Building Paintings

Watercolor paper Brown wooden frame with plexiglass 85,5 x 65,7 x 2 cm

This artwork "Ponte Vecchio" is an oil painting on canvas by noted Italian artist Lido Bettarini, 1927-2019. It is signed at the lower right corner by t...

French painter Work on wood Silver wood frame 37 x 27 x 3 cm

This fine oil study shows a quiet European street with towering architecture above a covered wagon and chatting locals. Unsigned. Beautifully presented in a period gilt frame with fl...

Vedutist painter of the 18th century View of Venice with the Grand Canal, the Punta della Dogana with the Basilica of Santa Maria della Salute on the left, the Palazzo Della Zecca wi...

Oil on cardboard sold with frame Total size with frame 24x39 cm Jean-Philippe GEORGE-JULLIARD is an artist born in Switzerland in 1818 and died in 1888. His works have been sold at ...

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. This series of works a...

by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches condition: very good and ready to be enjoyed. ...

Jean Salabet was born in 1913 in Logroño, Spain. By the age of 15, Salabet was drawing and painting the mountains and sea. He was self taught, visiting museums as often as possible. He traveled throughout Spain, then made his way through France, traveling as far as Bruges. By the 1940s he was painting in Paris...

Wonderful iconic vintage gold country landscape of wood barn with golden grasslands surrounded by blue mountains by N. McCarroll (American, 20th Century),...

View from the Train, 2019 24" X 40" x 1", oil on canvas This contemporary oil painting depicting a metropolitan view is the work of realist painter Patty Neal. The painting offers an intimate view of the city, as seen from a window, as it peeks from behind two metal structures. The dark browns and bright golds beautifully compliment the dusty blue, gray sky. Neal works highlight everyday city scenes, utilitarian infrastructure, and industrial or electrical apparatus. Artist statement: A life is an accumulation of experiences: visual, emotional and mental. By compartmentalizing these snippets of life we create boundaries. The focus of my work for many years has been the exploration of these various life aspects and how they are bound together or bound from each other. My process is often literally composed of boundaries. I make a painting by putting together multiple panels, or I segment a single panel into separate visual spaces. The works are made up of pieces or elements of city and landscape. While exploring the concepts of boundaries I play with visual “reality.” Sometimes I combine images that are upside down with those that are not and juxtapose images from different contexts. Literal boundaries, such as walls fences, expanses of water and highway median strips are also used. My intent is to invite viewers to look beyond these boundaries to see the possibilities of a connected whole. About the artist: Solo Exhibitions 2011 "Interior/Exterior", Carrie Haddad Gallery, Hudson, New York 2008 ”Landscape Revisited”, 1870 Gallery, Belmont 2005 Nomad Rug Gallery, San Francisco 2004 "Landscapes"@Klein's, San Francisco 2004 "Landscape Renewed," Space 743, San Francisco 2003 Exploding Head...

Triangles is a unique painting by contemporary artist Guillaume Chansarel. The painting is made with ink and acrylic on old book pages mounted on canvas, dimensions are 100 × 100 cm ...

Glücksburg Castle near Flensburg is an original modern artwork realized in the first half of 20th Century Oil on hardboard. Hand signed "H. Th. Nöbbe" on the lower margin. Include...

Moody landscape in neutral sepia tones of a deserted western ghost town by Joseph Bodner (American, 1925-1982). Signed "Bodner" in block letters in the l...

Philippe Charles Jacquet is not simply a painter of landscapes; he is a creator. Jacquet has mastered the ability to combine what is real and what is imagined. As a result, his comp...

Antonio DeVity Italian, 1901-1993 L'Opera, Paris Oil on canvas 16 by 20 in. W/frame 20 by 24 in. Signed lower right Antonio De Vity was born in Reggio-Calbria in southern Italy. ...

Artist/ School: French School, circa 2007, indistinctly signed and dated Title: Chateau de Sceaux Medium: oil painting on canvas, unframed, signed canvas: 19.75 x 24 inches Prove...

"The Empire State" is a dynamic oil that captures the energy and movement of a glistening street scene in downtown New York with the iconic Flatiron building in full view, and is an...

