Hat Portrait Paintings

Mark Andrew Bailey's "Bad Hombre XXXII" is an original, handmade oil painting that depicts an impressionistic, monochrome portrait of an old western cowboy or Vaquero (Mexican Cowboy...

An accomplished scene by well listed artist and sculptor Frederick Thomas Callcott. It depicts a drunken gentleman slumped in his doorway at sunrise. Signed to the lower left. Well p...

This equine racing portrait "Moondance Joy" by artist Anne Wolff is a 20x16 original oil painting on canvas. Depicted is a frontal close up view of the famous thoroughbred mare Moon...

This is not your typical child’s portrait. Young Ellen Warfield is steadily pouring tea or coffee in a proper manner that certainly conforms to societal expectations of the 1950’s. ...

Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. "No Pasaran" - an expression of determination to defend a position against an enemy - channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake No Pasaran oil on linen 48h x 30w in 121.92h x 76.20w cm WIL047 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped Image : 25.5 x 20 inches Superbly decorative 1960's French portrait painting. Ide...

This is a universal problem that needs to be addressed, firstly in law 70% of woman has no right, and moreover, in the past and in some culture, your parent choose who you ought to m...

Artist: Josip Horvat, Yugoslavian (1939 - 1981) Title: Portrait of a Man Year: 1967 Medium: Reverse Oil painting on Glass, signed and dated l.l. ...

Image dimensions: 92cm x 61cm / 36 inches x 24 inches Framed dimensions: 94.8cm x 64.4cm / 37.2 inches x 25.4 inches This original acrylic painting by David Schock beautifully captu...

Signed lower right: "S. Simkhovitch". Estate stamp on backing board verso.

We are please to announce that we are now exclusively representing the Pop Art cowboy and cowgirl paintings of the artist Matt Straub. We at the gallery have been excited about the ...

Meyer-Waldeck Kunz Mitau 1859 –1953 Neuburg Fishermen Boats in Harbour of Cascais, Portugal German Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image s...

William Blake’s oil painting asks us to perceive the powerful layers of history that shape both art and memory. In Blake’s painting is a man, but what Blake painted is an idea. Hugh Goffinet stares out from the canvas in the dress of a soldier, without being one. He is a reenactor of an African American volunteer in the Abraham Lincoln Battalion. His inspiration is the Lincolns—the battalion’s volunteers—but they are pictured only symbolically, in his dress. Their inspiration was Lincoln, who many decades earlier helped give meaning to the American Civil War, but who is invisible in the painting except by implication—the pose of Hugh Goffinet—which carefully emulates Lincoln’s pose in the celebrated presidential portrait by George Healy. Entirely hidden, at the deepest layer of history, is the true source of inspiration: the human desire for equality and freedom. To understand, honor, and preserve it requires remembrance, in this case with history animating reenactors who animate art that animates memory. Artist, William Blake channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake Salud Johnny, 2023 oil on linen 76h x 36w in 193.04h x 91.44w cm WIL049 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines at the Gettysburg National Military Park. A Great Battlefield, takes its title from Lincoln’s Gettysburg Address which poetically looks to the battlefield as a site of rebirth. Following the tradition of nineteenth-century American history painting...

Temi Wynston Edun is a contemporary abstract figurative artist who lives and works in Columbia, Maryland. Born in Ibadan, West Africa, the first of six children, his intense and brooding portraits explore social, political, and psychological themes of the Black experience. His engaging figures capture phenotypic features of people of sub-Saharan heritage that he calls “Africanness” in a unique and distinctive use of mark making. Scale portraits and figures, usually isolated in spare or abstract backgrounds, emphasize the facial stares and expressions of the subjects, transporting the viewer to a level of intimacy and engagement with the work. This intimacy is the focal objective of the artist’s creations. Nothing tells the story of humanity like the face of a human. I am fascinated by faces and the stories they tell, I look for "interesting faces" more so than beautiful ones. But, to me, interesting is not enough. A portrait must be engaging and emotive, be able to tell a story without words and to communicate with the viewer in an unspoken dialogue of innovative ideas and insights, and of some shared experiences. From an early age, Edun’s talent was recognized. He won multiple awards as a child including a competition in 1979 for his design of a poster commemorating UNESCO’s International Year of the Child. While a teenager studying at Edo College in Benin City, Nigeria (high school), his portrait of the Oba of Benin (the traditional ruler of the Edo people) was presented to the Oba. In 1984, Wynston earned a Bachelor of Fine Arts from the University of Benin in Benin City, Nigeria, where he graduated with honors. One of his large-scale metal sculptures is still exhibited in a garden at the university. After graduation, Edun had exhibitions of his work in both Benin City and in Lagos, Nigeria. In 1990, after migrating to the U.S., he received a commission to design a work of art for the Howard University Gospel Choir. From 1990 to 1993, Wynston worked and studied under internationally acclaimed Baltimore-based artist Larry “Poncho” Brown...

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesel...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ade...

