American Realist Paintings

"Red Sand Shovel" is a contemporary trompe l'oeil oil painting of antique object in an interior. The child's shovel is hanging on a hook slightly off kilter. Artist Bio: John Morfi...

Painted from life in the artist's studio, a rustic, wooden basket overflows with bright colored flowers. Four apples scattered in the foreground, cast shadows, and reflect on the gro...

Oil on Canvas This painting was selected for the cover of the catalog for the 2019 Gregory Frux solo exhibition "Brooklyn Plein Air"

McLean's consummate skill as a portrait artist, graphic designer and master of composition is on full display in the complex narrative work. This work contains 41 portraits including those of Bette Midler, Jimi Hendrix, and Benny Goodman...

"Still Life with Oranges" is an oil painting featuring hues of bronze, orange, purple, and red. Marc Chatov is inspired by the work of Diego Velasquez, Édouard Manet, William Bouguer...

"Hubs Landing" is an oil painting of a marina. Painted en plein air, by Carl Bretzke. Painting Dimensions: 12 x 16 inches Framed dimensions: 17 x 21 inches Carl Bretzke is a rep...

The primary subjects of my paintings are 21st century man's working monuments, which represent our culture's dedication to production and consumption. The essence of our way of life ...

Ashlee received her BFA with a Minor in Art History from University of Missouri-Columbia in 2012 and has been exhibiting and selling her artwork for the past twelve years. When she’s not making art, Ashlee loves to get lost in her garden with her four year old son where they battle pirates on lost islands, fly with dragons around kingdoms in the sky, and search lush jungles for purple tigers.

Represented by George Billis Gallery, NYC & LA --Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas c...

From the Glynn and Suzanne Crain Collection, unsigned

Gary Faigin says of Kurt Solmssen’s work, “Though a realist, Kurt Solmssen does not so much record what he sees, as use his surroundings as a point of departure for poetic homages to...

Born in San Pedro, California in 1969, Francis DiFronzo has been painting and exhibiting his artwork in the United States for more than thirty years. "I discovered at a young age that art had the ability to transport me out of my world and into the lives of artists I admired. When I looked at paintings by Andrew Wyeth or Edward Hopper, I felt as though I was momentarily living in the worlds they created. I wanted to do the same thing. I wanted my work to have that power." After receiving his B.F.A in 1994 from California State University, Fullerton, DiFronzo moved to Philadelphia, PA where he continued his studies in drawing and painting at the Pennsylvania Academy of the Fine Arts. There he worked and learned under the guidance of artists Murray Dessner, Jan Baltzell, Sidney Goodman, Vincent Desiderio and Irving Petlin. Di Fronzo...

"Beach Photo" is an oil painting by Carl Bretzke, of three figures, young men or boys, standing alongside one another before a vast expanse of blue ocean. ...

A beautifully executed, super-sized, trompe l'oeil oil painting of a gala apple with several levels of irony. A plump, bright, fresh apple, painted hyper realistically. The vibrant ...

"Poinsettia 2" is an oil painting of the signature red plant blossomed against a light backdrop, in a minimalist pot, a cement cube. A refined pop of red for the Holidays. Painting dimensions: 14 x 11 inches Framed dimensions: 16.5 x 13.5 inches Matthew Weigle...

Grabach, John R. (American 1886-1981) THE FERRY. Oil on panel, not dated. Signed within the image, lower right, and also on the back of the panel. 5 1/2 x 8 3/4 inches, 140 x 122 mm....

American b. 1939 Renowned Impressionist painter Shirley Cean Youngs is a native New Yorker who now lives on a family compound in Connecticut surrounded by nature and those she loves...

This meticulously rendered work depicts a three-quarter view of a young woman lost in deep introspection. Inscribed on verso: " The Captain's Lady" Leslie of ____________ St. ...

"Pansies and Spilled Dirt" is an oil painting of purple and white pansies in a rustic brown pot. Dirt spilled onto the clean white surface below. Painting dimensions: 16 x 12 inches Framed dimensions: 18.5 x 14.5 inches Matthew Weigle...

Two Small pink roses grace the white background of this canvas. Lucas' studio is surrounded by nature and often paints what grows in her backyard, finding and magnifying beauty all a...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson ...

O MARA'S MUNICIPAL TAVERN - Saturday Evening Post Illustration Supreme technical skill allows the artist to realistically capture an...

