Women Portrait Paintings

COLIN François (1798-1864) The Declaration of love Oil on canves signed low left Old frame regilded with leaves Dim canvas : 41 X 57 - Dim frame : 56 X 71 cm COLIN François (1798-1...

Portrait Of A Nude Lady, circa 1900 by Philip de László (1869–1937) sales to $280,000 Large 19th Century English portrait of a nude lady seated, oil on canvas by Philip de Laszlo. ...

William Gale British 1823 - 1909 A Restful Moment signed with artist's monogram WG lower left oil on canvas Unframed: 30.6 by 41cm., 12 by 16¼in. Framed: 52 by 62cm., 20½ by 24½in. William Gale was a talented history and genre oil painter, born in London in 1823. He won many accolades as a student at Royal Academy Schools, and travelled to Italy in 1851 and the Middle East in 1862 and 1867. Due to his many influences , Gale's paintings are in an array of styles including sentimental, biblical, mythological subjects, portraits and orientalist pictures. Examples of his work are held by the Tate, Glasgow City Art Galleries and Museums and Art Gallery of New South Wales. William Gale was one of the many artists who, upon finishing his study at the Royal Academy Schools, set out to explore the east: namely North Africa, Algeria, Palestine and Syria. These remote countries at the crossroads of civilizations captivated his imagination, which he explored through his work. Following in the footsteps of the great Orientalists John Frederic Lewis and Jean Leon Gerome, William Gale evokes the Eastern Woman, the bright colors and delicate textures that can be found in the East. Using pure, rich glazes and extraordinary attention to detail, he renders the luxurious, beautifully embroidered headscarf. Eastern women kindled a curiosity in almost every Orientalist artist...

Francois Gall 1912-1987 French artist. BENEZIT LISTED. GALL WAS THE RECIPIENT OF THE MEDAILLE d'ORE At the Paris Salon of 1947. 10 ½ x 18 oil on canvas, signed lower right. This ca...

This contemporary figurative oil painting depicting two women was created by French artist Natalya Mougenot. The artwork, titled I Will Always Stand by Your Side, presents a poignant and emotionally charged scene, capturing the intimate embrace of two women. The painting reflects the artist's roots and cultural background, establishing a profound spiritual connection with the women she portrays. The bond between the two women—whether sisters, friends, or a mother and daughter—is undeniably one of mutual reliance. They are each other’s rock and shelter, supporting one another in times of difficulty and challenge. The piece speaks to the strength one person offers another, particularly during challenging moments. Central to the work is the theme of womanhood, femininity, and the powerful spiritual connection between the artist and the women featured in her art. The piece also explores emotional transparency—qualities like strength, courage, determination, sensitivity, kindness, and authenticity—allowing for an intimate portrayal of the vulnerability and resilience shared between the figures. The two women are depicted with minimalistic detail, their connection highlighted through form and color rather than facial features. One woman is adorned in red, while the other is painted in blue, symbolizing contrasting yet complementary forces. The bold, expressive brushstrokes create a sense of immediacy, while the serene, muted teal background offers a calming atmosphere that envelops the embrace. The absence of discernible features on the figures directs the viewer’s focus to the embrace itself, making it the central emotional element of the painting. This anonymity invites viewers to project their own experiences and emotions onto the scene, creating a universal appeal. The harmonious interplay of warm and cool tones enhances the themes of connection and compassion, as the figures merge to form a unified whole. I Will Always Stand by Your Side is a powerful exploration of human connection, presented with a captivating simplicity that speaks volumes. The artist’s unique approach to color and form invites a deep emotional engagement, offering both beauty and meaning. The piece is created with oil paints on stretched linen canvas and is ready to hang. It is sold unframed, giving the buyer the freedom to frame it according to personal taste and interior style. The artwork will be carefully packed and shipped internationally from France, accompanied by a Certificate of Authenticity. Created in the artist’s Lyon...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

In her solitude, she finds clarity. The world outside may move at an unforgiving pace, but here, in the quiet, she breathes. She sits with her thoughts, letting them rise and fall li...

A delightful oil study by the artist George Weissbort (1928-2013). Signed and dated to the lower right. (Provenance: Studio Sale, George Weissbort). On board.

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Hand signed upper left corner Dimensions: 14 X 9.5 Framed 21 X 16.75 Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turki...

Firmado en la parte inferior por el autor y fechado del año 1959 En la parte trasera, va nuevamente firmado y fechado del año 1959 Estado de conservación aceptable Se presenta enm...

The Red Maids Of Bristol, Sunday Church Service, Lord Mayor's Chapel, Bristol, 1911 by William Holt Yates TITCOMB (1859-1930) Exhibited at the Royal Academy 1911 Large 1911 Chur...

Vincenzo Irolli (Naples 1860 - 1949), Luisella Longo Courmes on her terrace at Capodimonte, Naples Oil painting on canvas, 110 x 94 cm, signed lower left, on the back is an old labe...

