Medium Still-life Paintings

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

Colorful artist still life in acrylic collated to white background by French artist Riquet, 1990s. Original artwork on paper displayed on a white mat with a gold border. Archival ...

''Fleurs" by Édouard Righetti (1924-2001) Signed lower front and back, 1959. oil painting on canvas, beautifully painted with rick thick impasto oil and bold colors of deep greens...

Vibrant and dynamic monoprint by David Stephens (American, 20th Century). Several white and purple flowers sit in a vase with a few other plant cuttings. The background is filled with vibrant blue...

Wonderful post impressionistic still life of autumn yellow chrysanthemums with boughs of bronze maple leaves in a vase. Painted in style of Albert Andre (French, 1869 - 1954). Circa ...

Sweetness Medium: Oil and collage on linen canvas Dimensions (unframed): 25.6 x 21.3 inches Dimensions (framed): 28.3 x 24 inches Artist: Sophie Dumont Description: "Sweetness" is...

'Luminous 4' — luminous oil on linen. Dimensions are 31.5 x 31.5 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and Calif...

Signed with a monogram. On canvas.

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Artist/ School: French School, mid 20th century Title: Colorful Still Life of Flowers in Vase Medium: oil painting on board, framed. Size: framed: 31 x 26.5 inches painting:...

William Franklin Jackson (1850-1936) Still Life with Vase and Grapes c.1900 Rare still life painting by listed California artist William Fran...

An interesting and colourful classic 1950s English Interior. Jack Griffin was an English painter of interiors, landscapes and riverside scenes. He mostly painted in England, but was ...

A charming breakfast table scene featuring an assortment of everyday objects arranged on a polka-dot tablecloth. The composition skilfully balances a variety of shapes and textures, ...

Alfred Arthur Brunel de Neuville French, (1852-1941) Still Life of Fruit in a Basket Oil on canvas, signed Image size: 14.5 inches x 17.5 inches Size including frame: 23.25 inches x ...

Hubert Bellis 1831 - Brussels - 1902 Belgian Painter 'Red and Yellow Roses in a Glass Vase' Signature: signed lower right Medium: oil on panel Dimensions: image size 43,50 x 23 cm...

The Hana-Bi 10 — luminous oil on linen. Dimensions are 31 1/2 x 23 1/2 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and...

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

Still life - Paolo De Robertis Italia 2002 - Oil on canvas cm.50x70 The painting is inspired by the work of Abraham Van Beyeren, a Dutch painter of the Baroque era and one of the greatest still life painters.The composition of this painting can be characterised as a simpler version of a type of banquet or Pronkstilleven that flourished in Antwerp in the 1740s. In this 'pronkstilleven' (Dutch for 'sumptuous still life') De Robertis depicts a wide variety of luxurious objects, such as the silver bowl and tray...

'Luminous 3' — luminous oil on linen. Dimensions are 31.5 x 31.5 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and Calif...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Patio Still Life with Flowers, Plants and Pots) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches ...

Fly With Me is a trompe loeil painting with the appearance of chalk and masking tape, but is in truth a painting, painstakingly created with oil ...

Gorgeous mid-century still life of a vase of white lilies next to a green teapot and lemon by listed California artist Helen Enoch Gleiforst (American, 19...

Illegible signature Work on canvas Golden wooden frame 56.2 x 74.5 x 3.5 cm

French post modern oil on board of a tablescape, tulips, carafe and three fruits. Signed Henri Chapignue and dated 1975. An arresting and highly energ...

George Crisp (1875–1916) was a British still-life painter renowned for his meticulous depictions of fruit, flowers, and natural subjects. Active primarily...

Signed with initials 'M.P.'. Presented in a wooden frame with a cotton cove. On board.

Lynette Cook, 'To Be a Hawk', 30 x 24, Acrylic on canvas. One of the artist's new 'To Be' paintings that is a recognition of our urban spaces coexisting with nature. Diving deeper, ...

Gorgeous and vibrant mid century spring garden still life of a vase of pink peonies with a pair of garden gloves in the foreground by listed artist Helen Gleiforst (American, 1903-19...

Signed verso, on stretcher bar, 'Janice Haefner' (American, 1919-2002) and painted circa 1960. A substantial mid-century, Expressionist figural abstraction showing two women seated ...

Signed upper right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Framed dimensions: 24 H x 1.5 D x 28.5 W inches. A vibrant Post-Impressionist still...

CUBIST CITRUS Size: 39 x 63.5 cm (including frame) Oil on board A captivating mid-century modernist still life painting, executed in oil onto board and dated 1963. The composition ...

Still life - Oil on canvas cm. 80x60 , Salvatore Marinelli, Italy 2006. Still life, a pictorial representation of foodstuffs, objects or inanimte objects, was one of the artistic gen...

