Women Portrait Paintings

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Omo...

There is a common thread that binds us all, and that is our shared humanity. Everyone has a general desire in their heart - to be seen, heard and understood. Each of us has dreams, f...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Scent of Healing" explores the profound journey towards personal harmony and the anticipation of beautiful experiences. This artwork captures the essence of finding inner peace and...

Abstract is an original contemporary artwork realzed by Giorgio Cresciani in 1977. Oil painting on table. Hand signed and dated on the lower margin.

Ryan Morse's (US based) "Reclaimed" is an original, hand made oil painting that depicts a redheaded feminine face with abstract patterning and glitches. A...

A charming relic of a bygone era, this rare oil is the work of the inimitable American illustrator, Norman Rockwell. The iconic artist’s ability to render the details and nuances of ...

George Tsui's imagination is filled with Chinese themes. The idea of creating his own brand of classic romanticism, unrestrained by conventional reality, w...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Antique impressionist painting. Watercolor and gouache on paper, circa 1950. Housed in a vintage frame. Image size, 11L x 9H.

Portrait of the Princess of Conti - Attributed to Louis Ferdinand Elle the Younger (1648-1717) Late 17th century French school Oil on canvas, h. 100 cm, l. 80 cm Important Louis XIV ...

Price includes $500 additional cost for framing Oil on canvas Signed in red, u.l.

French School Portrait of a young woman in Louis XV period dress Pastel on paper mounted on oval canvas H. 68 cm; W. 54 cm (Frame: H. 102 cm; W. 71 cm) 18th century frame, anti-refle...

Jean BURKHALTER (1895-1982) Saint Clare of Assisi, 1944 Gouache and white chalk cardboard glued on panel ; mis au carreau Dated "1944" and located “Saint-Etienne” on an old label on ...

Mixed media on paper by artist Daria Kusto Shipped well protected, unframed

Samuel S.Hoskins Statement on Sacred Writing : I sought to delve into the concept of sacred texts, encompassing both religious and mythological narratives. Unlike conventional books, these sacred texts are dynamic, evolving throughout an individual's lifetime and human history. Reading such a text in childhood carries distinct significance compared to revisiting it in later stages of life. To symbolize our transformative journey, I depicted a path leading into the forest, illustrating how our life experiences influence our connection with these profound literary works. Sacred Writing 26x34 28x36 with Frame As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

A fine shoulder length portrait of a young woman circa 1940's-1950's Continental School. A fine shoulder length portrait of a young woman circa 1940's-1950's Continental School. oil ...

Kazuya Ushioda's (Japan Based) "Archaic Prayer" is an original, handmade oil painting that depicts a young woman dressed in traditional Japanese clothing, looking stoically at the vi...

Oil on canvas with wooden frame. Total size with frame is 88x109 cm Ilse VOIGT is an artist born in 1905 and died in 1997. His works have been sold at public auction 24 times, mostl...

In this artwork, I've interwoven realism and surrealism with expressionistic strokes to bring to life a profound narrative. Using the tactile qualities of pastel, colored pencil, and...

Pair of antique paintings, oil on canvas, portraits. Around 1850. Portrait of a well-known artist and his wife. Dimensions are per painting...

On Your Tomb, They Won't Smell Nice is an original painting by Obeka Simon. Simon created On Your Tomb, They Won't Smell Nice with Oil on a 40W by 45H inches primed canvas. Simon Obeka...

Portrait of a Lady in Purple Dress against a Pink and Blue Wallpaper background French School, circa 1930's signed lower front corner oil on canvas, unframed canvas: 22 x 18 inches p...

This captivating painting portrays a young ballerina, delicately adjusting her pointe shoes. Dressed in a ballet tutu, she exudes grace and discipline. Th...