I have submerged myself beneath the sea and asked that the waters lead me to myself, to where I ought to be, where I was always meant to be. Becoming one with the tide is not an act...

Italian School, 18th century Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...

This contemporary figurative oil painting explores themes of politics and culture. Deborah Root’s dynamic, colourful compositions tell an intimate story about her experience during ...

Oil paint and oil pastel on paper Hand-signed by the artist News from Eéa “At the time of the last cosmogony I heard from Eéa In the middle of the water, an island surrounded by mi...

Portrait oil Painting, women, nude, figurative art, Impressionism Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2024 Sty...

Hand-signed by artist, sticker label, Signed (as Emmett Kaye) lower right it was Mort Kunstler's pseudonym, unframed

oil on canvas-earlier work Christina Major was born in Concord, New Hampshire in 1982. She has lived all over the world including Hawaii, France, New York and more currently Florida....

By The Light Of The Lantern, 19th Century European Oreintalist School Large 19th Century European Orientalist portrait of a woman at night illuminated by her lantern, oil on panel....

Madonna & Child With Saint Dominic & Saint Ursula, 16th Century School Of GIOVANNI BELLINI (1430-1516) Large circa 1500 Venetian School Old Master depiction of the Madonna & Child ...

This piece is a catalyst. As we navigate the complexities of our modern world, embracing Nature has become more crucial than ever. "Nature" I observed that her beauty comes from emb...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Born in 1993 in...

"Sermon Time", 19th Century by Annie Sherrif (1850-1888) Large 19th Century Irish portrait of a lady seated before attending church, oil on canvas by Annie Sheriff. Excellent quali...

Jean ABADIE (Tarbes 1921 – Ballan-Miré 2010) Market in Périgord Oil on canvas H. 73 cm; L. 92 cm Signed lower right Provenance: - Galerie France-Art, Paris, circa 1980 - Private col...

This is a triptych: there are three individually framed acrylic on canvas panels in this artwork. Each framed panel is 35.4 x 23.6 inches. Rocca Luis César (b. 1986, Guadalajara, Me...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

A better friend, captured the profound bond between a person and their animal companion. This series delves into the unconditional loyalty and companionship that dogs offer. Through ...

"The Eye of Chuck Close" by Ceravolo is acrylic oil stick and encaustic paint on two layers. The top lay is set about 1/2 inch in front of the bottom layer....

"Longing Lover" Figurative Oil Painting 31" x 31" inch by Omar Abdel Zaher Abdel Zaher is a graduate of the Academy of Fine Arts in Helwan and has be...

This painting titled "Portrait of a Girl" by the Danish realist painter Peder Mørk Mønsted captures an enigmatic young woman whose identity remains unknown. The girl, elegantly posed...

Oil on gattice wood in octagon. Il gruppo di otto dipinti in oggetto (figg. 1-8) rappresenta, nel classico formato fiorentino dell’ottagono, una serie di effigi femminili a mezza figura. Più precisamente, si tratta di giovani fanciulle elegantemente vestite, disposte in varie attitudini ma accomunate, ad eccezione di due esemplari sui quali ci soffermeremo in seguito, dall’accento sulla ricchezza, evidenziata sia da particolari di fastose console e drappeggi, sia da collane di perle o tessuti preziosi che le donne talvolta maneggiano, ponendovi così l’accento. Una delle figure porta in testa una corona reale, altre dei turbanti o inconsueti copricapi. Questi dettagli conferiscono ai personaggi un aspetto principesco, talvolta abbinato a richiami orientaleggianti. Una formula che riporta alla mente il caso di un dipinto da poco riscoperto nella sua vera identità, il “Ritratto fino a mezzo busto di Regina Armena” di Mario Balassi, seducente connubio di recuperi alloriani ed elementi di fantasia conservato alle Gallerie degli Uffizi (vedi F. Berti, Da ritratto mediceo di Jacopo Ligozzi...

Beagle Puppies In A Kennel, 19th Century English School Large 19th Century portrait of Beagle puppies in a kennel, oil on canvas. Good quality and condition circa 1880 kennel scene...

Through the rhythm of my movement, I awaken my soul and step into the journey of healing. Each movement carries the weight of untold stories, each twirl pulls me closer to my roots, ...

It is a work by Edgar Degas? A stunning and beautiful study of three members of a fair in an off moment. Dramatic underlighting creates a dramatic mood. Deftly rendered in the ...

A delightful portrait of a young lady in motion, umbrella in hand, with sure brushstrokes and wonderful mastery of color. Proudly presented by Guy Lyman Fine Art...

The Ardent Gardener, 19th Century by William Fitz (1850-1900) Large 19th Century English portrait of a man tending to a young flower, oil on canvas by W...

Erin Hammond is a contemporary abstract expressionist artist whose free-form paintings capture the essence of her inner, subjective realities. With a vibrant palette and dynamic mark...

