Building Paintings

Antonio DeVity Italian, 1901-1993 L'Opera, Paris Oil on canvas 16 by 20 in. W/frame 20 by 24 in. Signed lower right Antonio De Vity was born in Reggio-Calbria in southern Italy. ...

Great antique Italian painting from the second half of the 19th century. Oil painting on canvas depicting countryside landscape of romantic style. Framework that has undergone a cons...

Lucien Delarue is known internationally as an artist who faithfully captures the romantic moods of Paris. His famous subject of the ''Rooftops of Montmarte,'' along with other Paris ...

Midnight Church Scene by Jean Fourie (1927-2015), signed initials French artist, painting in the Champagne region of France double sided oil painting on thin card, unframed board: 1...

Great Condition Beautiful Imagery

Title: Historic Miniature Watercolor of Chapel of the Three Kings in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 3.5 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: This evocative watercolor by Jack Grunwell captures the Chapel of the Three Kings of Cologne, a hidden architectural gem nestled along the famous Christmas Steps in Bristol. This historic 16th-century chapel, built over an archway at the foot of Foster’s Almshouses, is renowned for its elegant Gothic window and unique placement over a medieval passageway. Grunwell’s composition brings Bristol’s rich history to life, portraying the winding pathway leading towards the chapel with figures in period attire, evoking a scene from centuries past. The muted color palette and subtle contrast between light and shadow highlight the chapel’s delicate tracery and surrounding historic buildings, adding depth and realism to the scene. The Christmas Steps, dating back to the 1600s, remains one of Bristol’s most atmospheric streets, lined with historic buildings and steeped in medieval charm. The painting beautifully conveys the timeless nature of this landmark, making it an ideal piece for collectors of historic British architecture and lovers of Bristol’s heritage. Key Features: Architectural Detail: A finely rendered view of the 16th-century chapel, complete with its signature Gothic window. Historic Location: Set in Bristol’s Christmas Steps quarter, one of the city’s most famous medieval streets. Period Charm: Features figures in historic dress...

Oil on board Image size: 13 1/2 x 9 inches (34.25 x 23 cm) Hand made contemporary style frame This is a classic Italian landscape painted in an academic style, taking inspiration fr...

The main green gardening show in Milan, stimulated Margherita Leoni to create her first screen. Using her painterly skills, the artist designed and created a self-supporting, zig za...

Work on canvas sold with original frame Total size with frame 66x100 cm Vérène Mettler is a Swiss artist known for her intricate and evocative works, often exploring themes of natu...

Signed Lower Right John Bradley Storrs (1885 - 1956) Born and raised in Chicago, John Storrs was a pioneer modernist sculptor known for his precisely executed, solid, non-objectiv...

Adrien Dauzats (1804 - 1888) Tomb of Edward the Confessor at Westminster Abbey Oil on canvas 76 x 88 cm Provenance: Dauzats sale, n°82 (1 - 4 Feb 1869, Paris, Drouot), its sales stam...

Josh George's (US based) "The Queen's Formal Entrance" is an original, handmade mixed media painting that depicts a colorful city street with a whimsical sky. About the Artist: Jos...

Oil painting, 19th century, idyllic farmhouse with water wheel. Illegibly signed and dated lower left. The frame has various damages in places. Dimensio...

Village Stone Square by Regine David (female French artist, 1910-2018) gouache painting on artist paper, unframed panting: 9.5 x 7.5 inches condition: This painting is in excellent c...

This painting of Lincoln Center, located in New York City, highlights the reflections seen its five arched windows. :: Painting :: Contemporary :: This piece comes with an official...

"After Dinner" is a nocturne impressionist romantic still life, pink roses, in Florence, Italy. Amy Florence creates a scene reminiscent of the impressionists who painted in Paris in...

The painting may not illustrate your story, but it is universal—that desire to honor one’s forerunners and reflect on their daily lives. Consider the many opportunities, comforts and...

Plein are painting of Indian alley in Downtown Los Angeles. :: Painting :: Impressionist :: This piece comes with an official certificate of authe...

Title: British Village Edge Red Roof Houses and Rural Track Watercolour Landscape By Tony Herbert (1927-2024) Medium: Watercolor on board Size: 14.5 x 18.25 inches Condition: Good; s...

Original Painting on Silver by Italian Painter Guido Borelli Painting image 8 x 10 measurement without frame Frame is included in purchase. Some nicks in...

Venice - Giancarlo Gorini Italia 2002 - Oil on canvas cm.50x100 Gold leaf gilded wooden frameavailable on request Giancarlo Gorini's canvas is an extraordinary work of Italian lan...

Work on wood

"European Port at Sunrise" by Charles Kuwasseg is a painting that immediately draws you into its serene and enchanting world. As the first light of dawn breaks over a tranquil Europe...

Original Painting by Richard Combes. Richard Combes (b. 1963, Manchester, England) trained as an architect in the UK before moving to New York City. In 1995, he completed his MA in...

"St. Augustine Library Courtyard, Florida" is a charming watercolor painting by Henry Eugene Fritz, a talented artist known for his delicate and evocative depictions of architectural...

Richard Haas Hudson Yards original painting, 2019 Acrylic on canvas painting Signed, dated and titled in acrylic paint on the back Unique Frame included This is a unique, hand signe...

Firmado por el artista en la parte trasera y fechado del año 1901 Se presenta enmarcada la obra con un marco de la época de la obra (algunas faltas visibles en la enmarcación) Medi...

This architectural painting of a house in the country features hues of red, green and blue. This work is in a frame measuring 34 by 44 inches. David Boyd is inspired by the work of ...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 CA' D' ORO, VENICE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 11-1/2 x 19-3/4 ...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

This artwork depicts a cozy corner of the ancient German city of Aschaffenburg. A winter day with such a rare phenomenon for Europe as snow. Snow falls and covers the old paving ston...

