Medium Still-life Paintings

"I don’t do enough red paintings. I like red, but somehow it doesn’t end up in my work all that often, or it ends up pretty muted and earthy by the end. When I was lighting the sculpture upon which this painting is based, I knew I wanted to do something with the red lights I had. As with previous work, this painting explores entanglement as both a compositional structure and as an artistic idea. The representational part of the painting is pushed as close to a photographic rendering as I could at the time. Meanwhile, I’ve contrasted that with flat graphic elements. I also wanted to do something interesting with the cast shadow of the form: whereas in some previous works in the series the main form either had a traditional cast shadow grounding the it to the illusion of a ground plane, or no cast shadow which left it floating within the shallow depth of the image, in Untitled Construct 5 I wanted to do something more specific with the cast shadow. The idea came to me to invert it to be pure white. Technically this was a bit of a challenge because the whitest oil paints take months to dry – so this work had quite a bit of ‘sit and wait time’ between layers. Personally, I enjoy the composition of this painting because the red attracts the eye towards the bottom left of the painting, but the contrasting movements in black, gray and white pull the eye up and over...

This painting is inspired by a non-representational compositional sketch that I turned into a sculpture and then an oil painting. Whereas previous works were treating the sculptural form strictly as a still life, in Untitled Construct 2 I wanted to bring the work back to its abstract origins. I lit the sculpture with colored lights...

Pale Still Life Painting by Tom Harford Thompson B. 1964, 2022 Additional information: Medium: Oil on panel Dimensions: 60 x 80 cm 23 5/8 x 31 1/2 in Signed with stamp, dated and ti...

Still Life, sunflowers in the fall. 1984, paper, watercolor, 59x71 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technic. She paint figural compositions, portraits, lands...

William S. Schwartz Still Life with Yellow Mums, circa 1950 Signed lower right Oil on canvas 20 x 16 inches Provenance: Private Collection, Massachusetts William Schwartz was born in Smorgon, Russia, in 1896, one of nine children in a poor family. He studied art at an early age, earning a scholarship at the Vilna Art School in Russia, 1908–12. He immigrated to the United States at age 17 in 1913, living in New York with his sister for eight months and then moving to Omaha, Nebraska, to live with his brother in 1915. Working as a house painter, he turned his attention to art, studying briefly with J. Laurie Wallace at the Kellom School in Omaha before moving to Chicago. He entered the School of the Art Institute of Chicago (SAIC) in 1916, studying with Ivan Trutnev and Karl A. Buehr, and graduating with honors in life drawing, portraiture, and painting in 1917. He supported himself as a tenor singer in vaudeville, concerts, and opera and received favorable reviews, but he chose to pursue painting instead of singing. His circle of artist friends included important Chicago modernists Aaron Bohrod, Malvin and Ivan Albright, Archibald Motley Jr., and Anthony Angarola...

This is a one of a kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. A certificate of authenticity will follow delivery. Duke Windsor’s suc...

Oil on canvas, color superrealism Doug Newton’s hyper-real oil paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways li...

Flowers is a modern artwork realized by Giovanni Antoci in the mid-20th Century Mixed colored oil painting Hand signed on the lower margin Incudes frame

Heather Neill's (US based) "One for Solitude" is an original, handmade oil painting that depicts a wood paneled rustic interior complete with a checkered...

PIECES OF ME, FOR YOU by Victoria Sauer depicts a subway-tiled bathroom meticulously painted in a photo-representational way with the artist's own hair ...

Artist signed lower right. Acrylic on paper.

Coba Ritsema was born in Haarlam in the Netherlands in 1876. At age 15 she attended the School voor Kunstnijverheid in Haarlem where she learned the basics of drawing. In 1893 she wa...

abstract "Blue Clearing" acrylic linen canvas 80x80cm certificate wood crate During a walk in the forest, the shade of the trees suddenly appeared...