This painting is a collaboration with artist Jack Balas. Jack is Wes Hempel's partner. A walk through any major museum will reveal paintings that depict o...

Represented by George Billis Gallery, NY & LA --The process of endless building and reconfiguring transcends the mere physical and encompasses the spiritual and symbolic. The scars a...

Represented by George Billis Gallery, NYC & LA --From the artist statement, "My artwork centers on mid-century American architecture and design, once revered for its groundbreaking i...

An oil painting of the exteriors of a grouping of historic homes, in various colors, on a sunny day. A white picket fence encases a garden in the foreground. Dimensions: 12 x 24 in...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Peter Sculthorpe (b. 1948) Peter Sculthorpe was born in O...

Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Artis...

American, b. 1931 Max Ginsburg received his BFA from Syracuse University and his MFA from City College of New York. Since then, his true to life New York City sidewalk scenes have received numerous awards including, Christopher Award, Pauline Law Award, The Edith Lehman Prize, and honorable mentions from both Audubon and Salamagundi. Ginsburg Is an active member of the Allied Artists and the Society of Illustrators and his work has been commissioned by New York Times Magazine, Fortune Magazine, Harper Collins Publications, Dial Books/Penguin Publications and many others. His paintings also hang in many prominent collections, such as New Britain Museum of American Art, Connecticut, Martin Luther King Labor Center, H. J. Heinz Company and those of Jules Bernstein, Dom DeLuise, Edgar Bronfman, Harvey...

American, b. 1939 Prominent 21th Century American landscape artist Peter Poskas has been painting New England for more than three decades. While his earliest pieces were reminiscent of Edward Hopper...

"Meriden Cutlery 1870" is a contemporary realist painting of an antique tool: Trompe L'oeil. John Morfis was born in Glen Cove, Long Island in 1976. H...

Understated town-scape in grays and muted blues. It's a painting that looks better as you get closer to it. Koch brings the same serene intimacy to an outdoor scene as his interiors....

Karen Woods paints a traveler’s view through the window of a moving vehicle rendered in subtly nuanced gestures in oil on canvas or panel. These views from the front seat of a car lo...

ASHLEE SELBURG Hover Ink and pencil on paper 20 x 16 inches

ASHLEE SELBURG Garden Party II Ink and pencil on paper 18 x 14 inches

ASHLEE SELBURG Flora and Pomona Ink and pencil on paper 42 x 68 inches

American, b. 1958 Designated a living master by the Art Renewal Center and widely regarded as a leader of the American landscape school, Joseph McGurl is one of the most important realist painters today. McGurl works almost exclusively with oil paint, capturing marine and landscape scenes in his native New England as well as other areas of the Eastern US. Along with his childhood as a muralist’s son, McGurl’s days as a sailor and his studies under Robert Cormier...

Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also studied at Stevenson...

"Collioure Sunset" is a contemporary impressionist view of the Collioure church in this coastal South of France town. Painted en plein air. Framed Dimensions: 17 x 20 inches Marc ...

A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...

An oil painting of a log bridge spanning a stream in the woods. Soft dappled light filters through the dense woods onto the path. In the distance the path leads to another log bridge...

Framed dimensions: 36.5" h x 28.5' w x 5.75' d Sight size: 25.5' h x 17.5' w Signature: bottom right Early 20th century still life, original gilt frame, original stretcher. The following excerpt was written and submitted by Gary R. Libby from an essay in his book Reflections: Paintings of Florida 1835-2000. Very little is currently known about the still-life painter, George W. Seavey. Maybelle Mann’s Art in Florida, 1999, suggests that Seavey came to St. Augustine in 1883, the year of financier and hotel magnate “Henry Flagler...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also s...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

American, b. 1972 Dylan Stark is a traditional landscape and seascape painter. He is heavily influenced by the luminist style of painting popular among late 19th century American la...

Having spent many years as a photographer, Matt Condron is trained to recognize the importance of a moment or the preciousness of a fleeting opportunity. He is captivated by the idea of emptiness, as both a suggestion of solitude and as a state rife with the possibility of change and fulfillment. As a painter, he seeks out familiar, evocative scenes and concentrates on capturing the stillness of an empty room or vacant chair. His paintings can be seen as solitary, or as simply aberrant pauses between moments of frantic activity. The works are imbued with a quality of light that brings simple, content-rich objects into sharp focus. Condron attempts to establish not so much a connection to a chair or a room, but the feeling created by the wide embrace of emptiness. Ultimately, Condron creates scenes - part representation of real places, part invention from deep in his mind. The openness of his works invites the viewer to share the moment of quiet with him. By choosing places that seem to have been abruptly vacated, he attempts to awaken a connection to the moment before, or to the quietude he preserves inside himself in the form of memories. Matt Condron was born in 1967 in Simi Valley...