Oil on board. Signed lower right.

Picturesque Village by Max Toutain (1935-2006) oil painting on board, unframed board : 16 x 20 inches Provenance: all the paintings we have by this artist have come from the artists ...

Oil on canvas sold with frame Total size with frame 52x62 cm Gustave François BARRAUD is an artist born in Switzerland in 1883 and died in 19...

Circle of Anthony Vandyke Copley Fielding (1787-1855) VIew In Kerry Highlands, Ireland watercolor/gouache on board, framed glass over picture framed: 10 x 14 inches board: 18 x 21 in...

I saw the motif with the old bathhouse from the road and decided to paint it with an approaching thunderstorm. In this oil study, painted from life in a couple of hours, I captured t...

Charming and colorful mid century watercolor of a small coastal neighborhood and orchard by Zella Mae (Wunderlich) Dickinson (1895 - 1982). Initialed and dated "ZD '64" lower right c...

Title: Historic Miniature Watercolor of St John the Baptist Church Chipping Sodbury by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

Ludwig Hermann German, (1812-1881) Winter on the Quay Oil on canvas, signed Image size: 15.75 inches x 22 inches Size including frame: 23 inches x 29.25 inches This highly detailed...

Cityscape, Original oil Painting, Ready to Hang Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Ca...

Wonderful 1940s genre landscape of traditional English cottage painted in the European style by Henry T. Harvey (English/American, 1908-2000). Signed lower right corner. Presented in...

A place where lives have been well-lived is conveyed in this watercolor painting of a Victorian home by Diane Baldwin (American, 20th century). Signed "...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

This large artwork figures a bamboo forest in the night. The artist impasto technique is light, with textured painting and a few small reliefs. This artwork is not framed. Françoi...

The Scottish Highlands Charles M.C Kinley (British antique) signed oil painting on canvas, framed framed: 18.5 x 26 inches canvas: 16 x 24 inches provenance: private collection, Engl...

Venice - Giancarlo Gorini Italia 2002 - Oil on canvas cm.50x100 Gold leaf gilded wooden frameavailable on request Giancarlo Gorini's canvas is an extraordinary work of Italian lan...

You immediately head south at high noon along the Italian Riviera determined to arrive in Portofino in time for lunch in a cafe along the piazza. The flowers are as lovely as you re...

Edward Rosenberg is best known for his landscape paintings with winter motifs around Lake Mälaren. He studied at the Art Academy in Stockholm 1879–1882. And he had his first success in 1882 when he received the Royal Medal...

Revealed Wounds - Black & White Atmospheric Landscape Painting by Contemporary British Artist Mark Thompson. Mark is a seasoned professional painter with international representatio...

An original oil painting by British artist Oliver Walker depicting a secluded farmhouse in the fells. Initialled by the artist to the lower right. On canvas on stretchers.

Rolf Stoll (American, 1892-1978) Spanish Seaside Village (Cadaques Catalonia) Oil on canvas Signed lower right 28 x 38 inches Exhibited: The 11th Annual May Show, Cleveland Museum of Art, 1929 Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside and Canada. Stoll also painted views of Spain and depictions of Spanish peasants, inspired by an extended trip to that country (1926), during which time he was entertained by the famous Spanish portrait painter, Ignacio Zuloaga. Moving easily between oil and watercolor, Stoll worked in an direct realist style, combining his characteristic firm draftsmanship with the use of simplified forms and decorative color. Rolph Stoll was a member of the Cleveland Society of Artists, the Cleveland Print Club...

In this painting, I captured the quiet yet vibrant energy of a Venetian sunset. A beautiful Venice cityscape. The sun is going down and the city of gondolas and canals, romantic anci...

Born in New York City in 1906, Bertram George was the son of beloved Lyme, Connecticut artist George Bruestle. The younger Bruestle’s earliest works w...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2007 Title: Antique Motive Size: 17" x ...

Artist/ School: Italian School, mid 20th century, indistinctly signed. Title: The Tranquil Canal, Venice. Beautiful green/ teal moody tones to the colour palette. Medium: oil pa...

Provence Olive Groves by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 11 x 16 inches Colors: Green colors, black, brown, beige...