Julia Adams La Celebration Original Interior Painting Mixed Media with Acrylic Inks on Canvas Framed Size: H 79cm x W 64cm x D 1.9cm Sold Framed in a Painted White Wood Frame Please ...

Wonderful still life oil painting by Franz Krischke from the 1950s. Painting depicts a clock, teapot, teacup, and open book arranged on a tabletop. Framed in a heavy, rustic frame. S...

Genre: Impressionist Subject: Still Life Medium: Oil Surface: Canvas Country: Hungary Dimensions: 20" x 25" Szentiványi Lajos ( Deva , 1909 . July 6 - Budapest , 1973 . September 9 ) Kossuth Prize-winning painter. Landscapes , stills , interior figurative compositions, portraits painted in post-biennial style , at the same time color, light lyric brushes are also related to the Paris School . contents He enrolled in the School of Industrial Design, then studied at the Hungarian Academy of Fine Arts (1930-37), where he went to the department of Ágost Benkhard . Benkhard also work in the Miskolc artist colony leader, so Szentiványi also learned a lot and worked in Miskolc artist colony , while in college Rudnay Gyulával , Csók Istvánnal , Réti Istvánnal and Vaszary Jánossal also corrected his paintings, and even in 1932 the Glatz Oszkár...

Old Iron Kettle with Apples by Lu Haskew Oil 16x24" image size 24x32" Framed ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go ...

Colorful whimsical abstract contemporary painting by Houston, TX artist Moisés Villafuerte. The work features a staged still life of a pastel vase, ...

Valerie Mendelson is a painter and an art historian based in New York City, with deep ties to France and to Maine. Her work has been shown in NYC at the George Billis Gallery, the Pr...

The artist's modesty was probably an obstacle to her career. Her magnificent, expressive works have few equals in Austria, but the time has come for her work to be honoured anew afte...

Yellow flower vase is a modern artwork realized by the artist Giovanni Antoci (1947) in the late 20th Century Mixed colored oil pastel painting. Hand signed on the lower margin. I...

A painting of abundant abstract florals is inventive and colorful bringing a verdant jungle to the viewer. Lite N Breezy - Flowers Painting By Marc Zimmerman This masterwork is exh...

Couple / Pair / Lovers / Love / Wedding / Romance / Flowers / Bouquet / Still life Angela A’Court’s narrative and still life drawings use a simple and direct vocabulary to show the ...

Harvest Still Life​ by Lu Haskew Oil 18x25" image size, 24x31" framed Still Life of an abundant vegetable garden harvest with onions, eggplant, cabbage and tomato ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Work on canvas

REFRACTIONS BY THE SEA Size: 63 x 78 cm (including frame) Oil on canvas A large and engaging mid-century modernist still life painting that presents an elegant arrangement of glass ...

Original oil on board - a still life of flowers by noted Modernist artist Abraham Walkowitz, (1878-1965). Signed lower right “A. Walkowitz” and inscribed lower left “to Mr. and Mrs. ...

Oil Painting by Francis Murray Russell Flint "Flowers and Lushe" 1815 - 1977 R.O.I, V.P.R.W.S, R.S.W, R.S.M.A. Fine painter in his own right, Francis was the son of the eminent Sir ...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

This colorful still life with purple, blue, and white lilacs is by Hungarian artist Bela Balogh also features a fruit arrangement and an ornate carafe ...

A fine impressionist still life with flowers in a cut glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and d...

BROWN & BLACK Size: 65.6 x 74.5 cm (including frame) Oil on Board A striking original mid-century modernist composition, painted onto board and dated 1968 by the established Swedish...

An oil painting of a grouping of flowers against a blue background. A mason jar holds water, and soaks the stems of these brown-eyed-susans, and daisys. Negative space is tangible via use of shadows. Tim McGuire...