American, b. 1958 Louis was born in Omaha, NE in 1958. At the age of nine he began painting in oil, and at 14, he began studying painting, drawing, and art theory under Stanley Stephanowitz, and then under Frank Novak at the Norwich Art School and Slater Museum in Norwich, CT. As a young man, he also studied under master artists Dean Keller, Ken Davies...

Painted from life, from a beach, looking across a little harbor full of brightly colored boats towards a little whitewashed town. Along the shoreline are the remnants of a child’s sandcastle. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: 13 x 12 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design, The Angel Academy of Art, and finally settled on the Florence Academy of Art, graduating in 2015. In January 2016 she apprenticed the painter Odd Nerdrum in Norway for eight months. Rachel Personett works strictly from life, and enjoys the challenged of painting the ephemeral. Working from life provides the opportunity to travel around the world painting the ever changing people and landscapes. Artist Statement My mother had studied advertising in college, so she knew a lot about arts and good craftsmanship. She did talks at my elementary school each week and on a different artist. I remember being very moved by the images of Van Gogh and Andrew Wyeth. At the Florence Academy I really liked Sargent, Sorolla, Willard Metcalf, Henri Fantin-Latour and Velazquez. At Odd Nerdrums I gained new respect for Rembrandt and was introduced to other Scandinavian painters...

"Simple Beauty" is a colorful flower still life with orange, purple, and blue Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also recei...

Painted from life in his connecticut studio, John Moris paints two metal oar locks. These tools are normally attached to the sides of a row-boat, and lock in the oars with which a sailor would row. Hanging fro a tiny metal nail, dangling from a small white thread, before an off-white, monochromatic backdrop. Framed in a simple black frame, as pictured. Frame dimensions are 24 x 20 inches. Painting dimensions are 19 x 15 inches. John Morfis was born in Glen Cove, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown. John’s first solo show took place in 2007 at the Ellen Traut Collection Gallery in Hartford, CT and was a near sell out. Since then John has had success up and down the northeastern coast of the United States working with various galleries and collectors. His work has also appeared in various group shows at the New Britain Museum of American Art in Connecticut. ARTIST STATEMENT Each painting, although a portrait of a tired hand...

"Grandpa's Tool Shed" is an oil painting featuring hues of blue, green, yellow and brown. Marc Chatov is inspired by the work of Diego Velasquez, Édouard Man...

A still life watercolor painting with Irises, Mary Cassatt & Goldfish by Cathy Folk-Williams ( American, 1948). The original work features vivid colors and conflicting patterns, a si...

Heller covers monumental and lesser-known works starting with Frank Lloyd Wright and tracing his design principles through his son Lloyd Wright, and students Richard Neutra, Rudolph ...

Saturday Evening Post Illustrator Thornton Utz captures the peak moment of action in this Noir Crime Drama, Shooting illustration on an interior page in the famed magazine in 1958 —...

From the artist statement, "My artwork centers on mid-century American architecture and design, once revered for its groundbreaking ideas in form and social planning, but now largely...

I have been burning images into wood and paper as a means of drawing for over two decades. During that time I have continued to refine and at the same time experiment with the process. Using propane torches I burn, scorch, re-burn, sand and scratch the surface of paper or wood to create my drawings. My earlier work, the Nocturne Series was inspired by walking at night in the light filled streets of American cities; those drawings were often mistaken for soft focus sepia toned photographs. My present work is a considerable departure in regard to content, execution and appearance - from those dark, abstracted cityscapes, my current drawings are light filled, clearly rendered landscapes. The burning process I use to make my drawings evolved differently for each series. Experimentation (in both bodies of work) is always important to me and always informs the resulting image. In the case of the Nocturnes the image arose from intermixing water with the flame from a large industrial torch. With these new works, I’ve tried to create a visually stimulating accumulation of (often minuscule) marks on the wood surface using the tiny flame from a jeweler’s torch...