Ernest Fiene

Thistles with Greek Relief

1948

In original ornate gilt-plaster frame. Exhibited: National Academy of Design, New York, 1883, No. 56. Ripe Enough to Gather appears to be the first painting Charles Storer exhibit...

David D. Howlett (b.1955), [Untitled], c.1991. Signed lower center: "David D Howlett". This painting depicts Newbury Street, Boston.

Medium: Oil on Canvas

Jason Berger (American, 1924-2010), Floral Arrangement, or Spring Flowers. Signed in pencil lower right: "jason berger". From the estate of the arti...

Signed lower right: 'Herbert Barnett'. From the estate of the artist. One of the most important still lifes from the 1960's; a favorite of the artist. Herbert Barnett was an Amer...

From the estate of the artist, estate stamp verso. The loose, spontaneous quality of the composition, the heavy black line underpainting, and the kind of masonite used suggest a dat...

Chani Cohen Zada Afterbirth , 2018 oil on canvas 100 x 100 cm 39 x 39 in Exhibited: 'Between Holy and Mundane', Lewinski College, Tel Aviv. Israel 11.1-...

a beautiful still life painting of an apple on a white table cloth by the artist Eric Forstmann

Social commentary by the artist, Eric Forstmann, about how these bags are not good for the environment.

oil on panel

Oil on canvas, signed and dated 2018. French handmade Delf wooden frame, dark bronze patina with gold leaf. Unframed size: 19.7 inches high x 24.02 inches wide. Framed size: 28 inches high x 32.3 inches wide x 1.25 inches deep. Sold framed. Stefaan was gifted this skull by a friend, whose carpenter father found many years ago in a false ceiling. The skull sat in his workshop and was eventually named “Gilda”. The composition is unusual in its stark simplicity that speaks to the inevitable death we all face. Fascinating without being morbid, the arrangement is simple yet bold. Note the extraordinary brushwork detailed in the shroud, as well as the intricacies of the skull. The slash of cobalt blue in the background provides an ethereal quality. The title is adapted from Shakespeare’s Hamlet and is the artist’s inside joke on the character “Guildenstern” vs “Gilda”. Part of the title can be seen in the lower right quadrant of the painting. Compared to “Vanitas”, painted in 2000, the artist’s evolution in form and execution is most evident in this 2018 work. This painting is available for viewing at The Elemental Garden...

Oil on panel, signed and dated 2008. French handmade wooden Delf frame, black raised panel with gold leaf. Unframed size: 18.25 inches high x 15.25 inches wide. Framed size: 25.63 in...