Unique oil painted silkscreen on canvas. Hand signed 'SAK' on verso by Steve Kaufman. Canvas image size 47 x 47 inches. Canvas is not stretched. Artwork is in excellent condition...

The Recital, 19th Century French School - Signed bottom right indistinctly Large 19th Century French garden scene of a music recital accompanied...

The French Chateau French School, early 20th century signed oil on canvas, unframed canvas: 22 x 30 inches Provenance: private collection, France Condition: very good condition with...

Striped Cap is a baroque inspired portrait, oil on linen, by Ray Donley. It is 24x24. It is a timeless figurative painting featuring a female figure. For Ray Donley, the classic...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Portrait Of A Lady In A Lace Cap & Ruff, 17th Century 1640 Dutch School 17th Century Dutch School portrait of a young lady wearing a lace cap and ruff, oil on panel. Excellent qual...

Portrait Of Mrs Isabella Blair, 18th century circle of Sir Henry Raeburn (1756-1823) Large 18th Century Scottish portrait of Mrs Isabe...

Portrait of a Lady by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, framed framed: 46 x 26 inches canvas size: 39 x 20 inches condition: overall very goo...

Swan Scalabre "Western n°9" Oil on Wood 11.25 x 15 Inches, Framed Born in the Alpes de Haute Provence region of France in 1977, Swan Scalabre investigates the silent gaze placed on...

Joan Palet (1911 - 1996) - Female figure - Oil on canvas Oil measures 46x38 cm. Frame measures 70x62 cm. Joan Palet was born in Barcelona on March 28, 1911 in a family of sculptors ...

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

French School Early Nineteenth" FRENCH SCHOOL early 19th century. “Portrait of a woman with a headdress”. Oil on canvas nicely framed. H.60 L.48.

'Mexicain' Georges Lambert, French mid 20th century signed oil on canvas, unframed Canvas : 36 x 24 inches Inscribed verso Provenance: private collection, France Condition: very good...

Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...

Framed Size: 70 x 88 cm Unframed Size: 60 x 77 cm Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before set...

The Young Cricketer, 19th Century English School 19th century portrait of a young cricketer, oil on panel. Good quality and condition rare early original cricket portrait of the yo...

Embossed screenprint on paper. Hand signed and numbered by the artist. From the edition of 250. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Otto de Souza Aguiar (Brazilian 1938–2006), the son of a highly respected Brazilian general, graduated with honors and was awarded a Master's Degree in Graphic Art and Drawing from the University of Fine Arts in Rio de Janeiro, Brazil. After teaching drawing and design to aspiring architects, Otto began the extensive travels through Europe that were his induction into the world of High Fashion and Interior Design. As one of Brazil's top models, his engagements took him to Milan, Paris, and London. There, with his assignments in Harper's Bazaar Italia and others of the world's most prestigious publications, Aguiar developed an inspired aesthetic perception, which manifests itself boldly in his dramatic blending of sumptuous color, texture and gilding. Uncompromising in his thirst for creativity, Otto has combined his vast fashion and theatrical background with his diversified experience in the Visual Arts. Thus, his work has been characterized by the portrayal of elegance and grace. His inner tranquility manifests in his paintings as he recaptures the lush topical beauty of the Brazilian beaches...

Title: Portrait of a Young Man with a Straw Hat Artist: Josep Cusachs i Cusachs (1851-1908) Year: 1884 Technique: Oil on canvas Dimensions (unframed): 18.1 x 15 inches Dimensions (fr...

"Evening Solitude" by Derek Harrison (US based) is an original oil painting that depicts a cowgirl in profile with a black cowboy hat. Derek Harrison is a representational painter ...

Portrait of Mary Anne Ward (1725-1754) In Riding Attire, 18th Century School of Henry Pickering (1720-1770) Large 18th English portrait of Mary Anne Ward ...

Youthful Thoughts Armand Point Oil on canvas, signed and dated 1889 lower left Image size: 18 1/4 x 25 3/4 inches (46.4 x 65.4 cm) Framed Provenance Private collection, France The p...

Welcome to my world of Monkeys and Lions smoking cigars, the Egg family, my Lovers Jazz Conspirators and Ladies in Red. Someone once said of my work. 'I often wonder why people worl...

Girl in Flat Cap Portrait by Akos Biro (Hungarian 1911-2002) pastel painting on artist paper, unframed painting: 9 x 12 inches provenance: the artists estate, France condi...

Chaise #36 by California artist Jeffrey Palladini is a minimalist figurative painting on paper and framed. It is textured Oil and Charcoal on paper. It is 22" x 30". With the white...

19th Century French School A charming portrait of a young woman resplendent in her best bonnet. Indistinctly signed on the front, also inscribed on the frame verso with the artist’...

Portrait Of The Artists Mother, early 20th Century by VIOLET EVELYN ARNOTT (1901-1953) - exhibited work Large early 20h century portrait of the artists mother, oil on canvas by Vi...