Michelle Andres is a contemporary American oil painter, writer and poet who draws from nature to celebrate joy and hopefulness in our often challenging world. She has worked in abstr...

oil paint on panel 12 x 12 inches This contemporary cityscape oil painting is painted on wood panel in a realistic style. The scene is of a Brooklyn skyline where old water towers...

Paul Albert Girard Paris 1839 – 1920 French Painter 'The Greek Temples of Paestrum' Signature: Signed lower left
 Medium: Aquarelle
 Dimensions: Image size 29 x 49 cm, frame size 41 x 61cm Provenance: Paestum, designated as a UNESCO World Heritage Site, stands as the best-preserved Greek archaeological site in Italy. Situated just south of Salerno, near the picturesque Amalfi Coast, and in proximity to Pompeii, Paestum remains somewhat undiscovered by many travelers. In its prime, Poseidonia thrived, evident in the remnants of city walls, colossal temples, and the overall urban layout. As Magna Grecia expanded and established trade routes, conflicts arose between the Greek colonists and the indigenous Samnite and Lucani tribes. Archaeological findings, however, suggest a period of peaceful coexistence between the Greeks and the Lucanians. This harmony was disrupted in 273 BC with the arrival of the Romans. The Romans, while altering the city's name to Paestum, did not obliterate it. Remarkably, their admiration for the splendidly constructed temples played a role in shaping classical architecture on the Italian peninsula, influencing subsequent Roman development and style. The Romans made additions to Paestum, including a forum, an amphitheater, a temple of their own, and residential structures, some of which still stand today. In 79 BC, the eruption of Vesuvius dealt a partial blow to Paestum, altering its landscape. Despite this setback, the city's survival attests to its resilience and enduring cultural significance. Today, visitors can explore the fascinating remnants of Paestum, a testament to the confluence of Greek and Roman influences, and the architectural prowess that has withstood the test of time. Born on December 13, 1839, in the artistic heart of Paris, Paul-Albert Girard emerged as a luminary in the world of 19th-century French painting. The son of the esteemed painter Pierre Girard, he inherited not just a name but also a passion for the arts that would define his illustrious career. Biography: Born on December 13, 1839, in the artistic heart of Paris, Paul-Albert Girard emerged as a luminary in the world of 19th-century French painting. The son of the esteemed painter Pierre Girard, he inherited not just a name but also a passion for the arts that would define his illustrious career. Paul Albert was a versatile artist, displaying his mastery across various genres – from capturing the essence of everyday life in genre scenes to breathing life into captivating portraits and landscapes. His prowess extended to watercolors, mural compositions, and the rich tapestry of Orientalist paintings depicting scenes from North Africa. In 1857, Paul-Albert embarked on his formal artistic education at the prestigious École des Beaux-Arts in Paris. Under the guidance of eminent mentors such as Jean Joseph Bellel, François Edouard Picot, and Hippolyte Flandrin...

Oil on canvas, high detail, realistic, Scotland This original oil on canvas is a signature painting of Slains Castle, in Northeast Scotland by Agnes Murray, who is notable for captu...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Richard Wedderspoon (1889 - 1976). Richard Wedderspoon was an important member of the New Hope Art Colony as both an Impressionist and Modernist painter. Wedderspoon was not only a respected painter, but also a teacher who spent summers at his Bucks County home and the school year at Syracuse University where he was Professor of painting. He was born in Red Bank, New Jersey and first studied art at the Carnegie Institute in Pittsburgh. He continued his studies at the Corcoran School of Art in Washington, and at age twenty four, he enrolled at the Pennsylvania Academy of the Fine Arts studying with Henry McCarter and Daniel Garber. While there his roommates were Charles Garner and Lloyd Ney. Wedderspoon began friendships with fellow artists, Charles Hargens, Clarence Johnson and Stanley Reckless...

Piazza San Marco, Venice by Maurice Delavier (French 1902-1986) signed oil on canvas, unframed dated 58' canvas: 21.5 x 25.5 inches provenance: private collection, France, with exhib...