Here we have a large portrait of a woman elegantly dressed before heading to the Opera. She is seen wearing a vivid pink dress with impressive detailing, holding a fan on her hand. Fantastic RARE Painting and fresh from an estate! Has not Gone through Auction Alice Mumford Roberts (1875-1950) was born in Philadelphia, Pennsylvania,. where she studied the fine arts under Joseph DeCamp, Carl Newman, and Robert Henri. She went to Europe in 1898 to study with the painter Marie Haughton. Alice Mumford lived in Spain for two years, continuing her painting studies with José Mara López Mezquita...

Inspired by her background in fashion, artist Lindsey McCord creates vibrant portraits that encapsulate the confidence that comes with the fun of being stylish and chic. Her figures ...

Sin firmar, es de autor anónimo Se presenta enmarcada la obra con un marco bastante actual Medidas obra: 32 cm. de altura x 25 cm. de ancho Medidas obra: 39 cm. de altura x 34 cm....

MICHELE MIKESELL b. 1973, Alabama, USA In 2002, Michele Mikesell earned her Bachelor of Fine Arts with a minor in graphic design from Texas Women's University in Denton, TX. Mikesell completed her Master of Fine Arts at the University of Oklahoma in Norman in 2004. “Creating individuals is what I find most interesting in the studio. It is my hope that these portraits will be familiar characters to the viewer, subjects we recognize and identify with. My work consistently travels along a general vein of the universal human experience. This particular group of paintings...

Henry Imms, American - Gala Portrait, Medium: Oil on Canvas, signed lower right, Size: 30 x 24 in. (76.2 x 60.96 cm), Frame Size: 35.5 x 29.5 inches

With exquisite detail and sparkling color, this portrait of a young woman is a remarkable example of reverse glass painting. Lending the finished work a subtle three-dimensional effe...

The art world today does not value traditional academic skills in portrait painting. If it did, this portrait would replace the childlike student-level art that is now achieving two...

Tug with Club Street Violence rendered in high contrast dayglow like red and inky black black. Untitled, 2018 Acrylic on canvas 36 x 24-1/4 inches (91.4 x 61.6 cm) Signed and dated ...

This portrait of Fannie Hurst may have graced the cover of another major newsstand magazine. Most likely, it was a non-published alternate cover for Redbook. One of the most widely-read female authors was painted by one of the most widely-viewed female illustrators. Edna Crompton was an in-demand and prolific for-hire female illustrator/artist for some of the most prestigious newsstand magazines of the day. She regularly did covers for the Saturday Evening Post, Redbook, Colliers and Judge to name a few. Crompton presents Fannie Hurst - the nation’s highest-paid short story writer and advocates for suffrage and race relations - as a confidently attractive young woman bathed...

Oil on canvas Image size: 15 1/2 x 11 1/4 inches (39.5 x 28.75 cm) Original gilt frame This is a touching head and shoulders portrait of a young peasant girl. Wearing a headscarf, a...

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia.

POSE Size: 80.5 x 41 cm (including frame) Oil on Canvas A brilliantly executed modernist style figurative portrait, executed in oil onto canvas and dated 1951. The composition feat...

"Admiring Her Looks" by Auguste Toulmouche is a quintessential example of 19th-century academic art, emphasizing beauty and technique. Toulmouche's work often explores themes of femi...

This fantastic Italian Baroque 17th century Old Master portrait oil painting is attributed to circle of Carlo Dolci. Painted circa 1685, the composition is a waist length portrait of...

A Fabulous 1950s Mid-Century Modern Portrait of a Seated Woman, "Southern Belle" by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A colorful Southern painting depicting a ...

Early 19th Century Portrait of a Lady -- Elizabeth Clough of Keighley, Yorkshire - Unsigned An unsigned, finely executed example of British academic portraiture bearing the hallmark...

Saint Anthony Of Padua, 17th Century Circle of CARLO DOLCI (1616-1686) 17th century Italian Old Master depiction of Saint Anthony of Padua, oi...

Three color screen printed figure & varnish on 300 somerset paper. Hand signed and numbered by Kunstrasen. Form the edition of 125. Frame size approx 26 x 26 inches. Artwork is...

Unsigned but attributed to acknowledged master Francois-Xavier Fabre (François-Xavier Fabre, 1766 – 1837), French painter of historical subjects. Stylish and perfect portrait of beau...

The Flagellation of Christ, 17th Century Italian School Fine huge 17th Century Italian Old Master depiction of the Flagellation of Christ, oil on canvas. Excellent quality full len...

Original mixed media painting by Adam Baranello. Size 36 x 36 in. Offered unframed. Mixed media, acrylic, spray paint on canvas. Multidisciplinary artist Adam Baranello creates mus...

Quang Ho's "In Nature" (2024) is a beautiful impressionist nude portrait of a woman standing in a vibrant green forest. About the artist: Quang Ho was born on April 30, 1963, in Hu...