THIS PAINTING IS WAITING TO CLEAR ITALIAN CUSTOMS AND ANTIQUTIES AND WILL ARRIVE BY MID-FEBUARY. IT CAN BE PURCHASED NOW WITH A 10% DISCOUNT. Italian Fruits is an oil painting done i...

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

The Hana-Bi 7 — luminous oil on linen. Dimensions are 31 1/2 x 23 1/2 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and ...

Elliot Gordon (American) , "A Scene in Asprovalta", Contemporary Acrylic on Canvas, 22 x 28 Canvas, Early 21st Century, 2017 Colors: Red, Blue, Black, Brown, Purple, White Elliot ...

Elliot Gordon (American) , "Stormy (A Composition)", Contemporary Acrylic on Canvas, 30 x 24 Canvas, Early 21st Century, 2018 Colors: Yellow, Orange, Red, White, Blue, Black, Green,...

"Vases on the balcony" is a colorful painting by Maestro Vittorio Angini About the artwork: TECHNIQUE: oil painting on canvas STYLE: Impressionist, Contemporary Edition : Unique, signed Weight: Approximately 3 kg. The painting is unframed The paintings brings emotion of happiness, love, pure energy, peace and beauty represented by the vast creative power of his talent.” Dear art lovers, if you like the art of Maestro Vittorio Angini please click the link to follow this artist and art gallery Snow Pearl to discover all our artists and beautiful artworks. Thank you so much! we appreciate your interest to our work. Frame: Optional Snow Pearl gallery offers the possibility to increase the value of this artwork by adding a gorgeous wooden Italian contemporary frame. For some paintings we can also offer a very special ancient restored frame. The frame can be hand-carved with composition ornamentation and hand-applied, with water gilded with 22 Kt. genuine gold leaf over rouge burnishing bole and then patinated to the appropriate patina. This will slightly increase the price, the shipping cost and the delivery time. Maestro Vittorio Angini was born in in 1946 in Italy in Arrezo, Toscana. He lives and works in Arezzo in the former Franciscan Hospice of Bagnaia. He has participated in the artistic activities of many cultural groups including: the “Cultural Center Artistico Aretino "," Studio 8 "," Bottega d'Arte del Valdarno "," National Association of Artists Italians ". He was invited to the exhibition of figurative arts in Siena and to "Bolsena Arte 82". Three works of him make part of the traveling exhibition "Mondial 1986". Angini attended the School of Goldsmithing and Jewelery of "Uno AErre", developing refined artistic skills such as to be required by the most important goldsmith companies in Arezzo and to undertake a collaboration with the Private Mint of Rome. In 2007 he was invited by Josè Van Roy Dalì, son of art of the famous Catalan painter, to participate in the "Quadrennial of Contemporary Art Leonardo da Vinci", held in Rome at the "Vittoriano". Since 2009 his works have been part of the artistic project “In Mostra con Dalì” and his works are were exhibited at the "Galleria Tondinelli" in Rome. In 2012 he participated in the "Affordable Art Fair" in London and in 2013 in the "Tuscan Art on Tour" in Chicago and Menasha in the United States. The artist's works are on permanent display at the gallery Borley Twist in Chicago and Hinsdale (USA). In 2014 at the exhibition "Memories of natures, myths and geometries" at the Chiostro del Bramante-Rome. October 2014 - Matalon Foundation Museum Exhibition in Milan. In 2018 Modern Gallery Arezzo His works are exhibited in the “La Bottega” Gallery in Castellina in Chianti (Si). His artworks are owned in museum and private collections worldwide. Our gallery provides Certificate of authenticity of this artwork. Dicono di Angini Tra spiritualità e colore La scomposizione delle sue opere è frutto di quella della sua anima, sempre alla ricerca di qualcosa che vada oltre. Nei suoi occhi, come nelle sue tele, c’è una malinconia “viva” che ci attraversa e ci emoziona, trasportandoci in un mondo fantastico e complesso; come lui. Tutta la sua vita è stata una sperimentazione artistica volta alla conoscenza di sé, degli altri e del mondo che lo circonda. Nei suoi colori predomina il giallo della luce divina e della speranza. Una consapevolezza del sé ottenuta mediante la sperimentazione artistica come strumento di conoscenza, come