Floral Still Life with Blue Vase and Mirror in Acrylic on Paper Bright still life by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). A dark blue vase with a flower arrangement sits on a trunk with a tablecloth. There is also a smaller yellow bottle alongside. A mirror leans in a corner, reflecting part of the scene. This composition has a cubist feel, with somewhat exaggerated angles and lines. Unsigned, but was acquired with a collection of the artist's work. Paper size: 22.5"H x 28.38"W Katherine Kallick...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Diane Monet’s rose garden landscape is rendered with a light touch and soft hues of color that complement one another. Rebel Rose Diane Monet, American Oil on Canvas, signed Size: 2...

Artist: Ian Hornak (1944-2002) Title: Untitled Untitled (Abstract Still Life with Chair, Flowers and Bottles) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 in...

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

This piece is part of an exciting new collection depicting iconic "Coco Chanel" with the artists "Dripping Dots" style. Focused on a pointillistic technique, the paint is able to cap...

Classical Bouquet of Roses, French Artist, Signed By French artist Suzette Mezie, Mid 20th Century Signed by the artist on the lower right hand corner Oil painting on canvas, unfram...

Close up of a flower. canvas measures 30 X24 inches. Clarence Skip Measelle has been featured in over 100 gallery and museum exhibitions, competitions, group shows, and solo shows throughout the US. He is best known for his work in photorealism and abstract illusionism. The name Photorealism (also known as Hyperrealism or Superrealism) was coined in reference to those artists whose work depended heavily on photographs, which they often projected onto canvas allowing images to be replicated with precision and accuracy. The exactness was often aided further by the use of an airbrush, which was originally designed to retouch photographs. The movement came about within the same period and context as Conceptual art, Pop art, and Minimalism and expressed a strong interest in realism in art, over that of idealism and abstraction. The first Photo realists were Chuck Close, Don Eddy, Richard Estes, Ralph Goings, Robert Bechtle, Audrey Flack, Denis Peterson, Lowel Nesbitt and Malcolm Morley. Each began practicing some form of Photorealism around the same time, often utilizing different modes of application and techniques, and citing different inspirations for their work. However, for the most part they all worked independent from one another. For example, Chuck Close came of age at the height of Pop art and Andy Warhol's Factory, and was based out of SoHo in lower Manhattan. And Audrey Flack, a graduate of Yale, began creating photo-based works in the early 1960s. Select Solo Exhibitions Armory Art Center, West Palm Beach, Fl. Peter Drew Gallery, Palm Beach and Boca Raton, Fl. Walton Street Gallery, Chicago, Il. Circle Galleries: Beverly Hills Matthew Scott Gallery, Miami, Fl. Eva Cohon Gallery, Chicago, Il. Gloria Luria Gallery, Miami, Fl. Palm Beach Galleries, Palm Beach, Fl. The Palm Gallery, Southhampton, NY. Norton Gallery, Art Museum of the Palm Beaches, West Palm Beach, Fl. Select Group Exhibitions Artist's of the Salon. Armory Art Center Annex. Lake Worth, Fl. Boca Raton Museum of Art Liman Gallery, Palm Beach, Fl. Russeck Gallery, New York, NY. (SOHO) and Palm Beach, Fl. Armory Art Center Annual Faculty Show, West Palm Beach, Fl Annette Verschragen Gallery, The Hague Holland Cima Gallery, "City Place", West Palm beach, Fl. Haste Gallery, Ipswitch, England Rodger Lapelle Galleries, Philidelphia, Pa. Aliya Gallery, Atlanta, Ga. Caribbean Gallery, Key West, FL R. Duane Reed Gallery, St. Louis, MO E. Street Gallery, Galveston, TX Richard Danskin...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen Year: 2025 Style: Impressionism Title: Roses Size: 27" x 18.5 " x 0.8 '' inch, ...

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

Beautiful mid century still life of a copper teapot and fruit by listed California artist Helen Gleiforst (American, 1903-1997), circa 1950's. The artist...

Pink Orange Red & Turquoise Expressive Abstract Canvas by Contemporary British Artist. Art measures 24 x 24 inches Frame measures 29 x 29 inches Angela Wakefield has twice been on...