Signed, verso, in Cyrillic, 'Leontev V.E.' for Valentin Nikolaevich Leontiev (Russian, 1912-1984) and inscribed, 'City of Yarolsavl on the River Volga. Painter, Leontev V.E. Showing Ilaskaya Church, symbol of 17th Century architecture'. Painted circa 1965. Accompanied by old framing label bearing title, 'Church of the Prophet Elijah'. Displayed in a burnished gilt-wood frame; framed dimensions: 21.5 H x 17.5 W x 1.5 D inches Valentin Nikolaevich Leontiev; painter, teacher. Honored Worker of Culture of the USSR (1973). Member of the Great Patriotic War of 1941-1945. He was awarded a commemorative medal. Medal "For Valiant Labor. In commemoration of the 100th anniversary of the birth of V.I. Lenin. Member of the Union of Artists of Russia (1947). Chairman of the Board of the Yaroslavl Union of Artists (1961-1964), member of the board until 1982. In 1931 he graduated from the Yaroslavl Art and Pedagogical College (teacher - S.F. Shitov) and continued his studies in Leningrad (teachers - I.I. Brodsky, A.A. Osmerkin, B.V. Ioganson). He was a Stalin scholarship holder. In 1941, from the 6th graduation course of the institute at the Academy of Arts, he volunteered for the front. Participated in battles near Narva and Kingisepp (North-Western Front). When the regiment left the encirclement, he was captured, in April 1945 he was liberated by the allied forces in Germany on the river. Elbe. After his release, he fought on the 2nd Belorussian Front, participated in the battles near Königsberg. In 1947 he graduated from the Leningrad Institute of Painting, Sculpture and Architecture. I.E. Repin of the Academy of Arts of the USSR, having defending his thesis - the monumental composition "Meeting of the Winners". After graduation, he taught at the Cheboksary (Chuvash ASSR) art school (1949-1951). In 1951 he returned to Yaroslavl and for 32 years (1951-1983) taught at an art school. There are many well-known artists among the students of Valentin Nikolaevich Leontiev. In addition to many landscapes ( " Morning in Yaroslavl " (1967), " Industrial motive " , " The Church of Elijah the Prophet " (1956), " Hoarfrost "(1979) and others), as well as chamber works in the genre of still life, V.N. Leontiev created several significant thematic canvases, including: " Weekend Morning in Cheboksary " (1950 - Chuvash State Art Museum), " Building Communism " (1951, YAHM). Participant of regional, interregional, zonal, regional, republican and all-Union exhibitions. Personal exhibitions in Yaroslavl: 1972, 1983 and 1997. V.N. Leontiev participated in the work of several congresses of the Union of Artists of the RSFSR and the Union of Artists of the USSR, in the formation of regional exhibitions. Works by V.N. Leontiev are kept in the museum collections of Yaroslavl, in Russian and foreign private collections. From the introductory article to the exhibition catalog "Valentin Nikolaevich Leontiev and his students ” , 2008 Art critic Olga Shikhanova. He was loved by both students and fellow artists. Many even now remember with a smile many funny stories associated with the name of Valentin Nikolaevich Leontiev, one of the most significant painters of Yaroslavl. Many are still grateful to him for the lessons of mastery, for patience and tolerance, for a sincere interest in their first, albeit timid, steps in art and for a personal example of passion for creativity. A native Yaroslavl, Leontiev was born on February 5, 1912. His father was a wagon coupler on the railroad and died when his son was 7 years old. Mother Alexandra Nikolaevna worked all her life as a painter at one of the oldest paint and varnish enterprises in the country - the Victory of Workers plant. An inquisitive and active boy at the age of ten joined the first pioneer detachment on Krasny Perekop and from that time became addicted to drawing. Valentin received his initial art diploma in the then popular working studios of fine arts, and in the Yaroslavl Art School, where he entered in 1928, his teachers were wonderful teachers Sergei Fedorovich Shitov and Pyotr Nikolaevich Shadrikov, who stood at the origins of the Yaroslavl art school. In 1931, after defending his diploma, Leontiev received a referral to the Victory of Workers factory, where he conscientiously performed the usual work for a factory artist: he wrote slogans, drew wall newspapers, designed stands with the results of socialist competitions. Such work could not give real creative satisfaction to a person with his pictorial possibilities. In 1933, Valentin first entered the preparatory classes of the All-Russian Academy of Arts, and in 1935 became a student. Art and creative work carried away, and the names of the teachers I. Brodsky, A. Osmyorkin, B. Ioganson, E. Serov, R. Frentz, A. Zaitsev, who had already entered the history of Russian art, turned their heads. In 1940, for excellent progress, Vadentin was awarded the highest student award - a state scholarship. Even then, Leontiev's leadership qualities appeared, and in 1938 he was elected a member of the Student Youth Council under the Central Committee of the Komsomol. For the diploma, he painted a large-scale painting "Children on the Volga" (headed by A.I. Savinov). These few Leningrad years were the happiest in Leontiev's life. After all, it was there, within the walls of the Academy, that he met a friend for life - Evsey Moiseenko, and there he met his only love, Tanya Edelson. The wedding was played in a student hostel in January 1941. But June 1941, like many young people of his generation, dramatically changed the life that had begun so wonderfully. The terrible word "War!" Leontiev and Moiseenko, academic scholarship holders, on whom great hopes were placed, were completely exempted from military service, but both made the only choice possible for them at that time: instead of defending their diploma, in July 1941 they signed up as volunteers in the people's militia. On a memorable day, a large group of students gathered at the Academy - future historians, artists, musicians - all of whom the slogan "Leningrad is in danger!" also did not leave indifferent. From there, everyone went first to the militia, and then to the front. Private of the 4th Volunteer Division, Leontiev participated in the construction of defensive fortifications around Leningrad. The militias dug the ground, constructing anti-tank ditches and pillboxes. After heavy fighting near Narva and Koenigsberg, some colonel undertook to take them out of the encirclement. And so it happened that led untrained soldiers directly to the Germans. So Leontiev was captured, and soon ended up in Germany. Repeated attempts to escape each time ended in raids and brutal reprisals. Finally, he was given as free slaves to a German farm, where he stayed until the arrival of the Red Army. It was a difficult time for Leontiev's wife, Tatyana: in November 1941, their son Vladik was born in Anapa. She survived nine months of occupation and the inability to learn anything about the fate of her husband. Freed from captivity, Leontiev served in the 128th separate communications battalion of the 24th Army of the Belorussian Front until October 1945, and all this time he tried to contact his relatives. He was considered missing. Finally, Valentin was reunited with his family, and then a wonderful portrait of his son appeared, which the artist painted on the same day - “Vladik. Meeting with my son. Leontiev's graduation work was lost during the war years. Having written under the guidance of B.V. Ioganson and V.A. Serov's new large painting "Meeting of the Winners" (280x350), Valentin in 1947 defended his diploma. The high commission rated...

