Countess Of Buchan, 18th Century English School Large 18th Century English portrait of Lady Isabella Blackett, Duchess of Buchan oil on canvas. Excel...

Sir Peter Lely (Soest 1618 – 1680 London) Portrait of lady with a crown, possibly Bridget Drury Lady Shaw, formerly Viscountess Kilmorey, later Lady Baber (d.1696) c.1665 Oil on canvas 46 1/2 x 40 3/4 inches, Framed 42 1/4 x 36 1/4 inches, Unframed Inscribed left [……….]Isabella James Mulraine wrote the following for this piece: This portrait dates to the middle of the 1660s, the decade when Lely’s career took off as successor to Sir Anthony van Dyck. At the Restoration Charles II had appointed him Principal Painter to the King and paid a pension £200 per annum ‘as formerly to Sr. Vandyke...’1 Lely had trained in Haarlem and he was in his early twenties when he came to London in 1643. He was an astute businessman and a wise courtier. In 1650 he painted a portrait of Oliver Cromwell (Birmingham Museum and Art Gallery) while maintaining links with the Royalist exiles through the 1650s. He had arrived in England as a painter of small-scale portraits and lush scenes of nymphs in landscapes in a Dutch style. His experience of Van Dyck in English collections transformed his painting. His lavish and alluring vision of Arcadia exactly captured the spirit of the Court and as Principal Painter he dominated English portraiture for the next twenty years. Lely ran a highly efficient studio along Netherlandish lines, employing a team of specialists like the drapery painter John Baptist Gaspars and young artists-in-training like Nicolas de Largilliere. He had numerous rivals during that period, and by 1670 he had introduced numbered standard poses to speed up production, while collaborating with printmakers for further revenue and advertising. He died in 1680 of a stroke while painting, working to the last. The portrait, painted at a date when Lely’s poses and execution were still individual and inventive shows a lady sitting at three-quarter length facing away from the viewer. She has begun to turn towards the viewer, a pose with a long pedigree in art, first used by Leonardo da Vinci in the Mona Lisa (Louvre). She steadies her blue drapery where it might slip from her arm with the movement, a flash of realism beautifully captured. Like Van Dyck, Lely painted his female sitters in a timeless costume rather than contemporary fashion, showing a loose gown and floating silk draperies. It presented the sitter as a classical ideal. The portrait would not date. The saffron dress may be the work of a drapery painter but the brown scarf must be by Lely himself, and appears unfinished, broadly sketched in behind the shoulder. The delicate blue glaze and nervous highlights suggest shimmering translucence. Lely was a master of painting hands – his hand studies are marvels of drawing – and the lady’s hands are superb, exactly drawn, delicately modelled and expressive. The fidgety gestures, clutching the gown, fiddling with the edge of the scarf, give the portrait psychological bite, suggesting the personality behind the calm courtier’s expression, adding to the sense shown in the look of the eyes and mouth that the lady is about to speak. The portrait’s language is Vandykian. The inspiration comes directly from Van Dyck’s English portraits of women. Lely owned Van Dyck’s Portrait of Lady Elizabeth Thimbleby and Dorothy Viscountess Andover (National Gallery, London) and the sitter’s costume quotes Lady Andover’s saffron dress and brown scarf. But Lely paints a generation who sat nearer to the ground and through a dialogue of expression and gesture he shows sitters who are more flesh and blood than Van Dyck’s. The background with a column and curtain is different to those shown in most of Lely’s portraits of women. They tend to include trees or fountains, with a glimpse of landscape. But there are other examples. A portrait of the King’s reigning mistress, Barbara Villiers Duchess of Cleveland...

Antique American school modernist portrait painting. Housed in a period frame. Measuring 29 by 33 inches overall and 20 by 24 painting alone.

Well painted 1950's mid-century modern English portrait of a nude woman laying on a bed. The artist was a portrait and figure painter active during the 1950s-1960s Oils on artists ...