atto di autoriflessione, attraverso l’indagine del proprio vissuto, in costante tensione con l’esterno, quasi volesse far emergere quel tripudio di emozioni che tiene nelle stanze della sua anima. Olimpia Bruni Intervista con Dalì Da un’idea di Josè Van Roy Dalì, “In mostra con Dalì”. Un progetto d’arte che si concretizza in una mostra itinerante, in omaggio al padre Salvador Dalì. Lo scorso anno partiva, come una caccia al tesoro, presso la Galleria Tondinelli, nel favoloso scenario del Complesso Monumentale di San Carlino delle Quattro Fontane, a Roma, la prima edizione della mostra itinerante con la partecipazione degli artisti: Vittorio Angini, Graziano Peretti, Fausto Ciotti, Ileana Della Matera, Loredana Bendini, Ada Cardilli, Patrizio Veronese e Mario Spigariol. Tra gli artisti in mostra di particolare rilievo – non togliendo prestigio agli altri partecipanti – le sorprendenti opere del pittore aretino Vittorio Angini. Invitato nel 2007 su segnalazione di Josè Van Roy Dalì, figlio d’arte del famoso pittore catalano, a partecipare alla “Quadriennale d’Arte Contemporanea”, tenutasi a Roma presso il “Vittoriano”, Angini collabora attualmente all’importante progetto d’arte “In mostra con Dalì”. I suoi quadri si trovano in collezioni private negli USA, Canada, Australia, Nuova Zelanda, Sud Africa, Inghilterra, Irlanda. La sua pittura, risplendente di luce diffusa, penetra nella nostra capacità e sensibilità di stimolare ricordi ancestrali, che pensiamo sepolti nei meandri della nostra memoria. In molte delle sue opere par di cogliere una sorta di metempsicosi del colore, che nelle sue ricercate tinte pare trasferirsi, espandersi, in ogni angolo della tela, fluttuando oltre le rigide forme del contorno, e dove la sacralità della luce rischiara quelle impalpabili zone della nostra anima in cui risiedono i sentimenti e le emozioni più profonde. I riverberi della luce scaturita dal colore allargano l’immagine, che pare perdersi, oltrepassare i confini della percezione visiva, quasi ad illustrare, ad indicare la strada di un mondo che necessariamente dimora e vive oltre il quadro, espandendosi in orizzonti più ampi. Le forme, i paesaggi, i giochi di colore, i ritratti, appaiono come effigi della nostra esistenza, che coesistono nell’intercalare del ticchettio del tempo che scorre. Addentrarsi nelle parole di Josè Van Roy Dalì è sempre oltremodo affascinante e l’incontro avvenuto presso la sua casa museo mi ha fornito l’occasione per approfondimenti sul pittore Vittorio Angini e su “In Mostra con Dalì”. D. I quadri di Angini, che ha voluto appartenessero sin dagli esordi al suo “viaggio” itinerante, svelano le verità nascoste dei nostri desideri e della nostra immaginazione. Trovano affinità con le Sue opere d’arte ed il Suo percorso pittorico? R. Prima di tutto trovano affinità con il mio gusto e con il mio senso estetico del bello. Inoltre, scavando nel “labirinto” artistico di Angini, tra i lavori del passato e nei vari percorsi, ho trovato molteplici mondi paralleli multicromatici, che mi hanno fatto apprezzare ulteriormente il lavoro di questo artista. D. Ho avuto modo di ammirare tra le molte opere esposte nella sua galleria privata, appunto in Via Salvador Dalì, quelle di Vittorio Angini. So che sono state largamente apprezzate nel mondo della cultura e dell’arte. Un suo parere strettamente personale su tali opere? R. Il modo immediato di trasmettere, attraverso i colori, indefinibili emozioni, con la medesima semplicità di un grande romanziere. D. Maestro, in questa interessante esposizione “In mostra con Dalì”, ciascun artista presenterà, accanto alle sue, tre opere. So che ha fatto la ricerca dei pittori presenti in mostra con molto impegno e serietà, con quale criterio li ha selezionati? R. Ho saputo “ascoltare” le vibrazioni del colore e individuare, attraverso le varie tematiche, la peculiare sensibilità di ogni singolo artista. E poi, per dirla tutta, mi sono affidato al mio gusto personale, immaginando quali fossero le opere che avrei gradito collocare nella mia residenza… e quali tra queste, avrebbe apprezzato anche mio padre. D. Com’è sbocciata e che traguardi vuol raggiungere questa mostra? È puramente un omaggio a suo padre Salvador o è un omaggio ad entrambi i Dalì o...