Title: Historical Architectural Miniature Watercolor of Bristol Cathedral Gatehouse by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

A delightful scene depicting a figure walking in fields surrounding a quaint village. Unsigned. Acquired as part of a collection of works by the artist, many of which are signed. On ...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 64, plate #075. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph B...

An Acrylic painting by Han Hsaing-ning from 1977. A photo-realist painting of the New York skyline featuring the Chrysler Building. Han uses the pointillism painting technique to ach...

Paul Ayshford Methuen, 4th Baron Methuen of Corsham (1886 -1974) Corsham Court Oil on board Signed and dated 1957 9×11 inches A view of Corsham Court, Methuen's own house - where he invited the Bath School of Art after their premises were bombed during the war. Painter, zoologist and landowner, he was the first child of Field Marshal Paul Sandford Methuen, 3rd Baron. After Eton and reading Engineering and Zoology at New College, Oxford, he worked in the Transvaal Museum in Pretoria collecting and describing southern African species. He served with the Royal Wiltshire Yeomanry in both the First and Second World Wars, moving to the Procurement and Fine Art branch...

Milan Cathedral by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 16.5 x 11.75 inches condition: very good and ready ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Clifford...

Quaint historical landscape of the Wells Fargo Express Office building in the gold country town of Columbia State Historic Park in Columbia, California by ...