The Legal Gentleman portrait of a lawyer/ barrister by Victor Hume Moody (British 1896-1990) *see notes below signed and dated 1974 oil on canvas, unframed canvas: 36 x 28 inches pro...

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Fred Calleri was born in Maryland and has slowly moved westward towards his current home in Santa Barbara, California. On his way, he earned an Illustration and Graphic Design degree...

This refined portrait is believed to depict Elizabeth Ann Sheridan (née Linley; 1754–1792), the celebrated English soprano and wife of playwright Richard Brinsley Sheridan. Painted i...

Jusepe de Ribera (Xàtiva 1591 - Naples 1652) circle of - San Giuseppe. 108 x 80 cm without frame, 123 x 95 cm with frame. Antique oil painting on canvas, in a carved and gilded woo...

America Martin "The Pitcher" Oil & Acrylic on Canvas 111 x 48.25 inches 112.5 x 49.5 inches framed Signature located in the lower left of the painting. Exploring the identity of bo...

Fritz Muller (1913 - 1972) oil painting on board, framed signed framed: 17 x 14.5 inches board: 14 x 12 inches provenance: private collection, England condition: very good and sound ...

Portrait Of A Girl In White, circa 1900 by Robert Edward MORRISON Large circa 1900 edwardian portrait of a girl in white, oil on panel. Excellent quality and condition period port...

Gouache and watercolour on corrugated cardboard after the famous self portrait by Vincent van Gogh with his fur hat, bandaged ear and pipe. This painting is by Jean Ducel who has pla...

Portrait of a lady, traditionally identified as Grace Loftus,of Beverley hall yorkshire.Three-quarter-length, before a window. Dressed in blue and wearing a white bonnet. The paintin...

Original acrylic painting on canvas. Hand signed on front; hand signed and titled on verso by Jozza. Custom painted white frame by Jozza. Frame size approx 47 x 42 inches. Canv...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

The Madonna & Child French School, 19th century presented in carved wood scrolled frame oil on canvas, framed frame: 27 x 20 inches canvas: 15.5 x 13 inches provenance: private colle...

BILLY SCHENCK "Gunslinger" Oil on Canvas 24 x 24 in. 25.5 x 25.5 in. framed Billy Schenck utilizes specific frames of reference in his oil on canvas depictions of the American West...

Now I Wear Myself Original Painting by Bukola Orioye Nigeria, 2022 Oil and acrylic on Canvas Dimensions: 36in x 36in Description: Now I Wear Myself is a...

This fine Biedermeier period portrait depicts an arresting sitter, adorned with a substantial choker of pearls. No detail of the woman's fashionable dress goes unnoticed by the artis...

Portrait of the Hon. James Thynne (c. 1680-1704), full-length, in the gardens of Longleat House, seated beside a fountain, holding a shell beneath water spouting from a horn blown by a cherub on a dolphin. A glimpse of part of Longleat House can be seen upper left. Oil on canvas in a period giltwood frame, decorated with leaves and acorns. C. 1682. Dimensions: 145 x 123cm (57 x 48in) in frame Provenance: Ex Longleat House, Wiltshire Private collection, Bath James Thynne was the youngest son of Thomas Thynne, 1st Viscount Weymouth and Frances Finch of Longleat House, Wiltshire. He died in his youth and his Aunt, Anne Kingsmill Finch, Countess of Winchilsea (1661-1720), wrote a moving poem on his death. He was buried in the family vault at Longbridge Deverill, Wiltshire. A mezzotint of this painting by William Faithorne the Younger is held in the Royal Collection. Johann Kerseboom (d.1708) was the nephew of Frederick Kerseboom and first worked in Germany before coming to England in the 1680's where his sitters included the 'Electress Sophia Dorothea' (known from a mezzotint by William Faithorne). His early works were influenced by William Wissing...

Charles Burdick (1924 - 2016) Untitled (Reclining Nude) Oil on paper (?) Sight: 7 x 10 1/4 in. Framed: 14 x 16 1/4 x 3/4 in. Signed lower right: Burdick Excellent midcentury style r...