Nestor Fruge (1916-2012). Bayou Landscape, ca. 1970. Watercolor on paper, 11 x 15.25 inches. Unframed. Excellent condition. Signed lower right. Born in Bayou Lafourche, Louisiana i...

Unsigned. On board.

Amedeo Sica (Italian, XX-XXI), City Market Scene, Oil on Canvas, signed lower right, distressed giltwood frame. Image: 15.75" H x 19.5" W; frame: 20" H x 24" W. Provenance: From a Ft...

Title: Historic Miniature Watercolor of Wickham Court Bristol 1645 Meeting Site by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

Painting of a church or monastery in a garden, mid century, oil on canvas by Reginald Schoedelin. The painting is indistinctly signed bottom right, but there is a notation and attrib...

Ghost 3 is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 65 × 92 cm (25....

Title: Miniature Watercolor of Chapel of the Three Kings Fosters Almshouses by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2....

Every painting begins with a place to stand. Sometimes I find one in seconds; sometimes the hunt goes on for many seasons. A canvas can easily frame the everyday. But my task is to t...

Signed lower left: H. GASSER

Title: Historic Miniature Watercolor Triptych of Various Streets in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.2...

Artist Charles Perry Weimer employs thin black horizontal lines that intersect with thin black vertical lines. The result is a triumph of design w...

Courtyard with Arched Colonnades and Fountain Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection Condition: great c...

The River Cottage by David Hyde, British artist, 21st Century Oil painting on canvas, framed Signed by artist framed size: 16 x 20 inches canvas: 14 x 18 in...

The Prince’s Palace of Monaco Tony Minartz (French, 1873 - 1994) signed watercolour on artist paper painting : 12.75 x 16.5 inches Provenance: private collection in the South of Fr...

Colorate opere di Aeropitture tecnica mista su giornali ,quotidiani tra il 1927 e 1935 Colori brillanti Pubblicato sul catalogo della Mostra "Michele Falanga aeropitture 1925-1937 G...

Saint Germain-des-Prés under the snow. Oil on canvas, 60x92 cm Constantin Kluge was a Russian-born French painter best known for his naturalistic scenes of Paris and French countrys...

Title: Historic Miniature Watercolor of Hanham Court and St. George’s Church by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.75 inches (height) x 4.25 inches (width) Condition: Very good and highly presentable Provenance: From a large private collection of this artists work in Bristol, England. Description: Jack Grunwell’s charming architectural watercolor captures Hanham Court & St. George’s Church, a historic medieval estate and chapel in South Gloucestershire, England. Hanham Court is depicted with its Gothic-style stonework, towering chimneys, and lush surrounding gardens. St. George’s Church, with its classic medieval English architecture, stands in the foreground, framed by mature trees and a winding countryside path. Grunwell’s signature soft washes and delicate detailing create a scene that feels timeless and tranquil. The contrast between the grey stone and the vibrant greenery adds depth and warmth to the painting, making it a perfect addition to any collection of English countryside art...

A beautiful signed and dated 1963 French cubist oil on canvas depicting Paris rooftops. Signature in bottom right corner is indistinct. A lovely painting in excellent condition. Art...

Title: Historic Miniature Watercolor of English Country Church with Gravestones by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements:...

Moody Paul Andorff painting of a town, stormy skies and foreboding! Housed in a period European frame circa 1875. Pairs very well with the other Paul Andorff painting that we have l...

This California landscape is by James Russell Ford (1888-1963), a San Francisco Bay Area artist. Based on the light, shadows and golden hills, it depicts a midday scene in summer. The painting is titled on the reverse “Rancho El Camino...

This artwork titled "Amsterdam" c.1960, is an oil painting on canvas by Dutch artist Reinier Wynand Snapper, 1907-1988. It is signed and titled at the lower right corner by the artis...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Three Chimneys, 1956, oil on Masonite, signed and dated lower left, 18 x 36 inches, titled verso, presented in its original frame Three Chimneys is a prime example of Ethel Margolies’ Precisionist-influenced industrial scenes. Throughout the 1950s and 1960s, Margolies made a name for herself by painting the Northeast’s factories, foundries, and manufacturing plants. Although this subject matter is often associated with male artists, Margolies is part of an important lineage of female modernists who depicted symbols of America’s industrial might. Starting with artists like New Jersey’s Elsie Driggs and Chicago’s Yvonne Deluc Pryor, Margolies is part of a through line of women Precisionist painters that also included the West Coast’s Vanessa Helder. Whereas these artists tended towards a stark and pristine realism, Margolies seems to have been influenced by the 1920s and early 1930s work of Charles Demuth’s and Charles Sheeler’s highly designed paintings from the same period, as both adopted a cubo-futurist oriented brand of Precisionism. Ethel Polacheck Margolies was a Connecticut painter...

A native of Kansas City, Josh George completed his BFA at the Kansas City Art Institute (1997), followed by an influential session at The Illustration Academy. His exhibitions and pu...

Road Repairing, Lower Manhattan at Night, 1934, oil on Masonite, signed and dated lower right, 24 x 16 inches; original label verso has title and address Margit Varga was an artist,...

Original oil painting on wooden panel of a bustling Venice square by the American artist, Albert Munghard. Signed by the artist lower right. Circa 1975. Condition is excellent. Th...

The Railway Station, c. 1934, oil on canvas, signed lower right, titled verso and noted "34"; illustrated Kaufman, Jeffrey, Brush with Life: The Art of Being Edward Biberman...