Miguel Padura Cuban Artist “Flowers” 2023 Oil on Canvas 30 x 32 in Signed at the lower right corner

Artwork is done on cardboard, signed lower left. A certificate of authenticity is available.

As an artist, TIFFANY CALVERT applies contemporary painting techniques to historical imagery. Her recent work uses the seventeenth-century Dutch floral still life as a springboard fo...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Oil on canvas Tinatin Chkhikvishvili is a Georgian artist born in 1980 who lives and works in Tbilisi, Georgia. She was graduated in 2002 from the State Academy of Arts in Tbilisi. ...

Golden Milestone #3 Tony Ng always thinks if he could combine his paintings with real gold foils instead of just painting gold paint only. With the first attempt, he was satisfied w...

Antique still life, oil painting, with fruits, tobacco, pipe and sculpture. Very decorative painting. Monogrammed and dated lower left. RB 07 (1907...

Matin d'Hiver (Winter Morning) — luminous oil on linen. Dimensions are 63 x 63 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New Y...

Pumpkin with Art Glass by Roy Wilce Oil on Canvas Painting image 24x20" framed 26x22" (frame is wood with silver features) Still life of art glass and a pumpkin against grey fabric ...

Title: Pelican Medium: Oil on canvas Size: 29 x 29 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2016 Artist: ...

Monogr. and dat. lower left: AW / 37 The work is present in the catalogue raisonné of the Belvedere under the number Ex 26402. Provenance: Private property, Graz (Austria) Catalogu...

This floral still life, "Summer Fun", by artist W.C. Nowell is a 26x24 oil painting on canvas featuring a short blue glass vase of yellow flowers. The vase is sitting on a light grey reflective table...

Abstract floral with vibrant color and texture with a good flow of energy. Tropical Fantasy Floral #21 - Landscape Painting - Oil Paint By Marc Zimmerman This masterpiece is exhibi...

Still Life with Apples and Grapes Oil Painting on Panel Fruit In Stock Nico Heilijgers (Utrecht, 1964) graduaded at the Academie Minerva in Groningen, the Netherlands. His teachers ...

'Midnight Garden', 2019 is 25 x 18 inches. By focusing on a single subject, the artist immerses herself in the nuanced lines, shapes, and tones that th...

Title: Sunflowers And Hyacinths Medium: Oil on canvas Size: 27.75 x 19.75 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. ...

Dramatic oil & archival masking tape - mixed media - on mylar mounted on wood panel painting by Elena Zolotnitsky depicting a vivid floral scene. Professionally framed 26 1/2 x 25 1/...

An oil painting of a items on a wooden table. Fava beans scattered on a plate, a glass vase filled with a bright bouquet of flowers, a silver espresso maker, and clementines make up the items depicted in this painting. Painted in a realist style and palette, the items on the table bring vibrant color to the eye, a celebration of nature's bounty. Framed in a custom Italian gold leaf frame...