The painting depicts James (Jacques) Dalbiac, his wife Louise (ne de la Porte) and their five children, James, Charles, Louise, Marianne and Martha in the ornamental gardens of a grand country estate. The extensive gardens extend into the distance with gardeners working in the background and figures strolling through the avenues of trees. A peacock and peahen can be seen on the wall to the left and a potted orange tree to the right. Louise Dalbiac holds an orange taken from the orange tree, aluding to the family's faith and their loyalty to the protestant King William of Orange and their adopted country. The Dalbiacs were wealthy London silk and velvet merchants of French Huguenot origin who had fled France at the end of the 17th century to escape persecution for their protestant faith. England offered safe refuge and their skills and industriousness allowed them to establish one of the most successful businesses in London's Spitalfields which became a new centre of the silk trade, effectively leading to the collapse of the once dominant French silk industry. Both sons, James and Charles followed their father and Uncle into the family business, successfully growing the family's fortune and each going on to own their own country estates. A conversation piece is a genre of painting used to describe group portraits of families and friends, often depicted with their servants and family pets and set within an elegantly furnished interior or the garden of a grand country house. They were a celebration of the intimacy of family relations as well as a sign of status, property and the power of succession. The informality of conversation pieces grew popular in 18th century England, allowing the sitters to present themselves in a more relaxed pose, perhaps engaged in intellectual conversation or showing their talents or interests. In this present portrait, the Dalbiacs are shown richly dressed and and at leisure in a grand country house setting, conveying their success and cultural and social aspirations. Charles Philips (c.1703–1747) was an English artist known for painting a number of portraits and conversation pieces for noble and Royal patrons in the mid-eighteenth century. He was the son of portrait painter Richard Philips...

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 36" Framed Size: 56" x 34" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays Mary the Virgin and Baby Jesus surrounded by angels celebrating the immaculate conception. About the Artist: Martha Ochoa, born in Cusco, Peru, studied at Santa Ana School, the Cusco School of Fine Arts, and San Antonio Abad University, focusing on design, architecture, and restoration. She is the granddaughter of renowned Peruvian artists Francisco Olazo, a founder of the Cusco School of Fine Arts, and Ernesto Olazo, a famous sculptor. Influenced by the Cusco School, she transformed religious themes into decorative renditions of Archangels and Madonnas with Peruvian colonial...

JUST ARRIVED January 2025 The Streets of Barcelona 1 Impressionism Cuban Artist Oil on Canvas Spain 29" x 20" gallery wrapped . This is Streets of Barcelona series that Cristian ...

Pair of 19th century American oval portraits of a couple, possibly husband & wife Oil on canvas 21.5 x 26.5

Portrait of an Eritrean Sibyl who writes the prophecy Circle of Lorenzo Pasinelli (Bologna 1629 - 1700) - Attributable to Giampietro Cavazzoni Zanotti ...

The Elegant Couple by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 33.5 x 24 inches framed: 38 x 28 inches Very good ...

Charles Léon Cardon 1850 – Brussels – 1921 Belgian Painter 'A Gentleman and a Maid' Signature: signed top right and dated ‘Ch. Léon Cardon - 1880’ Medium: oil on canvas Dimensions...

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

Stop explaining yourself and telling people everything. You owe no one any explanation of What you do. Your life is yours, not theirs. Shipping Procedure Ships in a well-protected t...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Rebecca Venn's (US based) "Untitled" is an original, handmade oil painting on canvas paper that depicts a nude female model laying on her back. This is ...

French school circa 1870 Holy Family under an oak, after Raphaël, on gold background Oil on canvas H. 92 cm; W. 60 cm This aesthetic curiosity takes up the very famous composition b...

Merton Grenhagen (American, 1878-1941) Signed: Merton Grenhagen (Lower, Left) " Portrait of Bethy at 4 ", 1927 (Study of Elizabeth Wallen) Oil on Canvas 35" x 29" Housed in a 5"...

Portrait of a Country Lady Dutch Impressionist, late 19th century oil on wood - looks like a cigar box lid? framed framed: 11 x 8.5 inches board: 8...

Shipping Procedure Ships in a well-protected crater from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist A...

"Tender Moments" is an original oil painting by the renowned artist Pino Daeni. Measuring 30x24 inches, this piece embodies the essence of Romantic Impressionism, inviting viewers to...

ANNA KINCAIDE "You Can Be Anything You Want" Oil on Canvas 72 x 48 inches Communicating emotion and narrative with limited assistance from her figure’s facial expressions, Anna Kinc...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...

Signed “G-Seignac” (lower right) Oil on canvas French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subje...

This compelling artwork "Woman in a green dress " is a striking example of modern expressionist portraiture. Dominated by bold, purposeful brushstrokes, the painting depicts a soli...

Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...

In this painting, a girl is portrayed deep in thought, contemplating the nature of love, creating an atmosphere of tenderness and gentle introspection. Her dreamy gaze reflects her i...

Lately, I've been fortunate to have many amazing women in my life. I have noticed there's something truly special about them. After some reflection, I realized that what makes them s...