Framed 21.2 X 25.5 Unframed 17 X 21 Signed and dated 1920. Nina Karasek (Joële) born 1883 Kuttenberg, Czech Lands, Austro-Hungarian Empire, died in 1952 (I have also seen the date recorded as 1933) Vienna, Austria. Nina Karasek was an Austrian Impressionist & Modern artist who was born in 1883. Her work was featured in exhibitions at the Es Baluard, Museum of Modern & Contemporary Art and the Bildraum Bodensee. Little is known of Nina Karasek's life. She was born in 1883 in Kuttenberg (Kutná Hora) in Bohemia, studied art at the Kunstschule für Frauen und Mädchen (Art School for Women and Girls) in Vienna, Austria, under Adalbert Seligmann and Tina Blau. She studied at the Frauenakademie in Vienna and Munich. In the 1920's she worked first as a landscape painter and an illustrator, later turning toward symbolism, painting mystical subjects after her interest in spiritualism. Her conventional works were shown at various exhibitions. At the age of 44, while she was copying a work by Rembrandt in an Italian museum, she fell into an altered state of consciousness. Rembrandt appeared to her, took possession of her arm, and immediately her hand started to draw something quite different from what she had intended. From then on, for the rest of her life Nina Karasek was in “supernatural” contact with a series of great masters like Rembrandt, Albrecht Dürer, Goya, Raphael, Leonardo da Vinci, Gustav Klimt and others. Under their guidance and inspiration, she drew and painted works "in the style" of the masters. But very soon her works became stylistically more and more unrestricted and Symbolist, showing an enormous range of creative expression, ranging from symbolic and allegorical motifs to bewildering images with a fantastic arsenal of figures and private characters, signs, and symbols, and to frantic, gestural sketches and abstract compositions. From then on, she often signed her works with her esoteric “primordial name” Joële. (Nina Karasik-Joel) Almost everything we know about her life was from what she noted on the reverse of her drawings: sometimes diary-like notes of her horrible living conditions during World War II, but often strangely impenetrable explanations of the depicted motifs – often as fascinating and mysterious as the drawings themselves. In her works and notes, an exciting private cosmology and mythology unfolds, a drama of hidden powers and principles that flow through macrocosm as well as microcosm. Shortly after their discovery, Nina Karasek's Spiritualist, mediumistic works have found their way into galleries and major international collections. SELECT EXHIBITIONS 2019 The Medium’s Medium: Spiritualist Art Practices From the Turn of the Century and Beyond. The Gallery of Everything, London, (she showed with Madge Gill, Augustin Lesage, Fleury-Joseph Crépin...

This is not your grandmother’s typical still life painting. But if she was young and hip for her time, maybe it is. Painted on stretched canvas and dated (19)56, it is only signed ...

Cubist, sliced views of three sides of a potted plant in collaged paper with sapphire blue and green leaves line up on a background of shifting depths. Rogers work, rooted in a cubis...

Elegant Still Life of Pink Flowers French School, signed and dated Signed and dated '87' by the artist on the lower right hand corner Oil painting on canvas, unframed Canvas size: 25.5 x 20 inches Exquisite still life of a dressed table...

Roger Bonafe (French b. 1932) signed oil painting on thick art paper, inscribed verso Size 29.75 x 20 inches Bonafe was born in the town of Caux (Her...

Firmado por el artista en la parte superior Medidas obra: 51 x 46 cm. Medidas marco: 74 x 68 cm. Se presenta enmarcada la obra (el marco presenta algunas faltas) Buen estado de c...

Initialed lower right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1935. A large and lyrical oil still-life showing a view from the artist's window onto a sun-drenched ...

Painting in canvas is 24 x 18 inches. Beautifully framed in a contemporary pale hardwood floater frame with an outside dimension of 25 x 19 inches. Lynette Cook’s shadow-centric sce...

'Lady of the Manor' - depicts a historic San Francisco apartment building with warm sunlight and shadows cascading across the facade of the white building with...

Stunning mid-century fauvist still life of flowers and fruit by California artist Virginia Sevier Rogers (American, 1916-2015). Signed and dated "VR 7/65" lower right. From the estat...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Realistic still life painting by Houston based artist Nancy Paris Pruden. The work features black and white fabric draped across one another with dramatic lighting. Signed in the fro...

Neige de Nuit (Night Snow) — luminous oil on linen. Dimensions are 32 x 24 inches. French American Frédéric Choisel, is inspired by the cities and country...

A brilliant early 20th century impressionist floral still-life by William Clapp (American, 1879-1954). Beautiful and bold, this 1920's pink floral still-life pops against a bright blue background. The artist uses expressive and loose brushstrokes in a fun and energetic palette, bringing a dynamic and lively energy to this one-of-a-kind piece. Signed lower right, "W. Clapp". Oil on old Canada packing crate board and presented in a rustic wood frame. Board size: 20"H x 24"L. Framed size: 24"H x 28"W. This an early work by the artist which is distinctive in his bold Impressionist style before he merged into his signature pointillist style. Born in Montreal, Canada of American parents on Oct. 29, 1879. At age six Clapp moved to California with his family, settling in Oakland where he spent his childhood. In 1900 he returned to Montreal for four years of study with Wm Brymner followed by further study in Paris at Académies Julian, Colarossi, and Grande Chaumière. He then returned to Montreal where he was elected an associate member of the Royal Canadian Art Academy. He lived and worked in Cuba before returning to Oakland in 1917. He then served as director and curator of the Oakland Art Gallery from 1918-49. In this position, and as a member of a group of painters called the Society of Six...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Summer Still Life with Flowers and Plants) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condi...