In elegant clothing and a pompous hat, the lady looks out from the side of the picture. The narrow neckline and the sideways positioning create a strict and controlled impression. Th...

The work is in excellent condition. Very good provenance

In her solitude, she finds clarity. The world outside may move at an unforgiving pace, but here, in the quiet, she breathes. She sits with her thoughts, letting them rise and fall li...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Now ...

"Girl with the Hermes Scarf" by Steve McElroy. Oil on canvas, 22 x 28 inches, painted 2025. This is the original painting! Beautiful archival quality limited edition of 50 hand ...

Artodyssey: "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with c...

A lovingly captured study of a man snoozing in an armchair. Unsigned. On board.

A high-impact graphic of a whimsical Lion sporting a bowler hat is depicted for a cover for Holiday Magazine, April 1958. The issue was about England, and the editors finally ran a ...

The Farmers Daughter French Impressionist, early 1900's signed oil painting on board, unframed board: 8.75 x 5.5 inches condition: very good provenance: from a private collection in ...

"The Hat", 20th Century by Tom QUINN (1918-2015) sales to $6,500 20th century Irish portrait of a nude lady wearing a wide brim summer hat, oil on canvas by Tom Quinn. Excellent q...

Very stylized, geometric painting featuring a fashionable woman. Oil on canvas. The artist blends retro and modern elements with a bold, simple color palette, drawing inspiration...

This is a partial homage to David Hockney's art. In this painting, I explored the interplay of realism and symbolism through the figurative use of acrylic. The central figure, clad i...

"The Journal" by Christopher Clark is an original oil painting on cradled board that is ready to hang and depicts a blonde female reading in a sun lit cafe. Christopher has been a...

Portrait, Original oil Painting, One of a Kind Artist: Varvarov Anatoly Viktorovich Title: North Sea Sise: 37.5x47.5 inches, (95x120 cm) Medium: Oil on Canvas Hand painted, original,...

Frame size 52x44 Is born in Madrid on the 21st july 1951. After attending primary school, he starts to grow an enormous tendency for drawing. At the age of 14 he begins to work in advertising and attends to the Vallecas school of arts. At the age of 14 he travels to Switzerland and in Geneve he gets intensly into painting and decides to dedicate himself only to it. When he returns to Spain he enrolls Arts Studies, and at the begining of summer '66, he visits Sitges, where he'll come back year after year and where ultimately he'll set his home. At this time he starts selling his painting in the flea market in Madrid and later in Sitges, setting himself on the street, thus completing his studies and making it economically. While he's in Madrid he recives lessons by Pedro Mozas at Bellas Artes and starts to learn profoundly about painting. In 1969 he starts painting portraits in the streets. In Sitges he creates, with other friends, a great artistic atmosphere in the Paseo de la Ribera, by the sea, that today still exists. He starts travelling through Europe, visiting and painting in Paris, London and Amsterdam. In the middle of this bohemian epoque, he moves to the Cannary Islands during the winters for 5 years in a row, he moves in the Parque de Santa Catalina "Las Palmas de Gran Canaria" where he works and meet all sorts of people in the streets, which later would mark his pictoric line. He becomes friend with Sidney Nagley in 1969, who organizes his first exhibition in Toronto, Canada. Afterwards he'll leave his studies and start painting exclusively in his studio. He gathers his first exhibition in the Ateneu of Barcelona in 1970. He befriends with the art critic of La Vanguardia, Fernando Gutierrez and the Count of Caralt orders him a set of illustration for a new edition of Garcia Lorcas Romancero Gitano. His first exhibition in a commercial gallery is done in the Majestic Gallery in Barcelona with a gorgeous collection of nudity drawings. He achieves huge success and for some years he affords his painting thanks to those drawings. During a period in Madrid, Mr Ponce de León, a consul in the Ministry of Exterior Affairs grants him with bachelor degree to study in the prestigious Academia de España in Rome. However, he can't accept it due to militar service obligations. Some days later, before joining the ranks he opens in the Cuatre Gats (Palma de Mallorca) with hiperrealist pieces that already then he presented as the first painter in that city, that later would become a fashion in 1973. After this period he meets José Maria Gudiol who advises positively. Since then, the intense work and the fight for daily improvement that has become the trademark of his life. The seek of styles and situations, the journeys through Europe always aware of all the tendencies that have in the art line that we can see nowadays. At his more than fifty years given to paint, his individual exhibitions beat the 100, his artwork is highly appreciated and valued in the complex market of art. In October 1982 hi makes his first exhibition in Tarragona. In the catalogue, writing of the unforgettable Fernando Gutierrez, he says "Fuentetaja is an artist of character and exceptional upbringing with a masterly knowledge of technique and resourses, and personality completely uncommon to the dimension of his sensitivity, as the richness of his deep and bloomed liricism. A judgement as accurate as foreseeing for the future outstanding of the artist, in where his paint soared through different phases mantaining an unquestionable quality. Lines, cubist, expressionist and hiperrealist till his current realism, in the middle of his creative maturity. Jose Luis Fuentetaja...