Portrait of a Woman by Louise Alix (French, 1888-1980) *see notes below oil painting on canvas unframed measures: 20 inches high by 24 inches wide condition: overall very good and so...

"Surrounded By Fuzzy Friends" is a piece by Akira Gordon made from acrylic and oil on canvas. This piece measures 48"h x 60"w unframed. Akira hopes to give black people images that they can relate to in some way without making an overt political statement; instead, showing figures in leisure, doing the mundane and the ordinary. She finds the most authentic way to do this is through self-portraiture and referencing her experiences. She uses herself as a reference for her paintings because she believes examining your own life is important. Her artworks delve into the complex emotions associated with her struggle to transition into adulthood while clinging to the familiarity of "childish" things. It's an introspective journey, an attempt to reconcile the inevitability of growing up with the desire to preserve the youthful spirit that continues to reside within her. Akira Gordon, a Philadelphia-born painter and recent graduate of the University of the Arts, is a captivating artist driven by a passion for contemporary art and self-portraiture. Inspired by Kerry James Marshall and Sasha Gordon...

James Fellowes Flourished 1719 - 1750 Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian Oil on canvas, signed & dated 1747 Image size: 29 1/2 x 24 1/2 inches (75 x 62 cm) Original gilt wood frame William Henry Kerr was born a member of the Scottish peerage to William, third Marquess of Lothian, and his first wife Margaret, daughter of Sir Thomas Nicholson of Kemnay, first Baronet. William was styled Master Jedburgh until 1722, when his father was elevated to a Marquessate, after which he was referred to as Lord Jedburgh until 1735. Following his father’s military footsteps, on 20 June 1735 Ancram was commissioned as a cornet to the regiment (11th Dragoons) of his grand-uncle, Lord Mark Kerr. Ancram married Lady Caroline...

IN THIS TIME, THIS DISPENSATION. SOMETHING NEW AND FRESH KEEPS SPRINGING UP WHAT ELSE CAN IT BE? BUT LOVE AS REFRESHING AS COLD WATER IS, SO DOES THOUGHT OF YOU TO ME. I’LL GIVE MY F...

Abstract expressionist portrait of a blonde woman with a gold earring by Harvey C. Parks (American, b. 1948 - 2107), 1980. This is a compelling example of Park's abstract expressionist portraiture that shows the hallmarks of his emotionally resonant and stylized portraiture. The sitter’s elongated features, stark contrasts, and muted yet moody palette Medium: Oil on canvas Signed and dated "Parks '80" Condition: Good; minor missing paint (lower edge) retouched. Image size: 20"H x 16"W. Presented in painted wood frame of the period Canvas size: 20"H x 16"W Framed size: 24"H x 20"W Harvey Parks...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Blac...

Original oil on canvas painting. Hand signed on front; signed and titled on verso by Charles Levier. Stretched canvas size 39.5 x 29.5 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Charles Levier (French, 1920–2003) aka Maurice Verrier...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...

Bulb of Africa was not just a hairstyle; it was a celebration of African heritage and a testament to the resilience of its people. Passed down through generations, it represented strength, beauty, and the rich tapestry of African traditions. The Bulb showcased the natural texture and volume of African hair, transforming it into an intricate masterpiece of braids, twists, and coils. The Bulb of Africa became a symbol of empowerment, reminding people of their strength, resilience, and the beauty of their shared heritage. It served as a reminder that hair was more than a physical attribute; it was a connection to something greater—a connection to their ancestors, their community, and celebrating the beauty within themselves. Beyond their physical beauty, African women possess an immeasurable inner strength that resonates through "Bulb of Africa." Odunayo masterfully captures this strength, highlighting the resilience and determination that have defined African women throughout history. The women depicted in the artwork emanate confidence, wisdom, and a sense of purpose. Their gaze speaks volumes, embodying the stories of countless African women who have overcome adversity, shattered barriers, and carved out their own paths to success. In "Bulb of Africa," Iyiola Odunayo...

Landscape signed by Geza Somerset-Paddon (British 20th century) dated 93' oil painting on board , unframed board: 15 x 12 inches condition: overall very good provenance: all the pain...

The painting "Onigele Yii" depicts a striking black African woman wearing a vibrant Ankara head tie, known as gele, in the Yoruba language. Rendered with oil on canvas, the artwork c...